A Nuutajarvi small glass bird designed by Oiva Toikka, white with aubergine tail and applied grey glass head, an Iittalla blue glass bowl designed by Timo Sarpaneva, four Lemington cylindrical vases designed by R Stennett-Willson, a Riihimaen glass jug and vase designed by Nanny Still, a pair of Orrefors clear glass candlesticks, a clear glass vase and two other glass items. etched signature and factory mark, 19cm. wide (11) Provenance The David Coachworth & Peter Myers Collection
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A Moncrieff's Monart Ware vase, shouldered. tapering form, mottled green glass graduating to yellow, with aventurine inclusions, cased in clear, two smaller green vases and three bowls, applied paper label, loan label PEM Loan 28, main vase cracked, 31cm. high (6) Provenance The Peter Myers Collection Exhibited Liberty 1875-1975 An Exhibition to Mark the Firm's Centenary, Victoria & Albert Museum, page 108 cat no. F28K (one vase).
A Moncrieff's Monart Ware vase, ovoid with cylindrical neck, mottled red glass graduating to black with aventurine and air bubble inclusions, cased in clear, and another Monart Ware vase, and a flaring beaker vase similar, unsigned, applied paper exhibition label PEM Loan 24 20cm. high (3) Provenance The Peter Myers Collection Exhibited Liberty 1875-1975 An Exhibition to Mark the Firm's Centenary, Victoria & Albert Museum, page 108 cat no. F28H (main vase).
A Moncrieff's Monart Ware vase, shouldered, swollen cylindrical form mottled red glass graduating to brown with aventurine, cased in clear, another flaring vase similar, a Monart Ware blue vase and a collection of glass, remains of paper label, 29cm. high ( a lot) Provenance The Peter Myers Collection
A Moncrieff's Monart Ware vase, shouldered form with inverted rim, green ribbon design with regular air bubble inclusions, cased in clear, unsigned, 27.5cm. high Provenance The Peter Myers Collection Literature Ian Turner Ysart Glass, Volo Editions, page 75 cat. no.60 this technique illustrated.
An unusual Moncrieff's Monart Ware vase and cover, model VI SD 342, shouldered ovoid vase with cylindrical neck, with shallow domed cover with circular finial, mottled green glass with silver aventurine, cased in clear, and two other Monart glass vases applied labels to two, stress cracks to main vase, 23cm. high (4) Catalogue notes the inner rim of the vase's neck and the outer rim of the cover have been polished to create a sound fitting, Provenance The Peter Myers Collection
Peter Layton (born 1937) a shouldered ovoid glass vase dated 1980, green lustre surface decoration with petrol blue lustre bands, another Peter Layton ovoid vase with blue and red circular panels, a tall Peter Layton vase clear glass with orange top rim, internally decorated with aubergine thread design, and five other Peter Layton glass vases, etched Peter Layton 1980 to main vase, etched signature to other vases, 14cm. high (main vase), (8) Provenance The David Coachworth & Peter Myers Collection
Dillon Clarke (born 1946) a hand-blown glass vase, organic tapering, cylindrical form with wide flaring rim, aubergine with blue and yellow splashes, cased in clear, three glass vases by Demaine and another lustre glass vase, etched Dillon Oct 74, 21.6cm. high, (4) Provenance The David Coachworth & Peter Myers Collection Catalogue notes There is a comparable vase, dated 1979, in the Victoria & Albert Museum collection (cat. C115-1996).
Wayne Filan (born 1946) an early glass bottle vase, dated 1970, ovoid with swollen cylindrical neck, lime green and yellow streaked glass, cased in clear, surface decorated with iridescence, and a glass vase with pulled arms by Pauleen Solven, dated 1971, etched Wayne D Filan, London 1970, 29cm. high, (2) Provenance The David Coachworth & Peter Myers Collection
‡Samuel J Herman (1936-2020) a glass vase dated 1971, tapering shouldered form with everted top rim, mottled white with yellow splashes and air bubble in inclusions, cased in clear etched Samuel J Herman, 1971, applied paper label 28.5cm. high Provenance The David Coachworth & Peter Myers Collection
‡Samuel J Herman (1936-2020) an ovoid vase with solifleur neck, dark blue cased with amber and and orange, cased in clear, and a lobed glass vase with knopped neck, dated 1970, blue glass surface decorated with marvered band etched Samuel J Herman, 1970 to David many thanks, DRC paper collection label, internal crack to main Sam Herman vase, 17.5cm. high (2) Provenance The David Coachworth & Peter Myers Collection
‡Alan Caiger Smith MBE (1930-2020) an Aldermaston Pottery tin-glazed flagon, dated 1971, swollen from with loop handle, painted in ruby lustre with stylised flowers and foliage, with cork stopper and wooden tap, a cylindrical vase dated 1963, mug and goblet, painted monogram and marks, 34.5cm. high (4) Provenance David Coachworth Collection
Ray Finch MBE (1914-2012) a Winchcombe Pottery vase, shouldered form with knopped neck, decorated to the shoulder with a tenmoku and glaze over speckled grey, the body with simile incised column design, a stoneware jug by Ray Finch decorated with a scrolling combed design, a charger, two beakers, two tankards and a jug by various potters, impressed seal mark, 28cm. high (8) Provenance The David Coachworth Collection
Bernard Leach CBE, (1887-1979), attributed a Leach Pottery porcelain vase, ovoid with cylindrical neck, painted with simple brushed fish design in tenmoku on a blue ground, two similar vases, a bowl and four tankards, a Yelland Pottery tyg by Michael Leach and an Leach Pottery plate by Shigeyoshi Ichino, impressed seal marks, 8.5cm. high (vase), ( 10) Provenance The David Coachworth Collection
Eileen Lewenstein (born 1925) a stoneware vase, shouldered form with cylindrical neck and flaring top rim, covered to the neck and top half of the body with a lavender and pale blue glaze, a stoneware vase by Pierre Culot (1938-2011), a tankard with modelled dragon handle by Peter Allen, and a collection of ceramics including work by Robin Welch, Andrew Richardson and Chris Lewis,impressed seal mark, 14.5cm. high (a lot) Provenance The David Coachworth Collection
Dora Lunn (1881-1955) A Ravenscourt Pottery stoneware vase, shouldered form, covered in a crystalline blue glaze, a Ravenscourt Pottery dish with chequered border, a smaller dish with an orange tree motif and a vase, a Stella Crofts Pottery dish modelled with a sea lion, a plaque modelled in low relief with a goat by Sylvie Nisbet, a Minton's panther covered in a matt black glaze, three other animals and two other pots, impressed Ravenscourt 27cm. high, (13) Provenance The David Coachworth Collection. Literature Oliver Watson British Studio Pottery The Victoria & Albert Museum Collection, Phaidon, page 215 catalogue number 475 for a comparable Ravenscroft vase, catalogue number 414.
'Waste Not Want Not' a Copeland Parian Ware charger, modelled in low relief with radiating foliage, two other plates, a Parian Ware bread bowl, a three spout cornucopia vase, a bust of Rubens and four other items, printed factory mark, 34cm. diam. (10) Provenance Peter Myers & David Coachworth Collection.
‡Reginald Fairfax Wells (1877-1951) a Coldrum Pottery vase, rectangular section with applied cylinder lug handles, covered in a running mottled blue glaze, and two other pottery vases by Reginald Wells covered in mottled blue glazes one Coldrum Pottery the other Soon, impressed Coldrum Chelsea (main vase), 15.5cm. high, (3) Provenance The David Coachworth & Peter Myers Collection.
O J Dawson a modern pottery bowl after the original painted by Vanessa Bell, footed form, painted with comma motif in red on a blue ground, the foot with a band of brown dots, the interior with a band of yellow dot motif, a fluted vase by Phyllis Keyes glazed white, the interior glazed pale blue, a large shell dish dated 1942 by Phyllis Keyes, a smaller flaring vase, two troughs, and two fish dishes by Phyllis Keyes, and a jug by Caroline Gray, incised signature, 20cm. diam. Catalogue notes The original bowl was thrown by Quentin Bell and decorated by Vanessa Bell in the 1940s and is in the Bloomsbury collection at Charleston house. Phyllis Keyes donated a similar vase to the Victoria & Albert Museum in 1934. Provenance The David Coachworth & Peter Myers Collection.
‡Geoffrey Swindell (born 1945) a miniature porcelain vase with wing, covered in a matt black glaze, and two other miniature porcelain vessels by Geoffrey Swindell, and a small porcelain vase by Aniv James, incised S, two paper exhibition labels, 10cm. wide (main vase), (4) Provenance Geoffrey Swindell Porcelain and Stoneware British Crafts Centre, 21st November to 1st December 1972 catalogue number 37 (main vase) and catalogue numbers 102 and 103. David Coachworth Collection. Aniv James vase with paper label dated 1972. Literature Ceramic Forms Recent Work by Seven British Potters, Crafts Advisory Committee, 1974 page 26 for a comparable porcelain form.
‡Mary Rich (born 1940) a porcelain vase, shouldered cylindrical form with everted top rim, covered in a mottled pink and pale blue glaze, the rim with a border of speckled mint green, another solifleur vase by Mary Rich and a porcelain box and cover, impressed seal mark, 16cm. high (4) Provenance David Coachworth Collection.
‡Ian Godfrey (1942-1997) an early platter, dated 1957, rounded, rectangular form slip decorated in mushroom on a burnt umber ground, and a footed vase decorated with a geometric frieze, platter incised Ian Godfrey 6.12.57, 24.3cm. wide, (2) Catalogue notes Godfrey went to Camberwell School of Art in 1957 to study painting, where he began to study pottery. Provenance The David Coachworth Collection.
‡Gordon Baldwin OBE, (born 1932) Fragments as a Complete Form,1974 a porcelain sculpture the semi-circular base supporting hemispherical form with slit aperture, glazed white painted GB 74 to base, 9.7cm. high Provenance Crafts Centre, April 1974 catalogue no.22, probably this vase. The David Coachworth Collection.
‡Hans Coper (1920-1981) Bottle with Disc top, circa 1973 stoneware with layered slips and engobes over a body with textured and incised linear design, and manganese disc impressed seal mark, applied number 53 exhibition label, 19cm. high Provenance The David Coachworth Collection. Literature Tony Birks The Art of the Modern Potter, Country Life, page 42 catalogue number 24 for two related, larger vases. Tony Birks, Hans Coper, Collins, page 67 for a contemporary photograph of work by Hans Coper and Peter Collingwood, including three comparable vases, exhibited at the Victoria & Albert Museum in 1969, (the right hand vase possibly this example).
A Doulton Lambeth stoneware salt, dated 1877, square section, cast in low relief to each side with a vase of flowers and column corners, the bowl with a stylised flowerhead design in shades of green, brown and blue impressed factory marks, Hasrriman Judd paper label, 8.5cm. high Provenance Harriman Judd collection, Sotheby's Online auction.
A Martin Brothers stoneware vase by Edwin & Walter Martin, dated 1882, tapering form with applied fin handles, incised and painted with a martin bird flying past grasses, in green and blue on a buff ground, incised 12.5.82 Martin London, applied Harriman Judd and W&W auction labels 12.5cm. high Provenance Harriman Judd Collection, Sotheby's Online British Art Pottery Woolley and Wallis Auctioneer's, 25th November 2009, lot 16. Private collection.
A good William De Morgan Pottery Persian twin-handled vase, swollen, shouldered form with applied looped handles, painted with stylised foliage panels in blue, turquoise , green, yellow and aubergine, impressed Merton Abbey mark, painted EP artist cipher, minor restoration to rims, 23.5cm. high Provenance Private collection.
A Pilkington's Lancastrian vase by Gladys Rogers, shape no.2974, shouldered form with loop handle, painted with a band of rose flowers on a scrolling, entwined stem, in golden lustre on mottled red and yellow lustre ground, streaked red interior, impressed marks, painted artist cipher, 11cm. high
'Rhinemaidens' a rare Pilkington's Lancastrian vase designed by Walter Crane, compressed form, cast in low relief with three mermaids joining hands around the neck of the vase, covered in a graduated matt blue glaze, impressed factory mark to base and artist monogram to the side of the vase, 10.5cm. high Provenance Private collection Literature Greg Smith, Walter Crane, Artist, Designer & Socialist, Lund Humphries/Whitworth Art Gallery, K18 for an example, from The collection of Peter Rose & Albert Gallichan Collection, illustrated. Brian Coleman The Best of British Arts and Crafts, Schiffer Books, page 216 for a comparable, possibly the same example, from the collection of Peter Rose and Albert Gallichan collection. Victoria & Albert Museum for an identical vase covered in a matt olive glaze, (accession number C138-1980).
An Art Nouveau Della Robbia pottery vase by Cassandra Annie Walker, slender shouldered form, painted with columns of stylised leaves in green, yellow and brown on a cream ground, incised Della Robbia mark and painted CW monogram, minor over painting to paint flakes to both rims, 29.5cm. high
A Royal Doulton Brangwyn Ware small tureen and cover designed by Frank Brangwyn, decorated in low relief with bands of stylised foliage in blue, on a cream ground, two Royal Doulton vases designed by Frank Brangwyn covered in a green glaze, a Royal Doulton Titanium Ware pieces, a Royal Worcester Sabria Ware vase, a Royal Doulton Kings Ware jug, a Royal Doulton Sampler Series Ware large plate, Lady With a Pearl Necklace a Beswick wall plaque, and a collection of ceramics including Doulton, Bullers and Denby Danesby Ware, printed factory marks, V&A paper label, 14cm. high, (a lot) Exhibited The Doulton Story Victoria & Albert Museum, 1979, catalogue number M.17 (317) (Brangwyn tureen) the Series Ware plate also has loan labels (310) suggesting it was included in this exhibition also. Provenance The David Coachworth and Peter Myers Collection.
An unusual Liberty & Co Tudric pewter vase designed by Archibald Knox, model no.0970, footed, flaring form, cast with a band of Art Nouveau whiplash honesty seedheads, stamped marks, 26cm. high Literature Liberty 1875-1975, Victoria & Albert Museum, page 79 catalogue number D211 for a comparable vase illustrated.
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653685 item(s)/page