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Click here to subscribeA Pilkington's Royal Lancastrian Pottery vase, shape no.2967, tall, shouldered cylindrical form, covered in a streaked blue glaze, another Pilkington's vase glazed mottled turquoise and yellow and a smaller Royal Lancastrian vase glazed silver grey, impressed marks, glaze fritting, 34cm. high, (3)
'Hazledene' a Moorcroft Pottery vase designed by William Moorcroft probably retailed by Liberty & Co, dated 1913, slender cylindrical form with swollen base and everted top rim, painted with tall trees in a landscape in green and blue on a celadon green ground, impressed marks, painted green signature and date, tiny glaze frits to top rim, 25.5cm. high
'Hazledene' a Moorcroft Pottery vase designed by William Moorcroft and retailed by Liberty & Co, tapering cylindrical body with flaring neck, painted in shades of green, blue and yellow, painted green signature, printed Liberty mark, 15.5cm. high Literature Moorcroft Pottery Richard Dennis/Fine Art Society, 1973, page 60-61 catalogue number 184, this vase illustrated. Purchased by the present vendor at the exhibition.
'Black Peacock Feather' a rare Moorcroft Pottery baluster vase designed by William Moorcroft, tubeline painted in white with Art Nouveau peacock feathers in green and blue on a black ground, impressed factory marks, minor professional restoration to top rim, 16cm. high Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 119 plate 3 for three similar examples dated circa 1918.
'Pomegranate' a Moorcroft Pottery vase designed by William Moorcroft, painted in shades of pink, purple, ochre and green on a blue ground, two Moorcroft pin dishes, a cover and a Royal Stanley Pomegranate pattern vase, impressed marks, main vase missing cover, 11.5cm. high, (5)
'Claremont' a Moorcroft bowl designed by William Moorcroft, retailed by Liberty & Co, cylindrical form with inverted top rim, painted in shades of red, blue and cream on a streaked green ground, and a Moorcroft Pottery Flamminian Ware vase designed by William Moorcroft and retailed by Liberty, painted green signature, printed Liberty mark, second vase smashed and repaired, 25cm. diam. (2)
A Hancock & Sons Morrisware vase designed by George Cartlidge, C18-1, compressed form with tapering neck with knopped rim, tubeline decorated with bell flowers in purple and green on a mottled green ground, another identical and a Morrisware vase designed by Cartlidge pattern C8-11, Printed and painted marks, painted facsimile signature, last two vases smashed and repaired damages, 24.5cm. high (3) Provenance Private collection of Morrisware
A Hancock & Sons Morrisware Pot Pourri vase designed by George Cartlidge, pattern C56-5, shouldered, tapering cylindrical form, tubeline decorated with flowers and foliage and inscribed Essences of Past Summers, in purple and green on a mottled blue ground, printed and painted marks, painted facsimile signature 20cm. high Provenance Private collection of Morrisware
A Hancock & Sons Morrisware vase designed by George Cartlidge, pattern C15-8, swollen drum form, tubeline decorated with flower stems in purple and green on a mottled blue ground printed and painted marks, painted facsimile signature, 23.5cm. high Provenance Private collection of Morrisware
A Hancock & Sons Morrisware vase designed by George Cartlidge, pattern C28-2. ovoid with tall cylindrical neck and everted rim, tubeline decorated with bell flowers in purple and green on a mottled blue ground, printed and painted marks, painted facsimile signature, 36.5cm. high Provenance Private collection of Morrisware
A Hancock & Sons Morrisware vase designed by George Cartlidge, pattern C27-28, shouldered cylindrical form with everted rim, tubeline decorated with rhododendron flower in purple, blue and green on a lime green ground, printed and painted marks, facsimile signature, 31cm. high Provenance Private collection of Morrisware
'Opera of the Winds' a Dennis China Works Trial vase designed by Sally Tuffin, dated 2009, thrown by Rory McLeod, stepped vase tubeline decorated with figures after Margaret Macdonald Mackintosh, in black with platinum, on a white ground impressed and painted marks, 30cm. high
A Poole Pottery Atlantis vase by Guy Sydenham, tapering form with flaring broad rim, incised with bands of zig-zag decoration , glazed white and black on a terracotta ground, another glazed green and a bowl by Guy Sydenham internally painted impressed marks, incised monogram, 17cm. high, (3)
A Poole Pottery Studio vase designed by Robert Jefferson, thrown by Guy Sydenham, swollen form with tapering neck and everted top rim, glazed white, resist decorated with black round panels painted with white enamel abstract decoration, printed Poole Studio TV mark, 31cm. high Provenance Cottee's Auctioneers, 14th November 2015 lot 313 Private collection. Literature Poole Pottery in the 1960s Nicolaus Boston & New Century, 4-13 February 1993, page 19 catalogue 31 for a comparable vase by Robert Jefferson and Guy Sydenham.
'Waverly' a Clarice Cliff Conical sugar sifter, painted in colours, and a Bizarre vase painted in colours, printed factory marks, chips, 14cm. high (2) Literature Leonard Griffin & Louis K and Susan Meisel Clarice Cliff The Bizarre Affair Abrams, page 59 for a similar Lynton shape ribbed vase believed to be an experimental piece.
A large Fulham Pottery flower vase designed by Constance Spry, slender fluted form with twin scroll handles, and another smaller flower vase, and 'Winter and Spring Flowers', Favourite Flowers' and 'Summer and Autumn Flowers' three books written by Constance Spry, published by J.M. Dent, 1951 impressed marks to vase, 66cm. wide. (5) Provenance The late Countess of Feversham Private collection.
Upchurch Pottery (1909-1963) a tall twin-handled stoneware vase, covered in a streaked blue, pink and turquoise glaze to the foot, another smaller, an Upchurch vase covered in a streaked strawberry pink glaze and seven other Upchurch Pottery items incised Upchurch, firing chips and faults to foot rim, of main vase, various impressed and incised marks, to other items, 32.5cm. high (10) Provenance Private collection.
Reginald Fairfax Wells (1877-1951) a Coldrum Pottery vase, shouldered form, covered in a streaked mustard yellow glaze and Audrey Blackman Opus 19 Going to the Encaecia Dinner, 1986 a porcelain figural sculpture, impressed Coldrum mark, and RFM inside Y mark, three small glaze chips to top rim, glaze chips to base rim, 17cm. high (2) Provenance Paul Rice Gallery, November 2008.
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