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Lot 3

A large Murano glass vase, H. 33cm.

Lot 355

A fine hand painted Chinese porcelain vase decorated with tea dust glaze and images of vases, with six character mark to base, H. 42cm.

Lot 45

A 19th century Chinese hand painted provincial porcelain vase, H. 37cm.

Lot 50

A pair of Chinese green glazed porcelain vases on carved wooden lotus petal stands, total H. 18cm. One vase slightly A/F

Lot 55

A 19th/ 20th Century Chinese porcelain vase with underglaze blue and red decoration, H. 31cm.

Lot 680

A large Indian brass vase and four further items.

Lot 444

PAIR OF DECORATIVE VASES ON STANDS (20 CM) PLUS ONE SMALLER (10 CM) SIMILAR STYLED VASE

Lot 685

STERLING SILVER BUD VASE, 12CM TALL

Lot 520

RUBIAN ART POTTERY BOWL,JUG AND VASE (BOWL A/F) JUG 30 CM TALL

Lot 431

STRAIGHT SIDE POTTED VASE, TONYON? (25 CM)

Lot 338

‡ Rob Whelpton (born 1952) a tall, slender raku vase and cover, swollen cylindrical form, painted with a family of spotted dogs, in colours on a crackled white ground, the cover with loop finial, 47cm. high Provenance Beaux Arts, 1989 Private collection.

Lot 231

A Poole Pottery vase by N Blackmore, shape no.85, tapering cylindrical form, painted with Art Deco style flowers and foliage in green, grey and black on a white ground, two Delphis bud vases, an Aegean footed bowl a vase by Alan White and seven plates painted with maps of Brownsea Island and Poole, printed and painted marks, 39.5cm. high (12)

Lot 374

‡ John Ward (born 1938) a fine and large hand-built stoneware vase, the rounded vase with flat shoulder supporting cylindrical neck, decorated with black and white geometric panels, impressed seal mark to base, 33.5cm. high Provenance Woodbury Studio Gallery, 2002 Private collection

Lot 243

A Poole Pottery Atlantis vase by Jenny Haigh, model A2/3 ovoid with pulled top and offset aperture, painted with ice green design white, another smaller and four other Atlantis vases similar, impressed and incised marks, 13cm. high (6)

Lot 63

A Pilkington's Lancastrian solifeur vase by Richard Joyce, dated 1919, painted with birds flying between boughs of berried laurel, in golden and ruby lustre on a mottled blue and green lustre ground, impressed factory mark, painted artist cipher and date mark, hairline to body, 19cm. high

Lot 209

A Bernard Moore flambe vase by Cicery Jackson, compressed form with cylindrical neck, painted with flower stems between chevron bands in red flambe on a smoked ground, with wooden stand, Bernard Moore England, CJ monogram, 25cm. high

Lot 241

A Poole Pottery Atlantis vase by Jenny Haigh, model A91, tapering cylindrical body with wide flaring rim, incised with geometric panels glazed dark umber on a terracotta ground, another Poole Atlantis vase by Jenny Haigh with carved leaf design and another similar by Alan White impressed and incised marks, 17cm. high, (3)

Lot 429

An Aesthetic Movement brass and coloured glass firescreen, the central rectangular panel with moulded amber glass vase with leaf design, inside a border of painted glass and geometric coloured glass panels, unsigned, 88cm. high, 57cm wide.

Lot 405

Sam Herman (born 1936) a shouldered, cylindrical vase with flaring, irregular neck, dated 1975, made at the Jam Factory, South Australia, pale golden yellow cased in clear with a metallic oxide iridescent surface, incised signature SA and date 1975, 15cm. high Provenance The Morgan collection of Art Glass.

Lot 176

'Leaf and Berry' a Moorcroft Pottery vase designed by William Moorcroft, footed cylindrical form, painted in colours on a graduated green to blue ground, and a Moorcroft Pottery 'African Lily' ashtray impressed marks, 11cm. high, (2)

Lot 173

'Freesia' a Moorcroft Pottery vase designed by William Moorcroft, ovoid form with everted top rim, painted in colours on a green ground, impressed marks, painted green signature, original paper label, 24cm. high

Lot 276

‡ Alan Caiger-Smith MBE (born 1930) an Aldermaston Pottery albarello vase, painted in silver and ruby lustre on a blue ground, painted marks, indistinct date mark, 28cm. high Provenance Purchased directly from Alan Caiger-Smith by the vendor.

Lot 126

A James Macintyre & Co Florian Ware baluster vase designed by William Moorcroft, painted with trailing flowers and foliage in blue on a pale blue ground, printed factory mark, painted green signature, tiny glaze nick to top rim, 11cm. high Provenance A Private collection of Moorcroft Pottery

Lot 254

Charles Vyse (1882-1971) a stoneware vase, shouldered form, incised with a band of stylised flowers and foliage, covered to the foot with a celadon glaze incised Charles Vyse, Chelsea, paper exhibition label number 55, 18cm. high Provenance Charles Vyse Stoneware Pottery, Wilton Gallery, Belgrave Square, London, catalogue number 55. James Haydock, thence by descent.

Lot 159

'Leaf and Berry' a Moorcroft Pottery vase designed by William Moorcroft, shouldered ovoid form with waisted neck, painted in shades of green and blue on a celadon ground, impressed factory marks, painted blue signature, 8.5cm. high Provenance A Private collection of Moorcroft Pottery

Lot 114

A large Royal Doulton Sung vase by Charles Noke, swollen, shouldered form with collar rim, painted with prunus blossom in blue under a rich flambe glaze printed factory mark, painted Sung and Noke signature, 33cm. high

Lot 161

'Spanish' a Moorcroft Pottery vase designed by William Moorcroft, ovoid with collar rim, painted in shades of pink, purple ochre and green on a mottled green ground, painted green signature, 6.5cm. high Provenance A Private collection of Moorcroft Pottery

Lot 242

A Poole Pottery Atlantis vase by Alan White, ribbed ovoid form, covered in a mottled green glazed band over deep umber, two Poole Pottery Atlantis cylinder vases by Jenny Haigh and another Poole Pottery Atlantis vase, impressed and incised marks, 13cm. high (main vase), (4)

Lot 371

‡ Kate Malone (born 1959) Baby Bud oak vase, 2017, a stoneware vase with raised oak leaf and acorn motif, glazed crystalline green incised Mrs Kate Malone 2017, 11cm. high Provenance Adrian Sassoon (KM1921)

Lot 60

A large Pilkington's Royal Lancastrian vase, model no. 2996, modelled, shouldered form, covered in a mottled orange glaze, a pair of tall cylindrical vases and two bowls similar, impressed marks, 14cm. high, (5)

Lot 155

'Banded Honesty' a Moorcroft Pottery vase designed by William Moorcroft, shouldered form, painted in shades of blue, green and cream on a pale blue ground, impressed marks, underglaze chips to top rim, 10cm. high

Lot 220

'Paradise Bird and Tree' a Carlton Ware vase, cylindrical form, printed and painted in colours and gilt on a blue lustre ground, and a pair of Carlton Ware 'Stork and Bamboo' vases, pattern no. 2932, printed and painted marks, 15cm. high, (3)

Lot 402

A Mdina Glass Fish vase designed by Michael Harris, dated 1977, blue and brown mottled glass, cased in clear with striations, etched marks and date to base, 19.5cm. high

Lot 304

‡ Jenifer Jones (born 1940) a stoneware garden vase, shouldered form with collar rim and small lug handles, incised with two bands of fine fluting, glazed matt black, impressed seal mark to inside of neck, chips and garden patination, 52cm. high

Lot 160

'Spanish' a Moorcroft Pottery vase designed by William Moorcroft, ovoid with small cylindrical neck, painted in shades of red, purple, ochre and blue on a blue and green ground, painted green signature, minor professional restoration to top rim, 8cm. high Provenance A Private collection of Moorcroft Pottery

Lot 376

‡ John Ward (born 1938) a hand-built stoneware vase, ovoid with narrow shoulder and tapering neck, covered in a green glaze with rust brown, impressed seal mark, 19cm. high Provenance Oxford Gallery, 1993 Private collection

Lot 76

A tall Art Nouveau Royal Doulton stoneware vase by Eliza Simmance, made for the Art Union of London, shouldered form with waisted, flaring neck, incised, moulded and applied with scrolling foliage panels and flowers in shades of blue, green and brown, highlighted in white on a blue ground, impressed factory mark, incised monogram, 41cm. high

Lot 406

Sam Herman (born 1936) a shouldered glass vase with collar rim, elliptical section, streaked glass with a light surface metallic oxide iridescent finish, unsigned 23cm. high Provenance Given by Sam Herman to Frank Thrower, Fieldings Auctioneer's 26th NOvember 2011, lot 302 The Morgan collection of Art Glass.

Lot 211

A Fulham Pottery flower vase designed by Constance Spry, model FMC1, slender elliptical form with loop handles, the interior glazed, and another smaller impressed marks, 55cm. wide, 18cm. high, (2)

Lot 124

'Harebell' a James Macintyre & Co vase designed by William Moorcroft, compressed body with tall cylindrical neck and everted, fluted rim, painted in shades of blue and green on a white ground, painted green signature, professional restoration to top rim, 24.5cm. high Provenance A Private collection of Moorcroft Pottery

Lot 56

A Ruskin Pottery crystalline glaze vase, dated 1930, ovoid with tapering neck, glazed blue graduating to sand yellow, a candlestick, eleven bowls and nine vases, impressed marks, 28cm. high, (22)

Lot 387

'Aries' (Rams Head) a Lalique clear and frosted glass vase designed by Rene Lalique, etched Lalique France, 22cm. high

Lot 11

A fine Martin Brothers stoneware Dragon vase by Edwin & Walter Martin, dated 1892, shouldered ovoid form, incised with four ferocious dragons, in shades of brown on a textured, matt green ground, incised 1-1892 Martin Bros London & Southall 22cm. high Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis, page 99 figure 144 for a similar footed vase decorated with dragons. Provenance A private collection of Martin Ware

Lot 311

‡ David Roberts (born 1947) a tall raku vase, ovoid with flaring neck and applied loop handles, covered with a matt crackled glaze to the neck, the body with pink graduating top purple lustrous crackle glaze, impressed seal mark, 49.5cm. high Provenance Candover Gallery, 1989 Private collection

Lot 195

'Carp' a Dennis China Works vase designed by Sally Tuffin, dated 2003, shouldered cylindrical form, painted in colours impressed and painted marks 31.5cm. high

Lot 78

A Doulton Lambeth stoneware vase by George Tinworth, slender, shouldered form, incised with a band of scrolling foliage and applied florets, in shades of blue and cream on a pale brown ground with slip foliate repeat impressed factory mark, incised monogram to side of vase, professional restoration to foot rim, 32cm. high

Lot 248

A Rye Pottery tin-glazed footed vase, elliptical section, painted with a sgraffito design in pink on a white ground, another similar, a modern Rye Pottery lustre vase by Dennis Townsend and a collection of Rye pottery printed factory marks, 18.5cm. wide (a lot)

Lot 331

‡ Peter Beard (born 1951) a stoneware vase, ovoid matt black with pale blue and white stripes, impressed seal mark, 12cm. high Provenance Peter Dingley, 1989 Private collection

Lot 239

A Poole Pottery Atlantis vase, model A20.3, tapering cylindrical form, painted with columns in brown on a tan and grey glaze, and three others similar, impressed and incised marks, tallest 16.5cm. high (4)

Lot 229

An Art Deco Poole Pottery vase designed by Truda Carter , painted by Winifred Rose, pattern GPA, swollen body, painted with stylised foliage in shades of green, black and grey on a white ground, impressed and painted marks, 15cm. high

Lot 197

'Cockerel' a Dennis China Works limited edition Natural Baluster vase designed by Sally Tuffin, dated 2000, painted in colours on a beige ground, impressed and painted marks, 35cm. high

Lot 407

Sam Herman (born 1936) a shouldered vase with solifleur neck, square section, clear glass graduating to blue, cased in clear with pulled yellow and air bubbles, unsigned, 20cm. high Provenance The Morgan collection of Art Glass.

Lot 116

'Poppy Panel' a James Macintyre & Co miniature vase designed by William Moorcroft, ovoid with twin-loop handles, painted in shades of blue, green and yellow on a white ground, printed factory marks, 6.5cm. high

Lot 134

'Violets' a James Macintyre & Co Florian Ware vase designed by William Moorcroft, waisted cylindrical form with everted, fluted rim, glazed in shades of blue on a pale blue ground impressed factory mark, painted green signature, 19.5cm. high

Lot 379

‡ John Ward (born 1938) a hand-built stoneware vase, ovoid with tapering square neck, covered in a black metallic glaze, the neck with blue-green patches impressed seal mark, 28cm. high Provenance Courcoux & Courcoux private collection. Literature Amanda Game Contemporary British Crafts The Goodison Gift, page 144 cat. no. 56 for a comparable form.

Lot 201

'Polar Bear' a Dennis China Works vase designed by Sally Dennis, dated 2003, painted in black on a graduated blue to white ground, impressed and painted marks, 8.5cm. high

Lot 177

'Hibiscus' a Moorcroft Pottery footed vase, painted in colours on a graduated green to blue ground, a Moorcroft 'Anemone pattern milk-jug and sugar basin, and a 'Clematis' vase original paper label, 9.5cm. high (4)

Lot 238

A Poole Pottery stoneware Atlantis vase by Alan White, flaring form on narrow foot, the body with combed geometric decoration, partially covered with a salt glaze, and a Poole Pottery Atlantis vase by Alan White, ovoid with solifleur neck, covered in a streaked dark umber and green glaze with flashes of orange, impressed mark and AW stamp, 16cm. high, (2)

Lot 112

A Royal Doulton Dragon flambe vase by William G Hodkinson, shouldered form with everted rim, enamelled with a ferocious dragon flying amidst clouds, in turquoise and blue on a flambe red ground, highlighted in gilt, printed Doulton mark, 23cm. high

Lot 81

An Art Nouveau Royal Doulton stoneware vase by Frank Butler, swollen baluster form, tubeline decorated with panels of scrolling flowers and foliage in blue, ochre and green impressed factory mark, incised artist monogram, 24cm. high

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