There are 653685 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA Della Robbia Pottery vase by Cassandra Annie Walker, dated 1899, cylindrical form with everted rim, incised with three Art Nouveau maiden holding hands, below a band of bluebirds, inscribed He Who Teaches Beauty Teaches Holiness, in shades of green, blue and turquoise on a pale lemon ground, incised DR monogram, signature and date, restored, 41.5cm. high Provenance John Jesse
A James Couper and Sons Clutha glass vase designed by Dr Christopher Dresser, compressed ovoid body with tall waisted cylindrical neck with knop, streaked green glass with air bubble inclusions and aventurine, unsigned, 38cm. high Literature The Johns Scott Collection Volume 5 The Fine Art Society, catalogue number 181.
A Pilkington's Lancastrian Pottery solifleur vase by William S Mycock, dated 1913, ovoid body with tapering slender neck, painted with a band of scrolling flowers and foliage below palmette to the neck in a ruby glaze impressed mark, painted artist cipher and date mark, 19.5cm. high. Provenance A private collection of Pilkington's Lancastrian Pottery.
An early Pilkington's Lancastrian Pottery vase by Gordon Forsyth, shape no.2153, compressed ovoid form with waisted cylindrical neck, painted with bands of stylised foliage in ruby lustre on a black and white ground, and another early Pilkington's Lancastrian vase covered in a flambe glaze impressed marks, painted artist cipher, 14cm. high, (2) Provenance A private collection of Pilkington's Lancastrian Pottery.
A Pilkington's Royal Lancastrian Pottery vase by William S Mycock, dated 1916, swollen, shouldered form, painted columns of stylised flowers in sand and rust on a blue lustre ground impressed marks, painted artist cipher, painted date code, 15.5cm. high Provenance A private collection of Pilkington's Lancastrian Pottery.
A Pilkington's Lancastrian Pottery twin-handled vase, shape no.2805, covered in a vivid red lustre glaze, the interior glazed gold, an early Pilkington's vase with a golden, finely streaked glaze over red, a streaked red and blue canister and three red lustre bowls impressed marks, 21cm. high (6) Provenance The Harriman Judd Collection, Sotheby's online auction. Private collection.
A Pilkington's Lancastrian Pottery vase by Annie Burton, shouldered form, painted to the shoulder with a band of entwined flowers and foliage, in white and flambe between golden lustre bands, impressed mark, artist cipher, 14.5cm. high Provenance A private collection of Pilkington's Lancastrian Pottery.
A Pilkington's Lancastrian Pottery vase, dated 1910, model no.2821, shouldered twin-handled form, covered in a green aventurine glaze, and two Pilkington's Lancastrian Pottery vases covered in a curdled translucent blue and green glaze impressed marks, 13.5cm. high, (3) Provenance Private collection.
An early Pilkington's Lancastrian Pottery vase, shouldered form, painted with a band of simple grass motif, the shoulder with scroll and dot frieze in golden lustre on a midnight blue lustre ground, impressed mark, 8.5cm. high. Provenance A private collection of Pilkington's Lancastrian Pottery.
A Pilkington's Lancastrian Pottery vase and cover by Gladys Rogers, dated 1913, shouldered cylindrical form, painted with columns of foliage and entwined berries, the cover with a wreath of laurel and acorn finial, in golden lustre on a deep blue lustre ground, impressed marks, painted artists cipher, impressed date, 20cm. high Provenance A private collection of Pilkington's Lancastrian Pottery.
A Pilkington's Lancastrian Pottery vase by Charles Cundall, dated 1907, shouldered form, painted with a flock of red breasted birds perched in bushes, above flowering plants, in ruby and copper lustre on a pale cream ground impressed marks, painted cipher and impressed 1907 date, 15.5cm. high Provenance A private collection of Pilkington's Lancastrian Pottery.
A Pilkington's Lancastrian Pottery vase by William S Mycock, dated 1912, shouldered ovoid form, painted with pencil cypress trees between scrolling flower and foliage panels in ruby and golden lustre on a cream ground impressed mark, painted artist cipher and date mark, restored neck, 12cm. high Provenance A private collection of Pilkington's Lancastrian Pottery.
A Pilkington's Lancastrian Pottery single-handled vase, dated 1912, compressed ovoid body with collar rim, painted with three medieval long boats, inter-spaced with a flock of flying cranes, the foreground flowering trees, in copper lustre on a cream ground, the neck with a band of laurel, impressed marks, painted date 1912 artists monogram E A P, 11.5cm. high Provenance The Harriman Judd Collection, Sotheby's online auction. A private collection of Pilkington's Lancastrian Pottery. Literature A.J. Cross Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 49 plate 53 for an example of this shape decorated by Gordon Forsyth in the collection of Salford Museum and Art Gallery. The shape was based on a thirteenth century Persian Sava lustre jug (see plate 52).
An unusual Pilkington's Lancastrian Pottery solifleur vase, dated 1913, model no. 1064, modelled in low relief with a foliage bough, under a streaked green and turquoise glaze, a Pilkington's Lancastrian vase covered in an aventurine glaze another early vase with a streaked purple and pink experimental glaze, a vase with modelled foliage design under a matt and curdled green glaze, a dish with fluted rim and two other vases impressed and incised marks, 25.5cm. high (7) Provenance The Harriman Judd Collection, Sotheby's online auction (aventurine vase). Private collection.
A Pilkington's Royal Lancastrian Pottery vase probably designed by Richard Joyce, shape no.3353, shouldered form, modelled in low relief with a frieze of three walking lions, covered in a matt green glaze, impressed marks, 25cm. high Literature Arts and Crafts Woolley and Wallis Auctioneer's, 20th June 2012 lot 192 for an identical vase covered in a matt orange glaze. Provenance Private collection.
An early Pilkington's Lancastrian Pottery vase, shouldered form, shape no.2888, cast with large leaves forming the body of the vase the shoulder with simple small flowerheads, under an opalescent clouded turquoise glaze, two Pilkington's vases with similar sky blue glazes and a flower shaped dish covered in a streaked opalescent blue glaze, impressed marks, 11cm. high, (4) Provenance Private collection. One blue vase from the Pilkington's collection of Bill Coles.
King George VI Coronation a Pilkington's Royal Lancastrian Pottery limited edition wall plaque designed by William S Mycock, dated 1937, domed, circular form, cast in low relief with crown and inscribed to the rim, under a mushroom glaze, another wall plaque celebrating the coronation of Edward VIII glazed silver-grey and a collection of Pilkington's Lancastrian pottery including asymmetric dishes by Mitzi Cunliffe, two vases painted with flowers, a Liberty Tudric Pewter mounted vase and a collection of matt glazed ware King George VI plaque incised artist monogram, impressed 250 only of these are made. This is no.68, chips to Edward VIII plaque, 24cm. diam. (37) Provenance Private collection.
A Pilkington's Royal Lancastrian Pottery Lapis vase by Richard Joyce, shouldered form painted with stylised foliage band below chevron in turquoise on a matt silver-grey ground, a Pilkington's Lancastrian Lapis tazza by Gladys Rogers, a vase by William S Mycock and five other blue glazed pots impressed marks, painted artist cipher, 23cm. high, (7) Provenance Decorative Arts, Bonhams Auctioneer's. 24th March 1999 lot 618 (Lapis tazza) Private collection.
A Pilkington's Royal Lancastrian Pottery vase designed by William S Mycock, dated 1933, model no.194, swollen cylindrical form, modelled in low relief with scaly fish swimming in turbulent waters, glazed olive on a matt silver-grey ground, a Pilkington's bowl by Mycock inscribed Carior Libertas Patria Cara, a flaring bowl and two vases decorated in a matt silver-grey glaze impressed marks, incised artist cipher and date mark, 22.5cm. high (5) Literature A J Cross Pilkington's Royal Lancastrian Pottery and Tiles Richard Dennis, page 42 plate 40 for an original design by Mycock for a similar fish vase. Provenance Pilkington's Royal Lancastrian Pottery Exhibition, Richard Dennis, 1980, Carior Libertas bowl catalogue number 439. Private collection.
A Ruskin Pottery stoneware miniature vase by William Howson Taylor, dated 1909, ovoid with flaring cylindrical neck, covered in a mottled sang de boeuf glaze under mottled turquoise and lavender to the neck, impressed marks, 7cm. high Provenance The Albert E Wade Collection, Sotheby's London, 2002, lot 326. Private collection of Ruskin Pottery.
A Ruskin Pottery miniature vase by William Howson Taylor, dated 1922, ovoid body with cylindrical neck and everted top rim, covered in a running pink souffle glaze impressed marks, small glaze nick to base, 10cm. high Literature The Adam Ferneyhough Collection of Ruskin Pottery, Sotheby's London, 20th April 1993 page 10 lot 16 for an identical vase illustrated. Provenance Albert Wade Private collection.
A tall Ruskin Pottery high-fired stoneware vase by William Howson Taylor, shouldered form with tall cylindrical neck and everted top rim, covered in a running sang de boeuf glaze highlighted in sky blue on a mottled ground impressed marks, collection paper labels, 29cm. high Exhibited Taylor Made Exhibition, Birmingham Art Gallery, 1976, catalogue number 20. Literature Paul Atterbury & John Henson Ruskin Pottery, Baxendale Press, page 58 for a comparable example of this shape, dated 1909, illustrated. Provenance A & B Forrester Collection. Ferneyhough Collection. The Albert E Wade Collection, Sotheby's London, 2002, lot 397. Private collection of Ruskin Pottery.
Forget Me Not a James Macintyre and Co Florian Ware twin-handled vase designed by William Moorcroft, waisted cylindrical form tubeline decorated with floral panels in blue and green on a white ground, printed factory mark, painted green signature, restored, 25.5cm. high Literature Paul Atterbury William Moorcroft, Richard Dennis, page 56 figure 2 this design illustrated.
Peacock Feather a James Macintyre and Co Florian Ware vase designed by William Moorcroft, shouldered cylindrical form, tubeline decorated in blue and celadon green, between geometric panels and a band of stylised foliage to the base, painted green signature, 27cm. high Literature Paul Atterbury Moorcroft Pottery, Richard Dennis, page 40 plate 3 for a comparable vase illustrated.
Revived Cornflower or Brown Chrysanthemum a tall Moorcroft Pottery baluster vase designed by William Moorcroft, dated 1915, painted in shades of red, purple, ochre and green impressed marks, painted green signature and date, 40cm. high Literature Paul Atterbury Moorcroft Pottery, Richard Dennis, page 74 for comparable examples in this pattern. Provenance Private collection of Moorcroft Pottery.
Pansy a Moorcroft Pottery solifleur vase designed by William Moorcroft, painted in shades of purple, yellow and green on a white ground, two Moorcroft Pottery Wisteria vases and a Moorcroft Leaf and Berry flambe vase impressed marks, chip to rim of Leaf and Berry vase and bruise to base of one Wisteria vase, 9.8cm. high (Pansy), (4) Provenance Private collection of Moorcroft Pottery.
Flambe Anemone a Moorcroft Pottery vase designed by Walter Moorcroft, shouldered form, painted in colours under a light flambe glaze, a modern Moorcroft ginger jar and cover painted with purple magnolia and a solifleur vase impressed marks, painted blue signature, original paper label, 16cm. high, (4)
Frilled and Slipper Orchid a Moorcroft Pottery lamp base, painted in colours on a blue ground, on wooden base with a modern paper shade, a Moorcroft Pottery Yacht bowl, a Leaf and Berry jardiniere designed by Marjorie Kubanda, a Hibiscus vase and flambe bowl, a Magnolia dish, two Moorcroft Pottery Studio Ware vases and a continental pottery vase impressed marks, 27cm. high (lamp base excluding fittings), (9) Provenance Private collection of Moorcroft Pottery.
Leaf and Berry a tall Moorcroft Pottery vase designed by William Moorcroft , shouldered form, painted in colours on a blue ground, and a Moorcroft Pottery Pansy vase impressed marks, painted signature, flat chip to base of Leaf and Berry vase, 32cm. high (Leaf and Berry), 16cm. high (Pansy), (2) Provenance Private collection of Moorcroft Pottery.
A Bombay School of Arts Wonderland Art Pottery vase, pear shaped with everted rim, painted with alternate panels of dancers and flowers, in green and buff on an ochre ground unmarked, repaired damages, 52cm. high Literature Wonderland, Ceramics The International Journal of Ceramics, August 1987 page 51 plate 4 for a comparable vase illustrated.
A James Powell and Sons Whitefriars Alsatian blue glass goblet vase designed by Harry Powell, flaring diamond-moulded bowl on stem with embedded gold knop and flaring foot, unsigned 21.3cm. high Literature Wendy Evans, Catherine Ross and Alex Werner, Whitefriars Glass James Powell & Sons of London, Museum of London, page 54 figure 47 for a comparable goblet vase in Alsatian blue, illustrated.
A James Powell and Sons Whitefriars glass goblet vase probably designed by Harry Powell, the tapering clear glass bowl with green tint, on twisted, embedded gold knop stem and flat, circular foot, unsigned, 23cm. high Literature Lesley Jackson, Whitefriars Glass the Art of James Powell & Sons, Richard Dennis, page 104 plate 33 for comparable forms illustrated.
A rare James Powell and Sons Whitefriars Sea Green glass vase designed by Harry J. Powell, with pulled dark green melted threads, engraved with dragonflies, with applied blue glass eyes, engraved inscription Hodie non Cras, (today tomorrow), unsigned, 13cm. high Literature Lesley Jackson, Whitefriars Glass the Art of James Powell & Sons, Richard Dennis/Manchester City Art Galleries, page 108 plate 47 and 48 for comparable examples of Powell glass illustrated. Catalogue notes The original design for this vase is included in Harry J. Powell's undated sketchbooks on page 70 and 76, held in the Museum of London collection. Although the sketchbooks are undated the vase possibly dates from circa 1903 and exhibited at The Arts and Crafts Exhibition Society, New Gallery 121 Regent's Street, London in 1903 where several example of Harry Powell's designs were exhibited by James Powell & Sons, Whitefriars. Eight pieces were exhibited and listed as made by Mr Smith (master blower) and Mr Hillebaur (engraver). Woolley and Wallis would like to thank Alex Werner for his help in cataloguing this vase.
A Benham and Froud brass chamberstick, the lily-pad bowl with scroll handle, a Hukin & Heath twin-handled bowl and glass liner model no.2228, a Persian mixed metal vase, a Burmantoft's Faience bottle vase, a Minton Aesthetic Movement jug and five other items, stamped mark to handle of chamberstick, 23.5cm. wide (chamberstick), (10)
Loading...
