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A set of six Baccarat glasses in presentation box, a set of six Cristallerie Zwiesel brandy glasses in a presentation box together with, a set of cut ruby glass wines, made in Poland, a ruby flash glass punch bowl and a blue flash glass vase, together with a French glass bowl, by J G Durand
A Spode porcelain plate, circular, painted with a chinoiserie scene with river island and bridge, birds and foliage, in underglaze blue, iron red, pale blue and green, 24.5cm, together with a 19th century English porcelain vase with everted rim and twin ring handles, painted with a band of tulips, peonies, forget me knot in puce, green, iron red and yellow, on gilt, square plinth base, 11.5cm high
A Royal Doulton figure 'Honey' and a Royal Worcester figure 'First Dance' modelled by F G Doughty together with a Royal Doulton nursery beaker 'Polly put the Kettle on' with an EPNS cup holder, two specimen cups and saucers, miniature jug and vase, two Toby jugs, Coalport pin tray, mother of pearl hexagonal dual box and a French trinket box
A quantity of Chinese Rose tea and dinner ware, boxed set of EPNS cruets, candelabra, galleried tray, condiments, two packs of place cards in the form of apples, a Royal Albert enchantment tea service, candle lamp, pair of figural candlesticks, spill vases, Coalbrookdale style two handled vase, resin bronze effect figure of a child and other ornamentals
A Japanese brass baluster vase, decorated with fruiting vines, height 36cm. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A Doulton Burslem biscuit barrel decorated with a frieze of girls holding a garland, height 17.5cm, five ''Bains de Mer' plates, 19th century Edge, Malkin & Co. 'Field Sports' mug with transfer printed decoration, two other 19th century mugs, Victorian and later commemorative wares, 'Logan Rock, Cornwall' jug and 'St.Anthony's Lighthouse, Falmouth' vase, and a Staffordshire figure.
A Nic Harrison monochrome baluster vase, height 41cm.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A Victorian Staffordshire spill vase in the form of a giraffe with its keeper, together with a Staffordshire flatback figure group of Scottish dancers. Condition report: Areas of paint loss ( specifically to black painted sections ie figure's hair and boots and green painted sections,losses to bocage, firing cracks to back of giraffe's neck and reverse of figure, light crazing to figure & giraffe.
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653685 item(s)/page