David Bursill for Armadale Pottery, Isle of Skye, studio pottery vase of tall square form, with drip glaze in blues, greens and gold, potters label to base, height 29cm, a Bernard Rooke (b.1938) studio pottery flask vase in the Aztec style, impressed potters mark to base, 20cm, a studio pottery vase with oxide floral motif decoration on a grey/green ground, unmarked, 21cm, a studio pottery bowl with white swirls on brown ground, incised mark to base, 8cm, a studio pottery dish with green interior glaze, incised mark Nancy to base and a studio pottery vase with impressed mark 'A' to base, 11cm (6)Condition Reportstudio pottery vase with oxide floral motif in good overall condition, light surface marks, accretions and flecks of white. General wear and tear.
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Paul Green for Abbey Studio Pottery, a stoneware teapot with celadon glaze and incised decoration, impressed mark to base, height, 13cm, a Harry and May Davis studio pottery stoneware jug with floral motifs on celadon ground, impressed mark to base, height 17cml, a Graham Glynn studio pottery jug, decorated with blue, orange and black panels, impressed mark to base and with label, height 19.5cm, a Glyn Colledge (1922-2000) for Denby, a stoneware vase with brushwork floral decoration, height, 21.5cm a Rye Pottery jug with wax resist spiral decoration on cream ground, height 23cm, a mid-century West German fat lava jug with red and white glaze, number 021/15 and a pair of studio pottery stoneware lidded storage jars, brushwork floral motifs on speckled oatmeal ground, impressed SW mark to base, height 22cm
Collection of Poole pottery, Wedgwood, Sylvac and other ceramic items including two Poole dishes, one in Delphis pattern, a Wedgwood powder blue ground two-handled urn-shaped vase and cover, a Pointons blush ivory ground two-handled vase, a Portmeirion olive glazed mid century vase, a Sylvac ochre glazed vase moulded with mythological figures, 21.5cm high and other items
Janet Adam (1940-2021) Studio porcelain lidded pot of squat bulbous form, with swirling ochre, black and purple crystalline glazes on cream ground, incised potters mark and Adam Pottery label to base, height 10cm, an Ardine Spitters pit-fired lidded pot with brown and purple hued glazes, incised mark to base, height 10cm, a Debbie Page contemporary studio pottery pail in yellow glaze with found stick handle, impressed marks to base, 13.5cm high, a studio porcelain bowl of tapering form, red glaze with gilt decoration, incised SS mark to side, height 10cm, a studio porcelain hand built vase with impressed 'stitches' filled with green glaze, marked to base, height 13cm, a studio porcelain bowl with altered rim, orange hue glaze to interior, unmarked, height 6.5cm and a Hiro Takahashi (contemporary) 'The Wishing Pot', raku fired lidded pot with applied dolphin model to lid, blue polychrome glaze decoration, impressed marks to base, height 9cm (7)
Assorted English pottery jugs, early 19th century and later including a silver Sunderland lustre example, 16cm high, two copper lustre examples, a Mason's Ironstone small hydra jug, a Wedgwood embossed Queensware blue and white jug, a Belleek Parian Shamrock pattern vase, boxed, and other items
Moorcroft 'Three Kings' pattern tapering slender baluster vase designed by Kerry Goodwin, printed, painted and impressed marks, circa 2007, tubelined with kings riding camels reserved against a blue star-pattern sky, 32cm high (boxed) Condition ReportOverall good condition. General wear and tear.
Moorcroft 'Puffin' pattern vase, baluster shaped, designed by Carol Lovett, circa 1997, tubelined with puffins nesting in seascape, 8cm high, boxed and a 'Lamia' pattern small circular dish, circa 1995, tubelined with water lilies and bullrushes, 12cm diameter, each with printed, painted and impressed marks (each boxed) (2)
Moorcroft oviform 'Barn Owl in Flight' pattern vase, designed by Kerry Goodwin, circa 2008, printed, impressed and painted marks, tubelined with two barn owls perched or in flight amongst leafy branches reserved against a night sky, 21.5cm high, (boxed)Condition ReportOverall good condition, some light surface marks. Spots of glaze missing from the manufacturing process. General wear and tear.
19th century porcelain trio of beaker vases, flared rim and painted with floral spray on puce ground, pattern no.103, 13.5cm high and 12cm high, a trio of three 19th century Bloor Derby vases with floral and bird painted reserves, 11cm high and a 19th century Spode porcelain vase with gilt painted bird on branch on a puce ground (considerable damage) (7)
Moorcroft Mouse pattern vase, of baluster form, designed by Emma Bossons circa 2008, decorated with mice amongst flowering honeysuckle on a black ground, printed impressed painted marks, 19.3cm high (boxed) Condition ReportGood overall condition. Accretions/residue to the exterior and rim. General wear and tear.
A George V silver and blue enamel circular ring casket, maker Henry Clifford Davis, Chester 1916 on tripod feet, 6cm diameter, an Elizabeth II trumpet posy flower vase, makers A.T. Cannon Ltd, Birmingham 1972, 12.5cm high, a George VI silver Coronation circular dish, makers Mappin & Webb, Sheffield 1936, 12cm diameter, a Queen Elizabeth II Silver Jubilee circular dish, London 1977, 10.3cm diameter and a small Victorian pin tray, Birmingham 1877, weighable silver 189gms, 6ozs.
A mixed collection of silver items to include;- an Elizabeth II three-piece cruet set, Birmingham 1985, six napkin rings (various dates and makers), two cut glass dressing table caskets with silver covers, Chester 1905/1908, decorated with embossed cherubs, a silver backed brush, two photograph frames and a trumpet-shaped posy vase, Birmingham 1919, weighable silver 271gms, 8.7ozs.
Three assorted christening cups and a boat shaped cruet together with a Victorian double velute handled vase shaped (gilded interior) cup with repousse decoration and vignettes with an armorial crest, a George III (later embossed) tankard, a plain decorated George V cup (shallow engraved SDW) and a Georgian gadroon edged salt by Alice & George Burrows II, total weight 465gm, 14.95ozs
A large Doulton Lambeth stoneware vase,by Hannah Barlow, of baluster form with scrolled handles with masks, incised with a band of donkeys, incised with artist's monograms, impressed marks, and numbered '395' and '434', 53cm highCondition ReportFiring crack to one handle, the other handle the glaze is flaking - restoration to this handle.
An Arts and Crafts green glass and silver-mounted vase,maker's mark for William Connells, London 1901,the pierced silver mounts with twin handles, 19cm highCondition ReportMarks clear and glass good. Slight dent to the collar around the shoulder area of the vase - seen from the side angle. Some minor tarnish and scratches to the silver mounts. Additional images uploaded.
A Pilkington's Royal Lancastrian lustre vase,dated 1922, by William Salter Mycock, decorated with an heraldic shield depicting a rampant lion, on a stylised scrolling ground, impressed and painted marks,11cm highCondition ReportHairline crack to the rim. Small loss of glaze to the shield. Crazing throughout. Inscribed to the base 'T July'.
A Lalique 'Button Rose' vase,of recent manufacture, the slender body with a flared rim, signed 'Lalique, France',35.5cm highCondition ReportWith some dried in dust to the inside. The label with wear. The base with some scuffs scratches and marks. The underside with a single rubber foot. Additional images uploaded. Top diameter 12,5cm cm, the internal diameter of the opening 10,5cm.
A Doulton Lambeth stoneware vase,1878, by Hannah Barlow, of tall cylindrical form with scrolled handles, incised with two panels of donkeys and geese, opposite a girl with geese, feeding a donkey, incised with artists' monograms, impressed marks, numbered '223' and dated '1878', 42.5cm highCondition ReportBase rim restored.
A Doulton Lambeth stoneware vase,1876, decorated by Hannah and Frank Butler, of bottle form, the sides with medallions, each with incised decoration of animals, the neck and foot with silvered mounts, incised with artists' monograms, impressed marks and dated '1876', 32cm highCondition ReportThe silvered marks possibly later. The foot mount revealing some filled recesses to the underneath - likely traces of an earlier restoration. With a glazing chip to one of the flowers off of the centre band. With a firing defect to the cream coloured band to the base of the neck.
A large Doulton Lambeth stoneware vase, by Hannah and Florence Barlow, the incised and scrolled ground with four jewelled panels, two incised with horses and deer, two with pâte-sur-pâte pheasants on branches, with a pierced neck and crimped rim, incised artists' monograms, impressed marks and numbered, 65cm highCondition ReportBase rim with restoration.
A Doulton Lambeth stoneware vase,by Florence Barlow, the squat form with incised scrolling leaves and roundels, the panels with pâte-sur-pâte birds on branches, incised to the rim with artist's monograms and numbered '327', impressed mark to the centre of the base, mounted on a wrought iron stand,45cm high overallCondition ReportSome rubbing wear the wrought iron stand fits. Glaze marks to the lower sections of the vase. Flaking to the wrought iron frame - rust spots.
A Royal Doulton stoneware vase, by Florence Barlow, with tubelined and incised trees, the neck with birds perched on branches, with three panels with pâte-sur-pâte geese, incised artist's monogram, impressed marks and numbered '387', 47.5cm highCondition ReportBase rim restored. Otherwise good.
A Doulton Lambeth stoneware vase, by Florence Barlow, of tall tapering form with tubelined scrolling decoration, with panels of pâte-sur-pâte birds on branches amongst flowering poppies, incised artist's monogram, impressed marks and numbered '232', 49.5cm highCondition ReportSome rubbing to the base of the glaze on the vase. A few minor nibbles to the raised work.
A Doulton Lambeth stoneware vase, by Florence Barlow, of tapering form with pâte-sur-pâte birds on reeds, a duck and flowering lily pads, the ground with incised scrolls, incised artist's monogram, impressed marks and numbered, 57.5cm highCondition ReportNibbles to the base rim. Firing crack to the centre of the base.
A Rörstrand stoneware vase,1964, by Carl-Harry Stålhane, of ovoid cylindrical form, with a slightly tapering neck and a flared rim, decorated in a mottled brown hare's fur glaze, incised 'R. Ch Stålhane Sweden' and dated '-64' to the underneath, 18cm diameter42cm highCondition ReportSome scratches and marks to the surface. The colour throughout is in various tones of brown. Staining in the glaze is part of the manufacture and techniques used in the manufacture. Got a good ring, and no visible signs of restoration. Rim in good order.
A Doulton Lambeth stoneware vase, decorated by Florence Barlow, of baluster form, the sides with pâte-sur-pâte decoration depicting geese in flight, with artist's monogram and with impressed marks, 31cm highCondition ReportThe foot with rubbing to the glaze. With restoration to the heads of one of the swans. Internally with some hardened lumps of alloy to the sides and base.
Two Kosta Boda sommerso glass vases,late 1950s, designed by Vicke Lindstrand, each of varying ovoid forms, decorated in green and blue with the blue glass forming a spiralling lattice over the green, signed to the base 'Kosta, V. Lindstrand', largest 11cm wide7cm deep35cm high (2)Condition ReportWith some minor scuffs and frits to the bases. The largest vase with some scuffs to the rim.
â–´ Vicke Lindstrand (Swedish, 1904-1983),a large unique glass vase, of ovoid form, the front with acid-etched relief decoration of abstract figures depicting a mother and her children, etched throughout with razorwire motifs, signed to the underneath 'Kosta V. Lindstrand U. 1520',24cm wide13cm deep34cm highCondition ReportThe base with some scratches and marks throughout. With some minor scratches to the front. The base with scratches and marks commensurate with it having been moved around. No chips or cracks detected.
An unusual Doulton Lambeth salt-glazed stoneware spill vase,decorated and modelled by Mark V Marshall, modelled as a tree stump with a slithering snake, surmounted by a terrier, incised with artist's monogram, with impressed marks, 23.5cm highCondition ReportWith a crack to the terrier. The right ear of the terrier with restoration. With some small chips occurring to the tree trunk - with a particularly notable cluster to the lower right side. With a small crack under the handle.
â–´ Samuel Herman (1936-2020),a large Val St Lambert studio glass vase, c.1970s, of compressed bottle form, decorated with whiplash trails, retaining its original label, engraved signature 'Val Lambert 22 SJH',44.2cm highCondition ReportVery minor nibbles to the edge of the foot rim. Some areas of roughness due to the manufacture.
A Kosta sommerso glass vase,late 1950s, designed by Vicke Lindstrand, of ovoid forms, decorated in green and blue, with the blue glass forming a spiralling lattice over the green, signed to the base 'LH 1591',10cm wide5cm deep28cm highCondition ReportWith some scratches and marks to the base. With some minor scuffs to the inside of the rim.
A pair of Doulton Lambeth stoneware vases,by Mark V Marshall, each with tubelined scrolling decoration, a raised band of flowers to the shoulder, and with panels of rabbits, fish and a hen, incised artist's monogram and impressed marks, 47.5cm high (2)Condition ReportFiring horizontal line to one of the vases 34.5cm high. One minor chip to the inside of the rim on the same vase.Otherwise good condition.
A Doulton Lambeth stoneware vase, decorated by Mark V Marshall, modelled as a cockerel, on a splayed foot, incised with artist's monogram, with impressed marks, 13cm highCondition ReportSome glaze pooling from the firing process. Some bubbling/spotting to the top layer of the glaze. Some rubbing to the rim leaving the stoneware slightly exposed in areas. Restoration to the tail feathers
A Doulton Lambeth stoneware vase, decorated by Mark V Marshall, modelled as a falcon, on a splayed foot, with tubeline decoration, incised with artist's monogram and with impressed marks, 14cm highCondition ReportSome cracks to the tubelining. Internally with pooling of excess glaze. With a small burst glaze bubble to the back (1mm diameter).
A Doulton stoneware spill vase, 'The Telephone/Good News',c.1885, by George Tinworth, modelled as two seated putti, one speaking and one listening either side of a spill vase, inscribed 'New York America' and 'London England', incised with title and monogram and impressed and painted 'A.D 61AF',12.5cm wide11.5cm highCondition ReportGilt wear to base rim and to the front and top rim.Visible lines to the outside of the spill vase - probably firing cracks. Firing cracks to the inside of the spill vase. Some remnants of tape on the inside. Nibbles to the back of the piece on edge.
A Doulton Lambeth stoneware vase,1882, by Hannah Barlow, incised with jewelled panels of a dog and geese, the band with wheat and plants, incised artist's monograms, impressed marks, numbered '380' and '126', and dated '1882', 31.5cm highCondition ReportGood, marks are clear, some rubbing to the base rim.
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653833 item(s)/page