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An early 20th century Art Nouveau inspired mantle clock; shaped mahogany case with boxwood marquetry emanating from a vase below, white enamel dial with Arabic numerals signed 'Greatbatch, Birmingham', gilded movement and together with key (25.5cm high) Condition Report: At present the clock is not working - it does wind but would benefit from a complete service
A large fireside pottery model of a Scottish Terrier holding a golf ball and a Royal Doulton figure, 'The Master' (damaged/repaired). Together with two pieces of treen: an elephant with calves and an Oriental-style tripod vase stand (4)Condition Report: There is some paintwork away to the tail and lower sides and a very small chip to the top of the right ear, the golf ball has been restored.
A set of five clear-glass hock glasses with air-twist stems (18cm high) and six coloured glass hocks of varying cuts and colours (the tallest 19.5cm). Also to include a gilt-decorated blue-glass vase with metal rose, an antique-style vase in ewer form and a two-handled frosted glass vase (10cm high)
the salt-cellars each in the form of a classical vase and on square base, the lower body part-fluted, each with two bifurcated branch cast handles and with conforming blue glass liners, the mustard-pot similarly formed and with detachable cover and associated blue glass liner, each engraved on both sides with a crestThe crest is that of Lambert as borne by the Lambert baronets, probably for Sir Henry John Lambert, 5th Baronet (1792-1858). In 1821 Lambert married Anna Maria Foley, the granddaughter of Thomas Foley, 1st Baron Foley of Kidderminster.12.5cm wide over handles, weight of silver 57oz 16dwt, 1,798grProvenance:Probably commissioned by Sir Henry John Lambert, 5th Baronet (1792-1858) to celebrate his marriage to Anna Maria Foley in 1821 and by descent. Property from a Private House, St Judes, Isle of Man (Lots 2231-2252 and 2254-2267).Condition report: Each marked near rim. There is wear to the marks overall. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points and the engraving. The blue glass liners have some chips and one is cracked. They are possibly later.
pear-shaped and on spreading foot, the hinged cover with vase-shaped finial, engraved with a crest, with later ivory insulated silver handle32cm high, gross weight 31oz 16dwt, 989grProvenance: Property from the Estate of Ian Stephenson, The Laithes, Penrith (lots 2277-2324).Condition report: Marked underneath. The cover and handle each apparently unmarked. There is overall surface scratching and wear, consistent with age and use. The handle is later, probably replacing a carved wood handle. There are some shallow bruises.
each campana shaped and on spreading foot with beaded silver mount, the antico rosso marble bodies with silver mounts, the mounts on the lower body stamped with foliage and with bearded mask handles, the applied rims with fruiting grapevines, one side on each applied with a coat-of-arms within foliage scrollsThe arms are those of Astley quartering another as borne by the Astley Baronets of Hill Morton, almost certainly for Jacob Astley, 6th Baronet and later 16th Baron Hastings.32.5cm highProvenance: Sotheby's, London, 10 May 2016, lot 40.Footnote: Catalogue Note: Samuel Jackson seems to have specialised in mounting other materials in silver to produce wine-coolers. Besides the present examples are a pair of frosted glass examples mounted in silver-gilt, each in the form of the Warwick vase and hallmarked for 1825 (Sotheby's, London, 13 April 2011).
A Pair of Japanese Black Lacquer Mounted Ivory Tusk Vases on Stands, Meiji period, the vases carved and stained with apes and insects on quatrefoil scroll carved stands gilt with beasts and foliage on four scroll feet and peripheral stretcher, 62cm highCondition report: One vase broken off from mount and with associated cracks and losses. Some typical staining, splitting and surface wear.
~ A Regency Mahogany and Ebony-Strung Sideboard, early 19th century, of D shape form, the brass back rail with turned vase finials above a reeded edge and recessed arched kneehole drawer flanked by a cupboard door and pivoting lead-lined cellaret drawer, on square tapering legs, 184cm by 76cm by 138cm
{} A Royal Worcester Porcelain Vase and Cover, 1910, of baluster form with pierced cover and scroll handles, painted with rose sprays within moulded and gilt borders, printed mark in green, 34cm highCondition report: The fineal with a chip to the very tip, and reglued to the cover, no further damage or repair, typical minimal wear,
{} A Royal Worcester Porcelain Twin-Handled Vase and Cover, by Terry Nutt, 2nd half 20th century, of ovoid form, painted with a still life of fruit on a mossy bank within gilt borders, signed, printed mark in black, 21cm highCondition report: Typical minimal surface wear.
A Meissen Porcelain Figure Group, late 19th/early 20th century, as an 18th century couple flanking an urn shape vase hung with floral swags, billing doves at their feet, a young girl behind, on a circular base, crossed swords mark in underglaze blue, 21.5cm highCondition report: Vase lacking cover. Some typical minor losses to extremities.
{} A Pair of Sèvres Style Porcelain Vases and Covers, 19th century, of baluster form, painted with exotic birds in landscape and with sprays of flowers on a bleu ciel ground highlighted in gilt within scroll moulded and gilt borders, 38cm highCondition report: One vase broken and repaired around base of body and with crack to foot. Some typical minor wear and scratching throughout.
^ A Russian Imperial Glassworks Green Overlay Blue Vase, 1915, of ovoid form, cut with ovolu and fluted bands within geometric borders, engraved Nicholas II monogram mark and date 1915, 17cm highCondition report: 1cm long section of outside of foot with several tiny flat chips and abrasions. Other very minor surface wear.
A Pair of Chinese Porcelain Bottle Vases, 19th century, painted in underglaze blue, green, red and yellow with scrolling lotus within formal borders, bear six-character marks in red, 41cm highCondition report: One vase with a long crack to the rim, both with wear to the gilding
^ A Chinese Porcelain Punch Bowl, Qianlong, painted in famille rose enamels with figures in gardens and with landscapes on an orange cell ground, 26.5cm diameter; A Similar Hexagonal Teapot Stand, painted with figures within an underglaze blue border, 16.5cm diameter; and An Ovoid Vase, 19th century, painted in underglaze blue with birds amongst foliage and rockwork, 28cm high (3)Condition report: Punch bowl with several hairline cracks. Both punch bowl and teapot stand with wear to enamels and gilding. Blue and white jar probably reduced in height and also possibly lacking cover. Vase converted to a lamp base and with extensive surface wear and scratching.
^ A Chinese Porcelain Vase, Qianlong reign mark but 20th century, of ovoid form with flared neck, painted in famille rose enamels with peony, bamboo and rockwork and with calligraphy within formal yellow foliate and panel borders, bears four-character reign mark in overglaze blue, 21cm highWith Peter Wain Heavenly Pieces Exhibition, 1993Condition report: Some typical minor wear and scratching,
A Peking White-Overlay Blue Glass Vase, Qianlong reign mark but not of the period, of rectangular form, carved with exotic birds and foliage and with calligraphic seals within formal borders, bears four-character reign mark, 12cm high; and A Chinese Porcelain Baluster Mug, Qianlong, of ovoid form with mythical beast handles, painted in underglaze blue with figures in a river landscape, 12cm high (2)Condition report: Some minor surface wear.
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653685 item(s)/page