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Lot 69
Waterford 'Marquis' bowl, a Mdina glass bowl, a Caithness 'Inferno' paperweight, a pair of Stuart rummers marked 'RD681270', a Murano glass bird (damaged), a uranium green glass pedestal in the form of classical figure and a vase of tapered form, etched grape on vine decoration, on circular cut foot (7)
Lot 232
A pair of 19th century Chinese cloisonne enamel bottle shaped vases, decorated in polychrome with mirrored designs of cranes, foliage and insects, with later lamp inserts. Reputed provenance to Boxer Rebellion. 60 cm to fitting (see illustration). CONDITION REPORT: Minor pitting throughout, converted, otherwise generally good condition. One vase weighs 6.6 kilograms and the other weighs 6.7 kilograms. The height of the vases is 58 cm. The vases have the usual enamel pitting. One vase has a small bruise with enamel loss and one or two small dented sections of enamel but otherwise is in good condition. The other vase has some pitting also and some minor imperfections with some small areas of minor denting to the enamel and some minor enamel losses.
Lot 26
A Chinese green patinated bronze vase, with flared neck and base and bulbous centre. Height 30 cm, converted to an electric lamp on plinth and drilled, with shade. Height 66 cm. CONDITION REPORT: This vase appears to be at least 19th century and is a good piece but has been drilled to form an electric lamp. The ebonised socle or plinth is worn.
Lot 316
A 19th century Gillows of Lancaster mahogany full tester bed, the arched canopy painted with classical designs over the material hangings and turned vase form supports. 262 cm x 179 cm x 200 cm (see illustration). CONDITION REPORT: Some minor damages to the canopy top with some splitting and minor losses etc, the hangings with minor staining etc, the supports and rails with sun bleaching, marks and scratches etc. As ever with four poster beds it is very difficult to be 100% confident what is original and what is not. What we can say is that the pair of turned mahogany pillars at the foot of bed are both marked Gillows and apart from very minor denting to the corners it is good condition. The headboard pillars are square section and are stained oak and mahogany veneered to base. The base of these pillars matches the base of the footboard pillars and therefore are likely to be period. These pillars are connected by oak stretchers which all appear to be of some age. The pine headboard currently covered in cream cloth also appears to have some age. The canopy looks to be later or at the very least re-painted to the black borders. The decorative drapes are most certainly later and generally the bed is in a solid and usable condition. This bed will take a mattress approximately 184 cm long x 160 cm wide. These dimensions respectively from headboard to footboard posts and between the width of these posts.
Lot 355
A George III mahogany open armchair, with arched and carved top rail over pierced and carved vase form splat, the shaped open arms enclosing a needlework drop in seat and raised on square section legs linked by plain stretchers, 92 cm with a seat hight of 44 cm. CONDITION REPORT: Condition is generally good with sign of use, some minor cracking, marks, scratches, joints separation etc
Lot 380
A George III oak open armchair, having an arched top rail above a pierced vase form splat and shaped open arms, the solid seat raised on plain square section legs linked by plain stretchers. 102 cm with a seat height of 42 cm. CONDITION REPORT: Some splitting to the arms, joint separation and splitting to the seat, marks, scratches etc to the lower portion of the legs.
Lot 389
A pair of 19th century Japanese brown patinated bronze bottle shaped vases, converted to electric table lamps, bases drilled and with oak octagonal plinths. 58 cm overall. CONDITION REPORT: Good condition other than the conversion and mounting with some minor marks etc. These vases are screwed to oak plinths. Having unscrewed one of the plinths it is apparent that the vases have had their bases removed and wooden blocks have been inserted into the base of the vase as an anchor point for the screws that are running up from underneath the plinth. There are no signatures visible and there is surface wear and minor scratching throughout the vases including moderate wear to the brown patina to the centre of the necks.
Lot 407
A 19th century Chinese bronze vase, of baluster form, with open base, converted to a table lamp, with shade. 37.5 cm. CONDITION REPORT: Some marks and scratches. Some minor pitting etc., otherwise generally good condition. The vase has some marks and scratches. There is some minor pitting to the surface and some imperfections mainly to the area below the upper rim where there is a small linear hole.
Lot 499
A 19th century Turner carved black basalt two handled urn of Neo-Classical design, with twin bacchanalian masks, swags and gadrooned lower body on square plinth. 30 cm high. CONDITION REPORT: The vase has been separated from its socle base and has some minor associated damages to each aperture. The base has some flake chips and corner knocks and the base underside has some shrinkage or splits in the manufacture with a flake chip to the edge, otherwise the vase is in good condition and has very minor marks to the body but nothing of any significance.
Lot 504
A felt backed clear quartz circular table centre, 6 cm high, 23 cm diameter, drilled to centre, a Victorian ebonised watch stand, 16 cm high, A Regency ebonised and gilded papier mache bottle coaster, an Oriental ebonised wood vase stand together with an early 20th century map measurer, boxed.
Lot 542
A pair of Chinese blue and white cylindrical vases, each with four character mark to base. Height 31 cm (see illustration). CONDITION REPORT: One vase has a stained flaw showing to the base of the interior, otherwise the vases appear to be in good condition bar some glaze pitting and one small flake to the base of one vase.
Lot 549
Five Chinese ginger jars and vases, each in prunus pattern. Largest height 20 cm. CONDITION REPORT: The vase within this lot has some damage to the base rim which appears to be in the manufacture and has been overglazed, however the damage is still present. The larger ginger jar has damage to the covers rim in the form of a chip, the body appears to be in good condition saving some glaze pitting and imperfections. Of the three similar ginger jars, one has glaze imperfections but is in generally good condition, one is again in generally good condition with some minor wear to the base rim, the cover appears to be an association and that has some stress cracks but no chips and the remaining ginger jar is in good condition but is lacking its cover.
Lot 570
A Chinese Sang de Boeuf porcelain bottle shaped vase (18th/19th century). Height 20 cm. CONDITION REPORT: The vase is in generally good condition. There is some crazing showing to the neck interior, the base rim has glaze slip and some imperfections. There seems to be some separation between the glaze and the vase itself and it seems to be quite thick, there are some scratching to the glaze but nothing of any consequence.
Lot 571
A Chinese Qing dynasty blue and white porcelain Rouleau vase, decorated with emperor in sedan chair and attendants. Bears Kangxi mark. Height 24 cm. CONDITION REPORT: The vase is in generally good order with no damage, no repairs and no restoration. There are some minor glaze bubbles and an area around the centre of the vase where the glaze is a little thin and shows the ground beneath. There are however no chips, cracks or any significant damage.
Lot 573
A Chinese Qing blue and white porcelain cylindrical vase or tall brush pot, decorated with leafage and rockwork. Height 29 cm, diameter 12 cm. CONDITION REPORT: This piece is in extremely good order with no chips, no damage and no restoration. There are some very minor glaze imperfections but no problems of any significance. There is one very tiny firing mark to the bottom underside edge of the foot rim.
Lot 606
A Chinese blue and white porcelain baluster shaped vase, decorated with a lady reading and figures in a garden. 33 cm high, 19th century with four character mark to base. CONDITION REPORT: This vase is stained to the neck and inner rim and the body contains a variety of inclusions. The base has a significant amount of fritting and chipping all around the base and this is visible from the photograph.
Lot 641
A Walter Moorcroft tube lined pottery "Banana Tree" pattern limited edition planter, 22 cm high, 24 cm diameter. No 31, the base with impressed mark and facsimile signature to base and dated 17 August '87. CONDITION REPORT: The planter is free from any repairs or restoration. There are no chips. The only minor issue is crazing to the glaze. This is evident in particular on the paler sections of the jardiniere particularly on the top rim. The interior is dirty and again there is visible staining and discolouration to the bottom quarter of the interior of the vase. IT has clearly had a plant in it at some point. There are no hairline cracks.
Lot 642
A Walter Moorcroft tube lined pottery "Carp" pattern squat baluster vase, decorated by J. Moorcroft. 22 cm high, with impressed mark, signed in gilt and dated '92 to base, (slightly rubbed to base), with box for same (see illustration). CONDITION REPORT: This vase overall is in good condition but there is a small area of glaze crazing to the side and rear of the neck.
Lot 650
A pair of Victorian green glass lustres, each with faceted glass drops. Height 32 cm. CONDITION REPORT: One lustre is missing two sets of drops and has discolouration to the gilt banded decoration with some wear and losses. The base of this lustre has some minor flake chips as well as flake chips to the petal form or serrated upper rim. The other lustre again has discolouration and wear to the banded decoration with some scratching etc. The drops appear to be complete however there is evidence of flake chips to each. The lustre base again has some minor flake chips to the base rim. Both of these lustres appear to be free from chips or cracks but both do have moderate to significant wear to the gilt decoration. One vase is also lacking two pendant prismatic drops and some of these drops are slightly chipped.
Lot 671
A pair of Royal Doulton stoneware vases, with moulded decoration glazed in mottled green and cobalt blue, impressed marks to base Nos. 6478, 668 and incised with initials CA. 15.5 cm high. CONDITION REPORT: Both of these vases have minor scratching which is noticeable to the blue grounds. One vase has a more noticeable scratch. Neither vase appears to bear any chipping, damage or restoration.
Lot 174
A set of eight late 19th/early 20th century yew-wood windsor open armchairs, Nottinghamshire, possibly Worksop The hooped backs with pierced vase shaped splats and shaped seats, on turned tapering legs, each 51cm wide, 39cm deep, 107cm high, seat height 43cm high. (8) See Dr. B. Cotton, The English Regional Chair, 1990, p.177 Figure NE271 for a similar example and p.190 Figure NE331 for another.
Lot 30
A group of 19th and 20th century glass trumpet vasesComprising of a pair of late 19th century heavily cut glass trumpet shaped vases, a pair of Victorian fluted glass trumpet vases with handkerchief edges, a pair of early 20th century bulbous spirally fluted vases, a large Schott & Gen measuring tube, a small pair of plain 19th century trumpet vases, two single Victorian trumpet vases, a 20th century cut glass trumpet vase and a small spiral turned trumpet vase, the largest pair 42cm high. (13)
Lot 33
Gio Ponti (1891-1979)An 'Alato' vasePorcelain by Richard Ginori, Manifattura di Doccia, Florence, Italy, numbered 52, together with P.Portoghesi & A. Pansera, Gio Ponti, alla manifattura di Doccia, Sugar Co Edizioni, Milan, 1982, the vase 15.5cm diameter, 18.5cm high. (2)The vase is illustrated in P.Portoghesi & A. Pansera, Gio Ponti, alla manifattura di Doccia, Sugar Co Edizioni, Milan, 1982.
Lot 388
A pair of 19th century H & R Daniel bulbous vases and a vase attributed to Samuel AlcockOn a blue ground with wavy flared lips and foliate handles raised on feet decorated with panels of flowers, 19cm high and a further flared vase decorated with panels of flowers on a blue ground with intertwined handles, 18cm high. (3)
Lot 457
A group of 18th century and later Chinese ceramics Including a late 18th century Chinese famille rose tankard, 12cm high, a famille rose baluster vase, a lobed edge bowl, a Cantonese vase, a Chinese blue and white tea bowl, a famille rose teacup, an Imari tea bowl and a famille rose tea bowl. (8)
Lot 474
A group of 19th and 20th century Chinese enamel and cloisonné itemsComprising: a 19th century Cantonese enamel teapot, 14cm high, a pair of early 20th century Chinese cloisonné enamel vases, each 25cm high, a 19th century cloissoné enamel ginger jar, on hardwood base, 11cm high, and a Chinese celadon craquelure vase, decorated with a goldfish, 22cm high (5).
Lot 485
A celadon jade figure of a deity and three other figuresThe celadon jade figure of a deity holding a vase, an agate figure of a deity holding a flower, 22cm and 21cm high respectively, a green hardstone figure of a parrot with an ebonised base, 19cm high and a 20th century hardstone figure of a duck, 11cm wide (4)
Lot 74
A monumental Victorian Arts & Crafts lustre wall charger by Maw & Co, BroseleyGlazed in purple, pink and orange on a white ground with central circular Medusa mask surmounted by a flaming brazier, flanked by pomegranates, other seeded fruit and leaves, within a running wave border, impressed marks to the underside 'MAW & Co' and 'BROSELEY', with stapled firing crack, 91cm diameter.Maw & Co was established by George Maw and his brother Arthur in Worcester in 1850. In 1862 the company moved to Broseley, Shropshire to take advantage of the good-quality local clay and in 1883 they moved again to the Benthall Works in Jackfield, Shropshire. The company continued to prosper and by 1880 had grown to be the largest producer of ceramic tiles in the world. Maw & Co specialised on the earthenware floor tiles, mosaic tiles (from 1862), transfer printed tiles, hand painted picture tiles and relief tiles were also produced and included Art Nouveau and Art Deco geometric designs. In the 1890s Maw & Co started making high quality art pottery (the name they used for it) and employed artists, such as Lewis Foreman Day, William De Morgan and Walter Crane, to design both art pottery and tiles. The stamp underside indicates that the piece was manufactured between 1862 and 1883 while the factory was still located in Broseley. While the company's main output at the time was tiles, it also produced one-off pieces like this for various exhibitions as a showcase of their craftsmanship and techniques. Thus, one of the first examples was made for 1851 Great Exhibition, and a further similar charger was made for 1889 Exposition Universelle (now in the Ironbridge Gorge Museum). It seems likely that the present charger was made for one of such exhibitions, designed by a prominent artist of the era. William De Morgan or Walter Crane seem to be plausible candidates for such design. Crane realised a number of designs for Maw & Co. in 1870's–80's, including a set of lustreware decorated vessels in similar, antiquity-inspired style, for an Arts and Crafts exhibition (The Work of Walter Crane with Notes by the Artist. The Easter Art Annual for 1898: Extra Number of the 'Art Journal'. London: J. S. Virtue, 1898.). The De Morgan Foundation owns a large Maw & Co. charger similarly decorated with vitruvian scroll borders (https://www.demorgan.org.uk/collection/ruby-lustre-charger-with-galleon-within-a-carnation-border/). A vase by an anonymous artist is owned by the V&A Museum, London (http://collections.vam.ac.uk/item/O150401/vase-maw-co/).
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653685 item(s)/page