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A PAIR OF ROYAL WORCESTER VASES (2)Circa 1903Cylindrical with pierced rims, each painted by James Stinton, signed, with a pheasant on the ground and in flight, printed marks, shape 42/G, 15cm highOne vase with glued repairs to the pierced rim and three small chips to the rim. Each vase with some wear to the gilding
A PAIR OF SMALL BERLIN PORCELAIN POT POURRI VASES AND COVERS (4)Circa 1900Each painted on one side with a courting couple, the reverse with a bouquet of flowers, female mask handles, blue sceptre marks, 15cm high One vase with restoration to the rim. One cover has been restored. Both covers with chips to the finials. Some wear to the gilding
THREE ITEMS OF MOORCROFT POTTERY ( 3)Circa 1975-85Each piece tube-lined and decorated with the Hibiscus pattern against a yellow ground shading to green, comprising; a plate, 26cm diameter. a jug, 12cm high and an ovoid vase 13.5cm high, painted and impressed marks, vase with Royal Warrant paper labelGood condition
FOUR SMALL ITEMS OF MOORCROFT POTTERY (4)Various datesComprising; an Anenome pattern pear-shaped vase, 10cm high; an Orchid pattern bowl, 8cm diameter; a Pansy pattern bowl, 8cm diameter and a Poppy pattern cylindrical jar, 6cm high, printed and impressed marks, Pansy bowl with Royal Warrant paper labelGood condition
A DERBY POT POURRI VASE AND PIERCED COVER (2)Circa 1760Of baluster form, encrusted in high relief with flowers suspended from puce bows and painted in the manner of the `cotton stem' painter with birds, flowers and insects, 19cm highThe vase with loss of one flower and some typical chips to the flowers and leaves. The cover with a loss of two flowers and some chips to the flowers and leaves
A PAIR OF DARTE FRERES, PARIS, POT POURRI VASES AND PIERCED COVERS (4)Circa 1820Each painted with a still life of flowers against a deep blue ground gilt with columns and arches, raised on four gilt paw feet and square base, red stencilled mark Darte Palais Royal No 21, 14.5cm highOne vase with two restored areas around the rim. One cover has a haircrack two parallel firing/haircracks to the inner flange, each approx. 1.5cm length. The covers are of slight different form, one with a smaller but taller central nozzle. Some overall wear to the gilding
A GROUP OF SILVER AND FOREIGN WARES (9)The silver comprising; a silver sugar caster, London 1906, a salt, a pepperette and a napkin ring, combined weight 134 gms, the foreign wares, comprising; a vase in two parts, the base loaded, detailed 950, a walking stick handle, a German triform motif, decorated with flowers and a French napkin ring
A SILVER AND ENAMEL BOX AND FIVE FURTHER ITEMS (6)The enamelled box of cylindrical form, Birmingham 1994, by Tom Stocks, a silver salt, Sheffield 1900, combined gross weight 77 gms, a silver cased propelling pencil, a foreign vase with embossed decoration, raised on three feet and two foreign spoons
A GROUP OF SILVER AND PLATED WARES (QTY)The silver including; a pair of Scottish sugar tongs, Glasgow 1854, a three piece condiment set, a tea strainer, a vase, a berry spoon and further flatware, combined weight of weighable silver 302 gms, the plated wares including a pair of grape scissors, four decanter labels, four cheese markers and various flatware
A PAIR OF AMERICAN SILVER BOWLS AND FURTHER ITEMS (14)The bowls with gadrooned rims, detailed sterling, 15cm diameter, together with a set of five Gorham sterling silver thistle shaped tot cups and two further pairs of tot cups, of flared vase form, the taller pair by Reed & Barton and the smaller by Randahl, also two silver dishes and a twin handled bowl (lacking liner) combined weight 605g
THREE AMERICAN SILVER PEPPERETTES AND 9 FURTHER ITEMS (12)By S.Kirk & SonThe pepperettes having foliate decoration and raised on three pad feet, 11cm high, together with a set of four American silver salts by S.Kirk & Son, a heart-shaped pin dish and a circular pin dish, a small cup, a posy vase and a pepperette, combined weight of weighable silver 580g
A GROUP OF SILVER MOUNTED WARES (14)Comprising; a pair of squat candlesticks, Birmingham 1912, a pair of scent bottles, Birmingham 1996, a trumpet shaped vase, a smaller trumpet shaped vase with a case, a twin compartment folding photograph frame, a glass scent atomizer, a small glass jar, three tops from toilet jars, a pen wipe and also a German rim from a bowl, detailed 800
Five Chinese ceramic items: a famille rose vase and 2 others (both with damage); a brush pot with seated figures, mark to base 13.5cm height; a ginger jar. Ginger jar in good condition; brush pot in good condition, though enamels worn; scenic vase rim damaged; famille rose vase in good condition.
For pieces of Chinese blue & white ceramics: a vase with floral decoration, height 26 cm (dragon handle damaged); a rouleau vase, double circle mark to base, height 20 cm; a pair of vases, eight 2 cm (a.f.). Condition report: Jug - handle damaged, otherwise in good condition; pair of vases both with extensive damage and repairs.
A large late 19th/early 20th century Chinese famille rose spittoon decorated with mythical birds in panels to both sides, green ground and green glazed interior height 37cm, diameter 25cm on a central wooden stand (chip to rim of vase on interior and exterior hairline star shaped crack to base)
A Venetian 'Inghistera' vase by Salviati and Co, circa 1880In smelze glass, of bottle form, splashed and streaked with a profusion of colours including red, yellow, white, green, blue and aventurine on a jet-black ground, the compressed baluster form with a tall tapering neck and spreading trumpet foot folded at the rim, 17.6cm highFootnotes:This shape of vase is known as an Inghistera in Italian. A Salviati smelze example of similar size in Stanford University is illustrated by Carol M Osborne, Venetian Glass in the 1890s (2009), p.89, no.66. Two larger examples were sold by Bonhams in New York as part of the Martin Cohen Collection, 6-7 October 2021, lots 234 and 235. For other pieces in the smelze technique see A Bova et al., I colori di Murano nell'800 (1999), p.156, nos.131-4.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
An engraved vase, Scottish or possibly Stourbridge, circa 1870Of tall and slender 'U' shape with a silver-plated mount to the rim, finely engraved with Ganymede Abducted by the Eagle, the nude youth being carried away in the talons of the impressive bird representing the god Zeus in disguise, his drape billowing beneath him, on a later silver-plated foot, 20.4cm highFootnotes:A ewer with a virtually identical depiction of Ganymede Abducted by the Eagle was sold by Sotheby's on 29 June 2004, lot 289.For further information on this lot please visit Bonhams.com
A Thomas Webb and Sons cameo glass plaque attributed to George Woodall, circa 1880-90The small rectangular panel in topaz coloured glass, cased in white and carved with a winged Cupid playing a flute on a dense bed of flowers and foliage including roses and ferns, 8.9cm x 12.7cmFootnotes:Cherubs were a favourite subject of George Woodall and feature on a number of signed pieces. See for example the vase of similar colour sold by Bonhams and illustrated by Christopher Woodall Perry, The Cameo Glass of Thomas and George Woodall (2000), p.64. Two small Woodall plaques carved with putti, again of similar colour, are illustrated by Ray and Lee Grover, English Cameo Glass (1980), pp.290 and 408, nos.C275 and C394.For further information on this lot please visit Bonhams.com
A very rare fully signed Clichy Scrambled millefiori paperweight, circa 1850The assorted brightly coloured canes mostly incomplete, incorporating a complete 'CLICHY' signature cane, 4.7cm diam, 3.3cm highFootnotes:Whilst several scrambled paperweights contain fragments of this exceptionally rare signature cane, very few contain the complete version. Paul Dunlop records just three millefiori vases and three paperweights outside of the usual scrambled type containing this cane his Dictionary of Glass Paperweights (2009), p.92. Since publication, another remarkable fully signed vase has been discovered, see lot 176 in this sale. Only one other small weight bearing a full Clichy signature cane, discovered last year and presumably also a miniature, would appear to be recorded. This is illustrated and discussed by Alan Thornton, 'A Generous Gift', Paperweight Collectors Circle Newsletter, no.137 (November 2021), p.10. A fully signed scrambled millefiori paperweight from the Homer Perkins Collection was sold by Christie's on 23 September 1998, lot 107 and another from the Livingston Collection by Bonhams on 1 December 2021, lot 253, both of standard size.For further information on this lot please visit Bonhams.com
An exceptionally rare fully signed Clichy scrambled millefiori vase and cover, circa 1850Of generous baluster form, containing a colourful assortment of mostly incomplete canes including fragments of serval 'Clichy Roses', a full 'CLICHY' signature cane in turquoise against white just below the shoulder, the domed cover with a spire finial, 32.8cm high (2)Footnotes:This exceptionally rare vase is one of a handful of important scrambled millefiori vases bearing the full 'CLICHY' signature cane. Very few millefiori vessels were made by Clichy, where the technique was more typically used in their renowned production of paperweights. Paul Dunlop records just three such examples in his Dictionary of Glass Paperweights (2009), p.92 at the time of writing. A pair of fully signed vases of pear shape in the Bergstrom-Mahler Museum (inv. nos.PW1975.29.1106 and 1107) are illustrated by Geraldine Casper, Glass Paperweights of the Bergstrom-Mahler Museum (1989), p.64, nos.1106 and 1107 and a similarly shaped fully signed single vase is in Corning Museum of Glass (inv. no.2011.3.139). Another in a private collection is cited by Dunlop (2009), p.92 and is probably one of the pair of slender baluster vases from the Alschuler Collection sold by L H Selman in their Fall 2008 auction. A further pair of slightly different slender baluster vases, one of which is fully signed, is in Corning Museum of Glass (inv. no.53.3.60) and illustrated by Paul Hollister, The Encyclopedia of Glass Paperweights (1969), p.143, fig.162.None of the recorded vases have covers and no other fully signed examples in this generous baluster shape would appear to exist, making the present example a great rarity and one of only six or so signed vases known to exist. For a fully signed Clichy miniature paperweight and a discussion of paperweights incorporating this rare cane, see lot 174 in this sale.For further information on this lot please visit Bonhams.com
A Wedgwood black basalt potpourri vase and cover, circa 1805-10Of squat campana form with two high loop handles, encaustic-painted in terracotta and white enamels with a formal palmette and stiff leaf borders, the pierced cover further picked out in subdued enamels, 23.6cm diam including handles, impressed WEDGWOOD (2)Footnotes:ProvenanceMr and Mrs Samuel Victor Collection, Sotheby's New York, 10 March 1978, lot 143Zorensky Collection, Bonhams, 23 October 2013, lot 52An illustration of the probable source of this vase shape is in William Hamilton's 1766 work Antiquités Etrusques, Grecques, et Romaines Tirées du Cabinet du M. William Hamilton, Vol.2, pl.39. An example with similar decoration is in the Winterthur Museum (inv. no.2000.60).For further information on this lot please visit Bonhams.com
A Worcester vase and cover, circa 1768-70Of ovoid shape, the domed cover with a flower finial, painted with large panels of vibrant 'fancy birds', standing, perched or in flight amongst leafy landscapes, smaller panels of insects to the waisted neck, reserved on a blue scale ground with gilt rococo borders, 26cm high, square mark (2)For further information on this lot please visit Bonhams.com
A very rare Caughley vase, circa 1788-90, and a coverOf neoclassical urn shape moulded with a border of acanthus leaves, the strap handles embossed with ovals, raised on a square foot, decorated in the Chamberlain workshop in Worcester with a panel of an actress holding a carnival mask, enamelled in colours, the ground with intricate ornament in dry-blue enamel and gold including fine flower festoons, together with a replacement cover, 21.5cm high, impressed Salopian mark (2)For further information on this lot please visit Bonhams.com
A rare Worcester creamjug, circa 1753Of lobed pear shape with a delicate scrolled handle with a high thumbrest, finely painted in colours with a standing Chinese figure holding a parasol, flanked by a fence, a willow tree and flowering plants trailing around to the reverse, where there are three small insects, an unusual formal border below the gilded rim, 8cm high, workman's mark in redFootnotes:ProvenanceBonhams, 20 November 2019, lot 246Robyn Robb CollectionIllustrated by Ray Jones, The Origins of Worcester Porcelain (2018), p.518. A similar jug although without a border, from the John Alchin Collection was sold by Bonhams on 15 December 2020, lot 11. The border is closely related to that on a vase in the British Museum illustrated by Aileen Dawson, The Art of Worcester Porcelain (2007), p.43. No other creamjug with this border appears to have been recorded.For further information on this lot please visit Bonhams.com
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653833 item(s)/page