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MOORCROFT POTTERY TUBELINED 'ODYSSEY' VASE of waisted form by Beverley Wilkes, limited edition, 125/500, dated: 2000. Overall with a band of seagulls above swans and stylised fish, signed by the artist, 21cm high. Painted and impressed marks to base.(B.P. 24% incl. VAT) CONDITION REPORT: Very minor crazing in places, no obvious damage.
MOORCROFT POTTERY TUBE LINED, STUDIO BALUSTER VASE, overall with aquatic plants and shells, on a naturalistic ground, marked: M.D.S. dated: 1998. Impressed and painted marks to base. 24cm high approx.(B.P. 24% incl. VAT) CONDITION REPORT: Some crazing to the base and very minor crazing to the body, otherwise no obvious damage. First quality.
MOORCROFT POTTERY TUBE LINED STUDIO VASE of waisted form, designed by Philip Gibson, overall with pelicans amongst foliage. Printed painted and impressed marks to base. 25cm high.(B.P. 24% incl. VAT) CONDITION REPORT: Rather grubby but overall in very good condition with no obvious damage.
TWO MOORCROFT POTTERY TUBE LINED LEAVES AND BERRIES DESIGN VASES of waisted and baluster form, on a graduated green ground, together with another Moorcroft Pottery tube lined vase overall with fruit, berries and bird decoration on a graduated blue ground. Impressed and painted marks to base. Heights: 18cm, 11cm and 8cm approx. (3)(B.P. 24% incl. VAT) CONDITION REPORT: Evidence of crazing, especially to the two leaf and berry vases, otherwise all appearing in good condition overall.
MOORCROFT STUDIO POTTERY TUBE LINED VASE, overall on a blue graduated ground with purple stylised iris and foliate design, by Sian Leeper, limited edition, 36/250, dated: 2003, together with another Moorcroft studio pottery vase, overall on a blue ground with cactus and stylised flower decoration, dated: 1998, both having impressed and painted marks to the base, both approx. 22.5cm high. (2)(B.P. 24% incl. VAT) CONDITION REPORT: No obvious damage to either vase. There is no silver line or red dot therefore, in our opinion they are 1sts
MOORCROFT STUDIO POTTERY TUBE LINED VASE of baluster form, overall mainly on a cream ground with multicoloured wild birds amongst foliage, dated: 2002, impressed and painted marks to base, 21cm high.(B.P. 24% incl. VAT) CONDITION REPORT: Overall in very good condition with no obvious damage. 1st quality.
MID 20TH CENTURY MOORCROFT POTTERY TUBE LINED 'ANEMONE' VASE on a cobalt blue ground of baluster form, green painted signature and impressed marks to base, 15cm high, together with a modern Moorcroft pottery, tube lined 'Clematis' baluster vase, impressed marks to base, 13.5cm high. (2)(B.P. 24% incl. VAT) CONDITION REPORT: Overall appearing in good condition, some crazing to the older vase, but overall with no obvious damage.
MOORCROFT STUDIO POTTERY TUBE LINED, SLENDER, BALUSTER VASE, 'Winter Town' of flowers, buildings and a Christmas tree, designed and signed by Ceri Goodwin, 2009, impressed and painted marks to base, 26cm high.(B.P. 24% incl. VAT) CONDITION REPORT: No obvious damage. 1st quality.
EARLY 20TH CENTURY MAHOGANY THREE TRAIN LONG CASE CLOCK, having broken swan neck pediment to the hood, above arch aperture flanked by reed pilasters, waist door with bevel glass panel on a panel base with ogee bracket feet, hood and base decorated with inlaid vase and swag decoration, silvered Roman chapter ring and gilt metal spandrels. The face 14" x 10". Three train drum movement striking on gongs. Overall 220cm high approx.(B.P. 24% incl. VAT) CONDITION REPORT: Appearing in good clean condition, a little dry in places, includes pendulum.
LARGE JAPANESE BRONZE CHAMPLEVÉ ENAMEL TWO HANDLED BALUSTER VASE in Chinese style, overall decorated with waves and floral bands, with dragon and phoenix designs to the neck and body, two bold mythical beast loop handles. Late 19th/early 20th Century. 62cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: Rather grubby overall, inner base panel is detached, otherwise fair condition.
GROUP OF THREE SIMILAR JAPANESE BRONZE CHAMPLEVÉ ENAMEL VASES, the larger vase of baluster form with cast mythological beast handles, overall decorated with waves, dragons, birds and shishi dogs amongst flowers and foliage. Marked: 'Made in Japan' to its base. 55cm high. Together with a pair of similar Champlevé enamel bronze vases, overall decorated with birds and foliage in a similar style. 36cm high. (3)(B.P. 24% incl. VAT) CONDITION REPORT: The larger vase appears overall in good condition if rather dirty. Smaller pair of vases, one lacks its handle and are rather dirty also.
W.M.F. SILVER PLATED ART NOUVEAU TWO HANDLED VASE, having tapering body, on a circular base, overall with relief organic decoration, impressed marks to base: W.M.F., E.P., A.S., 30cm high approx.(B.P. 24% incl. VAT) CONDITION REPORT: General wear, marks and scratches commensurate with age, two noticeable dinks to the back of the vase towards the top, no obvious cracks, splits etc.
LATE 19TH CENTURY COALBROOKDALE STYLE CAST IRON STICK STAND in the aesthetic taste with bird and vase of flowers panels on swept rectangular base, Victorian registration lozenge cast to the back. 66 x 24 x 92cm.(B.P. 24% incl. VAT) CONDITION REPORT: One urn shaped finial is missing, otherwise, grubby with wear commensurate with age.
An early 20th century Eichwald Commemorative George V jardiniere, in relief with thistle and rose swags, with three crown and oval handles, in olive, purple and the interior in green, 22.5cm diam, impressed marks, 1833; a amber glass free form vase; a blue and white flow blue jardiniere, c.1890 (3)
A hand blown Victorian amethyst glass rolling pin; a west German vase; a Royal Crown Derby miniature loving cup (faults); a 19th century hand painted comport dish, stylized bamboo border surrounding a hand painted panel depicting British river scene; Sheffield crested ware teapot, jugs, etc
A George III silver vase shape coffee pot by John Robins, London 1796, in Neo Classical taste and oval section, with an urn finial to the dome centred and waisted cover, an ebonised high loop handle, a lunette engraved band, engraved with a crest and a motto Caen, Cressie, Calais, on a rectangular pedestal base, 30.5cm (12in) high, 906g (29.15 oz) gross The crest and motto for RADCLYFFE.
Kayseri silk prayer rug, central Anatolia, second half 20th century, 5ft. 5in. x 3ft. 6in. 1.65m. x 1.07m. Pale blue floral mihrab, the rounded prayer arch with inscription cartouche, outlined with inscriptions; cream bird, vase and flower spandrels above the prayer arch; ivory floral main border with pale green cartouches of inscriptions; pale blue and dark red floral guards.
MISCELLANEOUS CERAMICS, TO INCLUDE A CHINESE BLUE AND WHITE VASE, PAINTED WITH PRUNUS ON A CRACKED ICE GROUND AND ANOTHER SIMILAR BUT SMALLER, 13 AND 20CM H, KANGXI MARK, 19TH/EARLY 20TH C, A CHINESE BLUE AND WHITE CRACKLE GLAZE VASE, TWO KUTANI DRUM STICK VASES, A NORITAKI THREE FOOTED VASE PAINTED WITH BLOSSOM ON A SHADED GROUND, A FRENCH PORCELAIN MUSICIAN FIGURAL SCENT BOTTLE IN THE FORM OF A TRIANGLE PLAYER, 18CM H, C1840 AND A SILVER MOUNTED DOULTON WARE BEAKER, 12CM H, IMPRESSED MARKS, EARLY 20TH C
A mid or South American pottery vase, modelled by Martha Salizar, of ovoid form sgraffito decorated with geometric motifs against green ground, 32.5cm high, a bottle vase, 40cm high, red mottled vase with fluted decoration, 37cm high, and a further vase decorated with Native American figures, 37cm high, (4).
A Victorian vaseline glass sweetmeat dish, small vase, yellow glass bud vase, a pair of Sitzendorf porcelain figures, a pair of Basil Matthews figures of Leopards, Russian lacquer box by Zhiriakov, decorated with the Frog Princess, cut glass lustre, Halcyon enamel box, enamel pin container, and a thimble, (qty).
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653833 item(s)/page