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A Royal Worcester porcelain vase, circa 1917, painted by James Stinton, signed, the pierced and moulded cylindrical neck above an ovoid body painted with a cock pheasant in a landscape, green printed factory mark, including shape number `682` over `G` to base, height approx 13.5cm.
A Royal Worcester Hadley Ware porcelain baluster vase, circa 1915, painted in the style of Kitty Blake, with a continuous band of blackberries and autumnal leaves, between foliate moulded borders, green printed factory marks and painted in iron red, shape number `273` over `11.38` to base, height approx 19cm.
A Coalport porcelain gilt scroll handled vase, circa 1900, the flattened ovoid body painted with opposing oval reserve panels filled with tree lined river scenes, framed by black and gilt scale decoration embellished with white enamel beads, against a cream ground, within similarly decorated borders, green printed factory mark and black painted `A5343` to base, height approx 11.5cm.
A Continental tin glazed earthenware moonflask, late 19th/early 20th Century, the flattened circular body and cylindrical neck painted with a pink, turquoise, blue and white foliate design on a cream ground, blue marks to base, height approx 29cm, together with a Dutch Delft blue and white vase, 19th Century, of hexagonal baluster form, blue painted initials `B:P` to base, height approx 23cm (rim chips).
Franz Xavier Bergman - The Bedouin Tent, a late 19th Century Austrian cold painted cast bronze table lamp in the form of an Arabian gentleman seated within a tall arched tent, the domed top with four coloured glass lenticles, the reverse bearing impressed Bergman vase mark and `Geschützt`, height approx 36cm, width approx 18.5cm.
Franz Xavier Bergman - a late 19th Century Austrian cold painted cast bronze metamorphic risqué figure of a female dancer, her flowing dress hinged on one side to reveal her nudity, standing on a circular pedestal cast with draped fabric and a band of flowerheads and strapwork, the reverse bearing impressed Bergman vase mark and `Nam Greb`, height approx 26.5cm.
Franz Xavier Bergman - a late 19th Century Austrian cold painted cast bronze metamorphic risqué model of a travelling trunk, the front latch releasing the revolving top section to reveal a reclining nude woman, the trunk cast with travel labels and with side handles, the reverse bearing impressed indistinct Bergman vase mark and `Nam Greb`, length approx 12.5cm (release catch defective).
A Grainger Worcester eagle and amphora vase or pot pourri and lid. In glazed white parian with salmon pink pate sur pate decoration probably by Kate Locke. Impressed shield mark, c1880 (21cm high) (Description from the Grainger Book by John and Henry Sandon. Illustration page 179 fig 172)
A Grainger Worcester very tall vase with marbled flower decoration attributed to Alfred Barry. c1892 -1900, 31cm high (According to Wendy Cook of the Worcester museum, this piece is unusually large, the only other known large piece was made in three parts. The piercing would have been done by Alfred Barry and is characteristic in its curvillinear design)
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