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Click here to subscribeA Pair of Victorian Table Candlesticks, maker's mark WCJL, London 1899, of neo-classical Corinthian column form, the concave sided pans with gadrooned rims, the shafts encircled with acorns and leaves, on acanthus leaf and classical vase embossed weighted square bases with gadrooned rims, 25cm high See illustration
A Victorian Small Coffee Pot and Matching Hot Water Jug, by Elkington & Co, London 1882, of neo-classical pedestal vase form, with sphere finials, ebonised wood downswept C shape handles, each engraved with a lion passant crown crown crest, on reeded circular bases, 9.5cm high, combined gross weigth 24 1/2oz
A George III Mustard Pot, by Robert & Samuel Hennell, London 1804, of oval section, the domed lid with spherical finial, C shape handle, later blue glass liner,7.5cm high, together with associated Georgian Old English pattern mustard spoons; and A Silver Mounted Cut Glass Example, London 1791, of do-decagonal tapering oval section, the domed cover with vase finial and bright cut decoration, on a conforming foot, maker's mark indistinct, 14cm high, with associated Old English pattern mustard spoon (2) See illustration
A Gilt Bronze, Gilt Brass and Marble Standard Lamp, F Barbedienne, circa 1910, the reeded stem supporting three C scroll candle branches, with a central reeded stem (now supporting a shade), issuing from a classical vase base cast with the seven vestal virgins, horned feline mask shoulder handles, on (part painted) fluted rosso antico square base on outscroll paw feet, 134.5cm high (the shade support a further 25cm)
An Ormolu Mounted Blue John Cassolette, probably Matthew Boulton, circa 1775, of two-handled classical vase form, with campana shape fluted nozzle, alternating with (possibly later) acorn finial on a domed bed of leaves, over a guilloché rim collar, the down-scrolled handles capped with acanthus and with overlapped scale motifs from ram head upper terminal, the ovoid Blue John body encased within a ribbon tied leaf swag, on a circular foot with double stepped base, with engraved mark "V1", 21.4cm high over nozzle, 20.5cm high over acorn finial See illustration
An Ivory and Micro-Mosaic Mounted Arched Watch Stand, probably Syrian, circa 1900, with triple vase finials over pairs of columns connected by pierced "mesh", on a rectangular base with bun feet, 30.5cm high; and A Qajar Lacquered Papier Mache Pen and Ink Case, 19th century, of rounded rectangular form, painted with panels of seated and recumbent figures in typical bright colours, 23cm long (2)
A Fine Porcelain and Ormolu Striking Mantel Clock, retailed by Lister & Sons, Newcastle, circa 1880, the imposing case with a large dark blue vase shaped porcelain body decorated finely throughout with gilt scrolled decoration, ormolu mounted mask sides supported either side of the base by figures, base with porcelain panels depicting cherubs and floral decoration, 4-inch porcelain dial with Roman numerals, dial centre with floral decoration and signed by retailer, twin barrel movement with striking on a bell, movement backplate stamped by retailer and "J.B.D" numbered "31515117", raised upon a purple baize gilded plinth, 53cm high See illustration
An Art Nouveau pewter and green glass tall vase, designed by Albert Weisberger circa 1899, with a berried laurel embossed collar, the openwork base of four sinuous columns also forming the twin handles, on a disc foot, unmarked, 36.5cm high. See Christies South Kensington sale Classic Art Nouveau Thursday 20th April 2000, lot 127 for a gilt metal and green glass version of the same size
A Loetz iridescent glass tapering hexagonal vase designed by Marie Kirschner, early 20th century, pansy shading to clear moulded circular foot, engraved MK monogram, 29.5cm high See Mergl, Jan et al. Loetz: Bohemian Glass 1880-1940, p. 174ff for a discussion and illustrations of examples. For the mark see p. 332, where it is noted that these marks were used only for glassware commissioned and sold by Marie Kirchner herself
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