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TWO CHINESE BLUE AND WHITE VASES WITH COVERS of graduated size, one decorated with scholars and figures against a rural backdrop, the base with double ring mark, 18cm high; and a larger vase of baluster form with profuse floral motifs overall and character mark to base, 27cm high (2)
GROUP OF CLOISONNE WARES the larger vase of graduated pink and cream tone with flared neck and Greek key border to rim, 30cm high; the medium vase with birds on a ribbon like river and mottled orange ground, 22cm high, and the smaller vase with dragon and rolling waves on an yellow ground` 19cm high; incense burner with cover and stand and three other items (7)
JAPANESE AND CHINESE WARES comprising tapering vase with panels richly decorated with dancing figures, four character mark to base, 28cm high; a Chinese stoneware ginger jar with profuse foliage and motif panels on a yellow ground, 21cm high, and a baluster shaped vase with floral decoration overall, 19cm high (3)
Quentin Bell (1910-1996) Still life with apples, scythe, red cloth, bowl and vase signed, inscribed with title `Still Life` and£30.00 on a label attached to the reverse oil on canvas 79 x 59cm. Provenance: 1946 Yvonne Kapp, inherited by Betty Lewis, thence by family descent. Quentin Bell (1910-1996): Painter, writer, teacher, potter and sculptor. Son of the art critic Clive Bell and the artist Vanessa Bell. Studied at Leighton School and during World War II was a member of the Political Warfare Executive. Held teaching positions at The Slade, Oxford University, Hull University, Sussex University. With Duncan Grant and Vanessa Bell, he painted extensive murals in Berwick Church, Sussex, close to where he lived at Firle. Yvonne Kapp was born in London to a German-Jewish family in 1903. Against her parents wishes, she married the artist Edmond Kapp and lived with him on the fringes of the intellectual-bohemian world. Their marriage ended in 1930 and she returned to London where she became acutely aware of and motivated by political developments in Europe. She campaigned against fascism and worked to support refugees, latterly becoming active in conditions for workers and women`s rights. In the mid 1930s Quentin Bell wrote of Kapp "When I fell in love with Yvonne it must have seemed, to adapt a phrase of Jane Austen`s, that I did so to "disoblige my family". In fact I had no ulterior motive, I just found her voice, her appearance and her mind immensely attractive".
A Daum `snowy landscape` vase of swelling square profile with cusped rim and set on four feet, acid etched and cut with Silver Birch trees under snow in brown, black and white on a mottled amber and yellow ground, 13.5 cm high, enamelled Daum Nancy with cross of Lorraine.
A Chinese porcelain baluster vase and matched domed cover, painted in blue with a pair of quail amongst flowering prunus, peony and chrysanthemum and verso with butterflies, between simple foliate bands, 38 cm high, concentric ring marks, 19th century, with hardwood stand.
A group of four 16th century carved oak and polychrome decorated panels, one decorated with a coat of arms of a dragon, decorated shield with crown above, supported by unicorns, with oak leaves and acorns, 69 x 30cm: one of St. Catherine, holding a sword in one hand and bible in the other, trampling on a devil, 69 x 25cm, another panel depicting the figure of Christ in judgement 69 x 16cm. and the final panel depicting a flowering shrub contained in a vase, 70 x 24.5cm. Provenance: By repute Glasgow Cathedral
John Downs, Swansea a mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the painted fourteen-inch break-arch dial having black Roman numerals, subsidiary seconds dial, date aperture and signed `John Downs, Swansea`, with rural cottage scenes painted to the four corners and a moon-phase disc within the arch, the mahogany case having various inlays and stringing and having a short door with shaped top and with various inlays and stringing, the hood having a swan-necked pediment with a brass `vase` centre finial, and with florally carved columns to the trunk and hood, all standing on bracket feet, height: 244cms. * John Downs is recorded as working in Swansea in the early 19th century.
A George III mahogany and inlaid pembroke table, bordered with boxwood and ebony lines, the shaped top with D-shaped leaves and a moulded edge, fitted with a drawer to the frieze, on ring turned vase knopped column and quadruped inswept splayed legs, terminating in brass cappings and castors, the top 82cm (2ft 8 1/4in) 105cm. (3ft 51/4in).
A Regency mahogany circular two tier graduated dumb waiter, the pierced brass galleried tops on a turned vase knopped central column and tripod reeded inswept splayed legs, terminating in castors, 81.5cm (2ft 8in) high. * By repute the former property of Sir Anthony Eden.
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653833 item(s)/page