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A Poole Pottery vase by N Blackmore, shape no.85, tapering cylindrical form, painted with Art Deco style flowers and foliage in green, grey and black on a white ground, two Delphis bud vases, an Aegean footed bowl a vase by Alan White and seven plates painted with maps of Brownsea Island and Poole, printed and painted marks, 39.5cm. high (12)
‡ John Ward (born 1938) a fine and large hand-built stoneware vase, the rounded vase with flat shoulder supporting cylindrical neck, decorated with black and white geometric panels, impressed seal mark to base, 33.5cm. high Provenance Woodbury Studio Gallery, 2002 Private collection
A Pilkington's Lancastrian solifeur vase by Richard Joyce, dated 1919, painted with birds flying between boughs of berried laurel, in golden and ruby lustre on a mottled blue and green lustre ground, impressed factory mark, painted artist cipher and date mark, hairline to body, 19cm. high
A Poole Pottery Atlantis vase by Jenny Haigh, model A91, tapering cylindrical body with wide flaring rim, incised with geometric panels glazed dark umber on a terracotta ground, another Poole Atlantis vase by Jenny Haigh with carved leaf design and another similar by Alan White impressed and incised marks, 17cm. high, (3)
Sam Herman (born 1936) a shouldered, cylindrical vase with flaring, irregular neck, dated 1975, made at the Jam Factory, South Australia, pale golden yellow cased in clear with a metallic oxide iridescent surface, incised signature SA and date 1975, 15cm. high Provenance The Morgan collection of Art Glass.
A James Macintyre & Co Florian Ware baluster vase designed by William Moorcroft, painted with trailing flowers and foliage in blue on a pale blue ground, printed factory mark, painted green signature, tiny glaze nick to top rim, 11cm. high Provenance A Private collection of Moorcroft Pottery
Charles Vyse (1882-1971) a stoneware vase, shouldered form, incised with a band of stylised flowers and foliage, covered to the foot with a celadon glaze incised Charles Vyse, Chelsea, paper exhibition label number 55, 18cm. high Provenance Charles Vyse Stoneware Pottery, Wilton Gallery, Belgrave Square, London, catalogue number 55. James Haydock, thence by descent.
'Leaf and Berry' a Moorcroft Pottery vase designed by William Moorcroft, shouldered ovoid form with waisted neck, painted in shades of green and blue on a celadon ground, impressed factory marks, painted blue signature, 8.5cm. high Provenance A Private collection of Moorcroft Pottery
'Spanish' a Moorcroft Pottery vase designed by William Moorcroft, ovoid with small cylindrical neck, painted in shades of red, purple, ochre and blue on a blue and green ground, painted green signature, minor professional restoration to top rim, 8cm. high Provenance A Private collection of Moorcroft Pottery
A tall Art Nouveau Royal Doulton stoneware vase by Eliza Simmance, made for the Art Union of London, shouldered form with waisted, flaring neck, incised, moulded and applied with scrolling foliage panels and flowers in shades of blue, green and brown, highlighted in white on a blue ground, impressed factory mark, incised monogram, 41cm. high
Sam Herman (born 1936) a shouldered glass vase with collar rim, elliptical section, streaked glass with a light surface metallic oxide iridescent finish, unsigned 23cm. high Provenance Given by Sam Herman to Frank Thrower, Fieldings Auctioneer's 26th NOvember 2011, lot 302 The Morgan collection of Art Glass.
'Harebell' a James Macintyre & Co vase designed by William Moorcroft, compressed body with tall cylindrical neck and everted, fluted rim, painted in shades of blue and green on a white ground, painted green signature, professional restoration to top rim, 24.5cm. high Provenance A Private collection of Moorcroft Pottery
A fine Martin Brothers stoneware Dragon vase by Edwin & Walter Martin, dated 1892, shouldered ovoid form, incised with four ferocious dragons, in shades of brown on a textured, matt green ground, incised 1-1892 Martin Bros London & Southall 22cm. high Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis, page 99 figure 144 for a similar footed vase decorated with dragons. Provenance A private collection of Martin Ware
‡ David Roberts (born 1947) a tall raku vase, ovoid with flaring neck and applied loop handles, covered with a matt crackled glaze to the neck, the body with pink graduating top purple lustrous crackle glaze, impressed seal mark, 49.5cm. high Provenance Candover Gallery, 1989 Private collection
A Doulton Lambeth stoneware vase by George Tinworth, slender, shouldered form, incised with a band of scrolling foliage and applied florets, in shades of blue and cream on a pale brown ground with slip foliate repeat impressed factory mark, incised monogram to side of vase, professional restoration to foot rim, 32cm. high
‡ John Ward (born 1938) a hand-built stoneware vase, ovoid with tapering square neck, covered in a black metallic glaze, the neck with blue-green patches impressed seal mark, 28cm. high Provenance Courcoux & Courcoux private collection. Literature Amanda Game Contemporary British Crafts The Goodison Gift, page 144 cat. no. 56 for a comparable form.
A Poole Pottery stoneware Atlantis vase by Alan White, flaring form on narrow foot, the body with combed geometric decoration, partially covered with a salt glaze, and a Poole Pottery Atlantis vase by Alan White, ovoid with solifleur neck, covered in a streaked dark umber and green glaze with flashes of orange, impressed mark and AW stamp, 16cm. high, (2)
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653833 item(s)/page