A selection of glassware to include a hand blown amethyst Studio Glass vase of tapering rounded form with organic textured finish, a Victorian cranberry glass jug with applied clear glass handle, a simple green glass carafe, a pair of Victorian glass lustres with frosted bases and stems with gilt decoration and blue glass rims (missing droplets), a Jack in the Pulpit type vase in a blue colourway with moulded rose decoration, a further example in green, an early pale blue glass bottle with cylindrical neck, a cranberry glass bowl with clear applied decoration to the rim and base, etc
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A Studio Glass vase of tapering cylindrical form with shaped and pinched rim, with iridescent finish in shades of deep yellow and blues, with drip moulded finish, an amethyst handkerchief type Studio Glass vase with lattice textured finish and opaque shaped rim, three unusual glass models of toadstools with iridescent finish, a Vaseline tinted scent bottle marked to the underside Made in France, a further smaller example, a frosted glass paperweight with extensive cut decoration and amber well, signed indistinctly to base L Mough (?), other glassware together with a Hungarian ceramic dish decorated with a moulded lobster, a Jonathan Adler trinket dish, snail dishes marked Made in Paris to the undersides, etc
A selection of glassware to include a deep red hand blown Studio Glass bowl/vase of oval form with pointed rim in the Whitefriars manner together with a faceted Murano type vase with earth coloured well, an opaque glass vase/chalile, the octagonal bowl raised on a knopped stem on circular foot, all with wrythen moulded finish, with applied sticker Amadi Fabiano Murano, Italy, a cobalt blue decanter of rounded form with flared rim and rounded stopper, marked to the underside Thos Webb, a substantial Studio Glass vase with large circular flared rim in a pale blue colourway, with encased decoration in the form of colourful canes and swirling bands in shades of red, yellow and green, etc
A collection of silver plated wares to include a substantial drinks tray of oval form with concentric embossed borders and large applied loop handles with further beaded and scrolling embossed detail, a five piece tea/coffee set comprising teapot, coffee pot, hot water pot, two handled sugar basin and milk jug, all by Croisdale, Leeds, each pot with pierced handles, a lidded serving dish of rectangular form with canted corners, with chased and unmarked monogram aperture to the lid, a further rectangular example with shaped border, a lidded container of circular form with silver plated liner and finial lid, a Dom Pewter vase in the Arts & Crafts style with hammered detail and further simple concentric medallion decoration
A quantity of 19th century and other ceramics including a Victorian majolica tea cup and saucer with moulded and painted simulated bamboo and fern detail, with impressed and moulded registration marks to base, a 19th century Mexican pattern blue and white printed tureen and cover, an oriental blue and white vase with prunus blossom decoration, with six character mark to base, a pair of moulded roundels with high relief portrait decoration of male and female characters in Renaissance style costume, a boxed Aynsley Cottage Garden pattern vase, etc
A collection of ceramics including an 18th century two handled chocolate cup and cover with painted and gilded fruit and insect detail, a pair of continental figures of a shepherd and shepherdess in 18th century style costume, a late 19th century bisque vase showing a humorous group with a pig and an eastern style child holding a bowl, various model birds including a kingfisher, robin, etc
A Victorian silver-mounted toilet water bottle, Birmingham, 1890, the tapering diamond faceted bottle with star-cut base, fluted screw-top, 26cm high; a cased set of six George V silver teaspoons, Sheffield, 1924, each handle with gadroon decoration, 73.7g in total; a George V silver posy vase, London, 1912, the plain body with C-scroll rim, 61g; a George V silver-mounted dressing table container, Birmingham, 1911; a silver-plated hip flask; and a pair of silver-plated sugar tongs (6)
A collection of 19th century ceramics including a pair of Staffordshire figure groups of a boy and a girl accompanied by swans, further Staffordshire wares including a figure of a girl with parrot and rabbit, a red and white painted model of a seated spaniel, a standing Toby with stopper in the form of his hat, a vase modelled as a dove and a Pratt ware pot lid showing Anne Hathaway's house
A collection of blue and white ceramics including a crescent shaped supper dish and cover by midwinter in the Landscape pattern, a vase with windmill and sailing barge decoration, marked Delft 515 to base, a reproduction ironstone jug, an oriental pierced vase of hexagonal form, etc together with a small collection of Wedgwood blue ground Jasperwares comprising circular box and cover, two further trinket boxes and covers, etc and a collection of Torquay wares including biscuit barrel and cover, chamberstick, etc
A carved white alabaster table lamp with cut floral decoration together with a polished onyx table lamp, a three divisional brass table lamp set upon a pedestal dish shaped base, a Blanc de Chine type ceramic table lamp of baluster form with applied fruiting vine detail, a table lamp in the form of a white ground ceramic vase with printed detail of songbirds amongst thistles and flowers, etc (5)
A small miscellaneous collection to include an early 20th century rectangular cash box with hinged lid, black painted detail with simple banded decoration, enclosing a detachable interior containing a small selection of coinage to include shilling and other coins dated from 1922, other copper coinage together with a selection of keys, also together with a copy of Memoir and Letters of the Princess Alice, marked to interior London John Murray, Albemarle Street, 1884 together with a small selection of Wade Whimsies, a short Studio Glass vase, etc
A Japanese bronze work vase of baluster form with engraved and further applied decoration of a floral setting with birds in flight and further larger seated bird detail with ringed neck, 31 cm tall approx together with a Chinese Export ware blue and white lidded vase of tapering baluster form, painted prunus type decoration with dish shaped lid and Dog of Fo finial (AF), also together with an oriental Chinese cloisonné enamel vase of baluster form with drawn neck and flared rim, with decoration depicting dragons in shades of bright blue, red, green and yellow, etc (AF)
A substantial carved white alabaster jardinière stand, the stepped cylindrical base leading to a spiral cut stem interrupted by a foliate cut knop leading to an octagonal plinth top, 96 cm tall approx, supporting an associated separate carved alabaster vase with scrolling handles.
A good quality pair of ceramic table lamps, believed to be American, of baluster vase form with painted decoration of a floral setting upon a duck egg blue ground in shades of lilac, blue and green, each seated upon a heavy cast metal shaped squared base with further ormolu type cast foliate and beaded border, with similar rope twist detail to the stem leading upwards to a matching cast ormolu border to the neck with further cast metal lamp fitting, flanked by a pair of applied handles in the form of vertical bars adorned with cast and scrolling acanthus leaf sprigs and further foliate looping detail, one complete with an opaque glass shade of cone shape, 62 cm tall approx
A late 19th century oriental blue and white vase and cover of shouldered form, with crackle glaze type finish, with painted decoration of male and female characters in a landscape setting holding branches of prunus blossom, with further embossed banded detail and Dog of Fo knop to the cover together with modern oriental bowl with polychrome painted decoration of children in a landscape setting
A large Studio Pottery sculpture/vase of four sided form with incised and moulded abstract style decoration and glazed in tones of brown, the indented top section with pierced apertures, with painted signature to base R Kerslake and dated 69, 42 cm tall approx together with a similar tall vase by the same potter with incised organic style motifs, piercing to the neck and with green and brown glazed finish, with painted initials to base RK and dated 67, 62 cm tall approx
A quantity of 19th century and other blue and white wares including an oriental bottle shaped vase with six character mark to base, a further oriental vase of cylindrical form, a Copeland Spode Italian pattern jug, a set of four George Jones Abbey pattern Shredded Wheat dishes, an Abbey pattern cylindrical vase, a Wedgwood Willow pattern bowl, Adams English Scenic pattern coffee pot, a sauce boat, two ladles, etc
An early 20th century Royal Doulton jardinière with moulded stylised leaf and flower head decoration on a blue and mottled grey ground, with impressed mark to base numbered 5397 and with incised initials VW together with a similar Royal Doulton vase with flower head decoration on a mottled grey/green ground, with impressed number to base 3180
A Chinese famille verte small bottle vase for the Persian market and a wucai bottle vase: the first painted with three palmette panels of flowers and foliage below a lingzhi and lattice band, Kangxi, 17.5 cm high [rim damaged]; the second painted with lappets and scrolling lotus, 15.5 cm high [crack to rim, chips to footrim] 2.
A Chinese wucai small sleeve vase and a similar baluster vase: the first painted with a bird, tree peony and rockwork, 17th century, 23 cm high [damaged]; the second with mythical beasts amongst scrolling flowers and foliage, 17th century, 20 cm high [damaged] 2.
A Chinese blue and white bottle vase: with slender neck and flared rim, the body painted with a continuous lake landscape with a fisherman, buildings, trees and mountains beyond, the neck with sprays of prunus, peony and foliage, mid 17th century, 38 cm high [two sections broken from the rim and re-stuck].
A Chinese yellow ground baluster vase: incised and decorated in green, aubergine and blue enamels with five five-clawed dragons chasing flaming pearls amongst swirling clouds and above waves, the shoulder with five white cranes below clouds and a ruyi band, underglaze blue six-character seal mark, probably for Tongzhi, 35.5 cm high [three sections broken from the neck and re-stuck, hair crack to body].
A Chinese pale celadon vase with incised dragon decoration: the globular body with slender mildly waisted neck incised with two dragons amongst lightning and clouds, 22 cm high, apocryphal six character Chengua mark within concentric rings partially obscured by a paper label.
A Chinese blue and white vase and cover and one similar: both of baluster form with cylindrical neck and flared base, painted with flowering and fruiting prunus, one with a ruyi pattern neck, the other fretted, the larger vase with apocryphal four-character Kangxi mark, the other with apocryphal six-character Kangxi seal mark within a double circle, both 19th century, 30 and 35 cm high [the larger with damaged and restored cover, the smaller with loss and damage to the vase] 2.
A pair of Staffordshire earthenware spill vase groups and a Walton group 'Widow': the pair in the form of a shepherd and shepherdess each seated and holding a dog or a lamb, on rustic mound with a large tree stump behind, circa 1820/30, 19 cm high [minor damage and flaking]; the Walton group of traditional form, 26 cm high [some damage] 3.
By Edwards and Roberts - A 19th Century mahogany and marquetry circular tea table:, bordered with sycamore lines, the snap top decorated with a large quarter veneered radiating medallion within a wide border of floral foliage, on turned vase knopped column and tripod splayed legs, terminating in pointed pad feet, 86.5cm (2ft 10in) diameter. *Notes: Stamped Edwards & Roberts.
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653685 item(s)/page