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Click here to subscribeAn Iittala clear glass Arkipelago vase designed by Timo Sarpaneva, thick clear cylindrical glass with surface decoration and internal bubbles, and another smaller, etched Timo Sarpaneva 3144 to smallest, 20.5cm. high (tallest) 12cm. high (smallest), (2) Literature A Private Collection of Finnish Design, Christie's South Kensington, 7th March 2007, lot 89 for three comparable vases.
Joanna Constantinidis (1927-2000) a tall oxidised stoneware vase, 1971, flattened, elliptical form, covered in a pitted cream glaze over bronze, impressed seal mark to side of base, 67cm. high Exhibited International Ceramics 1972, Victoria & Albert Museum, catalogue number Great Britain, no.15, this actual vase.
A Hartley Wood Sunderland glass vase, shouldered amorphic form, pink and amber streaked glass with air bubble inclusions, another Hartley Wood streaked vase and an Orrefors etched and cut glass vase by Sven Palmqvist, flaring, faceted form engraved with a naked female figure, unsigned, Orrefors etched signature, 28.5cm. high (3)
Malcolm Sutcliffe (born 1954) an ovoid glass vase, purple graduating streaked blue and white sky, painted with a herd of walking elephants, a Krasna cameo glass vase decorated with a tree feller resting by deer in a wooded landscape, and a Rick and Nikki cameo glass vase, etched signature to base, 14.5cm. high, (3)
'Revived Cornflower/Brown Chrysanthemum' a James Macintyre & Co pottery vase designed by William Moorcroft, swollen form with loop handles, painted in shades of red, purple, ochre and green printed factory mark, painted green signature, 23.5cm. high Provenance From the collection of James Benson.
'Pomegranate' a tall Moorcroft Pottery baluster vase designed by William Moorcroft, shouldered form, painted in shades of red, purple, ochre and green on a blue ground, impressed marks, painted green signature 38.5cm. high Provenance Arts and Crafts Woolley and Wallis, 18th June 2014 lot 296.
'Bougainvillea' a Moorcroft Pottery vase designed by Walter Moorcroft, tapering cylindrical form, painted in shades of green, pink and purple on a blue ground, a Cobridge Stoneware circular tile painted with flowers and a Moorcroft Pottery dish and cover glazed white impressed marks, painted blue signature, 18.5cm. high (4)
'Blue Gum' a large Moorcroft limited edition vase designed by Sally Tuffin, dated 1994, baluster form, tubeline decorated in shades of blue, green, yellow and red on a celadon ground painted John Moorcroft signature, factory marks, numbered 35/50, 42cm. high Provenance From the collection of James Benson.
'Butterfly' a Dennis China Works vase designed by Sally Tuffin, dated 1999, swollen cylindrical from, tubeline painted with butterflies in colours on an ivory ground, a Dennis China Works Dragonfly vase, a Koala Bear side plate and a Trial colour vase, impressed and painted marks, 16cm. high, (4)
‡ William Staite Murray (1881-1962) a stoneware vase, painted with simple Flag Iris flower stems in iron on a speckled oatmeal ground, the shoulder and neck with iron bands, impressed seal mark, pencil number 18, 29.5cm. high Exhibited Leferve Gallery, 1931 catalogue number 18 lists an iris vase, probably this one. The 20th Century Aesthetic, 22nd May 2013, lot 181. 30 Pots, Woolley and Wallis, 2019 catalogue number 3.
‡ William Staite Murray (1881-1962) 'Dark Celadon White Birds' a fine tall stoneware vase, slender shouldered cylindrical form with stork neck and collar rim, slip decorated with three curlew in white with lavender translucency, on an oatmeal ground, impressed seal mark, paper exhibition label no.6, 40cm. high Provenance The Leferve Galleries, London, November 1931, catalogue number 6, priced at 15 guineas. International Contemporary Ceramics, Bonhams, 19th September 2006 lot 1. Exhibited The Leferve Galleries, 1931 30 Pots, Woolley and Wallis, 2019, catalogue number 28.
‡ William Staite Murray (1881-1962) 'Persian Bird' a monumental stoneware vase, thrown in two sections, swollen conical body with cylindrical neck, the body incised and painted with two large peacocks, glazed with iron dots, on an oatmeal ground under a grey translucent slip graduating to white, impressed seal mark, painted IMG, 63 cm. high Provenance Lefevre Galleries, probably exhibited (suggested by Ian Bennett) alongside 'Persian Garden' in 1931, which was later purchased by Eric Milner-White. Richard Murray Exhibited Lefevre Galleries, London November 1931, Leicester Galleries William Staite Murray Retrospective,1958 30 Pots, Woolley and Wallis, 2019 catalogue number 30.
‡ William Staite Murray (1881-1962) Geese by The Reeds a fine stoneware vase, shouldered form with cylindrical neck, slip decorated with three preening geese amongst tall grasses, impressed seal mark, 31cm. high Provenance Patterson's Gallery, Old Bond Street, London, Exhibited between 1st-28th November 1928, catalogue number 24, priced at 40 guineas. Contemporary Ceramics, Bonhams 16th November 1995 lot 1 Exhibited Gorgeously Grotesque, Worthing Museum & Art Gallery, 2003 catalogue number 78. British Studio Pottery from Bernard Leach, Chichester Cathedral/Pallant House, 2005 catalogue number 37. 30 Pots Woolley and Wallis Auctioneer's, catalogue number 29.
‡ William Staite Murray (1881-1962) 'Sun and Air' a fine stoneware vase, painted with a hot-air balloon flying amongst seagulls and clouds, the reverse a large sunflower. rust on an oatmeal ground highlighted with blue, impressed seal mark, 22.5cm. high Provenance William Paterson Gallery, London exhibited 1-28th November 1928, priced at 25 guineas. Contemporary Ceramics, Bonhams, 13th November 1996 lot 5. Exhibited Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003 catalogue number 79. British Studio Pottery from Bernard Leach to Lucie Rie, Chichester Cathedral/Pallant House. 30 Pots, Woolley and Wallis, 2019, catalogue number 4, Literature Dr Jeffrey Jones, Studio Pottery in Britain 1900-2005, A & C Black,. page 57 this vase illustrated.
‡ William Staite Murray (1881-1962) a stoneware vase compressed ovoid form, painted with a running horse in iron on a pitted oatmeal ground, impressed seal mark, 13cm. high Provenance Decorative Arts, Sotheby's 4th December 1985 lot 345 Contemporary Ceramics, Bonhams 26th March 1992 lot 94 Exhibited Gorgeously Grotesque Worthing Museum & Art Gallery, 2003 catalogue number 61. 30 Pots, Woolley and Wallis 2019, catalogue number 13 Literature Ronald Cooper, The Modern Potter, John Tiranti Ltd, 1947, page 32, catalogue number 39 for a comparable vase titled Tiger. Dr Jeffrey Jones Studio Pottery in Britain 1900-2005, A&C Black Publishers, illustrated page 58.
‡ William Staite Murray (1881-1962) a squat stoneware vase with collar rim, dated 1923, covered to the foot with a high-fired Chun glaze in silver and purple, incised W S Murray 1923 London, 12.5cm. high Provenance Brian Page Antiques, Brighton Exhibited 30 Pots, Woolley and Wallis, 2019 catalogue number 5
‡ Charles Vyse (1882-1971) a stoneware vase, dated 1933, shouldered form with collar rim, covered in a rose ash and iron glaze to the foot with grey splashes, incised CV 1933, paper lot label, 21cm. high Provenance 20th Century Decorative Arts, Christie's South Kensington, 26th May 1994 lot 240 (originally purchased from the Walker Gallery). Exhibited Gorgeously Grotesque, Worthing Museum & Art Gallery, 2003, catalogue number 129. British Studio Ceramics from Bernard Leach to Lucie Rie, Chichester Cathedral/Pallant House, catalogue number 35. Literature Terence Cartlidge, Charles & Nell Vyse, Dennis & Pascoe, page 55 and back cover this vase illustrated,
‡ Charles Vyse (1882-1971) a stoneware vase with lug handles, dated 1931, shouldered cylindrical form, covered in a rose ash glaze with splashes, and an ovoid vase with vertical grooves, covered in an ash glaze incised marks, 13.5cm. high, (2) Provenance Modern Art, Photography and Ceramics, Colombos, Hamburg Germany, 17th November 2012, lot 5,.
‡ Charles Vyse (1882-1971) a stoneware vase, shouldered form with collar rim, dated 1930, covered to the foot in a rich deep blue/purple and silver mottled glaze, and another similar glazed to the foot with celadon splashed with iron, incised Charles Vyse 1930, 16.5cm. high, (2) Provenance Applied Arts Sotheby's 14th April 1992 lot 563 (main vase, sold as part of a group of three). Exhibited Gorgeously Grotesque Worthing Museum & Art Gallery, 2003, catalogue number 119 and 121 Literature Terence Cartlidge Charles & Nell Vyse, Dennis & Pascoe, page 51 these vases illustrated,
‡ Charles Vyse (1882-1971) a stoneware vase dated 1938, shouldered form with knopped neck, incised with a broad band of palm leaves, glazed celadon, highlighted with brown, incised Vyse 1938 to base, 32cm. high Literature Terence Cartlidge Charles & Nell Vyse, Dennis & Pascoe, page 56 and back cover this actual vase illustrated.
‡ Charles Vyse (1882-1971) a Tzu-Chou stoneware vase dated 1930, shouldered form with swollen neck, the body incised with scrolling lotus flower decoration, covered to the foot with a pale white celadon glaze incised CV 1930, 34cm. high Literature Charles Vyse Richard Dennis/Fine Art Society, 1974, page 56 catalogue number 126 this actual vase illustrated.
‡ Charles Vyse (1882-1971) a porcelain bottle vase dated 1939, pear shaped with everted top rim, painted in ochre with a heron flying past grass clumps, on a grey ground incised Vyse 1939, 26cm. high Literature Terence Cartlidge Charles and Nell Vyse, Dennis & Pascoe, page 53 this actual vase illustrated.
‡ Charles Vyse (1882-1971) a stoneware vase dated 1931, slender ovoid form with flaring solifleur neck, covered to the foot in a pale blue glaze splashed with purple, a smaller Charles Vyse vase with two lug handles, with similar glaze and a small footed bowl, painted CV and 1931 marks, 19.5cm. high, (3) Provenance J L Naimaster, Richard Dennis, Exhibited Gorgeously Grotesque Worthing Museum & Art Gallery, 2003, catalogue number 128. Literature Terence Cartlidge, Charles & Nell Vyse, Dennis & Pascoe, page 51 this actual vase illustrated.
‡ Charles Vyse (1882-1971) a stoneware vase, dated 1928, ovoid with collar rim, covered to the foot in a streaked lavender, blue and silver glaze incised CV monogram and date, 12.5cm. high Provenance George Eumophopolus collection (sold at Sotheby's) Ian Bennett collection Ed Wolff collection Contemporary Ceramics, Bonhams 10th November/1st December 1994 lot 7. Exhibited Gorgeously Grotesque, Worthing Museum & Art Gallery, 2003, catalogue number 127. Literature Terence Cartlidge Charles & Nell Vyse, Dennis & Pascoe, page 51 and back cover this vase illustrated,
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