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Lot 1

A Daum Art Deco glass vase, of shoulder ovoid form, in amber over clear with internal black speckling, acid cut with stylized leafy fruiting branches, signed Daum Nancy, France with the cross of Lorraine, 25cm high.

Lot 1

A Schneider Art Deco glass vase, of slender shoulder ovoid form on pedestal foot, the clear glass with lemon and orange mottling shading to deep amethyst and pink towards the base, engraved Schneider, 37.5cm high.

Lot 1

A French Art Deco frosted glass bowl, moulded with three bunches of cherries, moulded mark G Vallon, 23.5cm diameter; and Per Lutken for Holmegaard, a smoky grey glass vase, engraved monogram, Holmegaard and dated 1958, 25cm high, (2).

Lot 1

‘Ceylan’, a Lalique opalescent glass vase, moulded below the everted rim with four pairs of budgerigars resting on foliate branches, their tails extending towards the base, wheel cut mark R. Lalique, France and No. 905, 24cm high (Marcilhac 905).

Lot 1

A Moorcroft slender neck vase, painted in colours with flowering plants, on a cream and deep blue ground, impressed and painted marks signed R J Bishop and limited edition 3/100, copyright 2001 for the Moorcroft Collectors’ Club, 20cm high.

Lot 1

Per Lutken for Holmegaard, a grey glass ice bucket, plainly decorated with horizontal internal optic ribbing and two applied handles, with woven cane carrying handle, together with four Holmegaard drinking glasses, 1950’s; an Orrefors clear glass vase internally decorated with air bubble inclusions, late 20th century; and two pieces of Swedish glass, 23cm high, (8).

Lot 1

Per Lutken for Holmegaard, a blue glass ovoid vase, engraved monogram, Holmegaard and dated 1958, 25cm high.

Lot 1

A Bernard Moore flambe ovoid vase, decorated in Islamic style with saw-toothed leaves and tulip-like plants, painted full signature mark, 20cm high. See Dawson, Aileen. Bernard Moore: Master Potter 1850-1935 (London: Richard Dennis 1982) fig. 14 p.25 for conforming main design.

Lot 1

A Pilkington’s Royal Lancastrian Pottery shoulder ovoid lustre vase, dated 1910, painted by Gordon M. Forsyth with silver eagles displayed on a green ground with foliate scrolls, impressed factory mark and X, shape no. 2891 and artist’s monogram in silver, 26.5cm.

Lot 1

‘Clematis’, a Moocroft ovoid vase, on a graduated blue ground, impressed and painted marks Potter to HM the Queen, 25.5cm high.

Lot 1

‘Anemone’, a Macintyre solifleur vase, designed by William Moorcroft, of compressed form with long slender neck and everted waved rim, painted in shades of blue and green on a white ground, printed factory and painted green signature marks, 24.5cm high (rim chips).

Lot 1

‘Clematis’, a Moorcroft small solifleur vase on a deep blue ground, impressed mark, paper label Potters to the late Queen Mary, 15.5cm high; ‘Blue Campanula’, a Moorcroft small solifleur vase on a white ground, impressed marks, 15.5cm high; ‘Hibiscus’, a Moorcroft small vase on a yellow/green ground, impressed mark, paper label Potters to the late Queen Mary, 9cm high.

Lot 1

‘Pansy’, a Moorcroft ovoid vase, on a white shading into blue ground, impressed mark and green signature, 28cm high.

Lot 1

‘Pansy’, a Moorcroft tall baluster vase, on a white shading into blue ground, impressed Moorcroft Burslem England M46 (?) with green painted signature, 35.5cm high (firing crack to centre of base exterior).

Lot 1

‘Himalayan Honeysuckle’, a Moorcroft baluster tall trial vase, on a black ground, impressed and painted marks TRIAL, EB monogram and 26.3.2001, 41.5cm high.

Lot 1

‘Paradise Fruit’, a Moorcroft trial vase, of compressed circular form, on a blue ground, impressed marks, painted monogram and TRIAL, 10cm high.

Lot 1

‘Aotearoa’, a Moorcroft inverted baluster vase, on a shaded grey and white ground, impressed and painted marks, copyright (19)98, 30.5cm high.

Lot 1

‘Anemone’, a Moorcroft double gourd vase, on a deep blue ground, impressed marks, painted initials and limited edition 34/94, 28cm high.

Lot 1

‘Clematis’, a Moorcroft baluster small vase, on a shaded green ground, impressed marks, 9.5cm high; ‘Coral Hibiscus’, a Moorcroft oval ashtray, on a green ground, impressed marks and paper label Potters to the late Queen Mary, 16cm long.

Lot 1

A Moorcroft waisted vase, painted in colours with palm trees and a beach, on a deep green ground, impressed and painted marks, copyright (19)98 and no.285, 20.5cm high.

Lot 1

‘Anemone’, a Moorcroft baluster vase, on a deep blue ground, impressed marks, painted initials and limited edition 34/94, 15cm high.

Lot 1

‘Florian Yacht’, a Moorcroft slender neck vase, impressed marks, blue painted. J. Moorcroft, copyright (19)96 and no.1358, 23.5cm high; with certificate.

Lot 1

‘Trial’, a Moorcroft slender neck vase, painted in colours with flowerheads and scroll leaves, on blue and beige ground, impressed and painted marks TRIAL 18.8.2000, 20.5cm high.

Lot 1

‘Himalayan Honeysuckle’, a Moorcroft baluster tall vase, on a black ground, impressed and painted marks E. Bossons and limited edition 26/30, copyright 2001 for the Moorcroft Collectors’ Club, 41.5cm high.

Lot 1

A Moorcroft waisted vase, painted with white flowers and green triform leaves, on a blue and turquoise ground, impressed and painted marks Philip Gibson (twice) and 146/250, 20.5cm high.

Lot 1

‘Trial’, a Moorcroft inverted baluster vase, painted in greens on mustard ground with flowers and plants, impressed and painted marks and TRIAL 12.1.00, 20cm high.

Lot 1

‘Coral Hibiscus’, a Moorcroft oval box and cover, on a green ground, impressed marks, paper label Potters to the late Queen Mary, 13cm long; ‘Coral Hibiscus’, a Moorcroft small vase, on a green ground, impressed marks, 9cm high, (2).

Lot 1

‘Frilled and Slipper Orchids’, a Moorcroft flambe small spherical vase, impressed marks, 10cm high.

Lot 1

‘Anemone’, a Moorcroft shoulder ovoid vase, on a blue ground, impressed and blue painted marks, paper label Potters to the late Queen Mary, 18.5cm high.

Lot 1

‘Coral Hibiscus’, a Moorcroft ovoid vase, on a cream ground, impressed and green painted marks, 18cm high.

Lot 1

‘Wisteria’, a Moorcroft ovoid vase, on a blue ground, impressed mark, blue painted initials, 16cm; ‘Orchid’, a Moorcroft small bowl, on a blue ground, impressed marks, 11cm diameter (the latter extensively reglued).

Lot 1

A Martin Brothers stoneware small solifleur vase, in blues and browns with incised and applied beaded bands and scrolls, incised R W Martin London & Southall 30.6.79 211, 16.5cm high.

Lot 1

A Royal Doulton stoneware shoulder ovoid vase, with tube lined fruiting tree decoration on a light blue ground, numbered 8680S, 34cm high.

Lot 1

A pair of Royal Doulton stoneware ovoid vases, tube lined with fruiting foliate shoulders on a mid blue ground, numbered 8721, 24cm high; another ovoid vase similar, numbered X8742Y 9332, 24cm, (3).

Lot 1

A Royal Doulton tapering ovoid vase, applied with diagonal bands of beadwork and flowerheads in shades of blue and brown, impressed marks, 27cm high; a shallow bowl covered in a mottled brown and grey glaze; and a fluted stoneware pedestal jardinire, unmarked, (3).

Lot 1

A Royal Doulton stoneware shouldered vase, the body decorated with stylised leaf and tendril design in shades of blue on a mottled brown ground, impressed marks, 15cm high; a tapered vase similarly decorated on a green ground; a Lambeth jardinire and associated pair of small vases (5).

Lot 1

A Royal Doulton stoneware tobacco jar and cover, decorated with stylised heart and tendril motifs in shades of blue and green on a mottled brown ground, impressed marks, 15.5cm high; a small shouldered vase decorated with stylised foliate panels; and a swollen vase (3).

Lot 1

A Doulton Lambeth Faience vase, of oviform with trumpet neck, painted by Alice Marshall with sprays of dog roses in colours against a shaded cream to blue ground, factory marks, artist’s initials and no. 481, 30cm high.

Lot 1

A pair of Royal Doulton small ovoid vases, each decorated with sprays of stylised berries and foliage on a deep blue ground, impressed factory marks and incised decorator’s initials for Winnie Bowstead, 14.5cm high; a squat shouldered vase, with applied Tudor Rose decoration on a shaded blue ground; and a Flambe tazza (4).

Lot 1

A Doulton Lambeth Faience vase and cover, of pedestal oviform with twin high handles, painted by Margaret M. Challis with sprays of dog roses in blue and cream, factory marks, artist’s monogram and no. 145, 22cm high.

Lot 1

A Royal Doulton stoneware jardinire, bulbous with a wavy rim, decorated in relief with stylised foliage and roundels in shades of blue, green and brown, impressed marks, 17.5cm high; and a Slaters Patent baluster shaped footed vase (2).

Lot 1

A Royal Doulton stoneware vase, of shouldered oviform, tube lined with trailing roses on a marbled green ground, impressed marks, 17.5cm high; and two waisted vases similarly decorated. (3).

Lot 1

A Royal Doulton Veined Flambe baluster vase, shape no. 1623, black printed mark, 41cm high.

Lot 1

‘Aura’, a Clarice Cliff single-handled Isis vase, black printed Wilkinson’s mark, painted 6394, 15cm high.

Lot 1

Charlotte Rhead for Crown Ducal, a ribbed ovoid vase, tube lined in ‘Persian Rose’ pattern no.4040, facsimile signature to base, 14.5cm high; and an H. J. Wood ovoid lampbase, pattern TL14, unsigned,15cm high, (2).

Lot 1

Keith Murray for Wedgwood, an earthenware vase, shape no. 4197, of globular form with collar neck, incised with horizontal bands and covered in a matt green glaze, printed marks and facsimile signature, 15.5cm high.

Lot 1

A Troika Cylinder vase, decorated with a low border of circles on a shaded turquoise ground by Louise Jinks, painted marks, 18.5cm high.

Lot 1

Shoji Hamada, a St. Ives stoneware bottle vase, of cut sided ovoid form with short neck, covered in a mottled iron brown and black glaze, impressed seal marks, circa 1920 to 23, 17.5cm high. With a photocopy of the original purchase receipt from the ‘Shoji Hamada Pottery Exhibition’ at Wm. B. Paterson, 5 Old Bond Street, London, W., dated 7th Nov’r 1923.

Lot 1

Michael Cardew, a Winchcombe Pottery earthenware vase of rounded cylindrical body on shallow foot with tapering neck and collar rim, covered in a dark brown glaze, impressed ‘MC’ seal and Winchcombe Pottery mark, 21cm high; and an earthenware cider jar with single strap handle decorated with an abstract pattern on a brown glaze, unmarked, (2).

Lot 1

David Leach, a stoneware eight sided faceted jar, covered in a speckled mushroom glaze, impressed DL seal, 35cm high. See Whybrow, Marion. The Leach Legacy: St Ives Pottery and Its Influence, pl.15 for a similar vase.

Lot 1

Hans Coper (1920-1981), a stoneware vase with flared neck over angled lozenge shaped waist and conical foot decorated with incised horizontal banding, impressed HC seal, 22cm high (minor nick to rim).

Lot 1

Three pieces of Aldermaston Pottery by Alan Caiger-Smith, a lidded waisted jar, painted with stylised scroll decoration in shades of green and orange, monogram mark to base; a cylindrical jug, typically painted in iron red; and a bottle vase, monogram marks to base, 23.5cm high and smaller.

Lot 1

A French earthenware ovoid vase by Denbac, moulded with four shoulder handles trailing decorative bands to the body, drip glazed in beige over brown, moulded Denbac and 11bis, 23.5cm high.

Lot 1

A Gouda pottery swollen vase, painted marks, 9cm high; and two other items of South Holland pottery, (3).

Lot 1

An Amphora Pottery pedestal vase, the exterior enamelled with polychrome flowerheads on grey unglazed body, impressed marks; two ovoid raku glazed vases by Judith Fisher; and a Continental bottle vase, decorated with a lustre glaze, unmarked, 16.5cm high and smaller.

Lot 1

A Chinese blue and white vase, of ovoid form decorated a river landscape and chrysanthemum, Kangxi, 15in (38cm) h, cracked and with a filled drill hole, and a baluster vase decorated chrysanthemum and phoenix, 13.25in (33.6cm) h. (2)

Lot 1

A George III mahogany tripod table, the circular dish tilt-top with chequer stringing, on a vase turned and stiff leaf carved stem to acanthus capped cabriole legs, 28.5in (72.4cm) h, 24.5in (62cm) dia. Top and base associated.

Lot 1

A carved giltwood wall mirror, the rectangular plate to a pierced vase surmount issuing flowers with dolphin supports, to a shell and leafage base, 29 x 14in (73.6 x 35.5cm).

Lot 1

A giltwood and gesso convex mirror, the flaming vase surmount to leaf decoration, the tied baton frame with applied stars and a foliate base, 19th century and later, 47 x 26in (119.3 x 66cm).

Lot 1

A George III mahogany wine table, the circular dish top on a vase turned stem to three cabriole legs with pointed club feet, 18.25in (46.2cm) h, 13.75in (35cm) dia. Top and base probably associated.

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