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Per Lutken for Holmegaard, a grey glass ice bucket, plainly decorated with horizontal internal optic ribbing and two applied handles, with woven cane carrying handle, together with four Holmegaard drinking glasses, 1950’s; an Orrefors clear glass vase internally decorated with air bubble inclusions, late 20th century; and two pieces of Swedish glass, 23cm high, (8).
A Bernard Moore flambe ovoid vase, decorated in Islamic style with saw-toothed leaves and tulip-like plants, painted full signature mark, 20cm high. See Dawson, Aileen. Bernard Moore: Master Potter 1850-1935 (London: Richard Dennis 1982) fig. 14 p.25 for conforming main design.
A Pilkington’s Royal Lancastrian Pottery shoulder ovoid lustre vase, dated 1910, painted by Gordon M. Forsyth with silver eagles displayed on a green ground with foliate scrolls, impressed factory mark and X, shape no. 2891 and artist’s monogram in silver, 26.5cm.
‘Anemone’, a Macintyre solifleur vase, designed by William Moorcroft, of compressed form with long slender neck and everted waved rim, painted in shades of blue and green on a white ground, printed factory and painted green signature marks, 24.5cm high (rim chips).
‘Clematis’, a Moorcroft small solifleur vase on a deep blue ground, impressed mark, paper label Potters to the late Queen Mary, 15.5cm high; ‘Blue Campanula’, a Moorcroft small solifleur vase on a white ground, impressed marks, 15.5cm high; ‘Hibiscus’, a Moorcroft small vase on a yellow/green ground, impressed mark, paper label Potters to the late Queen Mary, 9cm high.
A Royal Doulton tapering ovoid vase, applied with diagonal bands of beadwork and flowerheads in shades of blue and brown, impressed marks, 27cm high; a shallow bowl covered in a mottled brown and grey glaze; and a fluted stoneware pedestal jardinire, unmarked, (3).
A Royal Doulton stoneware shouldered vase, the body decorated with stylised leaf and tendril design in shades of blue on a mottled brown ground, impressed marks, 15cm high; a tapered vase similarly decorated on a green ground; a Lambeth jardinire and associated pair of small vases (5).
A Royal Doulton stoneware tobacco jar and cover, decorated with stylised heart and tendril motifs in shades of blue and green on a mottled brown ground, impressed marks, 15.5cm high; a small shouldered vase decorated with stylised foliate panels; and a swollen vase (3).
A pair of Royal Doulton small ovoid vases, each decorated with sprays of stylised berries and foliage on a deep blue ground, impressed factory marks and incised decorator’s initials for Winnie Bowstead, 14.5cm high; a squat shouldered vase, with applied Tudor Rose decoration on a shaded blue ground; and a Flambe tazza (4).
Shoji Hamada, a St. Ives stoneware bottle vase, of cut sided ovoid form with short neck, covered in a mottled iron brown and black glaze, impressed seal marks, circa 1920 to 23, 17.5cm high. With a photocopy of the original purchase receipt from the ‘Shoji Hamada Pottery Exhibition’ at Wm. B. Paterson, 5 Old Bond Street, London, W., dated 7th Nov’r 1923.
Michael Cardew, a Winchcombe Pottery earthenware vase of rounded cylindrical body on shallow foot with tapering neck and collar rim, covered in a dark brown glaze, impressed ‘MC’ seal and Winchcombe Pottery mark, 21cm high; and an earthenware cider jar with single strap handle decorated with an abstract pattern on a brown glaze, unmarked, (2).
Three pieces of Aldermaston Pottery by Alan Caiger-Smith, a lidded waisted jar, painted with stylised scroll decoration in shades of green and orange, monogram mark to base; a cylindrical jug, typically painted in iron red; and a bottle vase, monogram marks to base, 23.5cm high and smaller.
An Amphora Pottery pedestal vase, the exterior enamelled with polychrome flowerheads on grey unglazed body, impressed marks; two ovoid raku glazed vases by Judith Fisher; and a Continental bottle vase, decorated with a lustre glaze, unmarked, 16.5cm high and smaller.
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653685 item(s)/page