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Lot 902

Pavel Hlava - Exbor - A Monolith vase circa 1970, the cylindrical body with dual concave side panels with a deep pink core cased in blue crystal, unmarked to the base, height 24.5cm.

Lot 903

Nils Landberg - Orrefors - A Tulip vase  with ovoid bowl raised to a slender stem and circular foot cased in graduated smoke grey over opal through to clear, signed to the base with EXPO mark, height 39cm.

Lot 904

Geoffrey Baxter - Whitefriars - A collection posy vases, to include pattern 9471, to include two Flint, two Sea Green, one Midnight Blue and one pattern number 9732 in Arctic Blue, together with soda glass flared vase, height 30cm, and two pattern 9599 vases in Amethyst and Shadow Green, heights 17.5cm. (11)

Lot 905

Whitefriars - A collection of vases, to include a Footed Swag vase, pattern number 9358 in Gold, height 15cm, a Dimpled - Single Row vase, pattern number 9860, in Sky Blue, height 14.5cm, an FLC vase, pattern number 9864 in Gold, height 20cm, and two lobed bowls, pattern number 9335 in Sea Green and Gold. (5)

Lot 907

Geoffrey Baxter - Whitefriars - A Textured Range Tulip vase, pattern number 9827, in Lilac, height 24.5cm.

Lot 909

Geoffrey Baxter - Whitefriars - A collection of vases, to include three Optic Ribbed Ovoid vases, pattern number 9586 in Ruby, Kingfisher Blue and Green, heights 13.5cm, a small ovoid vase pattern number 9518 in Ruby, height 10.5cm, a Crispie Dented vase, pattern number 9633 in Blue, height 19.5cm, and a mixer jug, pattern number 9508 in Ruby, height 22.5cm. (6)

Lot 910

Ladislav Oliva - Exbor - A 1960s glass vase of rounded rectangular form decorated with two green spots over the deep golden amber ground, acid mark, height 20.5cm.

Lot 914

Ladislav Oliva - Exbor - A large Amoeba vase designed 1968, the rectangular crystal body relief moulded with a random amoebic form picked out in pink over the clear crystal ground, acid mark to the base, height 20.5cm.

Lot 915

Ladislav Oliva - Exbor - A large Golden Grid vase designed 1968, the rectangular crystal body relief moulded with a random linear grid design picked out in gold over the clear crystal ground, acid mark to the base, height 17.5cm.

Lot 920

Holm Sorensen and Sven Aage Jensen - Soholm - A Burgundia series vase, circa 1950s, shape 2057-4, decorated with a chevron design in blue, yellow and white over a black ground, signed, height 34cm.

Lot 921

Paul Hoff - Kosta - A large limited edition Cameo glass vase circa 1970s, of footed bell form, cased in cinnamon over clear crystal and cut with a stylised open winged bird to the frosted ground, engraved signature and numbered 2 of 175, height 25cm.

Lot 922

Einar Johansen - Soholm - A large mid 20th Century vase circa 1960, of hexagonal section with collar neck, shape 3347, decorated with panels of repeated relief moulded oval motifs over a blue ground, signed, height 34.5cm.

Lot 926

Vicke Lindstrand - Kosta - A colora glass vase, of double gourd form, decorated with amethyst bands over a graduated blue ground cased in clear crystal, raised to a block foot, engraved signature, height 21cm.

Lot 930

Kaj Frank - Nuutajarvi Notsjo - A KF267 vase of cylindrical form vase in clear crystal over deep royal blue with an internal dome to the base of the vase, engraved signature and dated 1962, height 26cm.

Lot 931

Nils Thorsson - Royal Copenhagen Aluminia - A mid 20th Century Baca Series large bottle vase, circa 1967, shape 3223, of shouldered form with collar neck, with abstract bird decoration in yellow over a mottled black ground, marks to base, height 21cm.

Lot 934

Ingeborg Lundin - Orrefors - A post war unique Ariel vase of rounded square section cased in clear crystal over a graduated green to blue core decorated with repeat bands of squares, triangles and spots, engraved signature, height 15cm.

Lot 935

Vladimir Zahour - Podebrady - A post war Czechoslovakian cut crystal glass vase of cylindrical form with a wide flared circular rim, decorated with a repeat textured mitre cut, engraved signature, height 12.5cm.

Lot 940

In the manner of Ladislav Oliva - possibly Exbor - A blue grid vase designed 1968, the rectangular crystal body relief moulded with a random block forms picked out in royal blue over the clear crystal ground, unmarked, height 20.5cm.

Lot 947

Michael Andersen and Sons - A post war stoneware jug, shape 5991, of low shouldered cylinder form with tapering neck and loop handle, decorated with a band of repeated diamonds below the light blue glaze, impressed marks, together with another similar small jug, shape 5929, with a band of impressed ovals, and a stoneware vase, shape 6135, panels of impressed designs depicting the industry around Ronne, by the same hand, impressed marks, tallest height 22cm. (3)

Lot 950

Berte Jessen - Royal Copenhagen - A cylindrical Fajance vase decorated with a stylised tulip in tones of blue with flowers and foliage behind with red flower heads against a white ground, printed marks, height 26cm, together with a Tenera Series bottle vase, designed by Kari Christensen, with abstract floral decoration, printed marks, height 18cm. (2)

Lot 951

Geoffrey Baxter - Whitefriars - A group of vases, to include two pattern number 9772 Controlled Bubble Lobed vases in Ruby and Gold, heights 19cm and 24cm, together with a pattern number 9856 Knobbly vase in Aqua, height 17cm. (3)

Lot 953

Geoffrey Baxter - Whitefriars - A group of three-sided vases, pattern number 9570, in Sea Green, Golden Amber and Aquamarine, and a teardrop vase, pattern number 9571, in Sage Green, height 19cm. (4)

Lot 966

Nils Thorsson - Royal Copenhagen - A 1960s Danish Fajance flattened rectangular vase from the BACA range, pattern number 719/3121, printed marks, height 20cm.

Lot 967

Nils Thorsson - Royal Copenhagen - A 1960s Danish Fajance flattened rectangular vase from the BACA range, pattern number 719/3121, height 20cm.

Lot 970

Ellen Malmer - Royal Copenhagen - A 1960s BACA pillow vase, of shouldered rectangular form with collar neck, decorated with a large stylised seed head motif in tones of brown over a pale grey ground, printed marks height 20cm.

Lot 974

Nils Thorsson - Royal Copenhagen - A post war Fajance dish of square form with sgraffito decoration in the form of sunbursts and squares, in tones of brown, printed marks, width 26.5cm, together with a bottle vase designed by Nils Thorsson in the fish mosaic design, printed marks, height 14cm. (2)

Lot 989

Venini - A post war fazzoletto vase of handkerchief form, decorated with alternating lattachino cane columns in opal, signed and retains label, height 26cm.

Lot 992

Sven Palmqvist - Orrefors - A post war Kraka glass vase circa 1955, of teardrop form cased in clear crystal over a graduated blue to green interior decorated with a fine bubble mesh, engraved signature and retains label, height 20.5cm.

Lot 995

Edinburgh & Leith - A post war glass vase of footed flared form, cased in ruby over clear and cut with ovals within a diamond grid, acid marked, height 25.5cm.

Lot 999

Ellen Malmer - Royal Copenhagen - A post war large dish, shape 3293, of circular form, decorated to the interior with stylised floral sprays in tonal browns, printed marks, diameter 33cm, together with a Royal Copenhagen BACA Series slab vase, shape 2942 decorated with abstract bird mosaic pattern designed by Nils Thorsson, printed marks, height 15cm. (2)

Lot 2028

A Royal Dux figure of a lady aside vase (AF), and a Sheraton Simpson figure of a dog. (2)

Lot 448

An 'Imari' teapotChinese export porcelainGadrooned body of blue underglaze, iron oxide and gilt decoration with flower vase and butterfliesKangxi reign (1662-1722)(cover not original)Height: 11,5 cm

Lot 519

A vaseChinese porcelain With powder-blue glaze and gilt decoration depicting flower motifs Handles shaped as lion heads Qing dynasty, 19th centuryHeight: 58,5 cm

Lot 561

A vase with standFaiencePolychrome and raised decoration with scrolls, flowers and foliage decorationPortugal, 19th century(defects)56x57x44 cm

Lot 421

A tea bowl and saucerChinese porcelainPolychrome "Famille Rose" enamelled decoration of vase with peonies, lemons and catSaucer tab and bowl side of geometric patterns and floral cartouches decorationYongzheng reign (1723-1735)4x6,5 cm (bowl)Diam.: 10,5 cm (saucer)

Lot 290

A moulded gold painted framed oil on canvas of a still life of a vase of flowers, unsigned. H.77 W.65cm

Lot 211

A Japanese cast brass tray, decorated with a dragon border and figural scene to the centre along with an Indian brass vase inlaid with relief copper figural and foliate design. H.35 W.32 D.24cm (largest)

Lot 245

A collection of hand cut cut crystal, including a J.G. Durand fluted crystal vase, stamped to base, an Edinburgh crystal vase and and silver collared 19th century crystal bowl. H.25 Diam.22cm (largest)

Lot 662

A decorative Chinese vase, height 36cm

Lot 798

Vintage glass jelly moulds, blue and white tureen, Murano glass baskets, art pottery vase etc.

Lot 26

Irma Stern (South African, 1894-1966)Magnolias signed and dated 'Irma Stern/ 1946' (lower left); further signed and inscribed 'Irma Stern/ Cape Town' (verso)oil on linen85 x 85cm (33 7/16 x 33 7/16in).(framed)Footnotes:ProvenanceAcquired directly from the artist by Gina Schnabl;By direct descent to the current owner;A private collection.ExhibitedParis, Galerie de Beaux Arts, 1947.Rotterdam, Kunstaal van Eeck.Johannesburg, Gainsborough Galleries, 1957.Christopher Peter, the former Director of the Irma Stern Museum, wrote enthusiastically of the artist's still lifes: 'For me, Irma's Still Life works immediately evoke her studio! Her canary yellow studio!' (Life Force, exh. cat., 2018: pp. 24-25). The brilliant yellow background of this and other paintings takes one imaginatively to the very site of her creativity. The Chinese stoneware vase in the painting recalls examples held in her collection (Irma Stern Trust Collection, nos. 530 and 534). The unusual striped textile that is folded beneath the vase would seem to represent a woven palm-leaf mat, most likely acquired during Stern's Zanzibar trip the year before in 1945. Although not identical to that depicted in the present work, several examples survive in her museum, while others feature both in her paintings and in the exhibition installations that her companion Dudley Welch designed for her at this time.Family tradition holds that the present work was purchased circa 1951 in an extraordinary and undocumented exhibition at the home of the purchaser in what was then Salisbury, Southern Rhodesia, having been exhibited in the Netherlands at some time before that. The painting returned to South Africa when the owners relocated to Johannesburg in 1988. Although there is not direct confirmation of this narrative in the Irma Stern archives, it is certainly plausible.Two records from 1951 in the archive could indicate the present work. In April that year, Stern exhibited Magnolias listed as no. 13) at the Gainsborough Galleries, Johannesburg, at the considerable price of 175 guineas. The exhibition catalogue provides neither the date nor the dimensions of the painting. Stern's cashbook for May 1951 records 'Johburg Nr.13 – difference in (words illegible) L117.5'. No buyer's name is recorded and the difference between this price and the catalogue price seems to indicate that an earlier deposit had been paid: the present work was paid for by the owner's family in instalments. It is possible that the Salisbury exhibition staged by the present owner's family was negotiated by the Gainsborough Galleries.Alternatively, Stern's cashbook for December 1951 records a payment of L124.19.6 for an unspecified still life sold via a M. Jacobsohn to a client in Rhodesia. Her list of expenses of the same time records a 'Commission on picture sold to Rhodesia' of L18 which, at approximately 10% would indicate a very substantial picture. These records seem to confirm the existence of the Salisbury exhibition but may, of course, refer to a separate painting. Both entries would allow for the painting to have been exhibited in the Netherlands, as family tradition believes, for Irma Stern had a large show at the Kunstzaal Van Eeck in Rotterdam in 1948. This exhibition comprised of most of the work from the prestigious exhibition at the Galerie des Beaux-Arts in Paris in October 1947 which, according to the catalogue, included a work titled Magnolias (no. 16). While the installation photographs of this exhibition held in the Irma Stern archive show less than half of the oil paintings known to be on view and no picture of magnolias is apparent, it is probable that the present lot was exhibited in both Paris and the Netherlands.BibliographyLife Force: The Still Lifes of Irma Stern, exh. cat., RMB Turbine Art Fair, Johannesburg, 2018.We are grateful to Michael Godby for his compilation of the above footnote.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 145

James Fullarton (British, born 1946)Flowers in a blue vase signed 'Fullarton' (lower right)oil on canvas51.5 x 61 cm. (20 1/4 x 24 in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 76

George Leslie Hunter (British, 1877-1931)Tulips inscribed by Arthur Leyden 'By Leslie Hunter/about 1910' (verso)oil on canvas38.2 x 30.8 cm. (15 1/16 x 12 1/8 in.)Footnotes:ProvenanceArthur Leyden and thence by descentArthur's purchase of Tulips helped keep Hunter going as he was barely making ends meet. It would be three years before the commercial success of his first exhibition at art dealer, Alexander Reid's prestigious Glasgow gallery, La Société des Beaux-Arts in 1913.According to his friend, New York artist Tom Hunt, Hunter was in complete sympathy with all that was new after his first visit to Paris in 1903 (T.J. Honeyman, Introducing Leslie Hunter, Faber & Faber Ltd, London, 1937, pp.61-62). French modernist, Édouard Manet (1832-1883) was an early hero. Manet broke ranks from the traditional practice where layers of dark varnish were applied to the canvas to model form. On Hunter's return to Scotland in 1906, he was utilising what he understood from Manet's technique to help progress his own. In Tulips, the flowing opaque brushstrokes on a light ground applied in one go, model the form of the vase and flowers. Hunter was not concerned with the strength or effect of light on still life, a characteristic he upheld throughout his life and one which differentiates him, even from his fellow Colourists.In Tulips he focused on the simple shape and direct presence of the vase and flowers. By using sketch-like passages with occasional black outlines similar to those he observed in Manet's later still life, he animates the flowers, captures their natural state and ultimately produces a still life elevated beyond the ordinary.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 119

Frederick Victor Bailey (1919-1997)Still life - a vase of mixed flowers with grapes and nut alongside, upon a table ledge, signed and dated 1979, oil on panel, 71 x 53cmCondition good. Colours bright and vibrant. The frame with minor knocks and scratches. Very fine hairline crack to panel upper left more discernible from viewing closely and in a raked light.

Lot 191

Thomas Edward Francis (act. 1899-1912)Still life - a vase of chrysanthemum, signed, oil on canvas, 41 x 66cm (unframed)

Lot 319

Attributed to Herbert Davis Richter (1874-1955)Still life - a vase with geraniums, oil on canvas board, 26.5 x 31cm

Lot 435

A * Williams (19th century)Still life - a vase of yellow roses, signed, oil on board, 37 x 26cm

Lot 55

John Hall Thorpe (1874-1947)Still life - a vase of yellow flowers, woodcut in colours, pencil signed in the margin, 16.5 x 15cm

Lot 9043

Quantity of glass ware including large vase of wrythen form and Cairns paperweight together with desk calendar on onyx base, agate egg et. max H35cm

Lot 9077

Quantity of Wedgwood Dye Ken John Peel pottery to include large and small jugs, beakers, cups and vase decorated with hunting scenes featuring hound handles (15) max H15cm

Lot 9103

Quantity of Imari plates together with three blue and white Chinese jugs, Chinese prunus vase and other blue and white ceramics

Lot 9134

Blue and green lamp with paisley and leaf design H74cm; large gilt vase (2)

Lot 9135

Chinese gilt vase hand painted with mountain scenes, bird and flower designs and goat motifs along the lower edge h 80cm

Lot 9147

Davenport ironstone serpentine jug together with long necked Japanese imari vase max H18cm

Lot 9170

English School (British 19th century): Still Life of Flowers in a Vase, pair oils on board unsigned 55cm x 45cm (2)

Lot 9186

Prue Kent (British 20th century): Still Life of Flowers in a Vase, watercolour signed together with colour print of similar subject max 55cm x 45cm (2)

Lot 148

MAURICE UTRILLO (FRENCH 1883-1955)VASE DE FLEURS Gouache on paperSigned and dated Juin 1935 (lower right)61 x 48cm (24 x 18¾ in.)The authenticity of this work has been confirmed by Gilbert Pétridès and Jean Fabris.Provenance:Collection Jean Dypréau-van den Abeelen, Linkebeek, BelgiumSale, Guy Loudmer & Hervé Poulain, Paris, 28 May 1975, lot 144Galerie Philippe Kozak, Valenciennes, FranceAcquired from the above by the present owner in 2016 Literature:Paul Pétridès, L'oeuvre complet de Maurice Utrillo, Paris, 1966, vol. IV, no. AG 371, illustrated p. 325

Lot 25

λ RODRIGO MOYNIHAN (BRITISH 1910-1991)STILL LIFE OF FLOWERS IN A VASE Oil on canvas Signed and dated 34 (lower right)55.5 x 46cm (21¾ x 18 in.)Provenance:Alan Sainsbury, RSQ., Private Collection  

Lot 102

A mixed lot to include a Royal Doulton stoneware vase, and Harvest pattern teapot, cranberry glass, and a Grindley part dinner, MZ Chech etched glass, mixed semi-precious gemstone chip, a Wood Bros lab bottle/flask and other items 

Lot 123

A selection of glassware to include a Whitefriars strap vase in sea green, Murano glass clown, and small gondola shaped bowl, pair of green tall vases with mottled decoration, and an early 20th century glass vase with wrythen swirl strapwork, amber top running to clear glass, shaped and crimped rim, probably WhitefriarsLocation:

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