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Lot 817

A Michael, Elizabeth and Timothy Harris for Isle of Wight studio glass bowl, of high sided circular form, decorated in the New Bon Bon Allsorts pattern, with blue iridescent spots over an petrol iridescent black ground, retains original paper label, together with a similar cylinder vase with mottled spots of blue decoration, boxed, and a smaller cylinder vase with amethyst trailing over a mottled opal ground, both retain original paper labels, tallest 16.5cm. (3)

Lot 667

A late 19th Century cameo glass vase of ovoid form with collar neck, cased in deep amber over opal and cut with three classical female figures playing instruments and dancing, with a pillar and stylised flower verso, between geometric borders, height 20cm.

Lot 342

J. SOMERS (CONTEMPORARY) - Flowers in a glass vase, oil on canvas, signed, framed, 51cm x 40cm, frame size 66cm x 56cm, also one other still life oil and an oil depicting a Cornish village. (3)

Lot 789

A contemporary Lundberg studio glass vase of shouldered ovoid form with large flared rim, decorated in the Rainbow Moire Amphora pattern, with multicoloured iridescent trailing over a petrol iridescent ground, engraved signature and dated 2012, height 17cm.

Lot 568

A 19th Century Worcester Aesthetic sleeve form vase in the form of a bamboo brush pot, pierced with the 'Three Friends' of blossom, bamboo and fir tree in blue and white, picked out in gilt, shape number 325, puce mark and faint mark possibly for 1876, height 14cm.

Lot 627

A contemporary Alum Bay studio glass vase of globe form with everted rim, tonal brown swirls over mottled opal interior, retains label, height 7.5cm.

Lot 610

A later 20th Century Orrefors Salsa glass vase by Helen Krantz, of footed ovoid form with lobed neck and cup rim, internally decorated in white and cased in clear crystal, retains original paper label, acid mark, height 22cm.

Lot 759

A contemporary Richard P. Golding for Station Glass studio glass vase, of ovoid form with short collar neck, decorated with green mottled spots and opal pulls all over a petrol iridescent ground, engraved signature, dated 2011, height 26cm.

Lot 797

A contemporary Jonathan Harris studio glass vase, of footed conical form with flared rim, decorated with stylised flower heads over a multicoloured streaked ground with gold aventurine all over a translucent blue ground, raised to a clear crystal knopped stem and circular spread foot, engraved signature and dated 2002, height 16cm.

Lot 668

A late 19th Century Harrach Peach blow satin glass vase of ovoid form with waisted collar neck, enamel decorated with a bird over oak leaves and acorns over a dye away red over opal ground, unmarked, height 26cm.

Lot 697

A large 19th Century opal glass vase in the manner of Richardsons, the footed slender shouldered ovoid body with a flared collar neck, heavily hand enamelled with panels of flowers and foliage within gilded scroll work borders over the white ground, unmarked, height 45cm.

Lot 766

A contemporary Jonathan Harris studio glass pedestal vase, in the Horizon pattern, the ovoid bowl decorated with multicoloured trails over a pink graduated ground before a clear crystal knopped stem and circular spread foot, engraved signature and dated 2002, height 14cm.

Lot 622

An early 20th Century French Art Nouveau glass vase of square section, hand enamelled with a stylised cottage landscape over a deep orange ground, unmarked, height 15.5cm.

Lot 623

A 19th Century Bohemian opal glass vase by Josef Ahne, the footed compressed ovoid body with flared collar neck, hand enamelled with a young putti in classical robes over the white ground with gilded highlights, signed Ahne to the body, height 24.5cm.

Lot 782

A Whitefriars Coffin vase designed by Geoffrey Baxter, in Tangerine, pattern number 9686, together with a Kingfisher Blue coffin vase, both 13cm, and a Bark Finger vase, pattern number 9729, in Tangerine, height 14.5cm, damage. (3)

Lot 819

A 20th Century Heikki Orvola for Nuutajarvi Volcano glass vase, of ovoid form, internally decorated with controlled air bubbles and silver mica over a cinnamon and blue ground all heavily in clear crystal, engraved signature, height 13.5cm.

Lot 723

A Richard P. Golding for Station Glass contemporary limited edition glass vase made for the Diamond Jubilee, the footed flared conical body decorated with stylised flowers and foliage over a mottled petrol iridescent red to blue ground, engraved signature, numbered 3 of 10, height 31cm.

Lot 794

A contemporary Lundberg Studios glass vase, of tapering sleeve form, decorated with pulled opal trailing before iridescent green trailing all over a clear crystal ground, engraved signature and dated 2009, height 22cm.

Lot 323A

PAMELA KAY, RWS, RBA, NEAC (BORN 1939) - Primroses in a vase, oil on board, signed with initials, framed, 19cm x 24cm, frame size 33cm x 38cm also one other oil - a study of mushrooms (2)NB - This lot may be subject to Artist's Resale Right levy

Lot 748

An early 20th Century Daum Nancy Berluze glass vase, of double gourd form with elongated slender flared neck, decorated in a mottled orange ground with a frosted finish, signed to the body, height 37cm.

Lot 895

A large collection of assorted 20th Century decorative art glass, to include an amber vase hand enamelled in the Mary Gregory style with a girl with flowers, an amber soda glass vase with applies trailing, Murano ovoid sommerso vases, various pressed glass vases, a pair of Bohemian tango style vases with black enamel decoration, carnival glass and more, damage. (19)

Lot 670

A contemporary Isle of Wight studio glass Four Seas series trial vase, by Timothy Harris, of footed form with flared rim, decorated with trailing over the mottled blue iridescent ground, engraved signature, height 12cm.

Lot 730

A Martin Andrews contemporary studio glass vase of ovoid form, decorated in the Beach pattern, with mottled basal decoration with blue spots over an ochre ground, all over a mottled pale blue ground with white streaks, signed and dated 2016, height 12cm.

Lot 686

A contemporary Isle of Wight studio glass fish vase, designed by Timothy Harris, mottled blue and gold iridescent core cased in clear, limited edition 3 of 3, engraved signature and dated 2017, retains label, height 23cm.

Lot 774

A contemporary Richard P. Golding for Station Glass studio glass vase, of ovoid form with folded rim, decoration with stylised petrol iridescent flower heads over a petrol iridescent ground with green mottled spots and trailing, signed and dated 2013, height 10cm.

Lot 73

A collection of 20th Century Chinese items, to include a seated cast metal buddha on wooden stand, height 26cm, an Archaic style 'Ding' vessel, height 30cm, and a blue and white vase, height 60cm. (3)

Lot 650

A late 19th to early 20th Century Stourbridge glass vase, possibly Stevens & Williams, the shouldered swollen barrel form with shallow collar neck, cased in a deep magenta over an opal interior and acid cut with classical panels depicting Greek soldiers and figures in classical dress below arches, unmarked, height 24cm.

Lot 456

Two Doulton Burslem porcelain items, to include a twin handled tapered vase, with scalloped flowerhead style rim, the graduated pink and yellow ground, painted with spring flowers, height 27cm, green printed marks, together with an oval platter, length 27cm.

Lot 773

A 1950s clear cut crystal glass vase by Waterford, the tall ovoid body with polished printie panels and mitre lozenge cuts in a repeat abstract design, height 26cm, unmarked.

Lot 784

A Whitefriars Coffin, vase designed by Geoffrey Baxter, in Meadow Green, pattern number 9686, together with a further two Coffin vases in Flint and Cinnamon, heights 13cm, Flint vase damaged. (3)

Lot 672

A contemporary Jonathan Harris studio glass vase in the Mosaic pattern, envelope shape, internally decorated with a patchwork in opal, blue, pink and gold leaf, engraved signature, height 15cm.

Lot 81

A collection of cloisonne vases, to include a pair of Chinese onyx and cloisonné bottle vases, height 16cm, and a Japanese ginbari enamel vase of chrysanthemum on a dark blue ground, height 13cm. (3)

Lot 811

A contemporary Jonathan Harris studio glass trial vase, of cylinder sleeve form, decorated with amethyst and blue swirl threads over a frosted ground with gold aventurine, all cased in clear crystal, engraved signed and dated 2009, retains original paper label, height 18.5cm.

Lot 673

A contemporary Jonathan Harris studio graal glass vase in the Poppy Shard pattern, internally decorated with poppies against an opal ground decorated with trails in green and blue, above mottled amethyst with gold leaf, engraved signature and dated 2011, height 16.5cm.

Lot 571

A late 19th Century Hadleys Worcester vase, the spherical body relief moulded with cartouche panels, fully hand painted with flowering rose boughs in tonal sepia with turquoise blue and gilded borders, printed puce mark, height 15cm.

Lot 752

A large Will Shakspeare for Shakspeare Glass & Art studio glass vase of drawn cylindrical form, cased in clear crystal glass over a multi-coloured ground with green, yellow, red, white and blue spots and stripes with frosted finish, hand engraved signature, dated 2001, height 56cm.

Lot 684

A later 20th Century Daum crystal glass vase of cylindrical form rising to a stylised rope border, engraved signature to the lower body, height 16.5cm.

Lot 657

A 19th Century opal glass vase of footed ovoid form with flared neck, enamel decorated with a boy playing cymbals and a mythological creature verso, with a branch and leaves above and stiff leaf border below, height 32.5cm.

Lot 491

A Minton early 20th Century pedestal vase and cover, the bleu celeste ground picked out with panels of roses and heightened with gilt, with central panel painted with birds, painted pattern number BA 1301, height 30cm.

Lot 641

An early 20th Century Kralik glass vase in the form of a shell, the body decorated with random blue whiplash lines over a clear crackle ground, raised to three green loop feet, unmarked, height 20.5cm.

Lot 669

A contemporary Jonathan Harris studio glass vase of ovoid form with flat rim, in graduated pink to clear and decorated with opal streaking and gold leaf, engraved signature, height 22cm.

Lot 648

A late 19th Century Harrach opal glass vase of ovoid form with narrow collar neck, hand enamelled with wild broom over the ivory ground, printed propeller mark to the base, height 16cm.

Lot 593

An early 20th Century Stuart and Sons clear crystal glass vase, of footed slender tapering form with wavy rim, decorated with three applied peacock trails in green, height 22cm.

Lot 701

A large 19th Century Richardsons Vitrified enamel opal glass vase of footed skittle form with everted rim, the body hand enamelled with flowers and foliage with a large gilded cartouche verso between gilded borders over the white ground, black printed mark to the base, height 36.5cm.

Lot 775

A mid 20th Century continental clear crystal glass vase, possibly Czech, the tapered sleeve form decorated with vertical mitre cut lines and small printie panels with fine engraved lines, height 24cm, unmarked.

Lot 616

A 20th Century Unikat Corona Graal glass vase by Professor Konrad Habermier, the globe and shaft form body cased in clear crystal over a graduated golden amber core with internal arched slice cut decoration, engraved signature, height 21.5cm.

Lot 796

A contemporary Jonathan Harris studio glass silver cameo footed vase, the ovoid form bowl cased in silver over black and cut to reveal stylised flowers, before a knopped stem and circular spread foot, engraved signature and dated 2002, boxed, height 10cm.

Lot 455

A Doulton Burslem Hyperion ewer vase by Fred Walklate, circa 1900, the pale blue ground with painted slender daffodils, picked out with gilt floral designs, height 31cm, printed green marks, and inscribed 722, height 31cm.

Lot 562

A collection of Mason's Mandalay pattern items, to include jardinieres, vase and covers, ginger jars, dishes and jugs, together with further teawares similarly decorated. (approximately 30)

Lot 628

A small 20th Century Italian Murano glass bowl of shallow circular form with dimple base and roll rim, decorated with a gold aventurine, together with a small Italian Murano glass vase with applied gilt handles, and a small dimple sided tumbler. (3)

Lot 575

A small early 20th Century Royal Worcester porcelain posy vase, Hadleys shape 158, of fluted ovoid form with everted collar neck, hand enamelled with roses below a gilded collar neck, puce mark and dated for 1923, together with a similar smaller example. (2)

Lot 696

A 20th Century Val St Lambert large clear crystal glass vase, of footed shouldered ovoid form with flared neck, decorated with a band of classical dancing figures in gilt above basal facet cuts all raised to a waisted facet cut stem and square block foot with star cut base, signed, height 39cm.

Lot 844

A 20th Century continental sommerso glass vase of lobed ovoid and flared form, internally decorated with controlled air bubbles over a turquoise, blue and green core, height 25.5cm.

Lot 549

Two Lorna Bailey Old Ellegreabe Pottery 'Aspen' items, to include an octagonal flattened vase, height 15.5cm, and a sugar sifter, height 17cm. (2)

Lot 572

An early 20th Century Royal Worcester porcelain pedestal vase, shape 1759, of footed and shouldered form with a waisted collar neck and applied twin scroll handles with face mask terminals, the body transfer printed and painted with wild flowers over a blush ground with gilded borders and highlights, printed puce mark, dated for 1916, height 26.5cm.

Lot 542

Two Moorcroft pottery Cluny pattern items, to include a ginger jar and vase, heights 11cm. (2)

Lot 777

A contemporary Richard P. Golding for Station Glass studio glass vase, of ovoid form with flared neck, decorated with petrol iridescent stylised leaves over a green trailed ground with petrol iridescent vertical trailing, signed and dated 2014, height 21cm.

Lot 633

An early 20th Century French Art Nouveau cameo glass vase by La Martine, the rectangular sleeve form cut with a stylised flowering tree to a landscape with hand enamelled decoration over a white and green marbled ground, engraved signature to the lower edge of the body, height 19.5cm, damaged.

Lot 451

Royal Worcester porcelain vase, early 20th Century (indistinctly dated), possibly painted by Harry Chair, the campana form vase raised on a canted square base, the pale ivory glaze with salmon and green enamelled glazes heightened with gilt and painted with floral sprays, unsigned, height 28cm.

Lot 461

A late 19th Century George Jones Pate-Sur-Pate vase by Frederick Schenk, of flattened rectangular form, the rich dark green ground with upright rim, decorated with nymph within a woodland landscape, numbered in gilt to base 5632, height 24cm.

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