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Two trays of Egyptian design English fine bone china by Compton & Woodhouse to include; 'The Wonder of the Nile' series six cups and saucers, 'The Golden Vase of Tutankhamun' limited edition 65A/1950, two ceramic busts of pharaohs, 'The Golden Casket of Tutankhamun', two 'Legends of the Nile' Royal Worcester collectors plates, together with two Greek design collectors plates by Spyropoulos. With stands for the plates and various COA. (2) (B.P. 21% + VAT) No damage noted.
Tray of mainly china to include; various china mantel piece ornaments; girl with a dog, house with tree and small dog, ram with flowering tree, a cottage etc, together with a relief decorated floral miniature teapot and similar vase, various miniature cabinet cups and saucers; one Coalport 'Ming Rose', Crown Staffordshire relief floral design pill box, four oriental design cloisonne enamelled pin trays, enamelled floral design trinket box, a miniature floral china window box, various small doll's miniature crockery items; glass, decanter, jugs etc, a small plastic oriental design horse and carriage and a frosted glass match striker with silver top. (B.P. 21% + VAT)
Two boxes of mainly china to include; Wade 'Heath' design graduated dresser jugs, Burleigh ware floral vase, Royal Doulton 'Merlin' character jug, Denby stoneware coffee pots, pewter milk jug, art pottery teaware, Wedgwood Jasperware pin tray, various trinket boxes, porcelain figure of a lady, Noritake 'Mosq' design tea and coffee ware, New Zealand timbers triangular nut cracker, miniature Japanese teaset, various plates; Royal Worcester 'Birds of America' collectors plates etc. (2)(B.P. 21% + VAT)
Two trays of assorted china to include: Japanese, Satsuma style porcelain pot, having porcelain bamboo handles and a fish or bird Knop to the lid, a Copeland Spode rectangular lidded box with sepia hunting illustrations, a pair of Copeland Spode 'New Stone' rectangular vases, Susan Luker vase with copper lustre, abstract decoration on lilac ground, Devon pottery items, a large Devon Fieldings vase decorated with sepia chrysanthemums on a teal ground, Royal Vale vase, German beer stein, Continental figurines. (14)(B.P. 21% + VAT)
Two trays of assorted china to include: a Dresden lidded inkpot and pen tray, Royal Worcester creamware mustard pot with embossed leaf pattern, Paragon china, shell shaped, miniature sugar basin and milk jug, a Grosvenor coffee cup and saucer and six assorted miniature coffee cups to include: Noritake, Crown Staffordshire, Paragon, Wilton ware and a pair of Continental ones, a coronation mug, a Davenport trio decorated with Japanese design, a blue, brown and cream Shelley marmalade pot with lid, a Carlton Ware marmalade pot and saucer decorated with exotic birds and flowers, a Continental inkpot with pen rests decorated with roses, a J. Derbyshire pot, a creamware relief decorated vase, a white basalt Kaiser vase, relief decorated with roses etc. (21)(B.P. 21% + VAT)
Tray containing a set of brass and leather bellows and two barometers, together with two trays of assorted china to include: Victorian teaware decorated with blue stripes and gilt edge, Gaudy Welsh jug, Imari style moustache cup and saucer, Coalport 'Indian Tree' design cup and saucer, Royal Doulton two handled blue and white cup and saucer, a Royal Doulton exotic Birds coffee pot, a small Royal Worcester vase, two The Leonardo Collection figures of a kitten and an owlet; a chaffinch, two blue tits, a Nature's Wonder 'Sleeping Bunnies', a Thelwell pony 'Point of Departure', a head and shoulders bust of a horse woman with her horse, hand painted fox, some foals, a pewter horse and a Staffordshire style brown pottery horse, small elm vase etc. (3)(B.P. 21% + VAT)
Box of assorted items to include: ornate gilt framed, standing picture frame, a metal spherical vase, a moulded glass, lidded, ginger jar, mother-of-pearl and brass opera glasses, oak bottle stopper inscribed HMS Victory, brass ashtray engraved with HMS Dreadnought and bulldog and crown, hipflask, glass Elizabeth R 1953 teapot trivet, broken green glass vase, and a metal flower arranging bowl.(B.P. 21% + VAT)
Pair of Chinese blanc de chine porcelain figures of Guan Yin with floral bases, 25.5 cm high approx. Together with a Chinese crackle glaze cylinder vase, continuously decorated in coloured enamels with battle scenes. Incised mark to base. 25 cm high approx. (3) (B.P. 21% + VAT) Vase - chip/nick to base area Frits to neck/rim area (top) figures appears ok / no obvious damage
Two similar Chinese design blue and white glazed porcelain rectangular shaped pillows, decorated with foo dogs playing with brocade balls, and a Chinese blue and white prunus blossom on a cracked ice ground baluster shaped vase and cover with concentric rings to the base. 30 cm high approx. (3) (B.P. 21% + VAT) Pillows - No obvious damage noted.Vase - hairline crack vertically down the vase from the top.
GONZALO BILBAO MARTÍNEZ (Seville, 1860 - Madrid, 1938)."Flower vase".Oil on canvas. Relined.Presents craquelure and lifting of the pictorial layer.Attached certificate issued by Dr. Gerardo Pérez Calero.Needs restoration.Signed in the lower right corner.Measurements: 81 x 46 cm.Scene that has as protagonist a vase with flowers where the loose and sketchy brushstroke is combined with a masterful treatment of the light, very thought and studied, that models the volumes reinforcing the three-dimensional sensation. Everything in the composition is rational, balanced and symmetrical except for the flowers themselves, which are arranged randomly.Gonzalo Bilbao started drawing as a child and in 1880 he began his pictorial career. During these years he made a trip to Italy and France with Jiménez de Aranda. In Rome he worked with the painter José Villegas Cordero, and traveled through the different Italian capitals, painting urban and rural views until his return to Spain in 1884. In the following years he visited Rome again, traveled through Spain and also went to Morocco, Paris and Munich. In Spain he worked as a professor of painting, at first as a private individual and, from 1903, as successor to Jiménez de Aranda at the Royal Academy of Fine Arts of Santa Isabel de Hungría in Seville. In 1904 he married and took up residence in Madrid, where he continued his teaching work at the San Fernando Academy. During his career he participated in numerous exhibitions of fine arts, both national and foreign, being awarded a third medal at the Universal Exhibition of Paris (1889) and the International Exhibition of Barcelona (1891), a single medal at the Universal Exhibition of Chicago (1893), and a gold medal at the International Exhibitions of Berlin (1899), Munich (1905), Buenos Aires (1910), Santiago de Chile (1910), San Francisco (1915) and Panama (1916). He also participated in the National Fine Arts, obtaining second medal in 1887 and 1892, first in 1899 and 1901 and honor in 1915. A traditional painter, representative of Spanish costumbrismo, he expressed in his paintings colorful pictures of Andalusian life and its most popular characters, and also practiced the landscape, the figure and the portrait, painting prominent figures of the time as King Alfonso XIII and the actress Carmen Diaz. The light and vitality of his compositions bring his language closer to impressionist aesthetics, focusing on the essential representation of environments and landscapes. Gonzalo Bilbao is represented in the Museum of Fine Arts in Seville, where he has a room entirely dedicated to his work, the Prado Museum, the Jaume Morera Museum in Lleida and the Museum of Fine Arts in Cordoba, among others, as well as in private collections both in Spain and abroad.
A pair of Japanese cloisonné slender baluster vases, Meiji period, the shoulders with dragons above a band of alternating panels of tigers and phoenix on a buff ground 46.5cmCondition Report: one vase with area of damage to enamel at top of shoulder approximately 1.5cm x 1.5cm area with cracks extending from this otherwise generally ok other than some typical stress cracks showing to neck interiors and some minor blemishes throughout Condition Report Disclaimer
A William Moorcroft for James MacIntyre Florian Ware slender vase, early 20th century, decorated with tube lined flowers, printed and script marks, 23cm high; and a small Ruskin pottery iridescent orange bowl, impressed mark and date 1913, 6cm diameter (2)Condition Report: Glued foot rim chip to the Florian ware vase.Condition Report Disclaimer
A selection of Bohemian and Czech coloured glass, various dates 19th and 20th centuries, comprising; two similar ruby flashed and gilt scrolled ground flasks, each cut with white overlaid glass portrait medallions, circa 17 and 18cm high, and a selection of later Czech glass comprising six ruby and green flashed cut glass goblets, 22.5cm high, an engraved ruby flashed goblet by Eggerman, 16cm high, and an Eggerman slender oval section ruby flashed and engraved vase on four scroll feet, 17.5cm highCondition Report: Of the two Bohemian pieces the gilt ground is a little rubbed to bothOtherwise no serious damages notedCondition Report Disclaimer
Three items of Monart glass, second quarter 20th century, comprising a large blue through green vase with aventurine inclusions, 22cm high; another smaller, amethyst through green with aventurine inclusions, 20cm high; and a small bowl, 10cm diameter; together with a book, YSART GLASS, Blench, Turner, et al. (1990)Condition Report: The large vase cracked through base.Condition Report Disclaimer
A William de Morgan 'Leaf and Berries' type Tile, 1882-1888, of 'Small B' type, with sixteen squares and coloured in green, blue and turquoise, impressed Merton Abbey mark, 15.7cm square and a German ceramic 'Leaf and Berries' vase by Christian Neureuther, circa 1910-1920, decorated with blue and turquoise flowers on a mottled tan ground, factory mark 'K.A.W.' [Kunstabteilung Wachtersbach] and 'C.N' and numbered '5985' and '6100', 14.3cm high (2) Provenance: From the Mohamed Makiya CollectionCompare with an earlier Chelsea period version of this tile painted on a Poole pottery blank, Jon Catleugh, William de Morgan Tiles, p. 50, pl,. 22Condition Report: the vase with some dirt and old water deposits inside but no apparent damagethe tile with glaze grazing and some relatively minor chips to edgesCondition Report Disclaimer
A Chinese 'Guan'-type hexagonal vase, Hu, of archaistic baluster form set with ring handles, applied with an even pale greyish-blue glaze suffused with a network of dark grey and russet crackles, save for the foot ring left unglazed and dressed in a brown wash in imitation of the Song dynasty ware, Qing Dynasty or later, 23cm highCondition Report: white marks to vase rim and foot rim and handles Condition Report Disclaimer
A Stourbridge pale-red and opaque-white cameo glass bottle vase, circa 1885, carved in relief with ferns and grasses beneath a lappet band bordered neck, 38cm highCf. R. & L. Grover, English Cameo Glass (1980), plate C332, p. 380 marked 'WN' (William Northwood [1858-1937], nephew of John Northwood I, carver of the Portland vase replica. of J. & J. Northwood Workshop.)Condition Report: No serious damage issues found. Slightest of light wear commensurate with age.Condition Report Disclaimer
A Samson Arita style vase and cover with lion finial, late 19th century, 42cm high, together with a pair of late Japanese porcelain examples, 40cm high (3) Please note, the vase and cover is Samson late 19th century in date, not Arita 18th century circa 1700 as previously catalogued. This has been updated on all online platforms.Condition Report: The Arita style vase smashed and glued to body and lid with 9.5cm section missing from inner cover rim one of pair of vases with firing crack to baseCondition Report Disclaimer
'Pomegranate' three Moorcroft pottery vases, 1920's, designed by William Moorcroft, painted in colours on a mottled green ground, impressed marks, painted green signatures, 15cm, 21.7cm and 22cm high (3)Provenance: From the Mohamed Makiya CollectionCondition Report: baluster vase with glaze chip to edge of foot 8mm x 3mm and hair crack issuing from the chip approximately 2cm longcrazing to glaze to all three Condition Report Disclaimer
λ Betty Blandino (British 1927-2011), a large gourd-shaped stoneware vessel, white slip with blue, green and brown oxide decoration, impressed mark to unglazed base, approximately 36cm high, 31cm wide Condition Report: long body crack to vase approximately 35cm rim rim vertically down vase Condition Report Disclaimer
A Dresden pale-blue ground and gilt two-handled porcelain vase and cover, circa 1900, painted with panels of Watteauesques, 'AR' marks, 59cm highProvenance: Berwick House, ShropshireCondition Report: Some tiny nibbles to the edges of the base rim. Some wear to the gilding generally and consistently so no 'bald' patches. Condition Report Disclaimer
A Thomas Webb & Sons 'Ivory' glass shouldered ovoid vase, carved in relief with flowering shrubs and moths and reserved on a faux bois ground, impressed factory mark, 12cm highNote: See Charles R. Hajdamach, British Glass 1800-1914 (1995), p. 230 for a discussion on Webb's Ivory glass. The author notes that there are 735 individual patterns with detailed descriptions with attendant information about the carvers, prices etc. in the Webb records. George Woodall was responsible for many of these designs.Condition Report: A couple of minute imperfections, nibbles to the rim but no serious damage issues notedCondition Report Disclaimer
'Orchid and Spring Flowers' a large Walter Moorcroft vase, circa 1950's, decorated with a band of large flower heads, on a blue ground, with impressed factory marks and signed in blue 'WM', 25.5cm high; 'Hibiscus' a Walter Moorcroft Pottery jardinière, circa 1975, painted in colours on a blue ground, printed and painted marks, 22.5cm high and a 'Pansy' Moorcroft bowl, 1920's, impressed mark and signed in green 'W. Moorcroft', 25.5cm diameter (3)Provenance: From the Mohamed Makiya CollectionCondition Report: some crazed to glaze and some surface dirt but no obvious damage Condition Report Disclaimer
Mixed Lot of silver wares comprising a George V vase of tapering form with ribbed stem and spreading circular foot, Sheffield 1923, makers Martin Hall & Co, together with a silver christening mug, Sheffield 1929, plus a further circular pierced bon-bon dish and loaded candlestick of circular form, weighable silver 261gms (4)
Mixed Lot to include a pair of small cased silver gilt anointing spoons produced for the Coronation of Queen Elizabeth II, various crested enamelled collectors spoons, three napkin rings, stem vase with loaded base and a Continental white metal folding spoon, and a silver topped dressing table jar, and a novelty silver plated toast rack, weighable silver approx 200gms
Sibley Pottery, Dorset studio pottery vase with panels of green chevrons on a white ground, incised mark c.1922-38, 29cm high; also a Poole Pottery "Polar White" twin handled globular vase, impressed and printed marks, 17cm high. (2). Good condition:Sibley - 2x1" haircracks to rim. glaze impurities/airbubbles and small chips to rim, also airbubbles to body. Crazing mainly on shoulders.Poole: Small knock to one handle, discoloured crazing/haircracks to base.
Late 19th/early 20th century water jug of ovoid form with reeded handle and etched decoration of butterflies and insects amongst grasses, polished pontil, 26cm high; a stem vase of hexagonal trumpet form on circular foot with etched ribbon swag decoration, 25.5cm high and a cut glass wine ewer, 32.5cm high. (3).Condition report:All hand cut/etchedEtched jug - Crack to top of handle where joining body. Wear to edge of footrim and a few small scratches to interior base. Vase - good condtion, slightly cloudy interior drawn base with a few small scratches.Ewer - Cloudy interior, visible lines and small nick on base of handle. small scratches consistent with age.
Japanese Meiji period small Satsuma vase by Yabu Meizan (1853-1934), the continuous mountainous lake scene with houses, figures and boats, with additional decorative borders to neck, shoulders and base. Gold seal mark in double gold lines (uncoloured), on small turned hardwood stand, 13cm high. Condition report:All over fine crazing but no obvious cracks, restorations or chips after visual inspection. Gilding and enamels good. Mark good. As images.
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653685 item(s)/page