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A Japanese cloisonné vase and cover by Namikawa Yasuyuki (1845-1927), Meiji period, the ovoid body finely decorated with flowers, trailing stems and floral mon on vari-coloured vertical panels, the cover with kiku bud finial, signed `Kyoto Namikawa` silver plaque to base, height approx 10.5cm (very minor faults).
A Chinese Canton famille rose vase, late 19th Century, the baluster body painted with flowers emanating from rockwork within turquoise ground borders filled with lotus flowers and scrolls, height approx 25cm, together with a Chinese Canton rouleau vase, 19th Century, painted with flower panels against a green ground (chipped and cracked).
A Chinese blue and white porcelain vase, late 19th Century, painted with dragons and foliage, pseudo four character mark of Kangxi in underglaze blue to base, together with a pair of blue and white cylinder vases, a matching baluster vase and two other blue and white baluster vases (some faults).
A Chinese celadon glazed vase, mark of Qianlong but probably late 19th Century, the oblong body moulded with opposing dragons against clouds, beneath a rectangular flared neck with moulded elephant mask and ring handles, impressed pseudo seal mark to base, height approx 20cm (drilled through mark to base).
A Chinese famille rose porcelain vase, mark of Xuantong and possibly of the period, the teardrop form body painted with five boys picking fruit from a tree, opposing two lines of black text and red seals, six character mark in iron red to base, height approx 19cm, together with a Chinese export porcelain custard cup and cover, Qianlong period, painted with bands of blue flowers and green leaves within iron red and gilt borders.
A Chinese cloisonné bottle vase, late 19th Century, the globular body decorated with birds and flowers on an iron red ground, beneath a lotus filled turquoise neck, (lacking base), together with a black ground cloisonné vase and a pair of Chinese cloisonné ginger jars and covers, 20th Century, decorated with blossoming branches on a green ground.
A Chinese famille rose crackle glazed rouleau vase, late 19th Century, the body painted with a continuous scene of a procession with figures on horseback, attendants and Buddhistic lions, within floral borders, height approx 45cm. Note: purportedly from the Estate of King Faisal II of Iraq (Stanwell Place).
A Chinese Canton famille rose bottle vase and domed cover, mid-19th Century, the squat globular body painted with four figural panels against a ground of scattered flowers, insects and precious objects, within purple ground prunus borders, height approx 47cm, together with a carved hardwood stand (repair to neck).
A Mintons bone china green ground two handled vase and stand, early 20th Century, the cup shaped body painted to each side with a bird in a gilt frame, flanked by gilt loop handles on a circular foot, the square stand painted with roses, puce printed mark to bases, height approx 11cm, together with a pair of Mintons vases and covers decorated with scattered pink roses (one with repaired handle).
A Mintons turquoise ground Sèvres style two handled vase and cover, early 20th Century, the flattened tapered body decorated with pink roses within gilt framing, raised on an integral similarly decorated stand, flanked by gilt handles, puce printed factory mark to base, height approx 19cm, together with another Mintons two handled vase and cover decorated with pink rose swags against a cobalt blue ground.
A large stoneware harvest jug, late 19th Century, the partly buff glazed body typically sprigged with huntsmen and hounds and with greyhound handle, unmarked, together with an Adams preserve jar with plated mounts and four other pieces, including an Art Deco Crown Devon vase and a Sylvac jug.
A Mettlach stoneware vase, early 20th Century, of elongated ovoid form incised and enamelled with foliate motifs and scattered flowers flanked by elephant mask handles against a blue ground, impressed factory marks including `2851` to base (one handle restored), together with a pair of lime green glass vases with yellow enamelled floral decoration, two green glass vases and a small group of collectors` plates.
A Royal Worcester blush ivory ground vase, circa 1908, the cylindrical body typically painted with flowers and with four scroll handles to the shoulders, shape No. 991, green printed factory mark to base (minor nicks to rim), together with a small group of ceramics, including a delft vase, a delft cow and five pieces of copper lustre (faults).
A Royal Worcester porcelain vase, circa 1919, of compressed bulbous shape with cylindrical neck, painted by E.M. Fildes, signed, with pink roses, puce printed mark to base with shape No. `2491`, height approx 7.5cm, together with a similarly painted Royal Worcester ewer (damage to neck).
A black glass vase, probably Continental, circa 1900, the pear shaped body gilt and silvered with chinoiserie figures on foliate branches and bridges, together with a green tinted footed glass bowl with internal haphazard bubbles on a circular foot with trailed band to the waist (chips to foot).
A pale blue/grey glazed studio pottery tapered cylindrical vase by Tony Gant, with single trailed horizontal band beneath the flared rim, impressed mark to base, together with three other pieces of studio pottery, comprising two jugs, one probably by Scott Marshall and the other probably by Tom Fisher, and a bowl with glazed interior (last three pieces unmarked).
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653833 item(s)/page