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Two boxes of assorted items to include; Copeland Spode 'Greek' design plates and lidded pot, glass vase and candlestick, English pewter chamber stick, silver plate dish, glass bowls, collectors plates, glass bell, wine glasses, King George IV Old Scot Whisky jug, Noritake floral bowls, Whieldon ware soup tureen, Paragon china 'Victoriana Rose' trinket trays and small plate etc. (2)(B.P. 21% + VAT)
Box of mostly china to include; Staffordshire pottery flatback of a lion and unicorn clock group, Staffordshire cottage, figure of a gentleman in uniform, two figures of Scottish guards in kilts, German porcelain spill vase, a musical wooden Scottish figure on box etc. (B.P. 21% + VAT)Poor condition. Middle figure has lost its head (is present but not attached). Multiple cracks to base, something snapped off back. Plant in pot snapped off, fingers chipped on three out of four figures and what they are holding broken.
Box of various items to include; brass candlesticks, Court ware hand painted floral ceramic ewer and vase, Sylvac jug, two hollow pug dog figures, treen sewing mushroom, Mason's 'Formosa' miniature dresser jugs, miniature Beswick fireside spaniels, Wedgwood miniature urn, Crochendy basket ornament, Chelsom china bell, brass coffee pot etc. (B.P. 21% + VAT)
Tray of china to include; three graduated Wood & Sons English china 'Oriental Birds' design dresser jugs, blue and white vase with floral and pastoral scene design, Copeland Spode 'Italian' design centre bowl, Copeland Spode 'Portland Vase' design saucers and two rose design pierced edge dishes etc.(B.P. 21% + VAT)
Three trays of miscellaneous items; quartz travel clocks, Sestrel porthole style alarm clock, small wall barometer with wooden frame etc, art pottery jugs and goblets, hardstone cylindrical vase and small jar with lid, stoneware vase by Newport pottery, duck design egg crock, chamber stick, glass animal figures; avondale coloured glass whale, Wedgwood clear glass whale, duck, elephant, bear and a similar squirrel, a Mdina seahorse with coloured base etc. (3)(B.P. 21% + VAT)
A group of Chinese blue and white porcelain vases, to include: a pair of sleeve/cylinder vases and two baluster shaped vases together with three unassociated covers, two of the vases with brown etched archaic mark to the base, one of the cylinder vases has a four character Kangxi mark to the base. Largest vase 21cm high approx. (7) B.P. 21% + VAT) Three of the vases and two of the covers are damaged in different degrees.
Pair of Chinese post Republic porcelain polychrome decorated baluster vases, overall decorated with pomegranates, butterflies, flowers and foliates on a white ground, marked 'Made in China' to base. 35cm high approx. Together with an Oriental 'Macau' style baluster vase overall decorated with birds, flowers and foliage on a white spotted ground, unmarked. 27cm high approx. (3) (B.P. 21% + VAT)
PABLO RUIZ PICASSO (Malaga, 1881-Mougins, 1973)."Sujet Colombe", 1959Ceramic, copy 154/500.Numbered on the base, with the stamps Edition Picasso and Madoura Plein Feu.Measurements: 14 x 22 x 10 cm.Glazed ceramic vase with blue and black on white, in the shape of a dove, a bird that inspired a good number of Picasso's drawings and paintings, as well as ceramic pieces such as the one in question.The creator of Cubism together with Braque, Picasso began his artistic studies in Barcelona, at the Provincial School of Fine Arts (1895). Only two years later, in 1897, Picasso held his first solo exhibition at the café "ElsQuatreGats". Paris was to become Pablo's great goal, and in 1900 he moved to the French capital for a short period of time. When he returned to Barcelona, he began to work on a series of works in which the influences of all the artists he had met or whose work he had seen could be seen. He is a sponge that absorbs everything but retains nothing; he is searching for a personal style. Between 1901 and 1907 he developed the Blue and Pink Stages, characterised by the use of these colours and by their subject matter with sordid, isolated figures, with gestures of grief and suffering. Painting in these early years of the 20th century was undergoing continuous changes and Picasso could not remain on the sidelines. He became interested in Cézanne, and based on his example he developed a new pictorial formula together with his friend Braque: Cubism. But Picasso did not stop there and in 1912 he practised collage in painting; from that moment on, anything goes, imagination became the master of art. Picasso was the great revolutionary, and when all the painters were interested in Cubism, he was preoccupied with the classicism of Ingres. The surrealist movement of 1925 did not catch him unawares and, although he did not participate openly, it served as an element of rupture with what had gone before, introducing into his work distorted figures with great force and not exempt from rage and fury. As with Goya, Picasso was also greatly influenced in his work by his personal and social situation. His often tumultuous relationships with women had a serious impact on his work. However, what had the greatest impact on Picasso was the outbreak of the Spanish Civil War and the bombing of Guernica, which led to the creation of the most famous work of contemporary art. Paris was his refuge for a long time, but the last years of his life were spent in the south of France, working in a very personal style, with vivid colours and strange shapes. Picasso is represented in major museums around the world, including the Metropolitan, MOMA and the Guggenheim in New York, the Hermitage in St. Petersburg, the National Gallery in London and the Reina Sofia in Madrid.
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650806 item(s)/page