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Lot 158
A famille rose abstinence plaque, of flattened vase form, one side inscribed in black with the characters zhai jie (fasting and purification), the reverse inscribed in Manchu script, both inscriptions surrounded by bats and scrolling lotus, 6.6cm high, three snuff bottles, one decorated with a landscape scene. 7.2cm high, one hardstone, carved with a chilong to each side, 5cm high, and another agate, 6cm high, together with a vase, of double gourd form, painted with a bird, butterfly and flowers, 8cm high, and an agate carving, of Budai, 4cm high, (6)Condition report: Landscape snuff bottle - minute chips to rim and base, surface scratches, cover missingHardstone snuff bottle - chip to rim. small chips and surface scratches throughout.Agate snuff bottle - natural crack.Vase - small chips to base and one chip to body, gilt rubbed.Budai - chips to edges.Plaque - surface scratches, crackles to glaze, enamel losses.
Lot 279
A collection of predominantly Doulton stoneware items, to include a cup with stylised foliate motifs, 11cm high, a salt-glazed jug, with figures on horseback, 14cm high, a hunting cup, a plain cup with reeded handle, 10cm high, eight miniature items and similar (16)Condition report: Tapering jug chipped to spout. Hairline to hunting jug. Nibbles to foot rim of twin handle vase. Small chip to the foot rim of the squat jug. Small chip and hairline to the spout of the squat salt-glazed jug. Small chips to the shallow salt and its associated cover. Chip to the rim of miniature vase. General wear and nibbles throughout.
Lot 287
A collection of Doulton commemorative stoneware, to include a Victoria jubilee jug, with silver collar, 24cm high, a matched mug, with silver collar, two similar examples, a Silicon ware Disraeli vase, 10.5cm high, and a jug titled 'Bread at pleasure, Drink by measure', 16cm high (6)Condition report: Victoria salt glazed mug with handle chipped off. Chip to the rim of the 'Drink by measure' jug. General wear and minor frits.
Lot 338
A Mdina 79 blue glass vase, of angular form, with elongated neck, 18cm high, together with a disc form Mdina glass paperweight, the clear glass body with foliate center, 11.5cm diameter (2)Condition report: Both signed to base, good condition, no visible cracks or chipsMinor surface scratches commensurate with age. No major chips, cracks or restoration present.
Lot 67
A collection of silver, comprising a pair of filled candlesticks, AC & Ss Ltd, London 1975, 23cm high, a silver waiter, Thomas Bradbury & Sons, Sheffield 1923, with a pie crust rim on scroll feet, presentation inscription to centre, 20.5cm diameter, a four-piece dressing table set, made up of a hand mirror and three brushes, W.A. Birmingham 1918, together with a cased egg cup and spoon, a silver pepper grinder, a Georgian style sauce boat, a silver open salt, and a spill vase, approximately 18½ozt weighable silverCondition report: All items with surface scratches and knocks, one candlestick does not sit square, dents and holes to brush set.
Lot 90
A Chinese famille rose bowl, Canton, late 19th to early 20th century, decorated with figural reserves, 28cm diameter, 11cm high, together with a similar vase, with flared neck, 25.5cm high (2).Condition report: Bowl) Very small hairline to the base. Wear and losses to the decoration. Vase) Chips to the rim and applied chilong. Wear and losses to the decoration.
Lot 382
Pair of Japanese Satsuma vases, cantonese famille rose vase of cylinderical form, together with a Japanese egg shell cup and saucerCondition report: Pair satsuma vases- 24cm high. Some chips and wear to the decoration and gilt work. Both have some hairline cracks around the base rim.Famille rose vase- 10.5cm high. Small chip to underside base rim. Tiny bit of wear to some of the decoration, otherwise good. Cup and saucer- Both appear to be in good condition with only tiny areas of wear to the decoration.
Lot 106
Group of mostly 19th century ceramics to include Derby vases, pair of Sampson armorial vases, Staffordshire figure and other piecesCondition report: Some damage, including: The campana vase has repaired handles, chip to base, nicks to the rim. The stag figure has reglued section on the base with an attached chip. The small bottle vases have later metal collars. One Samson vase heavily repaired. Teapot with small chips and a hairline.
Lot 16
Pair of Japanese cylindrical vases decorated with figures, two there airs of oriental vases, blanc de chine figures and other chinese and Japanese piecesCondition report: One Chinese crackle vase has a repaired rim chip, a further tiny rim chip, and a small footrim chip. The other is in good condition with no damage.
Lot 173
Imari bottle vase, probably Japanese Edo, decorated with birds and flowers, converted to a lamp with good quality carved wooden base, vase height approx 30cm, total height approx 60cmCondition report: Unviewed outside of mounts but appears in good condition. Some gilt wear and a light vertical hairline near the bottom.
Lot 100
'Flamminian Ware' a Moorcroft Pottery tray designed by William Moorcroft, rectangular, painted with four Art Nouveau roundels in blue and pink on a green ground, a Flamminian Ware pot and cover, a Leaf and Berry flambe saucer and a Macintyre miniature vase printed in green with cornflower motif, painted green signature, hairline to the pot, 12.8cm. wide (5) Provenance The David Coachworth & Peter Myers Collection.
Lot 101
A Moorcroft Pottery ginger jar and cover designed by William Moorcroft, covered in an apple green lustre glaze, a bowl similar, six vases covered in green lustre glazes, a small baluster vase and a Ruskin Pottery orange lustre miniature 'Elephant's Foot' vase and a bowl, impressed factory marks, 11cm. high (13) Provenance Peter Myers Collection Exhibited Liberty's 1875-1975 An Exhibition to Mark the Firm's Centenary, Victoria & Albert Museum, page 100 E29F (bowl) and E (vase)
Lot 102
A Moorcroft Pottery vase designed by William Moorcroft, shouldered, flaring cylindrical form, covered in an orange lustre glaze, a jardiniere, a candlestick and five other vases by Moorcroft covered in orange lustre glazes, impressed factory marks, factory pierced to base, stress crack to top rim, 37.5cm. high (8) Provenance Peter Myers Collection Exhibited Liberty's 1875-1975 An Exhibition to Mark the Firm's Centenary, Victoria & Albert Museum, page 100 E29D and E29H.
Lot 103
A Moorcroft Pottery vase designed by William Moorcroft, tall flaring cylindrical form with inverted top rim, with factory hole to base, covered in a yellow lustre glaze, two other yellow lustre vases, two ribbed vase with blue lustre glazes and two white vases impressed marks, stress cracks to top rim, 37.5cm. high (7) Provenance Peter Myers Collection Exhibited Liberty's 1875-1975 An Exhibition to Mark the Firm's Centenary, Victoria & Albert Museum, page 101 E29A (one vase) and E29G (bottle vase)
Lot 104
'Flamminian Ware' a Moorcroft Pottery vase designed by William Moorcroft for Liberty & Co, waisted, ovoid form with swollen neck, incised and tubeline decorated with an Art Nouveau foliate roundel in green and blue on a streaked green ground, incised signature and printed Liberty mark, paper labels PEM Loan 10, museum restored stress hairlines to top rim, 32cm. high Provenance The David Coachworth and Peter Myers Collection. Exhibited Liberty's 1875-1975 An Exhibition to Mark the Firm's Centenary, Victoria & Albert Museum, London 1975, page 86 catalogue number D.238B.
Lot 105
A Moorcroft Pottery vase designed by William Moorcroft, slender baluster form covered in a purple glaze, and four other Moorcroft Pottery purple lustre vases impressed marks, 30cm. high (5) Provenance The Peter Myers Collection. Exhibited Liberty's 1875-1975 An Exhibition to Mark the Firm's Centenary, Victoria & Albert Museum, page 101 E29AI (tall vase)
Lot 106
A small Ruskin Pottery vase designed by Howson Taylor, baluster form, stencilled to the shoulder with a fruiting vine band, in green on a blue ground, an Ashby Guild miniature vase, a Royal Doulton Titanium vase and a collection of ceramics, painted scissor mark to Ruskin vase, hairlines, 10.5cm. high (a lot) Provenance The David Coachworth and Peter Myers Collection.
Lot 142
A repousse copper plate probably Newlyn Industrial Classes, hammered in low relief with three scaly fish swimming amongst waterweed, a Keswick School of Industrial Arts copper box and cover, two dishes and candlestick probably KSIA, a single handle copper vase and a collection of metalware, unsigned, 23cm. diam. (a lot) Provenance The David Coachworth & Peter Myers Collection
Lot 143
A Yattendon copper twin-handled vase designed by Mrs Alfred Waterhouse, tapering cylindrical from with applied handles, hammered in low relief with stylised flowers and foliage and scroll inscribed Benevolentia, another larger brass vase with foliate design, a Newlyn Industrial Classes plate decorated with fish, a Keswick School of Industrial Arts brass box and cover, pair of Aesthetic Movement brass planters and a collection of various metalware, main item unsigned, various makers marks, 22cm. high, (a lot) Literature Liberty's 1875-1975 Victoria & Albert Museum, July-October 1975, page 40 catalogue number C27 for a comparable Yattendon vase illustrated. Provenance The David Coachworth & Peter Myers Collection
Lot 147
A repousse copper twin-handled vase probably Yattendon and designed by Mrs Alfred Waterhouse, tapering cylindrical form with applied strap handles, hammered in low relief with a stylised flower, inscribed Amor, to both sides, unsigned, 21cm. high Provenance David Coachworth & Peter Myers Collection Literature Liberty Centenary Exhibition 1875-1975 Victoria & Albert Museum, page 40 catalogue number C27 for a comparable vase illustrated.
Lot 163
A Jugendstil pewter and glass vase, twin-handled footed frame, pierced and cast in relief with Art Nouveau foliate design, with green glass liner, an Osiris pewter tray, cast in low relief with berried foliage design an Orivit pewter tray, model no 2178 cast with bell flowers, two other dishes similar and an ink blotter, unsigned 23cm. wide. (6) Provenance The David Coachworth & Peter Myers Collection
Lot 166
A Liberty Tudric Pewter inkwell designed by Archibald Knox, model no. 0162, circular form with hinged domed cover, cast in low relief with simple foliate design, a Liberty pewter tray with arched handle designed by Archibald Knox, a tripod vase base, a sugar basin and two other plain pewter items, stamped marks, 11.5cm. diam, (6) Provenance The David Coachworth & Peter Myers Collection
Lot 174
An early Carter's Poole Pottery vase possibly designed by James Radley Young, flaring beaker form with modelling in low relief, covered in a black glaze, another vase probably Carter's painted with simple daisy flower motif and a Carter's Poole single handled vase, impressed factory marks, 15.5cm. high (3) Provenance The Peter Myers Collection
Lot 175
A Carter's Poole Pottery vase possibly designed by James Radley Young, flaring form, painted with a simple band of dot and square panels, in green and blue on an off-white ground, another similar, a Carter, Stabler & Adams bowl and a jug, impressed mark, hairline to top rim of main vase, 12.5cm. high, (4) Provenance The Peter Myers Collection
Lot 176
A Poole Pottery honey-pot and cover by Anne Hatchard, pattern /CL, square section with flat lid, the finial modelled as a bee gathering nectar from flowers, painted in colours on a white ground, a vase shape no.695 painted by Anne Hatchard, another vase, a large mug and a collection of Poole Pottery impressed and pained marks, 12.5cm square (honeypot), 20.5cm. high (vase), (a lot) Provenance The Peter Myers Collection
Lot 177
An early Carter Stabler and Adams Poole Pottery Portuguese Stripe vase by Anne Hatchard originally designed by James Radley Young, pattern EK, painted with simple line design in pink, yellow and blue on an off white glaze, another Poole Portuguese Stripe vase, and six other Poole items impressed and painted marks, 19cm. high (8) Provenance The Peter Myers Collection
Lot 178
A Carter Stabler and Adams Poole Pottery Portuguese Stripe twin-handled vase originally designed by James Radley Young, pattern BW, painted with a band of green dots to the shoulder above blue columns, a bowl similar an early Carter's Poole jug and two vases impressed and painted marks, 18.5cm. high (5) Provenance The Peter Myers Collection Literature Jennifer Hawkins The Poole Potteries, Barrie & Hawkins, page 72 for a comparable vase illustrated. Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 31 for comparable examples illustrated.
Lot 179
A Carter Stabler and Adams floating bowl possibly designed by James Radley Young, painted with simple brush design in brown on an unglazed ground, another smaller bowl pattern /MO, a jug, two Poole Pottery Sylvan Ware vases, a Poole Pottery Magnolia White vase and a later Poole plate impressed and painted marks, 26cm. diam. (7) Provenance The Peter Myers Collection
Lot 180
A Poole Pottery Contemporary vase designed by Alfred Read, pattern X/YCS, tapering form with inverted rim, painted with columns of stylised foliage in grey and yellow, highlighted in black on a white ground, two small Poole Pottery Contemporary jardiniere, a centrepiece, an Atlantis vase and a Olympus bowl, 17.5cm. high (6) Provenance David Coachworth Collection (DRC paper label) Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 102 for comparable pieces illustrated.
Lot 181
A Poole Pottery Contemporary vase designed by Alfred Read, waisted cylindrical form, pattern X/PQB, painted with bands of mushroom squares, linked with turquoise bands, on a white ground, impressed 700, printed Poole mark and painted pattern number, 27.5cm. high Provenance Peter Myers Collection. Exhibited The Poole Potteries, Victoria & Albert Museum, February to April 1978, catalogue number 202.
Lot 183
A Susie Cooper Carved Ware vase, footed, cylindrical form with inverted top rim, incised with geometric petal design, covered in a pistachio green glaze, another Susie Cooper vase, a side plate, two Wilkinson's octagonal vases, a pair of Clarice Cliff vases moulded with flowers, a Clarice Cliff shell wall pocket and a Cornucopia vase, a Wedgwood jug, and a Minton's Solano vase designed by John Wadsworth, incised marks, hairline to second Susie Cooper vase, 15.5cm. high (11) Provenance Peter Myers Collection.
Lot 186
A Wedgwood Pottery vase designed by Keith Murray, ovoid fluted body, covered in a Matt White glaze, a Wedgwood candlestick designed by Keith Murray, an ashtray, and nine mugs, printed factory marks and KM monogram, small glaze chip to side of vase, 15.5cm. high (12) Provenance David Coachworth Collection (DRC) label
Lot 187
A Wedgwood Pottery vase designed by Keith Murray, shouldered ribbed form, covered in a Matt White glaze, and another Wedgwood Pottery vase by Keith Murray, printed factory marks, KM monogram to shouldered vase, small chip to foot rim, hairline to bucket vase, 28.5cm. high (2) Provenance The David Coachworth & Peter Myers Collection
Lot 189
A Boch Freres Keramis vase designed by Charles Catteau, ovoid with tapering neck, painted with panels of Art Deco flowers and foliage in mushroom and black on a crackled white ground, a Longwy Primavera tile stand decorated with stylised flowers a box and cover and a collection of continental ceramics, printed and incised marks to vase, filled chip to base of vase, 21cm. high (a lot) Provenance The David Coachworth & Peter Myers Collection
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653685 item(s)/page