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Warren MacKenzie (American, 1924-2018). Group of four pieces of studio ceramic pottery including one small hourglass-shaped v

Revere Auctions

Lot 104

Warren MacKenzie (American, 1924-2018). Group of four pieces of studio ceramic pottery including one small hourglass-shaped vase with two applied handles and three triangular bowls or dishes. Stoneware with a shino glaze. Marked along the footrims.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height ranges from 1 in to 4 1/2 in; diameter ranges from 2 3/4 in to 4 1/4 in.Condition:There are no chips, cracks, losses, or restorations. Light wear to the footrims.

Live Auction

Jan Mckeachie Johnston (American, 20th/21st c). Studio ceramic pottery vase. Wheel-thrown vase with lug handles. Glazed with

Revere Auctions

Lot 85

Jan Mckeachie Johnston (American, 20th/21st c). Studio ceramic pottery vase. Wheel-thrown vase with lug handles. Glazed with kaolin flashing slip and celadon glaze on the interior. Stamped along the vase.Height: 8 1/2 in x diameter: 7 in.Condition:Crazing to the glaze along the interior. Cracks formed along the handles, possibly original to firing. Light wear to the underside.

Live Auction

Warren MacKenzie (American, 1924-2018). Studio ceramic square-form vase with two applied handles. High-fired stoneware with c

Revere Auctions

Lot 102

Warren MacKenzie (American, 1924-2018). Studio ceramic square-form vase with two applied handles. High-fired stoneware with copper green oribe style glaze. Stamped along the base.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 9 1/4 in x width: 4 1/4 in x depth: 4 1/4 in.Condition:Crazing to the glaze. No chips, cracks, or losses. No restorations

Live Auction

Warren MacKenzie (American, 1924-2018). Studio ceramic pottery vase. Stoneware with a matte white oatmeal glaze. Stamped alon

Revere Auctions

Lot 101

Warren MacKenzie (American, 1924-2018). Studio ceramic pottery vase. Stoneware with a matte white oatmeal glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 9 1/4 in x diameter: 6 1/2 in.Condition:There are no visible chips, cracks, or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.

Live Auction

Randy Johnston (American, 20th/21st c). Studio ceramic pottery tall vase. Stoneware woodfired with a shino glaze decorated wi

Revere Auctions

Lot 86

Randy Johnston (American, 20th/21st c). Studio ceramic pottery tall vase. Stoneware woodfired with a shino glaze decorated with iron oxide and fly ash decoration. Marked along the underside.Height: 14 3/4 in x diameter: 5 1/2 in.Condition:There are no chips, cracks, losses, or restorations. Light wear to the footrim.

Live Auction

NO RESERVETSUDA EIJU (1915-2001) SHOWA ERA, 20TH CENTURY A tall Japanese bronze vase, the cylindrical body with a reddish-br

Woolley & Wallis

Lot 391

NO RESERVETSUDA EIJU (1915-2001) SHOWA ERA, 20TH CENTURY A tall Japanese bronze vase, the cylindrical body with a reddish-brown patina and cast with a series of horizontal ribs, with a seal mark for Eisu to the base; together with a trumpet-shaped bronze vase with a central bulb, unsigned; both with inscribed tomobako wood boxes, 24cm and 29.9cm respectively. (4) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: a British private collection. Cf. T & M Becker, Twentieth Century Japanese Bronze Flower Vases, The Becker Collection, pp.122-123, where the ribbed piece is illustrated and discussed. The authors explain that Tsuda Eiju worked mainly for the Imperial family, and became particularly famous for his murashi-do patina. He was awarded the Grand Prize at the Nitten Japanese Fine Art Exhibition in 1962.

Live Auction

NO RESERVEA SMALL JAPANESE INLAID-BRONZE VASE BY THE INOUE COMPANY OF KYOTO MEIJI PERIOD, 19TH CENTURY The slender baluster-

Woolley & Wallis

Lot 362

NO RESERVEA SMALL JAPANESE INLAID-BRONZE VASE BY THE INOUE COMPANY OF KYOTO MEIJI PERIOD, 19TH CENTURY The slender baluster-shaped body decorated in kebori and gold takazogan with peony, bamboo, orchids and a flowering prunus issuing from rockwork, with a bird perched amidst the branches and another in flight, the base signed Inoue zo, 14.8cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from an English private collection, Sussex.

Live Auction

A MINIATURE JAPANESE CLOISONNE ENAMEL VASE AND COVER BY NAMIKAWA YASUYUKI (1845-1927)MEIJI ERA, EARLY 20TH CENTURYDecorated w

Woolley & Wallis

Lot 371

A MINIATURE JAPANESE CLOISONNE ENAMEL VASE AND COVER BY NAMIKAWA YASUYUKI (1845-1927)MEIJI ERA, EARLY 20TH CENTURYDecorated with two thatched cottages by the waterfront in a colourful river landscape, the sky a uniform cobalt blue contrasting with the water below rendered in graduated musen (wireless cloisonné); with narrow borders to the foot and shoulder, the rim decorated with a polychrome band of chrysanthemum panels; the small domed cover embellished with formal lotus panels beneath a chrysanthemum-shaped silver finial; the silver base stamped Kyoto Namikawa, 11.5cm. (2)Originally a samurai, Namikawa Yasuyuki opened his first enamelling studio in Kyoto in 1875 and went on to become one of the most influential artists of what is referred to as the 'Golden Age of Enamelling' in Japan. His earlier work was relatively traditional in style, mainly decorated with formal botanical and geometric motifs, but his later designs became increasingly pictorial. Reminiscent of the Nihonga style painting, he made use of intricate wirework counterbalanced by broad areas of pure enamel, a compositional style that relates the piece offered here with the two koro in the Khalili Collection, illustrated in Meiji no Takara: Treasures of Imperial Japan, the Nasser D. Khalili Collection of Japanese Art, Enamel, nos. 25 and 32.

Live Auction

NO RESERVEA TALL JAPANESE CLOISONNE VASE WITH A FOX PROCESSION MEIJI ERA, 19TH/20TH CENTURY The elongated body decorated wit

Woolley & Wallis

Lot 374

NO RESERVEA TALL JAPANESE CLOISONNE VASE WITH A FOX PROCESSION MEIJI ERA, 19TH/20TH CENTURY The elongated body decorated with a continuous scene of the kitsune no yomeiri (foxes' wedding), the many foxes marching underneath a torii gate, all dressed up in kimonos and some carrying lanterns, others palanquins; on a duck egg-blue ground, 46.5cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

Live Auction

NO RESERVETSUDA EIJU (1915-2001) SHOWA ERA, C.1950 A Japanese bronze vase cast in the shape of a stylised apple; with a roun

Woolley & Wallis

Lot 386

NO RESERVETSUDA EIJU (1915-2001) SHOWA ERA, C.1950 A Japanese bronze vase cast in the shape of a stylised apple; with a round body, the neck modelled as the stem and with a small handle to the side suggesting a leaf; the surface with a warm mottled chocolate-brown patina, the base impressed with a square seal mark reading Eiju, 18.7cm; with an inscribed tomobako wood box. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: a British private collection. Cf. T & M Becker, Twentieth Century Japanese Bronze Flower Vases, The Becker Collection, pp.114-115, where this very piece is illustrated and discussed. The authors explain that Tsuda Eiju worked mainly for the Imperial family, and became particularly famous for his murashi-do patina. He was awarded the Grand Prize at the Nitten Japanese Fine Art Exhibition in 1962.

Live Auction

NO RESERVEHASUDA SHUGORO (1915-2010) SHOWA/HEISEI, 20TH CENTURY A Japanese nickel vase, the tall square-section body with an

Woolley & Wallis

Lot 393

NO RESERVEHASUDA SHUGORO (1915-2010) SHOWA/HEISEI, 20TH CENTURY A Japanese nickel vase, the tall square-section body with an elongated neck and a small triangular handle; the sides embellished with five horizontal lines, the base signed Shugoro, 24.3cm; with an inscribed tomobako wood box. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: a British private collection. See Christie's New York, 22nd September 2005, lot 249, for a related patinated vase by Hasuda Shugoro. Hasuda Shugoro is considered one of the leading Japanese modernist artists working in bronze during the Post-War Period. After graduating from Tokyo School of Art in 1938, he participated in founding the Creative Crafts Association (1952), the Japan Modern Craftsmen's Association (1961) and the Japan Metal Sculpture Institute (1976). His first award was at the 5th Nitten in 1949, and he later received the Hokuto Award (1953) amongst many further prizes. In 1987, he was designated a person of Cultural Merits, and he was later decorated with the Order of Cultural Merit in 1991.

Live Auction

NO RESERVEA JAPANESE BRONZE VASE BY GENRYUSAI SEIYA MEIJI ERA, 19TH CENTURY With a trumpet-shaped body and decorated with a

Woolley & Wallis

Lot 344

NO RESERVEA JAPANESE BRONZE VASE BY GENRYUSAI SEIYA MEIJI ERA, 19TH CENTURY With a trumpet-shaped body and decorated with a dragon in relief holding a small crystal ball, its long scaly body coiled around the vessel, signed Seiya chu underneath, 27.5cm; together with a smaller vase of baluster shape with another dragon applied to the neck and shoulder, signed Ikko, 15.5cm. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from an English private collection, Sussex.

Live Auction

NO RESERVENAKAJIMA YASUMI II (1905-86) SHOWA ERA, C.1960 A Japanese bronze vase cast as a stylised bird and entitled Hina (c

Woolley & Wallis

Lot 387

NO RESERVENAKAJIMA YASUMI II (1905-86) SHOWA ERA, C.1960 A Japanese bronze vase cast as a stylised bird and entitled Hina (chick), depicted with its beak wide open and with a flattened curved body, the base signed, 18cm; with an inscribed tomobako wood box. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: a British private collection.

Live Auction

NO RESERVEA JAPANESE BRONZE VASE (USUBATA) MEIJI OR TAISHO, 19TH OR 20TH CENTURY In two parts, the lower half with a bulbous

Woolley & Wallis

Lot 342

NO RESERVEA JAPANESE BRONZE VASE (USUBATA) MEIJI OR TAISHO, 19TH OR 20TH CENTURY In two parts, the lower half with a bulbous body raised on three scrolling feet, the sides decorated with buildings in mountainous river landscapes, the handles shaped as elephant heads with extended trunks, the upper section consisting of a removable circular tray wedged at the top, unsigned, 26.6cm. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from an English private collection, London.

Live Auction

NO RESERVEHASUDA SHUGORO (1915-2010) SHOWA/HEISEI, 20TH CENTURY A Japanese hakudo (white bronze) vase, the tall square-secti

Woolley & Wallis

Lot 392

NO RESERVEHASUDA SHUGORO (1915-2010) SHOWA/HEISEI, 20TH CENTURY A Japanese hakudo (white bronze) vase, the tall square-section body with an elongated neck and a small triangular handle; the sides embellished with a network of vertical and horizontal lines, the base signed Shugoro, 25.8cm; with an inscribed tomobako wood box. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: a British private collection. See Christie's London, 7th November 2012, lot 128, for a related hakudo piece by Hasuda Shugoro.

Live Auction

A TALL JAPANESE CLOISONNE VASE BY THE ANDO JUBEI COMPANYTAISHO ERA, 20TH CENTURYThe slightly-flaring cylindrical body decorat

Woolley & Wallis

Lot 382

A TALL JAPANESE CLOISONNE VASE BY THE ANDO JUBEI COMPANYTAISHO ERA, 20TH CENTURYThe slightly-flaring cylindrical body decorated with many lilies rendered in yusen, shosen and musen enamels, the white blooms depicted on a rich navy-blue ground; with metal mounts to the rims, marked jungin (pure silver) underneath; the base with the mark for the Ando workshop, 32.5cm.

Live Auction

TWO JAPANESE CLOISONNE ENAMEL PIECESMEIJI ERA, 19TH/20TH CENTURYOne a trumpet vase, decorated with a mottled yellow-green gro

Woolley & Wallis

Lot 373

TWO JAPANESE CLOISONNE ENAMEL PIECESMEIJI ERA, 19TH/20TH CENTURYOne a trumpet vase, decorated with a mottled yellow-green ground and a central band with two pairs of confronting butterflies amongst lotus and chrysanthemum, with a border of floral scrolls beneath the rim, the inside and the base enamelled blue; the other, a circular box and cover with a celadon ground, the globular body decorated with a bird of prey perched on a flowering prunus and the reverse with two birds in flight, the gently domed cover with three butterflies and a chrysanthemum-shaped knop; 21.4cm and 8.6cm respectively. (3)

Live Auction

NO RESERVEA JAPANESE BRONZE VASE SHOWA ERA, 20TH CENTURY The tall body with a slightly flared rim and modelled as a section

Woolley & Wallis

Lot 390

NO RESERVEA JAPANESE BRONZE VASE SHOWA ERA, 20TH CENTURY The tall body with a slightly flared rim and modelled as a section of bamboo, the surface with a murashi-do mottled reddish-brown patina, in an inscribed tomobako wood box, 18.5cm. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: a British private collection.

Live Auction

NO RESERVEA JAPANESE PARCEL-GILT BRONZE VASE MEIJI ERA, 19TH/20TH CENTURY The bulbous body raised on a spreading foot and wi

Woolley & Wallis

Lot 339

NO RESERVEA JAPANESE PARCEL-GILT BRONZE VASE MEIJI ERA, 19TH/20TH CENTURY The bulbous body raised on a spreading foot and with a tall flared neck, decorated with a ho-o bird in flight beside leafy paulownia trees; the neck with lappets enclosing formal patterns and the rim with a border of key fret, 44.8cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

Live Auction

A JAPANESE CLOISONNE VASE BY TAMURA II / OTA KINKEI (1897-1976)TAISHO OR LATER, 20TH CENTURYThe bulbous body with a flaring n

Woolley & Wallis

Lot 372

A JAPANESE CLOISONNE VASE BY TAMURA II / OTA KINKEI (1897-1976)TAISHO OR LATER, 20TH CENTURYThe bulbous body with a flaring neck, decorated with colourful stylised peacocks and abstract circular motifs on the cream-coloured ground; the base with the signature for Tamura II/Ota Kinkei in a metal cartouche and to the metal foot rim, 24.7cm.

Live Auction

A JAPANESE TAKAOKA COPPER VASE WITH CARPSHOWA OR LATER, 20TH CENTURYThe pear-shaped body decorated with two large carp swimmi

Woolley & Wallis

Lot 380

A JAPANESE TAKAOKA COPPER VASE WITH CARPSHOWA OR LATER, 20TH CENTURYThe pear-shaped body decorated with two large carp swimming in a stream, the design rendered in gilt, silver and white on the speckled golden ground, signed Shuho for Yamamoto Shuho and sealed Shinpo, with a commemorative inscription underneath reading Kanko kinen, Kanazawa shi Kubo daiichi tochi kukaku seiri kumiai (Completion commemoration, Kanazawa Kubo No. 1 Land Readjustment Association), 28.8cm.

Live Auction

A JAPANESE BRONZE VASE BY MASAYUKIMEIJI ERA, 19TH CENTURYThe tall cylindrical body decorated in low relief with the young war

Woolley & Wallis

Lot 355

A JAPANESE BRONZE VASE BY MASAYUKIMEIJI ERA, 19TH CENTURYThe tall cylindrical body decorated in low relief with the young warrior-monk Benkei wrestling the giant carp that swallowed his mother; the hero is depicted naked but for a loincloth and a sword, forcing open the jaws of the monstruous beast; the fish's eye subtly inlaid in gold and shibuichi; signed Masayuki to the side, 27.8cm.

Live Auction

NO RESERVEANONYMOUS BEAUTY AT HER DESK PROBABLY MEIJI, 19TH CENTURY A Japanese painting, ink and colour on paper, depicting

Woolley & Wallis

Lot 289

NO RESERVEANONYMOUS BEAUTY AT HER DESK PROBABLY MEIJI, 19TH CENTURY A Japanese painting, ink and colour on paper, depicting a beauty wearing Chinese garments leaning on a desk laden with various vessels, one a vase with a peacock feather, inscribed at the back Hyaku-juusan, Fujiaki Tadashi zo (Number 113, in the collection of Fujiaki Tadashi), 33.5cm x 47.5cm, framed and glazed. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Major-General Ian Lyall Grant MC, RE, (1915-2020), and thence by descent. After World War II, Major-General Grant co-founded the Burma Campaign Fellowship Group to reconcile those who had fought each other in Burma. He published a number of works about his experience in the Army, including 'Burma 1942: The Japanese Invasion' (1999). He was a keen collector of antiques and gems, travelling extensively in Japan, China and the Far East, and he later became a Fellow of the Gemmological Association of Great Britain (FGA).

Live Auction

NO RESERVEHASUDA SHUGORO (1915-2010) SHOWA/HEISEI, 20TH CENTURY A Japanese bronze vase, the square-section body with slightl

Woolley & Wallis

Lot 388

NO RESERVEHASUDA SHUGORO (1915-2010) SHOWA/HEISEI, 20TH CENTURY A Japanese bronze vase, the square-section body with slightly curved sides and an uneven neck resembling pottery, the surface a deep chocolate-brown colour and with two stylised characters to the sides, the base with a square seal mark, together with an inscribed tomobako wood box, 8..5cm x 6.7cm x 6.7cm. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.Provenance: a British private collection.

Live Auction

NO RESERVEA LARGE JAPANESE BRONZE VASE WITH SHISHI MEIJI ERA, 19TH/20TH CENTURY The body raised on a spreading foot and with

Woolley & Wallis

Lot 341

NO RESERVEA LARGE JAPANESE BRONZE VASE WITH SHISHI MEIJI ERA, 19TH/20TH CENTURY The body raised on a spreading foot and with a tall flared neck, decorated with bands of archaistic patterns, taotie masks and lappets, the neck applied with two lion dogs, 40cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from an English private collection, Sussex.

Live Auction

NO RESERVEA COLLECTION OF CHINESE AND JAPANESE METAL PIECES 19TH/20TH CENTURY Comprising: two Japanese mixed-metal boxes, a

Woolley & Wallis

Lot 301

NO RESERVEA COLLECTION OF CHINESE AND JAPANESE METAL PIECES 19TH/20TH CENTURY Comprising: two Japanese mixed-metal boxes, a vesta case and a water dropper shaped as Fukurokuju with his pet deer; together with a Chinese trumpet-shaped vase decorated with sprays of prunus, and a gilt-bronze incense burner, the tripod flattened body decorated with lobed panels enclosing flowering branches, with a fitted wooden lid and stand, 24.5cm max. (8)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

Live Auction

A TALL JAPANESE BRONZE VASEMEIJI ERA, 19TH/20TH CENTURYThe cylindrical body raised on a short foot and with a flared rim; dec

Woolley & Wallis

Lot 353

A TALL JAPANESE BRONZE VASEMEIJI ERA, 19TH/20TH CENTURYThe cylindrical body raised on a short foot and with a flared rim; decorated with a continuous design of many fish in a stream, rendered in low relief and with their eyes highlighted in gilt; the body with a green patina and red mottlings; the base signed Yoshimitsu for Ono Yoshimitsu, 32.8cm.See Bonhams, London, 14 May 2015, lot 428, for a figure of an archer by Yoshimitsu.

Live Auction

A TALL JAPANESE BRONZE VASE MEIJI OR LATER, 20TH CENTURYThe elegant pear-shaped body with a flared neck, the surface covered

Woolley & Wallis

Lot 352

A TALL JAPANESE BRONZE VASE MEIJI OR LATER, 20TH CENTURYThe elegant pear-shaped body with a flared neck, the surface covered with a warm russet brown patina, signed Gensai to the base, 32cm.Provenance: purchased from Michael Goedhuis. A copy of the invoice is available.

Live Auction

A JAPANESE BRONZE VASE WITH FROGSMEIJI ERA OR LATER, 20TH CENTURYThe flattened body with a tall neck and an everted rim; with

Woolley & Wallis

Lot 358

A JAPANESE BRONZE VASE WITH FROGSMEIJI ERA OR LATER, 20TH CENTURYThe flattened body with a tall neck and an everted rim; with two small amphibians applied to the side, 20.2cm.

Live Auction

NO RESERVEA TALL JAPANESE BRONZE VASE BY MITSUYOSHI MEIJI ERA, 19TH CENTURY The cylindrical body raised on a short foot and

Woolley & Wallis

Lot 345

NO RESERVEA TALL JAPANESE BRONZE VASE BY MITSUYOSHI MEIJI ERA, 19TH CENTURY The cylindrical body raised on a short foot and with an everted rim, elegantly decorated with a pavilion and trees in a mountainous landscape, a silver-inlaid moon crescent above; the tall rocky outcrops in the back depicted in lower relief; signed Mitsuyoshi saku to the side, 42cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from an English private collection, Sussex.

Live Auction

A JAPANESE COPPER VASE WITH DRAGONMEIJI OR LATER, 20TH CENTURYThe bulbous body decorated with the ferocious mythical beast em

Woolley & Wallis

Lot 338

A JAPANESE COPPER VASE WITH DRAGONMEIJI OR LATER, 20TH CENTURYThe bulbous body decorated with the ferocious mythical beast emerging from scrolling clouds, with details in gilt on the hammered ground; a two-character signature to the side and an impressed mark to the base, 27cm.

Live Auction

A LARGE JAPANESE TAKAOKA COPPER VASE ATTRIBUTED TO TAKENAKA MASAHARU IIDATED SHOWA 30, 1955The bulbous flattened body raised

Woolley & Wallis

Lot 385

A LARGE JAPANESE TAKAOKA COPPER VASE ATTRIBUTED TO TAKENAKA MASAHARU IIDATED SHOWA 30, 1955The bulbous flattened body raised on a short foot and with an everted rim, decorated with two cranes in flight amongst stylised reeds and with a chrysanthemum kikumon above, the design rendered in gilt and silver on the midnight-blue ground, 29cm; together with a wooden plaque inscribed Hoshuku tenno heika gozaii sanju shunen kinen sakuhin, ju sokaku zu, Takenaka Masaharu saku (Made by Takenaka Masaharu, with the auspicious design of a pair of cranes, made to commemorate and celebrate the 30th year of reign of the Showa Emperor), with the seal Masaharu; in a tomobako box, inscribed Chudo kabin, Seiseido (Made by Seiseido, a cast bronze vase) and sealed Seisei (Masaharu). (2)

Live Auction

A JAPANESE BRONZE VASE MEIJI ERA, 19TH/20TH CENTURYThe pear-shaped body decorated with a large coiling dragon above crashing

Woolley & Wallis

Lot 340

A JAPANESE BRONZE VASE MEIJI ERA, 19TH/20TH CENTURYThe pear-shaped body decorated with a large coiling dragon above crashing waves, its head rendered in high relief; the base with a seal mark, 23.5cm.

Live Auction

NO RESERVEA COLLECTION OF JAPANESE METAL PIECES MEIJI ERA, 19TH/20TH CENTURY Comprising: a silver vase, decorated in kebori

Woolley & Wallis

Lot 303

NO RESERVEA COLLECTION OF JAPANESE METAL PIECES MEIJI ERA, 19TH/20TH CENTURY Comprising: a silver vase, decorated in kebori and takazogan with a crane perched on a rocky outcrop amidst crashing waves under a full moon, signed Yoshiyama to the side and stamped with a seal mark underneath; a silver box and cover, shaped as a chrysanthemum, the base marked jungin (pure silver); a bronze okimono of a dove; and a silver cover, decorated with scrolling clouds in openwork, signed to the side; 21cm max. (5) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from an English private collection, Sussex.

Live Auction

VASE An orange vintage glass vase by Carlo Nason for Moretti & Nason. Italy, c.1960. 45cm(h)

Adams

Lot 91

VASE An orange vintage glass vase by Carlo Nason for Moretti & Nason. Italy, c.1960. 45cm(h)

Live Auction

VETRERIA ARTISTICA A glass vase by Veteria Artistica, Murano with maker's label. 37cm(h)

Adams

Lot 10

VETRERIA ARTISTICA A glass vase by Veteria Artistica, Murano with maker's label. 37cm(h)

Live Auction

VASE Amber Murano glass vase and stopper. 60.5cm(h)

Adams

Lot 136

VASE Amber Murano glass vase and stopper. 60.5cm(h)

Live Auction

VASE A large ceramic vase. Germany, c.1970. 50cm(h)

Adams

Lot 85

VASE A large ceramic vase. Germany, c.1970. 50cm(h)

Live Auction

FRATELLI TOSO A blue vase by Toso, Murano. Signed. 30cm(h)

Adams

Lot 13

FRATELLI TOSO A blue vase by Toso, Murano. Signed. 30cm(h)

Live Auction

VASE A vintage blue glass vase. Italy. 41.5cm(h)

Adams

Lot 215

VASE A vintage blue glass vase. Italy. 41.5cm(h)

Live Auction

VASE A yellow vintage glass vase by Carlo Nason for Moretti & Nason. Italy, c. 1960. 29.5cm(h)

Adams

Lot 88

VASE A yellow vintage glass vase by Carlo Nason for Moretti & Nason. Italy, c. 1960. 29.5cm(h)

Live Auction

VASEA blue vintage glass vase by Carlo Nason for Moretti & Nason. c. 1960. 29.5cm(h)

Adams

Lot 27

VASEA blue vintage glass vase by Carlo Nason for Moretti & Nason. c. 1960. 29.5cm(h)

Live Auction

LARGE ORIENTAL DOUBLE GOURD VASE 13.25" HIGH

Bloomfield Auctions

Lot 215

LARGE ORIENTAL DOUBLE GOURD VASE 13.25" HIGH

Live Auction

HAND PAINTED WINE VASE

Bloomfield Auctions

Lot 210

HAND PAINTED WINE VASE

Live Auction

ANTIQUE BRONZE TEMPLE VASE

Bloomfield Auctions

Lot 333

ANTIQUE BRONZE TEMPLE VASE

Live Auction

A Chinese amber-glazed 'Landscape' bottle vase, 19th century, 25cm high晚清褐釉山水圖瓶 Condition Report: minor wear and scratches

Dreweatts 1759

Lot 320

A Chinese amber-glazed 'Landscape' bottle vase, 19th century, 25cm high晚清褐釉山水圖瓶 Condition Report: minor wear and scratches to the surface and rimCondition Report Disclaimer

Live Auction

A Chinese robin's egg glazed archaistic vase, zun, 18th or 19th century, decorated to the body with archaistic taotie masks h

Dreweatts 1759

Lot 90

A Chinese robin's egg glazed archaistic vase, zun, 18th or 19th century, decorated to the body with archaistic taotie masks highlighted in gilt and covered in mottled blue and turquoise glaze, the base impressed with a six-character qianlong mark, 27cm high清十八/十九世紀 "大清乾隆年制"款爐鈞釉獸面紋尊 Condition Report: minor wear to the surfaceCondition Report Disclaimer

Live Auction

A Chinese langyao vase, 17th/18th century, 21.8cm high清十七/十八世紀郎紅釉賞瓶 Condition Report: one filled chip to the rimCondition

Dreweatts 1759

Lot 290

A Chinese langyao vase, 17th/18th century, 21.8cm high清十七/十八世紀郎紅釉賞瓶 Condition Report: one filled chip to the rimCondition Report Disclaimer

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A Chinse Yixing Jun-glazed meiping vase, 18th century, the tapered body with sides steeply rising from a gently splayed foot

Dreweatts 1759

Lot 47

A Chinse Yixing Jun-glazed meiping vase, 18th century, the tapered body with sides steeply rising from a gently splayed foot to bulging shoulders and surmounted by a short neck and a lipped rim, covered with a clair-de-lune glaze with crackles, 13.6 cm high清18世紀宜鈞釉梅瓶 Condition Report: overall in very presentable conditionCondition Report Disclaimer

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†&nbspA large and rare Chinese 'Imperial tribute' Canton enamel tripod censer, mark of Qianlong and of the period, of globula

Dreweatts 1759

Lot 24

†&nbspA large and rare Chinese 'Imperial tribute' Canton enamel tripod censer, mark of Qianlong and of the period, of globular form supported on three cylindrical feet, chased on the exterior against the mille fleur ground with gilt bronze scroll, the central panel on one side finely painted with European figures traversing a hilly landscape bearing gifts accompanied by trumpet players and animals, the other side decorated with a lady holding a monkey and accompanied by a gentleman and attendant, flanked with two stylised chilong handles, the base inscribed in blue enamel with a six-character da qing qian long nian zhi mark on white ground, 45.5cm high x 50cm wide, with Japanese iron lid, total weight 5963 gramsAs a great example of the spread of Western influences to the East, this canton enamel censer is unusual in its size and chased scroll decoration in Baroque style. Compare with a similarly enamelled baluster vase at the Palace Museum, Beijing (accession number 故00116624). The lavish colouration and meticulous floral scroll on this censer are characteristic of painted enamel wares made by Guangzhou artists employed to produce tribute items for the Qing court. Since the technique of enamelling on metal was introduced by Jesuit missionaries residing in Guangzhou around 1684, the craftsmen of Guangzhou proved so proficient in the new craft that by 1716 the Kangxi Emperor is known to have summoned two artisans from there to work in the enamel workshop of the Imperial Household Department in the Palace. By the time of the Qianlong Emperor's reign, the art of enamelling on metal had reached exceptionally high standards, and this art-form continued to receive the Emperor's foremost interest and patronage.清乾隆罕見"大清乾隆年製"款巴洛克風格銅胎琺瑯西洋人物圖香爐 Condition Report: areas of restoration to the painted scenesone handle with enamel restored rim with restoration to the blue enamel and cracks to the area near the handlesome retouching to the mille fleur groundscratches and wear to the gilding especailly on the baseCondition Report Disclaimer

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A large Chinese blue and white 'dragon' jar, Kangxi, decorated with peonies and chrysanthemums, the vase 29cm high including

Dreweatts 1759

Lot 253

A large Chinese blue and white 'dragon' jar, Kangxi, decorated with peonies and chrysanthemums, the vase 29cm high including the metal rim and approximately 26cm wide; with associated pierced hardwood cover and overall height with cover 38cm high Provenance: From the private collection of contemporary artist Pablo Bronstein 清康熙青花龍紋姜罐拍品來源：英國當代藝術家Pablo Bronstein私人收藏 Condition Report: neck probably reduced beneath metal rimminor star crack to body which is visible from the inside but does not appear to go to exterior but sold as viewed firing faults Condition Report Disclaimer

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A pair of Chinese Famille Verte square vases, Kangxi, painted with panels of flowers and birds, each on four ruyi feet, with

Dreweatts 1759

Lot 193

A pair of Chinese Famille Verte square vases, Kangxi, painted with panels of flowers and birds, each on four ruyi feet, with underglaze blue open lozenge marks to bases within double circle, Radcliffe collection label 'H15', 15.5cm high x 9.8cm square Provenance: Major Edward Copleston Radcliffe (1898-1967) collection and listed in the family archive, 'H15', as purchased from Sotheby's in 1937, for £2-0s-0d清康熙五彩四時花卉圖方瓶一對拍品來源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏（家族檔案編號H15), 1937年購自蘇富比 Condition Report: one vase with chip to tip of one foot and other vase with chip to three feet and minor wear to enamels see additional images for visual reference to condition Condition Report Disclaimer

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A Chinese gilt bronze Gu-shaped vase, 17th-18th century, cast of square section, the bulbous central section with archaistic

Dreweatts 1759

Lot 107

A Chinese gilt bronze Gu-shaped vase, 17th-18th century, cast of square section, the bulbous central section with archaistic taotie masks, with scrolling flanges on the edges and centre, the base cast with da ming xuan de wu nian jian du gong bu wu bang zuo zao mark, 29.3cm high, with photocopied receipt of purchase from Kamakura Art Co Ltd, dated 19th June 1955.17/18世紀銅鎏金出戟獸面紋方觚拍品來源：日本古董商鐮倉古董，1955年6月19日（附發票） Condition Report: gilt rubbing in placesCondition Report Disclaimer

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A Chinese blue and white vase, Hu, 18th century, the facetted vase of archaistic design, decorated around the shoulder and bo

Dreweatts 1759

Lot 266

A Chinese blue and white vase, Hu, 18th century, the facetted vase of archaistic design, decorated around the shoulder and body in underglaze blue with composite floral scrolls bearing large blooms, flanked by two handles, 40.8cm high 清中期青花纏枝蓮紋雙耳壺 Provenance: Christies South Kensington, 12th December 1996, lot 468 Condition Report: drilled base and on the body with four short firing cracks but not go through to the bodyCondition Report Disclaimer

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A Chinese copper-red-glazed miniature bottle vase, Qing dynasty, 18th-19th century, the baluster body tapering to a long neck

Dreweatts 1759

Lot 292

A Chinese copper-red-glazed miniature bottle vase, Qing dynasty, 18th-19th century, the baluster body tapering to a long neck, supported on a short foot, the exterior covered with an even copper red glaze, 10.6 cm high清18-19世紀銅紅釉小膽瓶 Condition Report: overall very good conditionCondition Report Disclaimer

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A Chinese flambé 'Dragon' vase, Qing Dynasty, the wide pear-shaped body resting on a flat base, under the rim moulded in high

Dreweatts 1759

Lot 285

A Chinese flambé 'Dragon' vase, Qing Dynasty, the wide pear-shaped body resting on a flat base, under the rim moulded in high relief with a chilong dragon, covered overall with an opaque purple glaze mottled with lavender blue splashed, 16.5cm high清玫瑰紫釉貼塑螭龍紋魚簍尊 Condition Report: one firing crack to the rimCondition Report Disclaimer

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A Chinese carved 'longquan' celadon vase, Ming dynasty, with two large leafy peonies between a incised cloud band to the shou

Dreweatts 1759

Lot 276

A Chinese carved 'longquan' celadon vase, Ming dynasty, with two large leafy peonies between a incised cloud band to the shoulder and vertical line band to the foot, 29.5cm high Provenance: Formerly from a family collection in Chelsea and to the current owner明龍泉青釉牡丹紋瓶拍品來源：倫敦切爾西私人收藏 Condition Report: rim chip approximately 2cm x 1cm firing faults including some crazing to glaze Condition Report Disclaimer

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A Dehua incised vase, Qing dynasty, Kangxi, the ovoid body with incised foliage issuing from rockwork and the other side with

Dreweatts 1759

Lot 201

A Dehua incised vase, Qing dynasty, Kangxi, the ovoid body with incised foliage issuing from rockwork and the other side with two scrolls tied with ribbons, the rim incised with ruyi scrolls, 16cm high Provenance:By descent to the present ownerCollection of Lieutenant Colonel Kenneth Dingwall DSO (1869-1946)清德化白釉花卉紋瓶拍品來源：英國東方陶瓷創始人之一及英國傑出服務勛章持有人Kenneth Dingwall 中校（1869-1946）收藏，其在1910-1937年間為維多利亞和阿爾伯特博物館最大的捐贈人。 Condition Report: in good condition other than typical firing blemishes Condition Report Disclaimer

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A Chinese enamelled 'Winter scene' vase, 20th century, the base inscribed with zhong guo jingdezhen zhi mark, 22cm high"中國景德鎮

Dreweatts 1759

Lot 329

A Chinese enamelled 'Winter scene' vase, 20th century, the base inscribed with zhong guo jingdezhen zhi mark, 22cm high"中國景德鎮製"粉彩雪景圖瓶 Condition Report: minor wear to the surfaceCondition Report Disclaimer

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A large Chinese blue and white square vase, 18th/19th century, painted with landscape scenes and inscribed, 40.5cm high清十八/十九

Dreweatts 1759

Lot 268

A large Chinese blue and white square vase, 18th/19th century, painted with landscape scenes and inscribed, 40.5cm high清十八/十九世紀青花山水題詩文圖瓶 Condition Report: the neck broken and multiple small knocks to the surfaceone chip to the sideCondition Report Disclaimer

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653833 item(s)

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