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A Chinese Canton famille rose basin, mid-19th Century, painted with figural panels and birds and insects amidst flowers within scroll frames against a gilt ground of dense foliate scrollwork together with a similar bottle vase and cover and a rectangular soap dish, cover and liner (faults).
A Chinese celadon and blue and white porcelain vase, late 19th Century, the cylindrical body decorated with two blue and white bands, the upper filled with opposing figural panels flanked by cranes in flight, beneath a flared neck with pierced handles flanking a blue and white repeated ruyi head collar, height approx 58cm (restoration).
A Chinese iron red ground two handled vase, mark and period of Jiaqing, of flattened form with asymmetric ruyi handles, covered in a gilt formal lotus design within stiff lappet borders, turquoise interior and foot interior, six character seal mark in iron red to base, height approx 17.5cm.
A pair of late 19th Century Staffordshire spill vases, one modelled as a boy holding a posy of flowers and a girl holding a bird, an egg filled nest at their feet, the other modelled as a boy and girl sleeping beside a tree, together with a bisque spill vase in the form of a young girl carrying a bucket (faults).
A pair of late 19th Century French majolica vases of square lobed form, decorated with simulated ring handles and oak leaves flanked by applied pink and yellow roses on a blue ground (faults), together with two Staffordshire models of greyhounds with hares, a pair of bisque porcelain figures of a boy and girl and a Japanese vase (faults).
A Wedgwood Queen Elizabeth II Silver Jubilee commemorative mug, circa 1977, designed by Richard Guyatt, decorated in black and gilt with profile portraits of the Queen and Prince Philip each flanked by a lion and unicorn, black printed marks to base, a Wedgwood mug commemorating the marriage of Princess Anne and Mark Phillips designed by Richard Guyatt, a Royal Doulton two handled loving cup designed by Milner Gray for Courage Brewers commemorating the coronation of Queen Elizabeth II and a limited edition Coalport Queen Elizabeth II Silver Jubilee commemorative vase (cracked).
A Wedgwood lustre Nizami pattern bowl, designed by Daisy Makeig-Jones, the base interior decorated with a kneeling figure beneath a border of running gazelles, the exterior with colourful stylized foliate panels beneath green and yellow banding punctuated with birds in flight, brown printed Portland vase mark to base, red script pattern No. Z5485, diameter approx 14cm.
A Wedgwood lustre 'Argus' pheasant pattern bowl, designed by Daisy Makeig-Jones, the base interior with a pheasant against a blue ground of flowers and foliage, the exterior with various birds and insects flying and swimming, brown printed Portland vase mark to base, red script pattern No. Z5486, diameter approx 20.9cm (minor faults).
A pair of Coalport porcelain vases, each painted with a river landscape within a gilded reserve 'jewelled' panel on a blue ground (faults), a Crown Staffordshire diminutive cup, decorated with flowers, a Moore Bros jug inscribed 'Bright Hopes for the Future', a vase inscribed 'Please Sir I'm not a Turkey' and a small collection of decorative china.
A mid-19th Century Davenport Longport two handled vase, the ovoid body painted with a hilly landscape scene to one side and a floral bouquet to the other within a gilt scroll reserve, the flared cylindrical neck applied with scroll and shell moulded gilt enriched handles above a similarly moulded pierced foot, blue printed 'Davenport Longport Staffordshire' to base, height approx 26cm (faults and restoration).
A pair of loaded silver candlesticks on square bases, Sheffield 1908, a silver vase with pierced decoration, Sheffield 1910, a pair of silver fiddle pattern sugar tongs, London 1813 and a pair of Victorian silver sugar tongs, with engraved decoration, London 1870.
A silver gilt twin handled trophy vase, Birmingham 1924 and an oval 9ct gold medallion, detailed the Confectioner's, Bakers & Allied Traders Exhibition, London 1924 and engraved Stanton's Hednesford, Birmingham 1924, with an ebonised rectangular display stand, mounted with a gold plaque.
A silver mounted shaped rectangular photograph frame, Birmingham 1910, a silver handled shoe horn, Birmingham 1910, a silver vase, with floral decoration, Birmingham 1912, a sewing set, cased, a Victorian photograph of a girl, a small glass tube to measure drops, a sugar sifting spoon, a box, two small propelling pencils and sundry.
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653685 item(s)/page