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A Chinse famille rose baluster vase, typically painted with reserves of traditional figures and their practices in polychrome enamels, the ground with colourful butterflies, peonies, and fruiting branches, applied with twin fu dog handles, the shoulder with ferocious dragons, lotus rim, picked out in gilt, 41cm high, Canton, c. 1870
A Meissen botanical model, of a tulip, painted in naturalistic tones, in a banded jardinière, twin mask handles, 9cm high, underglaze blue crossed swords over 4, Marcolini period, late 18th/early 19th century; a German porcelain tri-ovoid specimen spill vase, painted in the 18th century Chinoiserie taste, 12cm high, R mark in puce, 19th century; a leaf stand, 10.5cm wide, [3]
A fine Japanese Cloisonné ovoid bottle vase, tall inverted neck and circular foot geometrically decorated with strap work and stylized flower heads, the center decorated with oriental fantail Pidgeon's, silver wire on a midnight blue ground, 31cm high, Meiji Period
A pair of Royal Worcester Named-View shaped circular plates, Near Kilmun and Valle Crucis Abbey, within moulded borders painted with pink roses and picked-out in gilt, 24cm diam, impressed marks, titled in red script, puce Phillips of London retailer's mark, c. 1880; a Coalport Named-View mug, North West View of Worcester, 8.5cm high, puce printed mark, titled in red script, c. 1835; a pair of Davenport shaped circular dessert plates, painted with topographical scenes, 22.5cm diam, printed marks; a spill vase, [6]
A Wedgwood Fairyland Lustre Daventry pattern vase, designed by Daisy Makeig Jones, decorated with panels of oriental flower sprays or river landscapes against an orange lustre ground, 27.5cm high, printed Portland vase MADE IN ENGLAND marks, pattern number Z5419
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653685 item(s)/page