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Lot 190

A Nuutajarvi small glass bird designed by Oiva Toikka, white with aubergine tail and applied grey glass head, an Iittalla blue glass bowl designed by Timo Sarpaneva, four Lemington cylindrical vases designed by R Stennett-Willson, a Riihimaen glass jug and vase designed by Nanny Still, a pair of Orrefors clear glass candlesticks, a clear glass vase and two other glass items. etched signature and factory mark, 19cm. wide (11) Provenance The David Coachworth & Peter Myers Collection

Lot 197

A Moncrieff's Monart Ware vase, shouldered. tapering form, mottled green glass graduating to yellow, with aventurine inclusions, cased in clear, two smaller green vases and three bowls, applied paper label, loan label PEM Loan 28, main vase cracked, 31cm. high (6) Provenance The Peter Myers Collection Exhibited Liberty 1875-1975 An Exhibition to Mark the Firm's Centenary, Victoria & Albert Museum, page 108 cat no. F28K (one vase).

Lot 198

A Moncrieff's Monart Ware vase, ovoid with cylindrical neck, mottled red glass graduating to black with aventurine and air bubble inclusions, cased in clear, and another Monart Ware vase, and a flaring beaker vase similar, unsigned, applied paper exhibition label PEM Loan 24 20cm. high (3) Provenance The Peter Myers Collection Exhibited Liberty 1875-1975 An Exhibition to Mark the Firm's Centenary, Victoria & Albert Museum, page 108 cat no. F28H (main vase).

Lot 199

A Moncrieff's Monart Ware glass vase, baluster form, mottled orange with green mottled shoulder and aventurine inclusions, cased in clear and two other similar unsigned, 22.5cm. high, (3) Provenance The Peter Myers Collection

Lot 200

A Moncrieff's Monart Ware vase, shouldered, swollen cylindrical form mottled red glass graduating to brown with aventurine, cased in clear, another flaring vase similar, a Monart Ware blue vase and a collection of glass, remains of paper label, 29cm. high ( a lot) Provenance The Peter Myers Collection

Lot 201

A Moncrieff's Monart Ware vase, shouldered form with inverted rim, green ribbon design with regular air bubble inclusions, cased in clear, unsigned, 27.5cm. high Provenance The Peter Myers Collection Literature Ian Turner Ysart Glass, Volo Editions, page 75 cat. no.60 this technique illustrated.

Lot 202

A Moncrieff's Monart Ware vase, shouldered form, lime green glass with columns of green and aventurine, the shoulder with a band of large air bubbles, cased in clear, unsigned, 17cm. high Provenance The Peter Myers Collection

Lot 203

A Moncrieff's Monart Ware vase, model BA, ovoid with swollen neck and everted top rim, mottled pale blue glass graduating to darker blue neck, with aventurine inclusions, and another Monart glass vase taller, unsigned, 18cm. high (main vase), (2) Provenance The Peter Myers Collection

Lot 204

An unusual Moncrieff's Monart Ware vase and cover, model VI SD 342, shouldered ovoid vase with cylindrical neck, with shallow domed cover with circular finial, mottled green glass with silver aventurine, cased in clear, and two other Monart glass vases applied labels to two, stress cracks to main vase, 23cm. high (4) Catalogue notes the inner rim of the vase's neck and the outer rim of the cover have been polished to create a sound fitting, Provenance The Peter Myers Collection

Lot 205

A Moncrieff's Monart Ware vase, model FZ 351, shouldered ovoid form, mottled green and purple rim, graduating to blue body with small air bubble inclusions, cased in clear, applied paper label to base, 17cm. high Provenance The Peter Myers Collection

Lot 206

Peter Layton (born 1937) a shouldered ovoid glass vase dated 1980, green lustre surface decoration with petrol blue lustre bands, another Peter Layton ovoid vase with blue and red circular panels, a tall Peter Layton vase clear glass with orange top rim, internally decorated with aubergine thread design, and five other Peter Layton glass vases, etched Peter Layton 1980 to main vase, etched signature to other vases, 14cm. high (main vase), (8) Provenance The David Coachworth & Peter Myers Collection

Lot 207

Dillon Clarke (born 1946) a hand-blown glass vase, organic tapering, cylindrical form with wide flaring rim, aubergine with blue and yellow splashes, cased in clear, three glass vases by Demaine and another lustre glass vase, etched Dillon Oct 74, 21.6cm. high, (4) Provenance The David Coachworth & Peter Myers Collection Catalogue notes There is a comparable vase, dated 1979, in the Victoria & Albert Museum collection (cat. C115-1996).

Lot 208

Peter Layton (born 1957) a glass vase, cylindrical form with pinched rim with trailed decoration, covered in a lustrous finish, a glass vase by Jane Gilchrist, another by Jane Gilchrist and another vase, etched marks, 10cm. high (4) Provenance The David Coachworth & Peter Myers Collection

Lot 209

Wayne Filan (born 1946) an early glass bottle vase, dated 1970, ovoid with swollen cylindrical neck, lime green and yellow streaked glass, cased in clear, surface decorated with iridescence, and a glass vase with pulled arms by Pauleen Solven, dated 1971, etched Wayne D Filan, London 1970, 29cm. high, (2) Provenance The David Coachworth & Peter Myers Collection

Lot 210

‡Samuel J Herman (1936-2020) a glass vase dated 1971, tapering shouldered form with everted top rim, mottled white with yellow splashes and air bubble in inclusions, cased in clear etched Samuel J Herman, 1971, applied paper label 28.5cm. high Provenance The David Coachworth & Peter Myers Collection

Lot 211

‡Samuel J Herman (1936-2020) an ovoid vase with solifleur neck, dark blue cased with amber and and orange, cased in clear, and a lobed glass vase with knopped neck, dated 1970, blue glass surface decorated with marvered band etched Samuel J Herman, 1970 to David many thanks, DRC paper collection label, internal crack to main Sam Herman vase, 17.5cm. high (2) Provenance The David Coachworth & Peter Myers Collection

Lot 212

‡Samuel J Herman (1936-2020) a glass bottle vase dated 1969, ovoid with knopped neck, surface decorated with trails and purple iridescence incised Samuel J Herman, 1969, 18.5cm. high Provenance The David Coachworth & Peter Myers Collection

Lot 214

‡Samuel J Herman (1936-2020) a glass bottle with solifleur neck, elliptical section, shouldered vase purple glass internally decorated with yellow pulls with air bubbles, cased in clear etched Samuel J Herman, 1970, 17.5cm. high Provenance The David Coachworth & Peter Myers Collection

Lot 223

‡Alan Caiger Smith MBE (1930-2020) an Aldermaston Pottery tin-glazed flagon, dated 1971, swollen from with loop handle, painted in ruby lustre with stylised flowers and foliage, with cork stopper and wooden tap, a cylindrical vase dated 1963, mug and goblet, painted monogram and marks, 34.5cm. high (4) Provenance David Coachworth Collection

Lot 225

Ray Finch MBE (1914-2012) a Winchcombe Pottery vase, shouldered form with knopped neck, decorated to the shoulder with a tenmoku and glaze over speckled grey, the body with simile incised column design, a stoneware jug by Ray Finch decorated with a scrolling combed design, a charger, two beakers, two tankards and a jug by various potters, impressed seal mark, 28cm. high (8) Provenance The David Coachworth Collection

Lot 226

Bernard Leach CBE, (1887-1979), attributed a Leach Pottery porcelain vase, ovoid with cylindrical neck, painted with simple brushed fish design in tenmoku on a blue ground, two similar vases, a bowl and four tankards, a Yelland Pottery tyg by Michael Leach and an Leach Pottery plate by Shigeyoshi Ichino, impressed seal marks, 8.5cm. high (vase), ( 10) Provenance The David Coachworth Collection

Lot 227

Eileen Lewenstein (born 1925) a stoneware vase, shouldered form with cylindrical neck and flaring top rim, covered to the neck and top half of the body with a lavender and pale blue glaze, a stoneware vase by Pierre Culot (1938-2011), a tankard with modelled dragon handle by Peter Allen, and a collection of ceramics including work by Robin Welch, Andrew Richardson and Chris Lewis,impressed seal mark, 14.5cm. high (a lot) Provenance The David Coachworth Collection

Lot 228

Dora Lunn (1881-1955) A Ravenscourt Pottery stoneware vase, shouldered form, covered in a crystalline blue glaze, a Ravenscourt Pottery dish with chequered border, a smaller dish with an orange tree motif and a vase, a Stella Crofts Pottery dish modelled with a sea lion, a plaque modelled in low relief with a goat by Sylvie Nisbet, a Minton's panther covered in a matt black glaze, three other animals and two other pots, impressed Ravenscourt 27cm. high, (13) Provenance The David Coachworth Collection. Literature Oliver Watson British Studio Pottery The Victoria & Albert Museum Collection, Phaidon, page 215 catalogue number 475 for a comparable Ravenscroft vase, catalogue number 414.

Lot 23

'Waste Not Want Not' a Copeland Parian Ware charger, modelled in low relief with radiating foliage, two other plates, a Parian Ware bread bowl, a three spout cornucopia vase, a bust of Rubens and four other items, printed factory mark, 34cm. diam. (10) Provenance Peter Myers & David Coachworth Collection.

Lot 231

‡Reginald Fairfax Wells (1877-1951) a Soon Pottery stoneware vase, ovoid with collar rim, covered in a streaked blue and turquoise glaze, impressed Soon, applied DRC paper label, 20cm. high Provenance The David Coachworth & Peter Myers Collection.

Lot 232

‡Reginald Fairfax Wells (1877-1951) a Soon Pottery vase, ovoid with collar rim, covered in a streaked sand yellow glaze with rust spots to the top rim, , impressed Soon, 18.5cm. high Provenance The David Coachworth & Peter Myers Collection.

Lot 233

‡Reginald Fairfax Wells (1877-1951) a Coldrum Pottery stoneware vase, ovoid from with tapering cylindrical neck and twin lug handles, covered in a textured and pitted silver-grey glaze, the neck with running pale pink, impressed Coldrum, 18cm. high Provenance David Coachworth Collection.

Lot 234

‡Reginald Fairfax Wells (1877-1951) a Coldrum Pottery vase, rectangular section with applied cylinder lug handles, covered in a running mottled blue glaze, and two other pottery vases by Reginald Wells covered in mottled blue glazes one Coldrum Pottery the other Soon, impressed Coldrum Chelsea (main vase), 15.5cm. high, (3) Provenance The David Coachworth & Peter Myers Collection.

Lot 235

‡Frances Richards (1903-1985) a stoneware vase dated 1912, shouldered ovoid form with collar rim, covered with a blue mottled glaze, incised monogram and date mark, 18.5cm. high Provenance The David Coachworth & Peter Myers Collection.

Lot 236

O J Dawson a modern pottery bowl after the original painted by Vanessa Bell, footed form, painted with comma motif in red on a blue ground, the foot with a band of brown dots, the interior with a band of yellow dot motif, a fluted vase by Phyllis Keyes glazed white, the interior glazed pale blue, a large shell dish dated 1942 by Phyllis Keyes, a smaller flaring vase, two troughs, and two fish dishes by Phyllis Keyes, and a jug by Caroline Gray, incised signature, 20cm. diam. Catalogue notes The original bowl was thrown by Quentin Bell and decorated by Vanessa Bell in the 1940s and is in the Bloomsbury collection at Charleston house. Phyllis Keyes donated a similar vase to the Victoria & Albert Museum in 1934. Provenance The David Coachworth & Peter Myers Collection.

Lot 239

‡Geoffrey Swindell (born 1945) a miniature porcelain vase with wing, covered in a matt black glaze, and two other miniature porcelain vessels by Geoffrey Swindell, and a small porcelain vase by Aniv James, incised S, two paper exhibition labels, 10cm. wide (main vase), (4) Provenance Geoffrey Swindell Porcelain and Stoneware British Crafts Centre, 21st November to 1st December 1972 catalogue number 37 (main vase) and catalogue numbers 102 and 103. David Coachworth Collection. Aniv James vase with paper label dated 1972. Literature Ceramic Forms Recent Work by Seven British Potters, Crafts Advisory Committee, 1974 page 26 for a comparable porcelain form.

Lot 240

‡Mary Rich (born 1940) a porcelain vase, shouldered cylindrical form with everted top rim, covered in a mottled pink and pale blue glaze, the rim with a border of speckled mint green, another solifleur vase by Mary Rich and a porcelain box and cover, impressed seal mark, 16cm. high (4) Provenance David Coachworth Collection.

Lot 241

‡Ian Godfrey (1942-1997) an early platter, dated 1957, rounded, rectangular form slip decorated in mushroom on a burnt umber ground, and a footed vase decorated with a geometric frieze, platter incised Ian Godfrey 6.12.57, 24.3cm. wide, (2) Catalogue notes Godfrey went to Camberwell School of Art in 1957 to study painting, where he began to study pottery. Provenance The David Coachworth Collection.

Lot 250

‡Gordon Baldwin OBE, (born 1932) Fragments as a Complete Form,1974 a porcelain sculpture the semi-circular base supporting hemispherical form with slit aperture, glazed white painted GB 74 to base, 9.7cm. high Provenance Crafts Centre, April 1974 catalogue no.22, probably this vase. The David Coachworth Collection.

Lot 262

‡Colin Pearson (1923-2007) Winged Pot a porcelain vase, waisted cylindrical form with applied wing handles, covered in a pale celadon glaze, impressed seal marks, exhibition number 82 label, 16cm. high Provenance The David Coachworth Collection.

Lot 264

‡Hans Coper (1920-1981) Bottle with Disc top, circa 1973 stoneware with layered slips and engobes over a body with textured and incised linear design, and manganese disc impressed seal mark, applied number 53 exhibition label, 19cm. high Provenance The David Coachworth Collection. Literature Tony Birks The Art of the Modern Potter, Country Life, page 42 catalogue number 24 for two related, larger vases. Tony Birks, Hans Coper, Collins, page 67 for a contemporary photograph of work by Hans Coper and Peter Collingwood, including three comparable vases, exhibited at the Victoria & Albert Museum in 1969, (the right hand vase possibly this example).

Lot 275

A Thomas Webb Burmese butterscotch glass vase, decorated by the Jules Barb workshop, ovoid with tall cylindrical solifleur neck, opaque glass cased in pale yellow, surface decorated with a butterfly flying amongst prunus stems in gilt, unsigned 27cm. high

Lot 296

A Doulton Lambeth stoneware salt, dated 1877, square section, cast in low relief to each side with a vase of flowers and column corners, the bowl with a stylised flowerhead design in shades of green, brown and blue impressed factory marks, Hasrriman Judd paper label, 8.5cm. high Provenance Harriman Judd collection, Sotheby's Online auction.

Lot 303

A Martin Brothers stoneware gourd vase by Edwin and Walter Martin, dated 1910, shouldered form, with modelled vertical ribs, covered in a dark brown pitted glaze, incised 11-1901 Martin Bros London & Southall, 11cm. high

Lot 304

A Martin Brothers stoneware vase by Edwin & Walter Martin, dated 1882, tapering form with applied fin handles, incised and painted with a martin bird flying past grasses, in green and blue on a buff ground, incised 12.5.82 Martin London, applied Harriman Judd and W&W auction labels 12.5cm. high Provenance Harriman Judd Collection, Sotheby's Online British Art Pottery Woolley and Wallis Auctioneer's, 25th November 2009, lot 16. Private collection.

Lot 314

A William De Morgan Persian bottle vase, ovoid with tall solifleur neck, painted with berried foliage stems in green and white on a turquoise ground, impressed De Morgan tulip mark, 21.5cm. high

Lot 322

A good William De Morgan Pottery Persian twin-handled vase, swollen, shouldered form with applied looped handles, painted with stylised foliage panels in blue, turquoise , green, yellow and aubergine, impressed Merton Abbey mark, painted EP artist cipher, minor restoration to rims, 23.5cm. high Provenance Private collection.

Lot 343

A Shelley lustre vase designed by Walter Slater, model no.8306, baluster form, painted with fish leaping from turbulent water, in white on a blue lustre ground, printed factory marks, facsimile signature, 25.5cm. high

Lot 344

A Ruskin Pottery stoneware solifleur vase designed by William Howson Taylor, shouldered Mei Ping form, covered in a streaked royal blue souffle glaze, impressed WHT monogram, applied paper labels, 20cm. high

Lot 345

A Minton Secessionist vase designed by John Wadsworth and Leon Solon, shape no.3509, tapering form with knopped neck, cast in low relief with Art Nouveau flower stems in blue and white, highlighted with green, and a plate, impressed and painted marks, 32cm. high (2)

Lot 347

A pottery vase probably Dunmore and after a design by Dr Christopher Dresser, compressed disc form with cylindrical neck, angled foot, covered in a streaked aubergine, yellow and brown glaze with turquoise interior, apparently unsigned, small bruise to top rim, 21cm. high

Lot 351

A Pilkington's Lancastrian vase by Gladys Rogers, shape no.2974, shouldered form with loop handle, painted with a band of rose flowers on a scrolling, entwined stem, in golden lustre on mottled red and yellow lustre ground, streaked red interior, impressed marks, painted artist cipher, 11cm. high

Lot 352

A Pilkington's Royal Lancastrian Pottery vase by William S Mycock, dated 1929, shape no.2582, shouldered form, painted with a band of scrolling foliage in gold and orange lustre on a red lustre ground, impressed mark, painted artist cipher and date code, 15cm. high

Lot 355

A Pilkington's Lancastrian vase by William S Mycock, dated 1934, shape no.3253, ovoid with flaring neck, cast in low relief with a frieze of lions, covered in a matt grey glaze, impressed factory marks, incised cipher and date mark, 19.5cm. high

Lot 358

A Pilkington's Lancastrian vase by Charles Cundall, dated 1910, tall shouldered form, painted with a frieze of fruiting grape vine in gold and ruby lustre. impressed factory marks, painted artist cipher and date code, 25.5cm. high

Lot 359

'Rhinemaidens' a rare Pilkington's Lancastrian vase designed by Walter Crane, compressed form, cast in low relief with three mermaids joining hands around the neck of the vase, covered in a graduated matt blue glaze, impressed factory mark to base and artist monogram to the side of the vase, 10.5cm. high Provenance Private collection Literature Greg Smith, Walter Crane, Artist, Designer & Socialist, Lund Humphries/Whitworth Art Gallery, K18 for an example, from The collection of Peter Rose & Albert Gallichan Collection, illustrated. Brian Coleman The Best of British Arts and Crafts, Schiffer Books, page 216 for a comparable, possibly the same example, from the collection of Peter Rose and Albert Gallichan collection. Victoria & Albert Museum for an identical vase covered in a matt olive glaze, (accession number C138-1980).

Lot 360

An Art Nouveau Della Robbia pottery vase by Liz Wilkins, dated 1898, pear shaped with slender solifleur neck and knopped rim, incised and painted with a band of stylised foliage in green, yellow and brown, painted Della Robbia mark, painted monogram, 29.5cm. high

Lot 361

An Art Nouveau Della Robbia pottery vase by Cassandra Annie Walker, slender shouldered form, painted with columns of stylised leaves in green, yellow and brown on a cream ground, incised Della Robbia mark and painted CW monogram, minor over painting to paint flakes to both rims, 29.5cm. high

Lot 368

An Art Nouveau Zsolnay Pecs pottery miniature vase, cast with an Art Nouveau maiden sitting on the ovoid body her arms wrapped around its knopped neck, covered in a flambe glaze feint Zsolnay mark to base, 8cm. high

Lot 43

A Royal Doulton Brangwyn Ware small tureen and cover designed by Frank Brangwyn, decorated in low relief with bands of stylised foliage in blue, on a cream ground, two Royal Doulton vases designed by Frank Brangwyn covered in a green glaze, a Royal Doulton Titanium Ware pieces, a Royal Worcester Sabria Ware vase, a Royal Doulton Kings Ware jug, a Royal Doulton Sampler Series Ware large plate, Lady With a Pearl Necklace a Beswick wall plaque, and a collection of ceramics including Doulton, Bullers and Denby Danesby Ware, printed factory marks, V&A paper label, 14cm. high, (a lot) Exhibited The Doulton Story Victoria & Albert Museum, 1979, catalogue number M.17 (317) (Brangwyn tureen) the Series Ware plate also has loan labels (310) suggesting it was included in this exhibition also. Provenance The David Coachworth and Peter Myers Collection.

Lot 459

A pair of Art Nouveau WMF pewter and glass vases, waisted triangular form, one cast with a maiden playing pipes, the other a maiden playing a harp, below swollen neck cast with flowers, with etched glass vase, stamped marks, polished chips to glass, 32cm. high, (4)

Lot 46

A rare Craven Dunhill & Co ruby lustre wall plate, painted with a monkey amidst scrolling Art Nouveau flowers and foliage, and a single-handled vase similar, painted C D & Co Jackfield no.60, 23.5cm. diam. (2) Provenance The David Coachworth Collection

Lot 471

A twin-handled copper vase designed by John Williams, tapering cylindrical form with applied handles, repousse hammered in low relief with scaly fish amongst water-lily pads unmarked, 25cm. high Literature The Studio 1986 a similar vase illustrated.

Lot 476

An unusual Liberty & Co Tudric pewter vase designed by Archibald Knox, model no.0970, footed, flaring form, cast with a band of Art Nouveau whiplash honesty seedheads, stamped marks, 26cm. high Literature Liberty 1875-1975, Victoria & Albert Museum, page 79 catalogue number D211 for a comparable vase illustrated.

Lot 519

A Martin Brothers stoneware gourd vase by Edwin and Walter Martin, shouldered form with six pulled handles, covered in a mottled brown glaze, incised 12-1909 Martin Bros London & Southall, 14cm. diam. Provenance Fine Art Society.

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