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A mixed lot of Chinese and Japanese ceramics: including a famille rose figural cup and cover, apocryphal iron-red Tongzhi seal mark, 12.5cm; a pair of similar spill vases, 11.5 cm [hair cracks]; a Chinese Imari coffee cup, Qing dynasty; a turquoise ground vase, 15cm; a group of Japanese Satsuma wares etc.
A group of three 18th century English manganese delftware tiles: one painted with a vase of flowers; another with a vase of flowers and two birds on a powered ground [drilled] with paper label for Jonathan Horne Antiques Ltd.; the third with two figures beside an estuary on a powdered ground [3].
A C. H. Brannam Ltd. (Barnstaple) vase and a Moorcroft comport: the former of slender oviform with three asymmetric handles the body incised with a displaying peacock on a slate blue ground, the base incised C. H. Brannam Ltd. Litchdon St. 1879-1889, No. 65, 41cm high, the comport tube lined in the Hibiscus pattern on a green ground, impressed Moorcroft Made in England, with painted initials and a paper royal warrant label, 10cm high, [rim chip].
A C. H. Brannam (Barnstaple) pottery vase: of globular form with short raised neck the green slip decorated body incised with poppies and other plants highlighted with coloured slips, the base incised C. H. Brannam, Barum, 1904 with initials for James Dewdney, 22.5cm high, [glue repair to rim].
A Moorcroft pottery vase: of shouldered oviform tube lined in the Spring Flowers pattern in yellow, red, white and green on a blue ground, impressed facsimile signature and Potter to H.M. the Queen and Made in England with painted blue initials, circa 1945, 21cm high.
Three pieces of Charlotte Rhead pottery: comprising an A. G. Richardson Crown Ducal jug tube lined in the Golden Leaves pattern together with two pieces of H. J. Wood Bursley Ware comprising an oviform jar and cover in pattern TL.40 a flaring vase tubelined in pattern TL. 76, 21.5, 16 and 11cm high.
A pair of Royal Doulton ewers and a matching vase: the former of tapering form with angular handles painted with sheep in a sunset landscape by Harry Nixon, together with a slender oviform vase with similar decoration, printed lion, crown and circle marks, the ewers with model no. E.1540, all 23cm high. [3]
Two Royal Doulton vases and a pair of coffee cans and saucers: comprising a two handled vase of waisted tapering form painted with a ploughing team in a sunset landscape by H. Morrey, [restored handle], the smaller baluster vase and coffee cans and saucers painted with sheep in a sunset landscape, lion, crown and circle marks, 20, 11 and 6cm high. [4]
A Royal Worcester porcelain pedestal vase: of two handled form with raised neck and strap work, painted with flowers within a raised gilt borders by Ernest Phillips, signed lower left, reserved on an apple green ground, green marks and date code for 1903, 17.5cm high
Three Royal Doulton vases: one of compressed slender oviform with asymmetric foot and rim and another of waisted cylindrical form with three handles both painted with sheep in a sunset landscape by John Kensall together with a shouldered oviform vase similarly decorated with sheep by Harry Nixon [restored rim crack], lion, crown and circle marks, 31, 27 and 28.5cm high.
Three Royal Doulton vases: comprising a two handled pedestal vase of slender oviform painted with sheep in a sunset landscape by William Brown, [good professional restoration to base], another of oviform similarly decorated by William Brown [rim polished] and a squat globular example similarly decorated but unsigned, all with lion, crown and circle marks, 24, 11 and 11cm high.
A George III mahogany 'kettle stand' or vase table, circa 1770 and later,: the circular top with raised mouldings at the outer edge, on a circular metal bearer; the knop turned and waisted stem descending to three splayed cabriole legs to pad feet; 72cm high, the top 28cm diameter, 43cm across two feet
A Victorian mahogany torchere or vase stand in George II taste, late 19th century,: the circular top with dentilled outer edge; the knopped, waisted and spiral reeded shaft descending to three splayed cabriole legs with pad feet; 111cm high, 48cm wide across the feet
A set of seven mahogany and green leather upholstered dining chairs in George III style, late 19th century,: the backrests all with foliate carved toprails above openwork vase form splats; the elbow chair with acanthus carved arms; with cabriole front legs to ball and claw feet and splayed back legs; the elbow chair, 101cm high, 65cm wide* The property of the Late Ann Meyrick
A pair of Edward VII silver Corinthian column candlesticks, maker Walter Latham & Son, Sheffield, 1909: with beaded nozzles, foliate capitals on stop fluted columns and stepped and weighted bases, 23.5cm high, together with a large silver trumpet-shaped vase on a weighted base, 32cm high. (3)
A George V silver bachelor's teapot, maker Charles Boyton & Son Ltd, London, 1919: of circular outline with wavy edge border, and raised on four swept feet, 21cm long, an Indian silver two-piece condiment set, a small silver vase and two thimbles, total weight of silver 471gms, 15.16ozs
ITALY, International Exposition, Milan, 1906, a bronze plaque by O. Yencesse for the Comité Française, naked boy seated, decorating a vase, rev. Italian female with baskets stood in front of the Italian entrance to the Simplon Tunnel, from which a train exits, 71 x 52mm (cf. PBE 1030; ANS Exh. Cat. 1910, p.369, 8; Coll. R. Marx 163; BDM VI, 695; BM Acq. 1978-82, pl. 51, 201; cf. DNW 54, 961). Very fine £70-£90
A C R Dyson of Bourne 17thC style walnut and marquetry inlaid longcase clock, the brass break arch dial with urn spandrels, moon face showing a three masted sailing vessel on choppy seas, silvered chapter ring bearing Roman and Arabic numerals, subsidiary seconds dial, eight day two train movement, with bell strike, the hood with shaped pediment carved Prince of Wales figures, inlaid with flowers and butterflies, the door flanked by demi pilasters, the trunk similarly inlaid with a vase and urn of flowers, and a viewing bullseye glass, above a bombe base, inlaid an urn of flowers, further flowers and butterflies, raised on paw feet, with pendulum weights, no keys, 212cm high.
An extensive set of Portmeirion Botanic Garden pattern dinner wares, comprising tureen and cover, butter dish lid, vase, two serving bowls, serving tray, large meat plate, small plate, four side plates, cased cake slice, teapot, coffee pot, six soup bowls, four cereal bowls and six side bowls, two egg cups, storage jar, six teacups, milk jug, sugar bowl and a collection of dinner plates.
A late 19th French porcelain ormolu and gilt metal lyre clock garniture de cheminee, by Sartinot of Paris, the alabaster shaped frame holding a barrel dial with enamel, eight day movement and striking a bell, with pendulum and each garniture vase having a reversible pineapple and candle stand finial, 74cm high. Provenance: The estate of Mrs Sandra Mapletoft (Dec'd) who purchased this as Lot 99 on 29th June, 1996 from The Bourne Auction Rooms with a hammer price of £2,050.
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653685 item(s)/page