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Click here to subscribeROYAL PILKINGTON LANCASTRIAN POTTERY, comprising a gourd shape vase, impressed 2995, height approximately 25cm, a circular bowl, impressed 2235, height approximately 12cm, diameter approximately 21cm and a swollen ovoid vase by E.T. Radford pattern No.202, height approximately 16cm, all in the uranium oxide orange vermillion (3) (condition: no obvious damage or restoration)
THREE PIECES OF RUSKIN POTTERY, comprising two high fired examples of cylindrical form with flared rims, dated 1909 and 1924, together with a 487 pattern trumpet shaped vase in a mottled bronze glaze, dated 1926 (3) (condition: two pieces have stapled repairs, all have some degree of damage, tallest height approximately 29.5cm)
A 19TH CENTURY YEW WOOD AND ELM WINDSOR CHAIR, the hoop back with pierced vase shaped splat flanked by six turned spindles to each side, the arm rests with turned supports, dished seat on turned legs united by a crinoline stretcher and two turned stretchers to the back legs, height 88cm x height to seat 41cm (condition: holes in arm rests above supports, splits and hole in seat, split in upper splat, split to back of seat, further splits and repairs)
A NEAR PAIR OF WILLIAM MOORCROFT POMEGRANTE DESIGN BALUSTER VASES, mottled dark ground, impressed 'Moorcroft, Made in England', blue painted signature, heights 21.5cm and 21cm (2) (condition: one vase has a vertical crack through the rim and into the top of the shoulder, the same vase has a small patch of glaze loss, light crazing in a few places, some areas there is a little scratching to the glaze)
JEROME MASSIER, a Studio Pottery vase with flower decoration to the iridescent petrol glaze, signed 'J. Massier, Vallauris' to the base, height approximately 17cm, together with an unmarked twin handled posy vase covered in an iridescent glaze, height approximately 14cm (2) (condition: chips and cracks to the Massier vase, posy vase undamaged)
A 19TH CENTURY YEW WOOD AND ELM WINDSOR CHAIR, the hoop back with pierced vase shaped splat flanked by seven turned spindles to each side, the arm rests with scroll over ends supported on turned yew wood uprights, dished seat, on turned legs with ball feet, united by a crinoline stretcher and two turned stretchers to the back legs, height 89cm x height to seat 44cm (condition: lower splat loose in joints and splits, old worm damage to feet)
FIVE PIECES OF LATE 19TH CENTURY BOURNE DENBY GREEN MAJOLICA WARE, all pieces glazed in mottled green/tan, comprising an onion shaped vase with wavy rim, impressed H to base, height 13cm, a flared rim baluster vase, height 29.5cm, a shouldered baluster vase on a domed circular foot, height 29cm, a bottle shaped ewer, impressed S to base and a baluster shaped ewer, indistinct letter impressed to base, height 26cm (5) (condition: good overall condition, the smaller ewer has a chip to the underside, the shouldered baluster vase has scratches to the glaze, a few minor glaze imperfections, no sign of restoration)
A 19TH CENTURY YEW WOOD AND ELM WINDSOR CHAIR, the hoop back with pierced vase shaped splat flanked by six turned spindles to each side, dished seat, on four turned legs linked by a crinoline stretcher and two turned stretchers to the back legs, height 90.5cm x height to seat 45.5cm (condition: overall fair condition with some loose joints, old minor splits and a hole to crinoline and a joint)
A ROYAL PILKINGTON LANCASTRIAN BLUE LUSTRE VASE, cylindrical form with flared rim, impressed 2143A, height approximately 20cm, together with a waisted cylindrical vase, blue mottled glaze, height approximately 20cm and a vase of tapered baluster form, impressed 2786, in a blue mottled glaze, height approximately 26.5cm (3) (condition: no chips, cracks or crazing to any of the pieces)
JEROME MASSIER, a Studio Pottery vase of baluster form with cylindrical neck, sgraffito decoration depicting galleons in full sail at sea, signed to the body, impressed marks to the base, produced at the Vallauris Studio, height approximately 26cm (no chips or restoration), together with a posy vase by the same hand, sgraffito floral decoration, signed J. Massier to the body, signed J. Massier, Vallauris to the base, height approximately 11.5cm (2) (condition: no chips or restoration)
THREE PIECES OF RUSKIN STUDIO POTTERY, in the orange lustre glaze, comprising a 131 pattern vase, height approximately 21cm, impressed 'RUSKIN 1913', a 273 pattern vase, height approximately 21cm, impressed 'RUSKIN, ENGLAND 1914', neither have signs of damage or restoration, together with a large baluster shaped vase, height approximately 32cm, impressed RUSKIN 1914', restoration towards the bottom and to the base (3)
CLEMENT MASSIER, a tall lustre glaze vase with stylised leaf decoration of the Art Nouveau period, impressed and painted 'Clement Massier, Golf Juan' to the base, due to damage to the top it currently stands at approximately 38cm, it would have been 60cm pre-damage (condition: small chips to the glaze and reduced in height due to damage)
A PAIR OF LATE 19TH CENTURY CHINESE CANTON PORCELAIN FAMILLE ROSE VASES, of mallet form, decorated with a panel of figures to one side and birds, insects and foliage to the other, s.d., height 20cm (2) (condition: both vases have small patches of paint loss, one vase has a number of nibbles to the rim and a chip to the underside of the rim, the other vase has a number of larger chips to the top rim, with smaller chips and nibbles to the underside of the rim)
A VICTORIAN SILVER GILT TWIN HANDLED VASE, of baluster form and engraved with ferns, bearing a presentation inscription 'Presented To The Rt. Honble William Cowper M.P On His Retirement From The Representation in Parliament for The Borough of Hertford By Their Constituents & Friends As A Mark of Their High Esteem And In Acknowledgment Of His Services During An Uninterrupted Period of 33 Years 1868', crest engraved on opposite side, maker S. Smith & Son (Stephen Smith), London 1868, height 31cm, approximate weight 42ozt, 1307 grams, Footnote: William Cowper 1811-1888 was the second son of 5th Earl Cowper of Brocket Hall, Hertfordshire, his mother married Prime Minister, Lord Palmerston after she was widowed, William Cowper's uncle was Prime Minister, Lord Melbourne and during the course of his career he was a private secretary to Melbourne as well as being a junior minister in his step father's government, groom in waiting to Queen Victoria, as well as holding positions on the Board of Health and The Board of Works (condition: the base is not sitting completely level on a flat surface, some wear to gilding, surface scratches and several dints)
CLEMENT MASSIER, three pieces of Studio Pottery, comprising a posy vase of wrythen form with gilt flower decoration, printed marks to the base (undamaged), height approximately 9cm, a miniature posy vase iridescent decoration, signed to the base, height approximately 5.5cm (chips to the rim) and a gourd shaped miniature posy vase with dimples to the body, covered in an iridescent flower glaze, height approximately 7.7cm, indistinct signature to the base (3) (condition: chips to the rim)
A PARCEL OF SILVER, to include a late Victorian belt buckle, of shaped rectangular form, pierced foliate scroll decoration, makers Levi & Salaman Birmingham 1894, an Edwardian silver rectangular dressing table tray, blind cartouche, repousse decorated with foliate scrolls and flower heads, makers Robert Pringle & Sons, London 1904, 26cm x 20cm, an Elizabeth II silver waiter of circular form, bears presentation inscription, maker J.P, Birmingham 1963, together with Victorian silver part sets of teaspoons, two silver thimbles, a posy vase with loaded base and a pierced bon bon dish, various makers and dates, approximate gross weight of weighable silver 23.8ozt, 741 grams (condition: mixed condition, thimbles have holes in the tips, waiter and tray heavily tarnished but in reasonable order, buckle appears in good condition, spoons in slightly used to worn condition)
THREE PIECES OF RUSKIN STUDIO POTTERY, in the orange lustre glaze, comprising a 272 shape vase, height approximately 24cm, impressed 'RUSKIN, ENGLAND 1923', a 273 shaped vase, height approximately 17cm, impressed 'RUSKIN, ENGLAND 1922' and a 292 shape vase, height approximately 16cm, impressed 'RUSKIN, ENGLAND 1921' (condition: no obvious sign of damage or restoration)
PILKINGTON ROYAL LANCASTRIAN POTTERY, comprising a compressed globular posy vase by Edward Radford, impressed marks and initials to the base, shape No.8188, height approximately 11cm, a pair of candlesticks shape No.2224, a pair of baluster shape posy vases in the uranium oxide orange vermillion glaze and a posy bowl shape No.VII (condition: no obvious signs of damage) (6)
STANLEY GRIMM (BRITISH 1891-1966), a still life study of a vase of flowers and fruit upon a table, signed and dated 1945 lower left, oil on board, unframed, approximately 61cm x 51cm (Artists Resale Rights May Apply To This Lot) (condition: the corners and edges are chipped and worn, scratches to the paint surface, would benefit from a clean)
A DERBY BLOOR PORCELAIN CUP AND SAUCER, blue ground with raised gilding of foliate scroll design surrounding vignettes of exotic birds, painted Sevres marks, s.d, together with a Derby porcelain shaped oval dessert dish, painted to the centre with crest of a unicorn, painted puce marks and three other items of 19th Century Derby porcelain and a 20th Century Royal Crown Derby cabinet plate, painted with a floral spray (7) (condition: the cup has a stained crack from the rim downwards, some wear to the gilding, the saucer has staining to the underside and sounds defective when tapped, the dessert dish has scratches to the glaze, the twin handled comport has extensive staining and crazing, the circular plate has wear to the gilding and stained cracks to the centre, the reticulated vase has restoration to the rim and wear to the gilding and the Royal Crown Derby plate has losses to the beaded rim)
A FRENCH AESTHETIC MOVEMENT FOLDING TRIPTYCH MIRROR, the bamboo effect square frame containing two brass framed folding panels each with black and gilt printed paper fronts with designs of cranes in water and Japanese drummers wearing butterfly wings, the gilt metal clasp stamped BREVETE SGDC LB, PATENTED 1876, height 34cm x width 33cm, together with a pair of early 20th Century Falcon Ware cylindrical vases printed and tinted with Japanese style decoration, printed marks, height 25cm (3) (condition: some wear to paper on front mirror and to the mirror plate and backs, gilding wear to vase rims)
A 19TH CENTURY YEW WOOD AND ELM WINDSOR CHAIR, the hoop back with pierced vase shaped splat flanked by six graduated spindles to each side, dished seat, on four turned legs linked by crinoline stretcher and two turned stretchers to the back legs, height 87cm x height to seat 42cm (condition: one turned stretcher joint out of crinoline, hole to right hand arm rest where upright joins)
A WILLIAM MOORCROFT VASE, of bulbous form, decorated with pomegranate design, underglaze green signature, impressed 'MOORCROFT, BURSLEM, ENGLAND', numbers indistinctly impressed, height 18cm (condition: underside of base is crazed, crazed in glaze around the neck in particular, interior dirty from being used)
AN EARLY 19TH CENTURY MASON'S PATENT IRONSTONE CHINA DESSERT SERVICE, decorated in the Imari palette with flowers and vase in a landscape, comprising eleven dessert plates, a small shaped oval stand, three shaped rectangular dishes and three elongated shell shaped dishes, impressed marks, together with a Spode's New Stone dessert plate, pattern number 3875, cracked to rim (19) (condition: Mason service has slight variations in pattern design, slight gilding wear, glaze scuffs and firing inclusions to some pieces, one dessert plate with cracks to the underside and another dessert plate with large chip to front rim and smaller chip to the underside rim, some dishes with remnants of glued brown tape to the backs, the Spode plate with stained crack to the rim and small chip to the foot rim)
A PAIR OF LATE VICTORIAN SILVER VASES, of urn form, crimped rims above repousse wrythen and foliate scroll decoration, circular foot, makers Fenton Brothers Ltd, Sheffield 1898, height approximately 13cm, approximate weight 8.7ozt, 270 grams (2) (condition: one vase has mishapen foot and rocks on a level surface, the other doesn't sit flat on a level surface)
THREE PIECES OF TROIKA POTTERY, comprising a spice jar with abstract motifs, bears Cc marks, height 15cm, a coffin vase, bears monogram for Ann Jones, height 17.5cm and a marmalade pot, bears monogram for Holly Jackson, height 9cm (3) (condition: coffin vase has a few nibbles to the sides, the other pieces appear to be in good condition)
SIR EDMUND ELTON FOR SUNFLOWER POTTERY, four pieces of pottery to include a globular posy vase with flared rim, a double gourd shaped posy vase, a jug with folded rim and a baluster shaped posy vase, tallest height approximately 15cm (condition: damage and restoration to the jug spout, losses of glaze in places on all the pieces)
Wedgwood Fairyland Lustre footed bowl, decorated to the interior with butterflies in colours, against a pearlescent glaze, the exterior gilded with butterflies against a streaked ruby glaze, over a circular foot, gilded Portland Vase mark, painted pattern number Z4827 (professionally restored), 22cm diameter
Fine Japanese Satsuma vase by Kinkozan, Meiji (1868-1912), shouldered ovoid form, decorated with panels of warriors and bijin in raised gilt enamels against a deep blue ground dispersed with foliate clouds in formalised bands of gilt, beneath a neck of karakusa and foliage detailed with green and red enamels, impressed marks and signed in gilt 'Kinkozan Tsukuru', height 30cm
Moorcroft limited edition Gentian vase, designed by Kerry Goodwin, circa 2012, waisted form with twin handles to the neck, painted and impressed marks, and numbered 11/100, 18.5cm; also a similar shaped vase decorated with tropical fish, designed by Vicky Lovatt, painted and impressed marks and numbered 83/100, 18.5cm (2)
Wedgwood Fairyland Lustre octagonal bowl, decorated to the interior with gilded dragons against a pearlescent glaze, the exterior with two large gilded dragons chasing a flaming pearl, against a streaked lustrous blue ground, gilded Portland Vase mark, painted pattern number Z4829, 24cm diameter
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