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Click here to subscribeAn enamelled glass jug attributed to the Wiener Werkstatte, tapering cylindrical form, enamelled in black and white with landscape vignette, a Tango orange glass bowl with applied black rim in the manner of Michael Powolny, a small Moser blue glass ashtray, a small Loetz cased glass vase and six other glass items, etched WW mark, 18.5cm. high (10) ProvenancePrivate collection
An Aesthetic Movement Cloisonne vase probably French, in the manner of Dr Christopher Dresser for Mintons, on gilt metal mount, the cylindrical vase printed and painted with panels of butterflies in colours and gilt on a turquoise ground, indistinct makers plaque to the interior, crazed 28.5cm. high
An etched glass vase by Paolo Martinuzzi, shouldered, rectangular clear glass, etched with stylised figures, two Venini miniature glass vases in the manner of Carlo Scarpa, eight Italian glass vases in the manner of Venini or Paolo Martinuzzi and seven other miniature glass vases, an Italian glass miniature hen, three other glass animals and ten glass miniature corked bottles each set with mineral sample, 17cm. wide (32)
A Foley Intarsio 'Saint Cecilia' vase designed by Frederick Rhead, model no.3024, shouldered form with tall tapering neck and applied loop handles, printed and painted in colours with figural panels flanked by panels of birds perched amidst berried foliage, printed factory marks, number 3024, restored, 41cm. highLiteratureRobert Prescott-Walker, Collecting Shelley Pottery, Francis Joseph, page 37 for a comparable vase.
A Wedgwood Butterfly lustre miniature bowl designed by Daisy Makeig-Jones, printed in gilt on a purple lustre ground, another Dragon lustre miniature bowl, two other Wedgwood lustre miniature bowls, a Crown Devon vase and cover and four various lustre miniature bowls, printed factory marks, 8cm. diam. (10) ProvenanceMichael Kayne,
'Acorn' a Clarice Cliff vase, shape no.362, painted in colours printed factory mark, 20.5cm. highProvenanceThe Barry Jones Collection of Clarice Cliff, Christie's South Kensington, 25th February 2000, lot 59.Clarice Cliff, Christie's South Kensington, 29th March 2001, lot 288
A Venini green glass Pharmacist's jar and cover designed by Paolo Venini, designed 1958, footed urn shape vase with swollen cover and tall pointed finial, acid etched Venini mark to base, 21.5cm. high (2)Literature Venini Catalogue Raisonne 1921-1986, Skira Publications, page 207 figure 95 this shape illustrated.
A Ruskin Pottery vase by William Howson Taylor, dated 1910, shouldered form with cylindrical neck, mottled blue, purple and green glaze surface painted with flowers and foliage in silver gilt, and a small Bernard Moore flambe bowl, impressed factory marks, stress lines to top rim of Ruskin vase, 20cm. high (2) Provenancefrom the collection of Phillip Allen (1938-2022). LiteraturePaul Atterbury & John Henson, Ruskin Pottery, Baxendale Press, page 95 for a comparable matt black Ruskin vase with silver foliate decoration illustrated.
A large Mintons Pottery Cloisonne moon flask designed by Dr Christopher Dresser, printed and painted in colours and gilt with a central flowerhead motif, inside a band of Chinese dragons, the neck with stylised mask panels, on a turquoise ground, printed factory mark, professional restoration to base, 32cm. high LiteratureWidar Halen, Christopher Dresser, Phaiden, page 104, plate 102 for a comparable vase illustrated.
A Poole Pottery Contemporary Peanut vase, pattern X/PLC, painted with geometric columns in mushroom and pale grey, highlighted in white, a Poole Pottery Contemporary vase pattern X/PJB, two Poole Pottery Freeform vases and a Poole Pottery Studio bowl, printed and painted factory marks (5)
A 19TH CENTURY KPM PORCELAIN VASE AND COVER with eagle surmount, the ovoid body with twin laurel wreath bordered cartouches respectively enamelled with courting couple and floral sprays, on a reeded yellow and gilded ground with pink and green leaf borders, 35cm high, with 19th century ebonised wood stand
A BLUE AND WHITE PORCELAIN AND BRASS EURASIAN TAPER STICK the porcelain Chinese, the brass Dutch, both 18th century, with tall cylindrical nozzle, gadrooned drip pan, double gadrooned skirt and base with scalloped and gadrooned edging, the centre of the baluster stem formed from the body of a blue and white porcelain miniature vase, the base from the base of a bowl, 10.2cm highProvenance: Alistair Sampson Ltd, London, 11th December 1997. The collection of the late Anthony du Boulay FSA (1929- 2022).
A set of eight mahogany Queen Anne style dining chairs, early 20th century, each chair with a vase shaped splat over an upholstered drop-in seat, upon cabriole front legs extending to ball and claw feet, plain back swept rear legs, to include two carver chairs, 107cm and 104cm high (8)
A pair of Chinese carved hard wood marble inset vase stands, each of square section inset with rouge marble panels, upon legs of rounded square section, united by shaped peripheral cross stretchers, 14cm H x 12cm Sq (2)Condition reportThe cross stretcher on one stand is broken at the leg joint, the marble insets are a different gauge.General light wear and light abrasions to the marble tops, otherwise no obvious faults, damage or repairs
A Victorian rosewood and upholstered low seat chair, stamped 'Johnstone & Jeanes, 67 New Bond Street, London' and the number 2866, in green foliate fabric, the bow front sprung seat upon ring turned vase shaped fore legs, plain back swept rear legs and later shepherd castors, seat height 33cm, height 85cmCondition reportVery minor marks/stains to the fabric, little or no play in the chair joints, upon later associated castors, general light marks and scuffs to the legs.
A pair of Oka Gela table lamps, each of vase form, upon integral plinth base, with original retail labels, and cylindrical velour shades, 44cm high (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportMinor chip and blistering to the base rim of the LH vase in the image, otherwise no obvious faults or damage
A Chinese porcelain famille rose vase, 19th century, of cylindrical form with narrow neck and flared rim, externally decorated with a bird perched upon a branch amongst peony sprays, marked to the underside with a blue artemisia leaf, 21cm high (restored) Condition report; Neck and rim entirely restored and over painted. No further signs of restoration or damage.
A silver waiter, Sheffield 1986, the shaped and raised rim above a plain polished body, upon four acanthus cast feet, 15.5cm wide, 5ozt and a pair of silver and cut glass posy vases, Broadway & Co, Birmingham 1985, the baluster formed glass vase with cut glass detail of floral and foliage, upon spreading circular silver base (weighted) 19cm high (3)
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