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CHARLES PASSENGER FOR WILLIAM DE MORGAN (1839-1917) ‘MOONLIGHT AND SUNSET SUITE’ TRIPLE LUSTRE DISH, glazed earthenware, painted artist's initials C.P.(25cm diameter)Footnote: Literature: Greenwood, M. The Designs of William De Morgan, Richard Dennis 1989, p. 72, pl. 1365 where the drawing for this design is illustrated on a vase.
WILLIAM DE MORGAN (1839-1917) 'FLOWERS & VASE' FRAMED TWO-TILE PANEL, CIRCA 1880 glazed earthenware, on a Poole Pottery blank, later framed(each tile approx. 15cm square)Footnote: Literature: Greenwood, M. The Designs of William De Morgan, Richard Dennis, 2007, p196, pl.26, where the design for this tile panel is illustrated.
CHRISTOPHER DRESSER (1834-1904) FOR JAMES COUPAR & SON, GLASGOW ‘CLUTHA’ VASE, CIRCA 1880 green glass with trailing milky and aventurine inclusions(24cm high)Footnote: Literature: Halén, Widar Christopher Dresser: a Pioneer of Modern Design London 1990, pp. 174 and 175, figs. 194 and 195 where similar vases are illustrated. Provenance: Property from an Important Private Collection
BURMANTOFTS POTTERY, LEEDS ANGLO-PERSIAN FAIENCE VASE, CIRCA 1890 glazed and painted earthenware, decorated by Leonard King, bears impressed and painted maker’s marks 463/ DESIGN 80/ 21/ BURMANTOFTS FAIENCE/ 21(41cm high)Footnote: Provenance: Property from an Important Private Collection Note: All Burmantofts 'Anglo-Persian' wares bear the initials of the decorator Leonard King. These wares made their first documented appearance at the Saltaire Exhibition in 1887 and were inspired by the 'Persian' wares of William de Morgan. Large pieces such as the present lot were expensive to produce and are rare examples.
RICHARD JOYCE (1873-1931) FOR PILKINGTON'S TILE & POTTERY CO. LUSTRE VASE, DATED 1910 glazed, painted and moulded earthenware, painted artist's marks and date cypher for 1910, impressed maker’s marks 1264 England(29cm high)Footnote: Literature: Cross, Anthony Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, 1980, page 34, plate XX where a similar example is illustrated. Provenance: Property from an Important Private Collection
ATTRIBUTED TO JAMES POWELL & SONS, WHITEFRIARS MOUNTED VASE, CIRCA 1890 opalescent glass, with wrought iron stand(vase 51cm high, with stand 59cm high)Footnote: Literature: Jackson, L. (edit.), Whitefriars Glass: The Art of James Powell & Sons, Richard Dennis, 1996, p.101, plate 21 (iii) where a photograph of a similar vase is pictured.
SALLY TUFFIN (BORN 1930) FOR DENNIS CHINAWORKS 'KLIMT KISS' VASE, DATED 2007 glazed earthenware, painted and impressed maker's marks, numbered 36 from an edition of 40, 25cm high; together with a HEAD VASE & COVER, by SALLY TUFFIN FOR DENNIS CHINAWORKS, dated 2008, painted and impressed maker's marks, numbered 2 from an edition of 10, 20cm high
SALLY TUFFIN (BORN 1938) FOR DENNIS CHINAWORKS ‘GREEN OAK OWL’ ETRUSCAN VASE ON BASE, 20TH CENTURY glazed earthenware, painted and impressed maker's marks, numbered 8 from an edition of 20, 23.5cm high; together with a 'HARE MOONLIT' VASE by SALLY TUFFIN FOR DENNIS CHINAWORKS, glazed earthenware, painted and impressed maker's marks, no. 24, dated 2005, 20cm high
mounted on a burr elm stand 33 x 15.5cm, the vaseFootnote: Provenance: US private collection, acquired in the 1980s, With Charles Ede Ltd, London, April 2008, Private collection, Kensington, LondonCondition report: Overall with museum quality to the body and the handles, small rim chips
with shaped top rail, acanthus carved pierced vase splat and similarly carved downswept arms, upholstered in tan leather, on cabriole legs and ball and claw feet with brass and leather casters 99 x 70 x 70cmFootnote: Provenance: With Edward Hurst, Salisbury, March 2008, Private collection, Kensington, LondonCondition report: Replaced leather and studs, old repair to crest rail arch, old repair to claw, usual wear and knocks overall
A Still life with summer flowers in a vase upon a ledge oil on canvas 66 x 49cmCondition report: Oil on canvas which has been lined. The upper paint layers are thinly applied and there are small scattered losses across the surface. However, the paint layer appears stable overall. Retouchings around the edges of the painting are slightly darkened. The varnish is glossy and even. The frame is in a good condition.
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653833 item(s)/page