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DENNIS CHINAWORKS; a vase decorated in the 'Kingfisher' pattern designed by Sally Tuffin, signed and no.12 to base, height 22cm.Condition Report: This vase appears to be in good condition, there are no chips, hairlines or surface imperfections to the vase.
GEOFFREY BAXTER for Whitefriars; a 'Drunken Bricklayer' vase in the kingfisher blue colourway, height 21cm.Condition Report: This vase appears in good condition, there are no chips, cracks or losses. there are a few scuffs to the base of the vase but non to the body.
A set of three Chinese blue and white baluster form vases with covers, the larger two 39cm and 38cm, the smaller example 31cm.Condition Report: The smaller vase has a hairline crack to the main body, also damage/restoration to the rim. One of the larger vases with possible restoration to the rim of the cover.
A collection of 19th century and later Staffordshire figures and figurines, all with varying degrees of damage, including a figural group with two figures playing musical instruments, surrounded by sheep, 19cm high, two figures with sheep, 24cm & 23.5cm high, a spill vase, with hounds, 17cm high, etc AF (8)
A mixed collection of ceramics, comprising a Moorcroft pottery dish, 23cm diameter, marked to the underside, a Royal Worcester blush ivory vase, marked to the underside 18cm high, four pieces of 19th century Copeland Spode transferware, comprising three kidney dish and a covered box, a Bretby pottery vase, and a silver plated and glass cruet set (8)
An assorted collection of ceramics, comprising a damaged twin handled pot, with colourful fleur-de-lys decoration, 15cm H x 34cm W, a damaged blue porcelain vase on a gilt metal stand, 31cm high, a continental majolica vase with raised fruit decoration, 18cm high, and others , AF (qty)
A collection of Victorian and later stoneware jars, five creamware examples, the tallest branded and with a black stopper, 20cm high, five darker glazed examples, the smallest 6cm high, together with a Royal Doulton salt-glazed stoneware vase, with elaf design, impressed makers mark to the underside, 26cm high (11)
A 19th century Sampson famille Rose bowl, with swag design and floral decoration, 29cm wide, a modern Meissen porcelain trumpet vase, blue ground with floral panels, marked to the underside, 17.5cm high, and a twin handled porcelain vessel, floral design with heightened gilt rim, 13.5cm high (3)
Two early 20th century Moorcroft pottery vases, one with a narrow flared neck and with Potters to the Queen to the underside, 16cm high, the other a wider body, signed to the underside, 13.5cm high, both with some crazing (2)The wider body vase, with crazing to the body, one or two firing marks, crazing visible to the underside of the body and some minor losses to the glazed surface. The other vase with one or two minor white paint marks to the body, the underside, with firing damage and two chips, AF.
An assorted collection of ceramics, comprising a cabbage ware covered twin handle tureen and dish, the dish 28cm wide, a creamware footed comport, two 19th century Staffordshire spill vase, a small chicken covered dish and two Belleek style lattice vessels, both with repairs AF (7)
Charlotte Rhead for Bursley Ware, a ginger jar and cover, blue foliate decoration on a white mottled ground, marked to the underside, 17cm high, together with a Crown Ducal, decorative squat vase, with floral decoration marked to the underside and in gilt pen signed 'Head', hairlines to the underside 13cm high AF (2)
An early 20th century Chinese blue and white porcelain vase, with two dragons in a floral background, four character mark to the underside, 23cm highFiring marks and wear throughout the body, the underside worn and with firing cracks. Some parts of the base discoloured.
Four pieces of Chinese blue and white porcelain, comprising a handled vase, with foliate scroll decoration, the rim chipped and the handle damaged, four character mark to the underside 18.5cm high, a small pillow, each side with quatrefoil panels with temple dogs, 13.5cm x 11.5cm, and two small dishes, AF (4)
A contemporary mercury vase. The exterior pink in colour with cut details, the interior gold in colour, H25cm Condition Report: Two chips to the inner rim. Signs of wear including scratching and rubbing to the exteior. Would benefit from a clean. No obvious cracks or restoration.
(Private Press, Typography, Printing), a large folder containing Whittington Press posters/broadsides, various prospectuses, specimen pages, original C19th glazed marbled paper, original calligraphy etc, including 'Monotype' Ornament Broadsheets, set of five, comprising No.1 The Arabesque, No.2 The Fleuron, No.3 The Border, No.4 The Nineteenth Century Ornament, No.5 Type Flowers., each 573 x 445mm; Whittington Press broadside/poster, 1993, limited edition (1,000), of a letter about Caslon type faces written by Eric Gill to his younger brother 'Max' MacDonald Gill and published in the Hawkesyard Review, 1918, on Zerkall Ingres paper, 64 x 48cm, (3 copies), 10 Whittington Press FIne Press Book Fair posters 1994-2003, each with wood engraved illustration by Miriam MacGregor or Hellmuth Weissenborn, approx 40 x 31cm to 61 x 42cm (several duplicates), Whittington Summer Show poster 2016, wood engraving by Miriam Macgregor, pencil signed by her, other Whittington Press specimen pages incl. Guido Morris at St Ives, After The Funeral ill. Sally Scott, The Whittington Press A Bibliography 1971-1981, etc; Gill, Eric--Saint Dominic's Press: 'Lectiones ad Matutinum Officii Defunctorum...', Ditchling: S. Dominic's Press, 1925, printed in red and black, unbound booklet of leaves, [14]pp in total, appears incomplete, some leaves repeated, 15 wood engraved illustrations by Eric Gill (some of which duplicates on repeated leaves) + one other, no limitation page, 220 copies stated as being produced, but actual number of copies likely to be less as Pepler may have destroyed some copies as he was not happy with book, incomplete, but very scarce; other private press ephemera etc including Clinker Press, Fleece Press, Old School Press, Johnny Hannah poster and Ephemera etc; six large sheets of original C19th glazed marbled paper; a pochoir colour illustration 'Ode: Still Life with Vase of Flowers' by Walter Bachinksi, Shanty Bay Press, 2000, limited edition (23/50), signed, numbered and titled in pencil by the artist and signed in pencil by Crispin Elsted, the poet of the text alongside; original calligraphy by Peter Halliday, gilt illuminated on vellum, pencil signed and dated Feb. 1984, mounted, and another by Meic Morgan Finch; Gott typography print, pencil limitation (56/95), two Fijian Tapa cloths, etc
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653833 item(s)/page