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Lot 312

ART DECO STYLE GREEN GLASS ALARM CLOCK AND SIMILAR VASE

Lot 95

20TH CENTURY CHINESE VASE of tapering oviform, with red crackle glaze, unmarked, 16cm high Small chip to the body of the vase. Chip to the base rim of the vase. Overall good condition.

Lot 180

An Oriental Imari vase and cover

Lot 191

A Finnish contemporary glass decorative vase - marks to base

Lot 167

19th century Chinese vase, tapering rectangular decorated with landscapes to the sides

Lot 130

Meissen decorative flower vase of baluster form with applied fruits and flowers to sides - marks to the base

Lot 165

Chinese blue and white baluster shaped vase

Lot 195

Royal Scot crystal vase in original packaging

Lot 194

Bohemian glass vase with gilded rim

Lot 141

1930s Barnstable pottery vase and a Herend vase

Lot 135

Carltonware porcelain vase in Oriental style

Lot 181

Chinese ceramic vase with applied figurine

Lot 134

Troika rectangular vase - marks to the base

Lot 33

A Chinese hardwood vase stand on five scrolling supports

Lot 76

A small collection of studio ceramics, comprising a celadon glazed gourd vase by Katherine Pleydell-Bouverie, a small Branham pottery jar and stopper, a small vase attributed to Robin Welch and three other pieces (6)

Lot 73

§ John Maltby (born 1936), a large slab vase, of rectangular section, painted in slip with abstract patterns, painted Maltby signature 34 x 23cm (13 x 9in) There is a chip to the top right hand corner and another to the lower right corner at the front.

Lot 58

A Moorcroft pomegranate pattern trumpet vase with Tudric pewter foot, together with a Moorcroft Poppy pattern vase, also with Tudric pewter foot, painted and impressed marks (2) Probable professional restoration to rim of both.

Lot 48

A Moorcroft Anemone pattern vase, the inverted baluster form decorated on a deep blue ground, painted and impressed marks 32cm (12in)

Lot 304

§ Edmund Blampied, RBA, RE (British, 1886-1966) Still Life of White Japanese Anemones in a vase signed lower right "Blampied" oil on canvas laid to board 67 x 49cm (26 x 19in)

Lot 1

A small Tiffany Favrile glass vase, the iridescent gold tapering body with scalloped rim and two fine handles, etched L.C.T. mark and numbered 6059A 16cm (6in)

Lot 43

Keith Murray for Wedgwood, an Elephant Grey shoulder vase, the tapering body of ribbed design, painted and impressed marks 28cm (11in) There is a crack to the rim.

Lot 21

Attributed to Dino Martens, Murano, a glass bottle vase, the multi-coloured vase with aventurine inclusions, unmarked 25cm (10in)

Lot 46

A Moorcroft anemone pattern flambé vase, of squat baluster form, painted and impressed marks along with original paper trade label 8cm (3in)

Lot 37

A Ruskin crystalline glaze vase, the shouldered form glazed in streaks of green and orange, dated 1932, impressed marks 31cm (12in)

Lot 55

A Moorcroft Orchid pattern vase, the inverted baluster form decorated to a pale green to blue ground, painted and impressed mark 23cm (9in)

Lot 12

René Lalique, a Danaides pattern opalescent glass vase, decorated with a series of nude female water pourers, etched mark to base and numbered 972 Heavy chipping around the foot.

Lot 148

Paul Haustein for WMF, a patinated copper vase, circa. 1927, of inverted baluster form decorated with foliate motifs 31cm (12in)

Lot 28

A large and impressive C. H. Brannam three-handled vase, painted and incised with fish swimming amidst foliage to a deep blue ground, numbered 142, impressed marks 54cm (21in)

Lot 49

A Moorcroft anemone pattern vase, of globular form decorated to a green ground, painted and impressed marks 22cm (9in)

Lot 74

§ John Maltby (born 1936), 'Blythburgh Church', a large slab vase, the rectangular form with shaped back, painted signature 38 x 25½ x 8cm (15 x 10 x 3in)

Lot 47

A Moorcroft Anemone pattern planter, decorated to a blue ground, together with a simliar small vase, painted and impressed marks (2)

Lot 18

Allister Malcolm, (British, 20th century), a clear glass bottle form vase, the clear glass body with a coiled neck, etched signature to base and dated (19)98 52cm (20in)

Lot 45

A Moorcroft Anemone pattern baluster vase, painted to a deep blue ground, painted and impressed marks 22cm (9in)

Lot 53

A Moorcroft leaves and berries pattern vase, of ovoid form with a flambé type glaze, painted and impressed marks 18cm (7in)

Lot 22

Suzy Osborn, an art glass vase, of spherical form with blue and red banding to a dark blue body, etched signature 20cm (8in)

Lot 124

David Andersen, a Norweigen metalwares spill vase, the 830 standard baluster vase with stamped marks to base and original paper trade label 15cm (6in)

Lot 2

An Art Nouveau iridescent glass vase, the bottle form within a patinated copper frame of stylised floral motifs 31cm (12in)

Lot 32

An early twentieth century Athens Pottery vase, the bottle form painted with an Iznik inspired design of flowers and foliage, dated 1926 to underside, printed marks 28cm (11in)

Lot 60

Paul Prochowsky for Royal Copenhagen, a crystalline glaze vase, the slender bottle form with subtle green glaze, painted marks and dated 18.6.1924, together with a similarly glazed dish by Søren Berg dated 30.6.1926 (2) 24cm (9in)

Lot 68

§ Robin Welch (British, b.1936), a monumental stoneware vase, the tapering cylindrical form with waisted band to centre, the top section with pierced rectangles, impressed seal mark 83 x 32cm (32 x 12in) Robin Welch studied at Penzance School of Art and the Central School of Art, London. From 1953-1959 he worked at the Leach Pottery and in 1965 he set up Stradbroke Pottery in Eye, Suffolk. He has designed for many major companies, including Wedgwood, Midwinter and Denby but is highly respected in his own right as a contemporary potter producing individually thrown, coiled or slabbed pots in stoneware. During his career he has explored colour, surface texture, form, detail of edge, and line. His work has been often referenced including "Design Sourcebook Ceramics" by Edmund De Waal, New Holland,1999 and "A guide to Collecting Studio Pottery" by Alistair Hawtin, A & C Black, 2008. His work can be found in public collections throughout the UK with the Victoria and Albert Museum holding several of his pieces.

Lot 56

A Moorcroft pansy pattern vase, the tall cylindrical form with flared rim, painted and impressed marks, together with 'Moorcroft Pottery', Ed. by Paul Atterbury (2) 26cm (10in) There is an area of restoration to the rim.

Lot 20

A large Murano sculptural glass vase, the flattened form in blues and greens, unmarked 46cm (18in)

Lot 29

C. H. Brannam for Liberty & Co., an Art Nouveau vase, the tapering cylindrical form with scalloped rim, the green glazed body with stylised spade motifs, impressed marks 30½cm (12in)

Lot 33

An earthenware vase by Professor Max Läuger, slip decorated with foliate design over pale green ground, incised marks 22cm (9in) There are a few glaze chips to the slip trailing, but generally, condition is good.

Lot 54

A Moorcroft orchid pattern vase, decorated to a green to blue ground, together with a Moorcroft hibiscus pattern pin dish on a yellow ground (2) 14cm (5in)

Lot 100

Mixed decorative arts lot to include Art Nouveau tapered cylindrical vase decorated with tulips in the style of Mintons, 12" high, Poole Pottery studio vase decorated with mottled blue decoration on a brown ground 9.5" high, fluted amber glass vase, 19th century Staffordshire ironstone platter and two further plates (6)

Lot 271

Malcolm Pepper (1937-1980) - crackle glaze porcelain ovoid vase painted with foliate roundels, 4.5" high

Lot 548

Georgian mahogany carver chair, with vertical pierced vase splat, drop-in seat and square legs with canted corners united by an H-frame stretcher, 26.5" wide

Lot 229

Chinese famille jaune porcelain Dog of Fo; together with further lidded cylindrical pot and further porcelain baluster vase (3)

Lot 167

David Leach (1911-2005) - Lowerdown Pottery stoneware square section glazed vase, impressed Lowerdown seal mark, 8" high

Lot 131

Chinese bronze twin handled lidded baluster vase converted to a lamp, embossed with a band of monkeys and floral panels, 29" high

Lot 53

Studio vase with incised exterior and brown glazed interior marked 'Ship House, Clun' to base; together with three further studio vessels

Lot 204

Mixed lot to include cloisonne bottle neck vase, ivory toothpick holder with pick, cased set of silver plated Apostle spoons, ivory figure and small metal trinket box

Lot 49

Good quality cut glass jug and pint glass with hobnail and star cut glass bands; together with a cut glass and white metal ice bucket and further glass asparagus vase (4)

Lot 85

Attractive Limoges porcelain part service decorated with blue and turquoise flowerheads within gilded borders; Limoges twin handled porcelain vase, improved earthenware inhaler, Limoges porcelain jardiniere, Staffordshire chamber pot and sundry other porcelain

Lot 38

Three Victorian opaline overlaid glass vases converted into table lamps; together with a further opaline glass vase in poor condition

Lot 163

David Eeles - studio pottery slipware vase decorated with a rural cottage landscape, monogram stamp and two inscribed labels to base, 13" high

Lot 44

Lemonade jug and six matching glasses; together with a further lustre glass vase in the manner of Loetz (8)

Lot 577

Harlequin set of four George III oak dining chairs with pierced vase splats (at fault) (4)

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