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COLLECTION OF FOUR PORCELAIN WARES QING DYNASTY, 19TH CENTURY 清 廣彩花鳥人物紋天球瓶、粉彩螭龍耳瓶、粉彩花鳥人物花口盤 及 青花人物紋瓶(一組四件) comprising: a Canton famille rose bottle vase, 38cm high; a famille rose vase with moulded chi-dragon, on a gilded bronze stand, 33.5cm high; a famille rose foliated plate, 28.6cm diameter; and a blue and white 'figural' vase converted to lamp, 40cm highProvenance:Provenance: Private Scottish collection, Edinburgh
TEADUST-GLAZED VASE QIANLONG MARK 乾隆款 茶葉末釉鳩耳尊 the pear-shaped body raised on a slightly splayed foot, waisted neck flanked by a pair of stylised mask and ring handles, covered overall with a glaze of deep olive tone thinning to tortoiseshell on the edges, the base carved with a six-character Qianlong mark with a dark brown washDimensions:20cm high
GROUP OF THREE BLUE AND WHITE WARES QING DYNASTY, 19TH CENTURY 清 仿哥釉青花瓜瓞綿綿紋雙耳瓶、康熙款 青花山水人物紋印盒 及 雍正款 青花螭龍紋印盒(共三件) comprising: a Ge-type crackle-glazed with blue and white vase, of baluster form, the exterior painted in underglaze blue with butterflies in flight between melons on branches, with two tendrils forming the handles flanking the neck, both the interior and exterior covered overall with a thick layer of creamy glaze with ivory tinge and a web of fine russet crackles, leaving the foot rim unglazed and revealing the buff stoneware body, 25.5cm high; and two blue and white seal paste boxes and covers, one painted with small figures in mountainous landscape on the domed cover, and small fishermen on the sides of the box, the base inscribed with a six-character Kangxi mark, 8.5cm diameter, the other adorned with a sinuous chi dragon against a swirling tendril on the ground, the box similarly decorated, the base inscribed with a six-character Yongzheng mark, 5.5cm diameterDimensions:largest: 25.5cm high
[A PRIVATE SCOTTISH COLLECTION] LARGE CANTON FAMILLE ROSE 'WARRIOR' BALUSTER VASE QING DYNASTY, 19TH CENTURY 清 廣彩開光人物紋象耳大瓶 finely painted on two sides of the body with figures in fight in two panels, reserved on a gilded ground richly decorated with peaches and floral blooms, the raised foliated neck below a ruyi band, flanked by a pair of moulded elephant earsDimensions:62cm highProvenance:Provenance: Private Scottish collection, Edinburgh
FLAMBÉ-GLAZED BOTTLE VASE 20TH CENTURY 二十世紀 窯變釉天球瓶及青花釉裏紅龍紋瓶(共兩件) sturdily potted with a globular body and a straight neck, covered overall with an uneven red glaze suffused with lavender and blue streaks; together with a BLUE AND WHITE WITH UNDERGLAZED RED VASE, the cylindrical body painted with a dragon amidst clouds, supported on a splayed foot and surmounted by a waisted neck, attached with two lion-head ring handles on either side of the body, the base inscribed with a four-character Yongzheng mark in underglaze blueDimensions:heights: 34cm and 22.5mProvenance:Provenance: Private collection, England
[A PRIVATE SCOTTISH COLLECTION] GROUP OF SIXTEEN SATSUMA 'RAKAN' WARES MEIJI TO TAISHO PERIOD 明治至大正 丸二、金光山、隆山、長州山、玉秀、保土田、竹山、春山、恒信等款 各色薩摩燒羅漢紋瓷器(共十六件) comprising: nine vases, of which a pair in black ground and a pair of baluster form with elephant ears marked 'Maruni', a baluster vase marked 'Kinkozan', a pair with integrated tripod stand marked 'Ryuzan', a cylindrical pair marked but illegible; two koros, the larger marked for ’Choshuzan‘, and smaller marked 'Gyokushu'; two boxes with covers, both rectangular and circular marked 'Hododa'; two bowls, the black ground marked 'Chikuzan', circular marked 'Haruzan'; and a dish marked 'Tsunenobu'Dimensions:largest: 16cm highProvenance:Provenance: Private Scottish collection, Edinburgh
[A PRIVATE SCOTTISH COLLECTION] GROUP OF ELEVEN BLUE-GROUND SATSUMA WARES MEIJI TO TAISHO PERIOD 明治至大正 竹齋、楠部、金光山、正山、松本寶山、錦光山、明山 各色薩摩燒藍地瓷器(共十一件) comprising: four koros, the largest marked 'Chikusai', the four-section marked 'Kusube', the circular marked 'Kinkozan', the squatted globular marked 'Shozan'; four vases, of which a pair marked 'Matsumoto Hozan', a tapered vase marked 'Kusube', a slender baluster vase marked 'Kinkozan'; a cylindrical box and cover, marked 'Meizan'; a jarlet and a bowl, both marked 'Kinkozan'Dimensions:largest: 23cm highProvenance:Provenance: Private Scottish collection, Edinburgh
LARGE BLUE AND WHITE 'LANDSCAPE' BOTTLE VASE QING DYNASTY, 19TH CENTURY 清 雪笠程門款 青花山水老松奇峰題詩螭龍耳大瓶 the bulbous body supported on a short foot, surmounted with a short neck flanked with stylised chi-dragon handles, the round sides painted with a continuous landscape scene with small cottages in a mountainous setting afar and large pine trees against high peaks nearby, one side of the shoulder inscribed with a poem and the year of Wu Yin, corresponding to 1878AD, and signed 'Xue Li Cheng Men', together painted with two red seals 'Meng' and 'Xue Li'Dimensions:50cm high
LONGQUAN CELADON 'FLOWER' VASE MING DYNASTY OR LATER 明或以後 龍泉劃花弦紋撇口瓶 the ovoid body supported on a stepped foot, tapering to a high shoulder and cylindrical neck, terminating to an everted mouth rim, a raised ridge encircling the foot, centre of the body, shoulder neck, the body and lower part of the neck carved with floral decoration, a band of triangular pattern above the foot, overall covered in an olive-green glaze and leaving only the foot unglazed, showing the orangy-brown stoneware body, the unusual 'double' bases and the ridge interior revealing the existence of a smaller inner vase Dimensions:30.7cm highProvenance:Provenance: Private Taiwanese collection
GROUP OF FIVE FAMILLE ROSE WARES 19TH-20TH CENTURY 十九至二十世紀 各色粉彩碗、杯 及 袖珍梅瓶(共五件) comprising: a punch bowl, decorated with flowers and bogu motif on the exterior; two smaller bowls, one decorated with flowers, the base with a four-character Tongzhi mark, the other painted with cockerels and peonies; a small hexagonal cup, the base inscribed with a four-character Daoguang mark; and a miniature meiping vase, painted with figures in shanshui landscapeDimensions:largest: 26.7cm diameter
BLUE AND WHITE 'FLOWER' VASE QING DYNASTY, 17TH-18TH CENTURY 清 青花纏枝花卉紋瓶 sturdily potted to a wide shoulder and terminating to a flared mouth rim, the body painted with flowers in leafy tendrils, all below two circular bands on the shoulder and above the base, the neck further decorated with triangular pattern, the mouth rim covered with brown glaze Dimensions:20cm high
LARGE BLUE AND WHITE 'LOTUS POND' GU-FORM VASE 19TH-20TH CENTURY 十九至二十世紀 青花飛鳥荷塘圖觚式瓶 sturdily potted of beaker form with an incised mid-section, painted on the upper body with birds flying above a lotus pond, the mid-section with flower branches and rocks, and plantain leaves on the lower part, a band of incised triangular pattern further decorated under the flared mouth rim and below the mid-section, the base unglazedDimensions:38.5cm high
[A PRIVATE SCOTTISH COLLECTION] LARGE GROUP OF TWENTY-SIX SATSUMA WARES MEIJI TO TAISHO PERIOD 明治至大正 帶山、錦光山、保土田、玉山、越田、服部、輝山、薩摩等款 各色薩摩燒瓷器(共二十六件) comprising: twenty vases, the largest marked 'Taizan', one of garlic headed, one ovoid, one baluster, and the smallest, all marked 'Kinkozan', one of foliated mouth marked 'Hododa', one handled vase and small baluster vases marked 'Gyokuzan', one painted with cherry blossoms marked 'Koshida', one of basket form marked 'Hottori', one on tripod marked 'Kizan', one baluster marked 'Satsuma'; a double-gourd form lidded jar, an incense stick holder, a necklace, and three brooches, unmarkedDimensions:largest: 24.2cm highProvenance:Provenance: Private Scottish collection, Edinburgh
GROUP OF THREE MONOCHROME VASES 20TH CENTURY 二十世紀 孔雀藍釉雕瓷梅瓶、窯變釉梅瓶 及 雍正款 胭脂紅釉橄欖瓶 comprising: a turquoise-glazed meiping vase, decorated on both sides with carved and moulded floral motif, 32.8cm high; a flambe-glazed meiping vase, 20cm high; and a ruby red glazed ovoid vase, the base inscribed with a six-character Yongzheng mark within two circles in underglaze blue, 16.2cm highDimensions:heights: 16.2cm to 32.8cm
TWO FAMILLE VERTE CRACQUEL GLAZE BALUSTER VASES 19TH-20TH CENTURY 十九至二十世紀 哥釉綠彩山水人物紋瓶 及 雉雞菊花紋瓶 (共兩件) one vase painted overall with small figures in a mountainous landscape, the other vase decorated with a large pheasant roaming amongst blossoming chrysanthemums, both vases decorated on a fine craquelure glaze, whilst the necks with a raised ridge and the mouth rims with metal mounts, the vase with flowers has an underglaze blue double-circle on its base Dimensions:39cm high eachProvenance:Provenance: Private collection, England
LARGE GILT-BRONZE BOTTLE VASE QIANLONG MARK BUT LATER 乾隆款 銅鎏金鏨花貼塑瓜瓞綿綿紋大瓶 the lobed body imitating a melon, each panel intricately repoussé and chased with butterflies fluttering amongst ripe melons, flowers and scrolling tendrils, the feet and straight cylindrical neck set with more melons and foliate scrolls in high relief, the base with an apocryphal four-character Qianlong markDimensions:41.5cm high
GUAN-TYPE GLAZED THREE-TIERED STEPPED VASE QIANLONG MARK 乾隆款 仿官釉三登方壺 of trapezoid form, the three-tiered vase covered overall with a thick layer of greyish-blue glaze suffused with a network of faint russet crackles, leaving only the foot rim unglazed and covered in a layer of dark paint, the base inscribed with a six-character Qianlong mark in underglaze blue Dimensions:9cm highNote: Note: the form of this vase is very rare with prototype of similar three-tiered trapezoid form existing in a Southern Song to Yuan dynasty Guan-glazed vase, currently in the collection of the National Palace Museum, Taipei, no. 故瓷13487
RU-TYPE MEIPING VASE 20TH CENTURY 二十世紀 仿汝釉梅瓶 the rounded shoulders resting on a slightly flared base and sweeping into a waisted cylindrical neck and everted lipped rim, covered overall with a glossy blue glaze suffused with fine and dense craquelure, the base with six spur mark, with a fitted wooden boxDimensions:15.2cm highProvenance:Provenance: Private collection, London
BLUE AND WHITE 'QILIN' YEN YEN VASE QING DYNASTY, 19TH CENTURY 清 青花麒麟紋鳳尾尊 the high-shouldered body set with a tall trumpeted-neck, the body and the neck respectively painted with two sets of a majestic qilin standing on the edge of rock against ferocious crashing waves, mounted with a brass baseDimensions:52cm high; 54.6cm high with metal standProvenance:Provenance: Private UK collection
COLLECTION OF FIVE MONOCHROME WARES QING DYNASTY, 19TH CENTURY 清 紅釉螭龍紋瓶、德化白瓷螭龜紋葫蘆瓶、德化白瓷立柱型香插一對 及 漳窯白釉三足洗(共五件) comprising: a red-glazed bottle vase, moulded with slender chi-dragon coiling on the long cylindrical neck, with a fitted wooden stand, 16.7cm high; a Dehua double-gourd vase, moulded in relief with a tortoise on the lower bulb and a sinuous chi dragon above the upper bulb on the waisted neck, the base with an obscure mark in a panel, 13.4cm high; two Dehua incense holders, each finely moulded on a tall stand, the square-column body extended toward a wide shoulder, terminating to a square top adorned with a four-petal flower in relief, 11.8cm high each; and a white-glazed tripod brush washer, of compressed globular form, supported on three cabriole feet, covered overall with a white glaze with ivory tinge and a fine network of craquelure, 12.5cm diameter
GROUP OF THIRTEEN FAMILLE ROSE 'FISH' WARES 20TH CENTURY, DENG BISHAN MARK 二十世紀 鄧碧珊款 各色粉彩魚藻紋瓷器(一組十三件) comprising: a foliated oval plate, inscribed with a poem upper left, signed 'Tie Jianzi Deng Bishan', dated to the year of Ding Mao, corresponding to 1927AD, 27.7cm wide; a pair of larger bottle vases, 20.3cm high each; a pair of smaller ovoid vases, 13.8cm high each, all four inscribed with a poem, further with the year of Bing Chen, corresponding to 1916AD, signed 'Tie Jianzi Deng Bishan', the base sealed 'Bishan' in iron-red; a handled vase, 17cm high; a cylindrical mug, 11.1cm high; a lidded teapot, 14.7cm wide, all three inscribed with the same poem, signed 'Tie Jianzi Deng Bishan', dated to the year of Ding Mao, corresponding to 1927AD; a porridge jar and cover, inscribed and signed similarly as the former, dated to the year of Ji Si, corresponding to 1929AD, 14.5cm wide; a lidded cup, 13.9cm high; and three stem saucers, the stem foot of different form, all four signed 'Deng Bishan'Note: Note: One of the eight famous master ceramic painters of the Republic period, Deng Bishan (1874-1930) was known as the 'Eight Friends of Zhushan'. Among his most celebrated works were those depicting fish swimming amidst aquatic plants. As Deng Bishan was the son of an iron-monger, his chosen style name was Tiejianzi, 'The Child of Iron Shoulders' which appears on both vases.
CELADON-GLAZED DOUBLE-GOURD VASE QIANLONG MARK BUT 19TH-20TH CENTURY 十九至二十世紀 乾隆款 冬青釉葫蘆瓶 sturdily potted with a narrow waist between a lower larger bulb and upper smaller bulb, rising to a narrow tubular mouth, covered overall save for the foot ring with an elegant pale green glaze, the base inscribed with a six-character Qianlong mark in underglaze blueDimensions:31.8cm high
[A PRIVATE SCOTTISH COLLECTION] GROUP OF EIGHT PORCELAIN WARES QING DYNASTY TO REPUBLIC PERIOD, 18TH-20TH CENTURY 清至民國 綠彩山水罐帶木蓋、各色粉彩人物花卉紋瓶 及 青花纏枝花卉紋壁瓶(一組八件) comprising: a famille verte ginger jar with wooden cover, the base painted with double-circle in underglaze blue; four small famille rose baluster vases; a famille rose four-section vase with 'wood-imitation' base; a green-ground famille rose wall vase, with fitted stand; and a blue and white wall vaseDimensions:largest: 17.5cm highProvenance:Provenance: Private Scottish collection, Edinburgh
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653833 item(s)/page