A Michael, Elizabeth and Timothy Harris for Isle of Wight studio glass bowl, of high sided circular form, decorated in the New Bon Bon Allsorts pattern, with blue iridescent spots over an petrol iridescent black ground, retains original paper label, together with a similar cylinder vase with mottled spots of blue decoration, boxed, and a smaller cylinder vase with amethyst trailing over a mottled opal ground, both retain original paper labels, tallest 16.5cm. (3)
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A contemporary Jonathan Harris studio glass vase, of footed conical form with flared rim, decorated with stylised flower heads over a multicoloured streaked ground with gold aventurine all over a translucent blue ground, raised to a clear crystal knopped stem and circular spread foot, engraved signature and dated 2002, height 16cm.
A large 19th Century opal glass vase in the manner of Richardsons, the footed slender shouldered ovoid body with a flared collar neck, heavily hand enamelled with panels of flowers and foliage within gilded scroll work borders over the white ground, unmarked, height 45cm.
A contemporary Jonathan Harris studio glass pedestal vase, in the Horizon pattern, the ovoid bowl decorated with multicoloured trails over a pink graduated ground before a clear crystal knopped stem and circular spread foot, engraved signature and dated 2002, height 14cm.
A Richard P. Golding for Station Glass contemporary limited edition glass vase made for the Diamond Jubilee, the footed flared conical body decorated with stylised flowers and foliage over a mottled petrol iridescent red to blue ground, engraved signature, numbered 3 of 10, height 31cm.
A large collection of assorted 20th Century decorative art glass, to include an amber vase hand enamelled in the Mary Gregory style with a girl with flowers, an amber soda glass vase with applies trailing, Murano ovoid sommerso vases, various pressed glass vases, a pair of Bohemian tango style vases with black enamel decoration, carnival glass and more, damage. (19)
A late 19th to early 20th Century Stourbridge glass vase, possibly Stevens & Williams, the shouldered swollen barrel form with shallow collar neck, cased in a deep magenta over an opal interior and acid cut with classical panels depicting Greek soldiers and figures in classical dress below arches, unmarked, height 24cm.
A contemporary Jonathan Harris studio glass trial vase, of cylinder sleeve form, decorated with amethyst and blue swirl threads over a frosted ground with gold aventurine, all cased in clear crystal, engraved signed and dated 2009, retains original paper label, height 18.5cm.
A large Will Shakspeare for Shakspeare Glass & Art studio glass vase of drawn cylindrical form, cased in clear crystal glass over a multi-coloured ground with green, yellow, red, white and blue spots and stripes with frosted finish, hand engraved signature, dated 2001, height 56cm.
A large 19th Century Richardsons Vitrified enamel opal glass vase of footed skittle form with everted rim, the body hand enamelled with flowers and foliage with a large gilded cartouche verso between gilded borders over the white ground, black printed mark to the base, height 36.5cm.
A 20th Century Val St Lambert large clear crystal glass vase, of footed shouldered ovoid form with flared neck, decorated with a band of classical dancing figures in gilt above basal facet cuts all raised to a waisted facet cut stem and square block foot with star cut base, signed, height 39cm.
An early 20th Century Royal Worcester porcelain pedestal vase, shape 1759, of footed and shouldered form with a waisted collar neck and applied twin scroll handles with face mask terminals, the body transfer printed and painted with wild flowers over a blush ground with gilded borders and highlights, printed puce mark, dated for 1916, height 26.5cm.
An early 20th Century French Art Nouveau cameo glass vase by La Martine, the rectangular sleeve form cut with a stylised flowering tree to a landscape with hand enamelled decoration over a white and green marbled ground, engraved signature to the lower edge of the body, height 19.5cm, damaged.
Royal Worcester porcelain vase, early 20th Century (indistinctly dated), possibly painted by Harry Chair, the campana form vase raised on a canted square base, the pale ivory glaze with salmon and green enamelled glazes heightened with gilt and painted with floral sprays, unsigned, height 28cm.
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