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Lot 1

TWO EARLY 20th CENTURY ROYAL WORCESTER PORCELAIN VASES, shaped triangular shell type form and LEAF MOULDED BALUSTER SHAPED VASE, each with graduating hand painted green and pink decoration (2)

Lot 1

ROYAL DOULTON SMALL STONEWARE VASE, oblate ball and shaft design, mottled green ground with Art Nouveau style motifs, 8 cm together with ROYAL DOULTON WAISTED VASE and LIDDED POT, MINIATURE HARVEST MUG (4)

Lot 1

GRAINGERS WORCESTER PORCELAIN VASE in the form of a vine covered tree trunk together with TWO SIMILAR RECTANGULAR POTS, all hand painted in orange, yellow and green (3)

Lot 1

A PAIR OF SYLVAC SWANS No 1127, CROWN DUCAL VASE, TORQUAY CANDLESTICK and ONE OTHER (5)

Lot 1

SILVER PLATED and CUT GLASS FLARED RIM SPECIMEN VASE with cranberry tinged edge and ANOTHER with later glass insert together with VARIOUS SILVER PLATED CUTLERY, PEPPERETTE, etc

Lot 1

QUANTITY OF SILVER PLATE and SILVER FLARED RIM VASE

Lot 1

A small blush ivory Royal Worcester two-handled porcelain vase painted with two highland cattle to front, signed by H. Stinton - 2021, Height 5.5"

Lot 1

Plated 1920s flower epergne, formed with a central vase and four smaller surrounding vases, 36.5cm high

Lot 1

Royal Worcester vase with floral decoration, marks to base Rd No 25643, dated 190318.4 cm high

Lot 1

Royal Doulton Flow Blue vase, decorated with two girls in a garden and gilt detail to the rim, 19cm high

Lot 1

Royal Doulton Flow Blue vase, decorated with children playing and gilt detail to rim, 18cm high

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Royal Doulton Flow Blue vase, depicting a girl picking flowers, with gilt detail to rim, 20.5cm high

Lot 1

Royal Doulton Flow Blue vase, decorated with a girl picking flowers, with gilt detail to rim, 11.5cm high

Lot 1

Royal Doulton Flow Blue vase, decorated with children playing with a dog, with gilt detail to the rim, 18cm high

Lot 1

Set of six mahogany dining chairs, including a pair of carvers, with vase splat backs and cabriole legs

Lot 113

A French porcelain mounted ormolu mantel clock Le Roy & Fils, Paris, circa 1870 The eight-day bell-striking movement with foliate scroll and female term decorated Roman numeral cartouche dial, within a break-arch pedimented case with urn surmount and foliate crest flanked by polychrome decorated vase finials, the waisted sides with slender pilasters and foliate cast panel decoration flanking a central mask and scroll painted porcelain plaque, on shaped base with three conforming circular panels inset into the elaborate foliate scroll cast apron, 44cm high.

Lot 171

A pair of late 19th century French gilt metal and champleve enamel epergne bases, in the manner of Barbidienne, circa 1880, each with a peirced bowl on leaf cast column, the base mounted with putti, on winged paw feet, 12cm high (lacking glass vase)

Lot 177

A pair of French gilt metal seven branch candelabra, early 20th century, each in the form of a two-handled vase of flowers, on lobed base, 75cm high overall

Lot 215

A collection of eight Islamic pieces, comprising an iron bottle vase, with a white metal overlay design of bands and leaves, 22cm high; two brass vases, decorated with copper and white metal overlay; a similar box and cover; two trays; a brass bowl and a white metal medallion

Lot 279

A George II provincial oak armchair, circa 1740, the shaped rectangular back and vase splat above scroll arms, on cabriole legs with H stretcher and pad feet, 63cm wide

Lot 378

A walnut and marquetry circular centre table, part 19th century, the top centred by a circular panel of summer flowers on a black ground, tilting on a lobed vase turned pillar and lotus scroll tripod base, 120cm diameter (composed, incorporating period elements)

Lot 390

A George II mahogany dumb waiter, mid-18th century, the three circular graduated tiers with raised moulded borders revolving on a vase turned pillar and cabriole tripod base, pointed pad feet, brass castors, 119cm high, 60cm diameter maximum

Lot 432

A mahogany elbow chair, late 19th century, in Chippendale revival style, the vase shaped back with acanthus carved cresting rail and pierced 'Gothick' splat, the out-turned arms with acanthus scroll knuckles and curved supports, drop-in seat, square underframe with stretchers

Lot 477

A set of eight mahogany dining chairs, in George III style, last quarter 19th century, each with a solid vase shaped splat, drop-in seat upholstered in green, on cabriole legs joined by H-stretcher, pad feet, two with arms, elbow chair 62cm wide

Lot 520

A set of eight mahogany dining chairs, in George III style, early 20th century, to include a pair of armchairs, each with a shaped back and pierced vase splat, on moulded square section legs with an H stretcher

Lot 1

A Chinese decorative famille rose bottle vase, painted in Qianlong style with children playing under a flowering tree and by a plantain, some gather flowers while others play with golden balls, seal mark of Qianlong, 36.5cm high

Lot 1

A Chinese decorative celadon dart vase, the slender neck to the bottle shape applied with cylinder handles above the globular body with overall sea green glaze with sand coloured crackling, 18cm high

Lot 1

A pair of French fused plate table candelabra, each raised from a square beaded base below a tapered fluted column supporting a vase socket, and each with a twin light branch, the sockets flanking a leaf decorated vase shaped centre finial, 48cm high x 39cm span

Lot 1

A George III silver table candlestick, by John Schofield, London 1778, raised from a circular foot with bead and stiff leaf border below a fluted tapered stem supporting a leaf decorated vase shaped socket with a beaded nozzle, engraved with an armorial, 29cm high, 20oz

Lot 1

A Moorcroft lustre bottle vase, produced for Liberty & Co, decorated with roses under a pale yellow lustre glaze, printed, painted and impressed marks, 21cm high (D)

Lot 1

A Ruskin pottery vase, the gourd shape decorated with mottled matt green glaze, impressed marks, dated 1927, 19cm high

Lot 1

A Martinware miniature gourd vase, dated 1906, two organic handles pinched up on the shoulders of the rounded square section body, glazed in mottled brown and stippled in blue, incised marks, 6cm high

Lot 1

A Daum Nancy etched and enamelled cameo glass vase, decorated with rosehips, cameo mark Daum Nancy with cross of Lorraine, 20cm high

Lot 1

A Daum Nancy etched cameo glass vase, decorated with lily-like flowers, cameo mark Daum Nancy with cross of Lorraine, 24cm high

Lot 1

A small Galle cameo glass vase, decorated with orange/red flowers, signed, 9cm high

Lot 1

A Legras landscape cameo vase, the cut down body decorated with trees around a lake, the base with gilt metal mount, painted signature, 17cm high

Lot 1

A Holmegaard glass vase, designed by Per Lutken, of globular form, tinted blue, signed and dated to base, 1959, 25cm high

Lot 1

Nanny Still for RiihimŠen Lasi Oy, a turquoise glass bottle vase, etched signature to base, 31.5cm high

Lot 1

Steven Spurrier RA, (1878-1961) Still Life of a Vase of Flowers, oil on canvas, 50 x 40cm. Provenance:From the collection of Nicholas Spurrier, the artists grandson

Lot 1

Louis Massin, (French 20th Century) Still Life of Iris and Syringa in a Chinese Vase, signed and dated lower right Louis Massin 1941, oil on canvas, 54 x 45cm. Provenance:Private collection, Bedfordshire

Lot 1

Emily Vase, her 1839 sampler, worked in silks with angels, plants and cattle about a central stag above Adam and Eve all within vine border, 45.5 x 35.5cm, in a rosewood frame

Lot 1

An early 20th century Japanese iroe bronze vase, inlaid with a crow perched in a maple tree crowing at a small copper bird receding into the clouds gilt on the baluster body, 28cm high

Lot 1

An 18th century paktong candlestick, with the waisted vase nozzle on inverted baluster stem, the square foot stepped moulded and canted, 16.5cm high, together with an 18th century brass candlestick, the double inverted baluster column on a shaped petal foot, 21.5cm high (2)

Lot 1

A pair of George III mahogany and brass candlesticks, the reeded vase nozzles with bead edged insets, the fluted columns flaring to wrythen balusters above the dished circular feet, 35.5cm high (2)

Lot 1

A 20th century Chinese jade vase, carved as a section of bamboo with handles formed from birds perched on branches, one tinged amber and the other misty green, the base with black mottling, 10cm high, with wood stand and box (3)

Lot 1

A pair of George III brass candlesticks, the vase nozzles on baluster stems and square feet, 26cm high (2)

Lot 1

A Kashan wool prayer rug, the sky blue mihrab field enclosing a floral vase within scrolling flowering vines and exotic birds, within stylised Herati guard stripes and border, 214 x 152cm

Lot 1

English, early 19th century Four alabaster panels commemorating Lord Nelson, formerly mounted on the Trafalgar Urn inscribed: HORATIO / VISCOUNT NELSON KB / Commander in Chief in the / Mediterranean / Fell in the discharging of his Duty / Off Trafalgar in the moment of Victory. / 21 October 1805 / ALEXANDER DAVISON consecrates / this Urn as a tribute of respect to the Immortal Memory of / His Friend each weathered panel with finely carved flanking dolphins and depicting respectively: the commemorative inscription within an oval cartouche; a relief carving of HMS Victory; a cartouche of laurel wreaths with protruding trophies; and a seated figure of Britannia with a lion, the latter two panels cracked down the middle. The alabaster urn which surmounted the plinth is included in the lot but broken in three pieces due to weathering. each: 29.5 by 55cm., 11.5 by 21.5in. Provenance Alexander Davison Esq., St. James's Square, sold 21 April 1817, lot 715 The recently-identified Trafalgar Urn is a relic of the remarkable relationship between Nelson and his agent, and closest civilian friend, Alexander Davison (1750-1829). The two men had met in Canada in 1782, forging a friendship that would only be broken by Nelsons death twenty years later. At the time Nelson was a young, unknown post-captain on convoy duty during the American War whilst Davison was at the outset of a highly lucrative career as a military contractor. As Nelsons fame grew, however, Davison increasingly took charge of his friends business and domestic affairs. He was appointed Nelsons prize agent after the battle of the Nile in 1798 and again after the battle of Copenhagen three years later. By way of thanks for this profitable appointment, and to bind himself closer to Nelsons ÒBand of BrothersÓ for whom he arranged the famous ÒEgyptian ClubÓ swords and dirks, Davison lavished gifts on his friend. Many of these appeared at the sale of Davisons collection at Sothebys, London in October 2002. Davison also used his vast fortune to build a spectacular art collection by patronising many of the leading artists of the day including Benjamin West, Richard Westall and David Wilkie. Perhaps the single most important painting he owned was The death of the Earl of Chatham by John Singleton Copley (now in the Tate Gallery, London). Among the artists Davison regularly entertained at his mansion in St. Jamess Square in London were the sculptors Joseph Nollekens and John Flaxman. It was therefore unsurprising that when Nelson wished to commemorate the death of his colleague Captain Ralph Miller with a monument in St. Pauls Cathedral, he gave the task to Davison, who commissioned Flaxman. Davison was sorely disappointed not to be appointed the prize agent for the battle of Trafalgar, privately ruing the death of his famous client although there are signs that Nelson had already decided to give the task to a rival agent. Accordingly, Davisons commemorations were more muted than they had been after the Nile when he had ostentatiously presented a medal to every man who had fought the battle. Nevertheless, he gave medals to the men on board Victory and erected an obelisk on his estate in Northumberland: Ôto the memory of private friendship. A similarly intimate sentiment informed the ordering of an urn - a replica of the famous Warwick Vase - for his townhouse which he dedicated to Ôthe immortal memory of his friend. Indeed, in the aftermath of the battle Davison badly n eded some influential friends. Having already been convicted for electoral fraud some years earlier, he was again facing prosecution for defrauding the government in his contracting business; charges that returned him to prison in 1809. On his release, with most of his fortune gone in fines and in fighting his case, Davison was forced to sell much of his magnificent art collection. ÔThe Entire Property of Alexander Davison, Esq. comprised almost a thousand lots and took fourteen days to sell on the premises at St. Jamess Square in April/May 1817. Lot 711 was a marble bust of Nelson by Flaxman (now in the collection of the Ministry of Defence, London). Three lots later the urn appeared, with even greater fanfare: A SUPERB STATUARY TWO-HANDLED URN (to the Memory of the late LORD NELSON) on a pedestal 7 feet high, richly ornamented in EMBLEMATIC DEVICES, and surmounted by the figures of NEPTUNE, AMPHITRITE, &c. The urn then disappeared from sight for almost two hundred years.

Lot 48

An early 19th century Ironstone vase 19cm high

Lot 150

A late 19th/early 20th century blue painted bottle vase and cover 34cm high

Lot 153

A 19th century Chinese sang de boeuf bottle vase 36cm high

Lot 154

A 19th century Chinese polychrome glazed bottle vase Qianlong mark 28cm high

Lot 172

A 19th century Chinese cloisonne and gilt bronze square section vase 16cm high

Lot 177

A Chinese bronze figure of a man holding a vase Ming Dynasty 16.5cm high

Lot 183

A Japanese reticulated vase and cover Meiji period Vase 21.5cm high

Lot 195

A Japanese satsuma vase Meiji period 38.5cm high

Lot 196

A Japanese Imari vase Meiji period 59cm high

Lot 1

A Viennese small enamel vase and cover, .800 small article mark for 1886-1922, the domed cover with a cherub finial, painted with classical ladies in a garden attended by winged cherubs between mask and scroll borders and bulbous base, on a waisted pedestal, 10cm (4in) high, 128g (4 oz) gross

Lot 1

A George III silver ogee baluster caster by Thomas Daniel, London 1777, with rope borders, engraved with a script monogram, 185cm (6in), 106g (3.25 oz); and a George III vase shape caster, London 1777, with moulded borders, 12.5cm (5in), 89g (2.75 oz)

Lot 1

A pair of Victorian silver vase shaped “bun top” pepper pots, maker’s mark “CBEP” (not traced), Sheffield 1882, each with beaded borders and fluted decoration, on a square base, 8cm (3.25in) high; another similar, same date and maker, on a circular foot; and another similar by James Garrard, London 1897, each engraved with the Dawson crest, 367g (11.75 oz) gross

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