We found 653833 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 653833 item(s)
    /page

Lot 460

Small 19th century mahogany box with diamond-shaped escutcheon, together with a rectangular box incorporating Acme Tie Press, vase stand with pierced decoration, etc., 24cm high and smaller (4)

Lot 559

Collection of Royal Albert Old Country dinner and teawares to include; lidded tureen, tea pot, two-tier cake stand, dinner plates, milk jug, salt and pepper, vase, decorated plate, etc. approx.

Lot 566

Chinese blue and white crackleware vase, decorated with figural interior scene, four character mark to base, 25.5cm high

Lot 717

Victorian mahogany centre table, raised on shaped vase pendestal on three down swept scroll supports, 132cm diameter

Lot 508

Small group of 19th century and later table glass, comprising: an etched blown glass celery vase, 24cm high; a panewl-cut drinking glass etched with hop, vine leaf and wheat on a star-cut square base, 10cm diameter x 14cm high; a stem glass with ivy decoration, and a George VI 1937 Coronation glass etched with Flowers of the Union, together with a glass pestle, (5)

Lot 685

1960s Poole Pottery 'Studio' vase with inverted neck, printed marks, 12cm high

Lot 371

An Oriental blue and white vase, teardrop bottle form, painted with chrysanthemums and lotus flowers on a rocky outcrop, 13.5cm high

Lot 574

An Italian Murano glass vase, crimped handkerchief type opaque with red roundels and aventurine marbling, polished pontil, 14cm high

Lot 654

Hannah Barlow for Doulton Lambeth, a Carrara Ware vase, ovoid bottle form, painted and slip decorated with a hunting scene of dogs chasing a stag, below a pate sur pate neck of birds and foliage, printed and incised marks, 30cm high

Lot 622

William De Morgan for Sands End pottery, a red lustre vase, circa 1890, bulbous form, later silver plated rim, impressed marks, 21cm high

Lot 561

Monart, an Art Deco glass vase, model DIII, green speckled over blue, with detachable light fitting, 30cm high

Lot 627

Robert Wallace Martin for Martin Brothers, a salt glazed stoneware foliate vase, 1886, squat ovoid form with angular neck, sgraffito decorated with stylised flower heads in a foliate scroll ground, in the Mannerist revival, incised marks 4-1886, R W Martin & Bros London + Southall, 19cm high

Lot 607

William Moorcroft, a Moonlit blue vase, circa 1925, shouldered form, impressed marks and underglaze green signature, 21cm high

Lot 548

Loetz, a small Secessionist silver overlay iridescent glass vase, Crete Papillon, banded inverse baluster form with crimped rim, applied with a chased flower to one side, 9.5cm high

Lot 605

William Moorcroft, a Moonlit blue vase, circa 1925, shouldered form, impressed marks and underglaze green signature, 15.5cm high

Lot 360

A Chinese sang de boeuf monochrome vase, shouldered form with flared rim, 40cm high

Lot 544

John Walsh Walsh, an Arts and Crafts straw opal glass pedestal vase, circa 1900, the swagged satin finish bowl with everted crimped rim on a knopped stem and conical foot, 14cm high

Lot 603

William Moorcroft for Liberty and Co., a Pomegranate vase, circa 1911, shouldered form, ochre ground, printed mark and underglaze green signature, 30cm high

Lot 681

Mary Rich, a studio porcelain vase, elongated shouldered bottle form, painted with concentric bands of gilt and turquoise with chevron and cheque panels, impressed seal mark, 18.5cm high

Lot 733

A Staffordshire four branch Prattware tulip vase, circa 1790, modelled as a piping shepherd with flock, beside a tree of nesting birds, sponge decorated, 21cm high

Lot 601

A Vincennes porcelain candlestick, 1745-50, conical hyacinth vase form with ogee rim, the body painted in the round with a Meissen style Kauffahrtei scene of Moorish and European traders in a coastal encampment with ships in the distance, the external rim decorated with a Rococo border of foliate scrolls and diaper panels, the interior with floral sprigs, incised marks A M to underside, 11cm highNote: see the Metropolitan Museum of Art, New York, accession number 54.147.27, for an example of this form with similar border and painted decoration, also bearing the same incised marks to the underside; the French Royal Porcelain Works operated outside Paris in Vincennes from 1740 until its relocation to Sevres in 1756. The mark is illustrated in Dauteman, C C, 1986, Sevres Porcelain; Makers and Marks of the Eighteenth Century, New York: Metropolitan Museum of Art, p.174 and 218, 219

Lot 646A

A Royal Doulton stoneware vase, double gourd bottle form, relief moulded onion form foliate cartouches, 27cm high

Lot 616

Christopher Dresser for Linthorpe, an Aesthetic Movement art pottery twin handled vase, circa 1885, of moonflask form, modelled in relief with quartered roundels of stylised honeysuckle motifs within beaded borders, the conical neck flanked by two curved buttress handles, streaky green ochre glaze with iridescent striations, impressed marks and facsimile signature, incised 337, 20cm high

Lot 624

Joe Juster for William De Morgan, an Arts and Crafts lustre vase, Fulham, circa 1890, bottle gourd form, the bulbous body painted in underglaze blue with alternating griffon and grotesque lion motifs in a foliate scroll ground, highlighted in iridescent yellow, the knopped neck with geometric lappets and concentric double lustre roundels, painted marks, 28cm high

Lot 545

Loetz, a Secessionist silver overlay glass Metallin vase, baluster form, decorated thoughout with a sinuous band of interlocking tendrils between chased flower heads, 11cm high

Lot 509

A large Arts and Crafts glass floor standing lily vase, footed trumpet form, green amber, 106cm high

Lot 668

Dean for Thomas Forester and Sons, an Art Pottery slip decorated vase, circa 1910, waisted form, decorated with magnolia flowers on a teal blue ground, signed, printed marks, 28.5cm high

Lot 348a

A Chinese vase, Kangxi period, 1662-1722, of baluster form, boldly decorated in underglaze blue and red, depicting four clawed dragons chasing flaming pearls amongst cloud bands, concentric double circle marks to base, 36cm high

Lot 370

A large Chinese monochrome vase, bulbous form with cylindrical neck, streaky turquoise glaze, 43cm high

Lot 546

Loetz, a Secessionist iridescent silver overlay glass vase, poppy head chalice form, Russian Green oilspot decoration, applied with stylised knotted trailing plant and vacant cartouche, 13cm high

Lot 564

Ludwig Kny for Stuart, an Art Deco cut glass vase, circa 1930s, oval section trumpet form, decorated with stylised wheat or grass design, etched mark, 17cm high

Lot 644

Edith Lupton for Doulton Lambeth, a stoneware vase, 1880, cylindrical brush pot form with silver plated rim, sgraffito decorated with foliate panels between raised rosettes and incised lappet borders, 14.5cm high

Lot 542

Thomas Webb and Sons, an iridescent glass Bronze Ware vase, circa 1880, textured spherical form with everted rim, 11cm high

Lot 504

A Bohemian heraldic cameo glass vase, circa 1835, heavy slice cut chalice form with petal base, the central intaglio engraved roundel of a coat of arms and crest within the motto and collar of the Hanoverian Royal Guelphic Order, between alternating amber glass and ruby enamelled panels of intaglio engraved floral specimens, 12cm high

Lot 550

Loetz for Mermod and Jaccard, a Secessionist iridescent silver overlay glass vase, double gourd form with Russian Green oilspot decoration, applied with stylised irises, 11.5cm high

Lot 685

Walter Keeler, a studio pottery sculptural vase, ash glazed stoneware, the bell form body with applied coiled cylinder handles and cylindrical neck, concentric ring marks, 17.5cm high

Lot 631

Edwin Martin for Martin Brothers, a stoneware brambles and birds vase, 1899, footed and shouldered ovoid form, sgraffito decorated with finches in a fruiting blackberry bush of scrolling tendrils, on a blue lava textured ground, incised marks 9-1899, Martin Bros London + Southall, 24.5cm highNote: see Haslam, M. 1978, Martin Brothers Potters, p.157, fig. 255 for an illustration of this vase; exhibited in the Richard Dennis exhibition 1978, number 369

Lot 602

A Vincennes porcelain candlestick, 1745-50, conical hyacinth vase form with ogee rim, the body painted in the round with a Meissen style Claudian landscape of ruins with courting shepherd and shepherdess, figure on horseback and attendant overlooking a coastal view of ships, the external rim decorated with a Rococo border of foliate scrolls segmented rosettes, the interior with similar border, incised marks A M to underside, 10.6cm highNote: see the Metropolitan Museum of Art, New York, accession number 54.147.27, for an example of this form with similar border and painted decoration, also bearing the same incised marks to the underside; the French Royal Porcelain Works operated outside Paris in Vincennes from 1740 until its relocation to Sevres in 1756. The mark is illustrated in Dauteman, C C, 1986, Sevres Porcelain; Makers and Marks of the Eighteenth Century, New York: Metropolitan Museum of Art, p.174 and 218, 219

Lot 617

Peter Gardner for Dunmore Pottery, an art pottery vase, circa 1880, ovoid baluster form, marbled tortoiseshell glaze, piecrust rim and impressed marks, 10.5cm highNote: influenced by the work of Christopher Dresser at Linthorpe at the same time, the Scottish pottery of Dunmore developed a range of contemporary designs and glazes to match the trend and demand for the new Arts and Crafts forms.

Lot 696

C Beresford Hopkins for Royal Doulton, a farm scene painted vase, twin handled pedestal urn form, painted in the round with a woman feeding cows in a woodland meadow, the neck and foot with raised gilt Rococo foliate scroll decoration, signed, 22.5cm high

Lot 511

A Stourbridge glass strawberry vase, circa 1880, optic ribbed ovoid form on three pulled bracket feet, pink opaline draining to amber, applied with a strawberry and leaves in tooled high relief green and red glass, 12.5cm high

Lot 673

Keith Murray for Wedgwood, an Art Deco lime green vase, circa 1934, shouldered conical form, turned concentric stepped banding, facsimile signature, 29cm high

Lot 590

A French Aesthetic Movement faience enamelled vase, probably Gien circa 1870, in the Persian style, flattened squat oval form on four bracket feet, decorated with geometric foliate motifs and leafy tendrils, the top border with ogee ruyi heads on a gilt textured ground, raised monogram mark and painted D214, 30cm wide

Lot 628

Edwin Martin for Martin Brothers, a stoneware vase, 1879, shouldered and footed form with cylindrical neck, sgraffito decorated with naturalistic birds in branches with a partridge below, the neck carved and tooled with Aesthetic leaf pattern, incised marks 163 11.4.79, RW Martin London + Southall, 27cm high

Lot 505

A Continental pink cased enamelled and gilt glass twin handled vase, probably Ludwig Moser, circa 1880, inverse footed baluster form, decorated with raised paste and polychrome foliate scroll and leafy tendril motifs, 19.5cm high

Lot 356

A Chinese Doucai Gu vase, cylindrical flared form, painted in the round with three bands, scholarly figures in a garden landscape, above a wetlands scene with ducks, chrysanthemums and lotus, the lower section with boys playing, 46cm high

Lot 606

William Moorcroft, an Eventide vase, circa 1925, slender inverse baluster form, impressed marks and underglaze blue monogram, 18.5cm high

Lot 240

Three Arts and Crafts copper vessels, including a Newlyn style vase embossed with panels of fish in aquatic scenes, an inkwell with relief moulded shell and crustacean lid and a Continental vase with stylised birds, 13cm high (3)

Lot 513

A Stourbridge threaded and combed triple cased glass vase, Richardson, circa 1860s, the ovoid body in amber with opaque combed swags, applied with pink threaded spiral decoration to the exterior, on three colourless coiled bracket feet, raspberry prunt pontil mark, 9cm high

Lot 645

Francis Pope for Royal Doulton stoneware vase, square section, relief moulded to each side in the Art Nouveau style with birds in foliate branches, impressed and incised marks, 23cm high

Lot 547

Loetz, a Secessionist iridescent glass and silver plate mounted Candia Papillon vase, twisted square section form, the rim and base with embossed and reticulated nasturtium borders, 31cm high

Lot 560

Elizabeth Graydon Stannus, an Art Deco Graystan glass vase, bulbous based form with elongated flared neck, marbled and clouded green and white opaque decoration, signed, 30cm high

Lot 563

Horst Tuselmann for Peill and Putzler, a German mid century glass vase, pedestal chalice form, with internal bubbles marbling in grey and black, ground pontil, 25cm high

Lot 609

Christopher Dresser for Minton, an Aesthetic Movement Kensington Gore vase and cover, 1871, flattened ovoid form on four bracket feet, painted in polychrome enamels with Kingfisher and butterfly amongst peonies, bamboo and chrysanthemums, the feet with Etruscan decoration, impressed and printed marks, 31cm high

Lot 549

Loetz (attributed), a Secessionist iridescent glass and pewter mounted vase, the elongated barrel form body of ribbed and controlled bubble Metallin design, within a cage of stylised flower heads and berries, on four organic bracket feet, 30.5cm high

Lot 630

The Martin Brothers, a stoneware Aquatic Gourd vase, 1904, square section ovoid baluster form, sgraffito and relief decorated with grotesque and characterful fish and and crustaceans in an underwater habitat, incised marks 2-1904 Martin Bros London + Southall, original paper retail labels Martin Bros Potters, High Holborn, London, 24cm high

Lot 675

Linda Taylor for Troika, an art pottery cuboid vase, square section, textured and incised to each side with geometric block designs and tribal masks, painted marks Troika Cornwall, 22.5cm high

Lot 524

Northwood for Thomas Webb and Sons, an Aesthetic Movement / Gothic Revival engraved glass vase, circa 1870, optic wrythen banded bulbous beaker form, engraved and etched with a panel of birds in branches within a rectangular frame, surrounded by prunus blossom and leaves, above a machine engraved Gothic foliate band, polished pontil, 11cm high

Lot 523

Northwood for Thomas Webb and Sons, an Aesthetic Movement / Gothic Revival engraved pale pink glass vase, circa 1870, optic wrythen banded bulbous beaker form, point engraved and etched with a band of naturalistic wildflowers, above a Gothic foliate band, polished pontil, 11cm highNote: the form and quality of the glass is typical of the major Arts and Crafts manufacturers, most notably James Powell and Sons at the Whitefriars works, which this vase closely resembles, in terms of the shape, optic moulding and the quality of the pontil. However, Thomas Webb in Stourbridge and also John Walsh Walsh in Birmingham produced similar quality glass in the Arts and Crafts style, with Webb manufacturing a wider range of colours and decorative patterns. Webb is also known to have collaborated with the engraving firm of John Northwood, also in Stourbridge, who almost certainly executed the applied decoration on this piece which combines the transitional styles of Aesthetic Movement and Gothic, both popular at the time.

Lot 644A

A Royal Doulton stoneware vase, shouldered and footed form, relief moulded floral bands, 18cm high

Loading...Loading...
  • 653833 item(s)
    /page

Recently Viewed Lots