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A large blue and white transfer printed globular vase, of cylindrical neck with panels of figures reserved amongst flowers and leaves on the ground, another large vase, painted with underglaze blue audience scene below precious objects and a relief sinuous chilong, and a vase, painted in underglaze blue of a dragon amongst flowers, the neck with pierced handles, all with damage or restoration
A pair of 20th century porcelain Buddhist lions, one with pup and one with ball, both on high plinth and glazed, several chips, 25.7cm, a pair of Ming style stoneware pricket candle sticks, in the form of Buddhist lions on a waisted plinth under a turquoise glaze, 16.5cm, and a biscuit stoneware vase, moulded with honeysuckle prunus and peony on a yellow ground between banana leaves, the mouth with ruyi, restored, 36.5cm
Thomas 'Sam' Haile (1908-1948). A large stoneware vase and a similar smaller vase, the large ovoid vase decorated in ochre slip with abstract trails on a brown and dark brown partially glazed body, the smaller compressed globular vase with dark brown glaze, both with impressed monogram mark 31.5cm and 12cm
Two William Moorcroft pansy pattern vases, c.1917, the first of tall ovoid form, the second of waisted cylindrical form, both with pale green and cobalt blue grounds, impressed marks Moorcroft Burslem England and shape numbers, green inscribed W Moorcroft marks, 27cm, latter vase repaired
Eric Ravilious for Wedgwood. A rare 'Boat Race Day' pattern 'Burslem' vase, c.1938, printed in black and enamelled in blue, pink and yellow, black printed mark and iron red pattern no. CL6263/9, impressed marks Wedgwood Made in England, 25.5cmSee Richard Dennis, Ravilious and Wedgwood - The Complete Wedgwood Designs of Eric Ravilious, published by Richard Dennis 1995, p.49 for a reference to the 'Boat Race Day' pattern and the 'Burslem' vase shape.
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653685 item(s)/page