A CHINESE MINIATURE BLUE AND WHITE BOTTLE SHAPED VASE, QING DYNASTY, 18TH C painted with leaf shaped panels, later giltmetal rim, 10.5cm h, artemesia leaf, a Chinese cylindrical blue and white snuff bottle, 19th c, Kangxi mark, a Dutch delftware miniature rollwagen vase, painted with two ladies at a table, the reverse with hollow rock, 11.5cm h, painted 84 (3)Chinese bottle vase - base with central drilled hole, snuff bottle good condition. Delft vase neck slightly reduced, no restoration
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AN AUSTRIAN NEO CLASSICAL STYLE GILTWOOD MANTEL CLOCK the drum cased three train movement with enamel dial with brass hands and arrow date indicator, the chain movement striking on two bells, the case flanked by the figure of a classical maiden and flower filled vase, 59cm hSome restoration, enamel dial chipped
A Chinese porcelain vase and cover, late 19th century, in famille verte palette, depicting boys at play within a garden landscape, height 22.5 cm a ginger jar, late 19th century, decorated with a figure on horseback, ladies in a chariot and attendants, pseudo four character Qianlong mark, height 20.5 cm, and a further ginger jar and cover with panels of flowering plants, pseudo six character Qianlong mark, height 14 cm. CONDITION REPORT: The lid on the largest jar has been broken in two and restored. There are signs of overspraying on the top and underside. The vase itself appears to be in good order with no obvious chips, cracks or signs of restoration. The enamels are clean with only very minor chips. The vase rings out when lightly tapped. The large ginger jar cover appears to be in good order with no obvious faults, the cover rings out nicely when lightly tapped. The jar itself appears to be free from any obvious chips, cracks or signs of restoration. There are a few surface scratches to the shoulder just to the right of the horses head beneath the collar. The enamels appear to be complete and intact. The vase rings out when lightly tapped. The smallest ginger jar lid has been broken in three pieces and glued. The ginger jar itself appears to be in good decorative order with no signs of any obvious chips, cracks or restoration. The enamels appear to be in good order and complete. The vase rings out when lightly tapped.
A Chinese porcelain vase, 20th century, decorated with a peacock and crane amongst blossoming flowers and two Mandarin ducks all beneath a pine tree, a poem verso, height 42 cm, and a 20th century Chinese vase decorated with a peacock amongst peony and blossom, the reverse with an inscribed poem, height 27.5 cm.
Three Chinese blue and white vases, late 19th century, two with four character pseudo Kangxi marks and a Canton enamel teapot. Tallest 26.3 cm. CONDITION REPORT: The teapot is in good physical order however there are small losses to some enamels and the gilding is rubbed around the handle and spout. The small Meiping vase is in good order with no obvious visible faults. The Gu shape vase has a 3 cm x 1 cm patch of restoration on the top edge of the rim, otherwise it appears to be in good order. The sleeve vase has small patches of restoration to the topside and underneath side of the rim. Otherwise it is in good order with no further obvious faults.
A Japanese bronze vase, late Meiji period, with elephant mask handles and with relief cast decoration of a hawk and birds amongst branches above a pierced base cast with peony and scrolls. Height 21.7 cm. CONDITION REPORT: This vase is missing its cover. There is slight movement in one handle but it remains fixed to the body. The patination throughout is consistent and uniform. There appear to be no obvious losses or repairs. There are no obvious large scratches of note. Overall in good order. The base interior is decorated with leafy fronds. Overall in good decorative order.
A Chinese blue and white onion shaped vase, late 19th century, decorated with prunus against a cracked ice ground. Height 30.5 cm. CONDITION REPORT: This vase is in good order throughout with no signs of any obvious chips, cracks or restorations. There are some small patches where the cobalt blue has burned through the glaze. There is also a small line in the body which has been produced during manufacture. Any faults with the vase are manufacturing faults, there are no post production faults visible.
A Japanese cloisonne vase, circa 1900, decorated with two Manchurian cranes in flight above blossoming flowers against a mirror black ground. Height 36.5 cm. CONDITION REPORT: There are some fine cracks to the interior of the rim. There is a fingernail size piece of enamel missing to the rear of the lower bird from which there is a 5 cm diameter circle of hairline cracks. On the right hand side of the body there are fine hairline cracks of +/- 6 cm in length and horizontal cracks issuing from this of 1 cm in length.
An Antique Sevres Gilt Ormolu Twin-Handled Vase. The vase with gold foils in shallow relief enclosing a floral spray on one side and maidens in a garden setting to the other, approx 16 cms h. (af)Note: Formerly from the Lord Beaverbrook Collection, Cherkley Court and thus through the family by descent.Condition for this Lot - Sale 27/11/19The vase interior has light nibbling to the rim with a vertical hairline crack approx 4 cms.
Miscellaneous English Porcelain; the porcelain comprising a turquoise teacup and saucer by G. Grainger (Worcester works),19 Foregate, Worcester, decorated with butterfly and heather in bloom, together with a Coalport bon-bon dish decorated with peacocks and insects, approx 22 x 3 cms,a hand-decorated Continental blush-ware vase, having gilt square double handles and floral decoration, approx 12 cms h, together with two Royal Crown Derby coffee cans and two saucers. (5)
A PAIR OF CHINESE VASES of lobed flattened baluster form, painted in underglaze blue with panels of figures, clobbered in coloured enamels, unmarked, 11 1/4" high, together with a similar inverted baluster vase, bears seal mark, 10" high, and a provincial bowl, 6 3/4" diameter (4) (Est. plus 21% premium inc. VAT)
A PAIR OF SILVER PEDESTAL TAZZE, maker Ackroyd Rhodes, London 1914, of shaped circular form with bobbin cast rim over ovolo and swag pierced and foliate engraved borders, centrally engraved with Bradford City Coat of Arms and motto "Labor Omnia Vincit", raised upon knopped stems and stepped circular bases, 8 1/4" diameter, 5 1/2" high, 30ozs 5dwts total, en-suite with an epergne, maker Ackroyd Rhodes, London 1913, the foliate pierced trumpet vase with two scrolling arms engraved with the Coat of Arms and presentation inscription to "... Alderman Geo. H. Robinson ... Lord Mayor ... 1915", on a low domed foot, 15 1/4" high, 28ozs 11dwts (3) (Est. plus 21% premium inc. VAT)
A DERBY PORCELAIN SMALL ROCOCO VASE, c.1760, of typical form, painted in polychrome enamels with sprays of flowers within turquoise borders, patch marks, 4" high, together with a Chelsea red anchor porcelain lobed oval dish painted with three fantastic birds, 10 1/4" wide, and an 18th century English porcelain two handled chocolate cup and trembleuse saucer painted en camaieu green with flowers within a rosette border (4) (Est. plus 21% premium inc. VAT)
A COLLECTION OF ROCKINGHAM PORCELAIN comprising a basket with leaf moulded rim, centrally painted in colours with a vignette of "Sandrock Hotel", 9" wide, a circular basket encrusted with flowers, 6 1/2" diameter, and a swan handled garniture vase painted with a bird of prey on a gilt highlighted dark green ground, 11" high, all printed marks (3) (Est. plus 21% premium inc. VAT)
A ROCKINGHAM PORCELAIN MATCHED THREE PIECE GARNITURE, comprising ovoid vase with waisted neck and two gilded high loop handles, on knopped socle and square foot, painted in polychrome enamels with a large urn of flowers in landscape on a scattered sprig and gilt wheat ground, 7 3/4" high, and a pair of vases of flared cylindrical form painted with swags of flowers pendant from gilded bows, 4" high, burnt orange marks (Est. plus 21% premium inc. VAT)
A ROYAL WORCESTER CHINA POT POURRI VASE AND COVER, 1907, in Persian style, the high swept and pierced cover painted by A. Lewis with pheasants in landscape, the base with fir branches, on a swept foot, signed, green mark, inscribed in burnt orange F120/11554 and initialled JH in green, 10" high (Est. plus 21% premium inc. VAT)
A CANTONESE PORCELAIN VASE of rounded cylindrical form with chi-long handles and everted rim, painted in famille rose enamels with two panels of figures, one with a procession of dignitaries before a royal couple on a balcony, the other with a dignitary presenting a money bag to his superior, both on a foliate ground, unmarked, 25" high (Est. plus 21% premium inc. VAT)
TWO SMALL MOORCROFT POTTERY FLAMBE VASES, mid 20th century, tubelined and painted in colours with the "Leaves and Berries" pattern, comprising inverted baluster vase and waisted cylindrical vase, together with a matching small jug, all impressed signatures highlighted in blue "Potter to H.M. The Queen", all 3 1/4" high (3) (Illustrated) (Est. plus 21% premium inc. VAT)
A CHINESE PORCELAIN VASE of flared rounded cylindrical form, painted in famille rose enamels with two panels of figures in a river landscape enclosed by borders of en camaieu burnt orange landscapes and famille rose flowers, 7 1/2" high, together with a very badly damaged matching vase, retailed by J.R. Kidson, Leeds (2)(One Illustrated) (Est. plus 21% premium inc. VAT)
A FRANZ DORFL VIENNA PORCELAIN LARGE CENTRE VASE, c.1900, of ovoid form painted in polychrome enamels by F.Tenner with water nymphs kissing and embracing two young men in a coastal landscape, signed, fixed on to a bronze stand cast with swags and leaves and raised upon four claw and ball feet, 18" high (Illustrated) (Est. plus 21% premium inc. VAT)
A GEORGIAN MAHOGANY COLLECTORS/SPECIMEN(?) TABLE, third quarter of 18th century, of oblong form, the split hinged top on fly brackets opening to fitted interior of large and small lidded compartments arranged symmetrically, raised on turned vase stem on quadrupartite base with cabriole legs, pad feet and barrel castors, 24" x 18" x 29 1/4" (closed) (Illustrated) (Est. plus 21% premium inc. VAT)
JIM ROBISON (b.1939), a large studio stoneware slab built vase of elliptical form with flat shoulders, waisted neck with two frilled lug handles, glazed in shades of blue/purple, grey and brown, seal mark, 21" high and wide (subject to Artists Resale Right) (Illustrated) (Est. plus 21% premium inc. VAT)
A DUTCH MAHOGANY AND FLORAL MARQUETRY CARD TABLE, late 18th/19th century, of folding triangular form with stringing, the top featuring a vase of flowers opening to a later green baize, within an inlaid ribbon border, raised on square tapering legs and turned brass feet, 48 1/2" x 24 1/2" x 30 1/4" (Est. plus 21% premium inc. VAT)
ALAN CAIGER-SMITH (b.1930), a vase of rounded tapering cylindrical form with two lug handles painted in orange lustre with an abstract leaf, monogrammed and date cipher 1973, together with a pair of Suleyman Saba porcelain coffee cans and saucers in black and iron red glazes, a Jane Hamlyn saltglaze stoneware jug with rope twist handle, 6" high, another by Toff Milway, another jug and jar and cover (7) (Est. plus 21% premium inc. VAT)
DAVID HOWARD JONES (b.1953), a raku vase of globular form in geometric shaded blue/grey and amber glazes, monogrammed, 5 3/4" high, together with a similar smaller elliptical vase, 5 1/4" high, an Audrey Price black highlighted incised terracotta baluster jug, 9" high, a John Wheeldon (probably) porcelain circular box and cover in mottled orange with broken gilt border, 3 1/4" diameter, two graduating small bowls, a porcelain ewer, 5 1/2" high, a black glazed vase, 6 1/2" high and brown glazed platter, 16 1/4" wide (9) (Est. plus 21% premium inc. VAT)
A Chinese famille rose 'Baragon Tumed' vase, iron red Qianlong seal mark but later, of inverted baluster form set with blue lion mask handles, painted on each side with leaf shaped motifs depicting seated immortals, on elephant, a horse and a wheel, beneath a band of tasseled lion masks and Buddhist emblems, 17.75cm high, wood stand.Illustrated
A silver trumpet shape flower vase, London 1916, with panelled sides, 13cm high, another pair, Birmingham 1904, with crimped necks, 14cm high, all with loaded bases, a Victorian long silver handled steel button hook, Birmingham 1891, 30cm and a similar shoe horn, Birmingham 1920, also an electroplate tennis trophy dated 1938 (6).
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653685 item(s)/page