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Lot 1331

A maiolica style pottery vase decorated with a river scene, 38cms high.Condition Reportpaint chip to upper rim, paint chips, chip and crack to the foot rim

Lot 1335

A Regency Wedgwood Jasperware style vase on ormolu stand decorated with putti (large chip to top rim), 30cms high.

Lot 1336

A pair of Wedgwood black basalt and gilt vase in the Aesthetic manner, design number 443, each 24cms high (2).Condition ReportThere is rubbing to the gilt decoration, especially to the top rims, some marks to the basalt, three small areas of loss to the tube lining, as per images, no chips, cracks or repairs, good overall condition

Lot 1339

A Royal Doulton stoneware vase by Maud Bowden, decorated with fish in relief, 18cms high.

Lot 1343

An 18th century Derby vase of ovoid form with panels decorated with birds and figures within a landscape, 15cms high.Condition ReportGood condition with no damage or repair, just some minor rubbing and surface scratching to the gilt and painted decoration

Lot 1358

A pair of early 19th century Miles Mason vases, the Chinese clobbered style baluster bodies with tall slender necks with ring handles, decorated with dragons and flowers on a gilt ground, spurious Kangxi mark to the underside, 28cms high.Condition ReportOne vase has a 4.5cms restored chip to the upper rim and hairline crack to the base, the other has a 3cm chip to the upper rim and small chips overall.

Lot 19

Garrison with clock and candlesticks; France, XIX century.Onyx and bronze.Measures: 44 x 28 x 15 cm (clock); 40,5 x 18 x 18 cm (candlesticks).French 19th century furniture composed of a table clock and two matching candlesticks of four lights. The three pieces combine in their structure gilded bronze and onyx, of a beautiful marbling. The clock follows an architectural design, with a stepped base in slope, main body flanked by four columns with base and capital in bronze, upper entablature with frieze and cornice and upper finial composed of the round figure of a lion resting a paw on a sphere, symbol of power.The base is unornamented, derived from Empire models, but under the clock face we see a bronze plate cut, fretworked and worked in relief, with cornucopias, sphinxes and a central laurel wreath. The dial is of great richness, in gilded bronze with chiseled central rosette, Roman numerals in black and openwork hands. The entablature is also decorated with classical bronze motifs.The candelabra have a stepped base to match that of the clock, although the columns have a papyrus-shaped capital, Egyptian-inspired, different from the columns that adorn the centerpiece. Above this capital rises the body of lights, entirely made of bronze, with vegetalized turnstones, cornucopias and lighters in the shape of a classic vase.

Lot 55

Art Deco vase by CRISTALLERIES DE NANCY; France, ca. 1925.Acid-etched cameo glass.Limited edition, copy 15/100.With mark on the base.Measurements: 34 x 15 cm.Vase of classic profile, with rounded foot, circular and low, stylized flared tank, narrow and high, which opens at the top to form the mouth. It is made using the cameo glass technique, combining an upper layer of shiny emerald glass, for the flower and bird motifs of synthesized design, and a lower layer of white opal glass. Unlike Art Nouveau cameo glass, the motifs are worked on two planes, that is, in silhouette and without details in relief, and are contained in a central strip, flanked by decorative borders, in a classicist, orderly composition, very different from the open and asymmetrical, oriental-influenced, typical of modernism.The cameo glass is a technique known since ancient times, although resumed in Europe in the late nineteenth century. The main innovation will be the use of hydrofluoric acid instead of carving, which will allow a wider dissemination and cheaper production. The technique consists of blowing a bubble of two or more layers of glass of different colors, which are then carved or removed to acid remelting the bottom, thus leaving the motif in relief, in the color of the top layer of glass.

Lot 134

Small Phoenician vase, 5th century BC.Glass.Measurements: 12 x 6.5 cm.The Phoenicians surpassed the Egyptians in perfection and fame as far as the technique of glass was concerned. Thanks to the fine sands supplied by the Belo River, the Phoenicians developed a transparent and colorless glass, which later evolved into a vitreous paste made with the core technique. Like their Egyptian masters, the Phoenicians made necklaces, false stones, amphorites and glass alabastrines, among many other types.

Lot 149

Nazca vase; Peru, I-VII century AD.Polychrome terracotta.Measurements: 16 x 11 cm (diameter).The Nazca culture developed in Peru in the valleys of the current department of Ica, between the I and VII centuries, and had its main center in Cahuachi. Its pottery is one of the best considered of ancient Peru, both for its quality and its variety. The Nazca used a peculiar technique, which consisted of painting the entire surface of the vessel before firing, with polychrome pigments applied in up to eleven gradations of color, with a wide variety of shades. Most Nazca vessels have a globular belly with two spouts and a bridging handle.

Lot 108

Skyphos. Gnathia century, IV BC.Black glazed ceramic.Measurements: 8 x 9,5 cm.Skyphos made in the workshops of Gnathia, decorated with the black glaze technique, combined with synthesized geometric and vegetal motifs brushed in red and white colors, organized in concentric bands, following a typical style of Gnathian pottery. The skyphos is a deep wine cup, with two handles and a low, wide base, or without a base. The handles may be small and horizontal, projecting from the rim (in Corinthian and Athenian forms), or they may be loop-shaped, set on the rim or protruding from the base. The black glaze technique employs the same glaze used on the red and black-figure ceramics, but covering the piece completely, without figurative decoration. It was a transparent raw glaze, which adopted its characteristic black tone, intense and shiny, once fired.Gnathia vases are a type of pottery belonging to ancient Apulian painting from the 4th century B.C. They owe their name to the ancient city of Gnathia (now Egnazia) in eastern Apulia. There, the first examples of the style were discovered in the mid-19th century. Its production began in Apulia around 370/360 BC, paralleling the local version of the red-figure style that developed trends toward polychromy at that time. Gnathia vases are characterized by the application of different paints directly on the body of the vase. The subjects depicted include erotes, images of women's lives, theatrical scenes and Dionysian motifs. Painting was often limited to the upper half of the vase body, while the lower half often had only ornamental decoration. The most common forms were bells, pelicans, oinochoai and skyphos.

Lot 239

A late 19th or early 20th century Chinese blue and white baluster vase decorated with Buddhistic lions on a crackle ground. Seal mark to base. H.45cm

Lot 274

A large vintage West German Bay Keramik fat lava glaze vase with black drip design and honey glaze top. Stamped West Germany to the bottom, numbered and marked Bay. H.42cm

Lot 301

A Chinese Kangxi style Famille Verte ceramic vase decorated with flowers and leaves. Unglazed foot. H.23cm

Lot 361

A Late Qing period Cantonese Famille Rose vase with dragon form handles and decorated with birds and flowers. (damage to rim) H.31 W.13 D.13

Lot 403

A large art pottery glazed vase with twin handles and fluted edge. H.60cm

Lot 43

Vase with handle of the Etruscan civilization, IV century BC. Terracotta. Measures: 11,5 x 10 x 11 cm. Small vase entirely made of terracotta, with globular body and wide mouth. It has a single handle. Its surface is decorated with reddish pigments, arranged as bands. The Etruscan culture was already surrounded by an aura of mystery in antiquity; even their Greek contemporaries were intrigued by the sudden emergence of this people as a maritime and commercial power, by this ancient people who, according to Dionysius of Halicarnassus, "resemble no other in their language and customs". While there are those who consider them as the people that gave rise to the Roman Empire, there are other experts who give more relevance to the differences that exist between the two peoples and consider them mere neighbors or "conqueror and conquered", depending on the time in which one speaks, recognizing a strong influence of some elements of Etruscan culture and art observed on the Romans.

Lot 379

A collection of cranberry glass, including overlaid etched design floral bowl, 18cm diameter, two plain glass scalloped and shaped bottle coasters, candlestick and two overlaid vases, footed trumpet example with cross hatch and circular design 17cm high waisted example with fern and spray pattern, 16.5cm high together with a small specimen vase.

Lot 380

A collection of ceramics, including two Paragon China cobalt blue and gilt coffee cans and saucers, Royal Winton 'Toscana' vase, 26cm high, cobalt moon flask with relief bird and flowers (af) etc

Lot 408

An Orrefors glass vase, by Vicki Lindstrand, the blown vessel with pinched base, tapered body, and engraved mermaid and seagulls, engraved signature to base, numbered 1924.s, 19.5cm high x 15.5cm diameter

Lot 86

Selection of brassware to include bowl with pedestal stand, bell, vase etc

Lot 107

Quantity of Portmeirion, botanic and the Holly and the Ivy, tableware bowl and vase

Lot 297

Royal Worcester vase and cover, hand painted with fruit signed D.S. Hinnie, Royal Crown Derby, Worcester and Minton plates, Sitzendorf figure, and other ceramics

Lot 810

Royal Copenhagen vase, depicting an owl on a branch, numbered 347107, 21 cm high

Lot 5

Japanese Kutani vase depicting musicians and birds, 38 cm high, Cantonese famille rose vase depicting court scenes (unmarked), 33 cm high, bamboo vase and three graduated oval Imari chargers, largest 37.5 cm (6)

Lot 678

Victorian inlaid rosewood music cabinet, the door with mirrored and vase inlaid panels, on a plinth base, H99 W59 D38 cm

Lot 9

Royal Albert Old Country Roses part tea set together with other decorative china and glass, including Burleigh Ware vase, and Yellow Parrot pattern pair of vases and bowl

Lot 281

Large quantity of ceramics, to include pair of Chinese-style dogs (height 21cm each), Aynsley trophy vase, various different plates, pair of larger ceramic dogs, large ceramic swan-shaped vase, ceramic lidded box in the shape of a German-style townhouse, among other items. (1 shelf)

Lot 813

Flynn Silver (Australian) Lyre Bird tea spoon, boxed, pierced silver trumpet vase with cranberry glass insert, Birmingham 1910, pair of silver bon-bon dishes with pierced border, Birmingham 1926, small sterling silver beaker, seven serviette rings, marked Mexico 925, together with various white metal items to include a pair of spoons with figural terminals, middle eastern dish with inset coin, Dutch style ashtray and bon-bon dish

Lot 122

Collection of cranberry glass, Crown Devon vase and a pair of Assisi wall plates

Lot 39

AMENDED DESCRIPTION Delft blue and white plate, depicting birds under a vase of flowers, unmarked, 23 cm diameter, two Delft vases 43 and 45 cm high, and a VA Portugal lidded vase (4)

Lot 658

Set of six George III style mahogany dining chairs, the cabochon carved top rails over carved vase shape splats, drop in seats and chamfered square legs (6)

Lot 40

Chinese bronze censer and cover on stand, 17 cm high, bronze vase and cover 20 cm high, bronze figure of a prancing horse, 20.5 cm high, all modern, a lacquered rice carrier and a stand (5)

Lot 613

Harlequin set of six George III style mahogany, oak and elm dining chairs, all with shaped top rails and vase shape pierced splats, all but one with drop in seats and square section legs, and a similar chair (7)

Lot 262

Poole Pottery plate and a bowl, Fieldings Devon Lustrine vase decorated with a galleon, two glass bowls, other items etc.,

Lot 332

A 19th Century Overlaid Bohemian Glass Vase, 16.5cm High

Lot 285

A Coalport Prunus Pattern Shaped Jug, Vine Stylised Handle together with a Coalport Prunus Pattern Vase and a Coalport Aesthetic Teapot with Bamboo Tree and Swallows in Flight

Lot 321

A 1996 Moorcroft Tube Lined Fruit Pattern Vase, Signed C P, 10cm high

Lot 252

A Framed Oil Still Life, Vase of Flowers by J Blackie 27x19cm

Lot 72

A WWI Trench Art Two Handled Vase Formed from a Brass Shell Base Dated 1916 and Inscribed Souvenir of the Great War, 23cm high

Lot 24

A Franz Hermle Brass Mantle Clock of Ornate Form with Two Handled Vase Pediment, 41cm High

Lot 313

A Collection of Various Coloured Glass Decanters, Oriental Vase, Glass Paperweight, Royal Worcester Pin Dishes etc

Lot 25

An Oriental Cloisonne Enamel Lidded Vase on Circular Wooden Stand, Vase 20cm high

Lot 335

A Bohemian Overlaid Ruby Glass Vase, 21cm high

Lot 229

A Collection of Carved Polished Stones and Fossils to Include Egg on Stand, Vase, Tortoise etc

Lot 311

A Collection of various Eight Pieces of Cut Glassware Possibly Stuart, with Floral Decoration to comprise Pair of Large Vases, Smaller Examples, Three Single Vases and a Jug, Tallest Vase 30.5cms High

Lot 320

A 1997 Moorcroft Tube Lined Fruit Pattern Vase, 13cms high

Lot 166

A Large Ceramic Vase Shaped Rose Decorated Table Lamp and Shade, Overall Height 61cm

Lot 261

A Collection of Various Ceramics to comprise Boxed Coalport Cake Slice, Royal Copenhagen Calendar Plates, Butterfly Dish (Chip to Rim) Continental Cup and Saucer, Wedgwood Cleo Coffee Can and Saucer and Two Coalport Gilt Red and Decorated Dishes, Wedgwood Vase, Wedgwood Lidded Pot, Jasperware Dishes, Rectangular Trays Etc

Lot 498

Four Oriental Carved Wooden Vase Stands, Largest 12cm diameter

Lot 303

An Italian Glass Autumnal Leaf Stylised Vase together with a Glass Basket, Vase 28cms High, Basket 22cms High

Lot 288

A Set of Three Franklin Porcelain Tankards with Pewter Lids Decorated in relief with Boar and Game Bird Hunting Motif, together with a Salt Glazed Example and a Large Two Handled Pete Nash Vase and Coalport Sherry Decanter Label.

Lot 299

A Collection of Various Glassware to Comprise Carnival Glass and Shaped Bowl, Two Handled Italian Blue Glass Vase Etc

Lot 266

Five Pieces of Wade Items to include Four Jugs and a Vase (Condition Issues)

Lot 50

An Early 20th Century Terracotta Lidded Bottle Vase Decorated with Hand Painted Ferns, Inner Stopper AF, 29cm high

Lot 260

A Collection of Various Ceramics to comprise Three Coalport Hat Ornaments to include Two Hats for Wimbledon and One For Ascot, All Hand Decorated by Jenny Oliver together with a Boxed Royal Worcester Gilt and White Cake Plate, Coalport Ming Rose Vase, Ming Rose Lidded Pot and a Royal Doulton Miniature Margarette Lady Figure

Lot 219

A Small Collection of Curios to Include Miniature Continental Porcelain Dishes, Belts, Glass Bud Vase etc

Lot 1236

Quantity of Brass, Copper & Plated Ware Items, comprising a pair of plated ware vases, maker L & W, No. 2859, 8" tall, pair of 7" brass candlesticks, a plated ware vase by T W & Sons No. 4735, two 4" diameter plated baskets by T W & Sons and a larger 5" diameter basket, six pewter coasters, two small brass candle holders, a brass candle snuffer with a wooden handle, a pair of carved wood cherub wall plaques, and other items.

Lot 1512

A Bag of Miscellaneous Items to include a Caithness paperweight, a Eastman Kodak camera, a Santulli Deruta Italian vase with floral pattern, Olympus Trip 35 camera,

Lot 1560

Quantity of Collectibles, Ceramics & Wood, comprising a decorated elephant plant stand 10" tall, a vintage green perspex musical jewellery box with a decorative jewel to top, an inlaid mother of pearl jewellery box, a wooden jewellery box decorated with birds and lined in green sateen fabric. Together with a blue and white Studio art jug marked Schofield of Penrith to base, and an Oriental blue and white ginger jar with lid, a blue fluted top vase. Also, two Caithness glass bowls in pale pink hue.

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