Allison Gildersleeve Untitled (2) Ink and Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Behind Allison Gildersleeve's canvases, collages and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. Gildersleeve deliberately returns again and again to familiar settings - wooded areas, home interiors, open highways, back country roads - to show that repeated visits to the same place invariably result in wildly divergent depictions. Gildersleeve received her MFA from Bard College in 2004, and her BA from College of William and Mary in 1992. Gildersleeve has exhibited widely across the United States and abroad. Notable solo exhibitions include Olle Nymans Ateljeer (Stockholm, SE), Asya Geisberg Gallery (New York, NY), Auxiliary Projects (Brooklyn, NY), Robischon Gallery (Denver, CO), Cynthia Reeves (Walpole NH), Valley House Gallery (Dallas, TX), The George Gallery (Charleston, SC) and Galleri Andersson/Sandstrom (Stockholm, SE). Selected group exhibitions include Hudson Valley Center for Contemporary Art (NY), CRG Gallery (New York, NY), PS122 (New York, NY), Sharon Arts Center (Peterborough, NH), Dunkers Kulturhus (Helsingberg, SE) and Gana Art Space (Seoul, Korea). Gildersleeve was a 2018-2019 recipient of The Sharpe-Walentas Studio Program in Brooklyn, NY. She has been awarded a NYFA Fellowship as well as residencies at Yaddo, the Millay Colony, the Vermont Studio Center, the Liquitex International Research Residency in London and the Norman Bird Sanctuary in Newport RI. Gildersleeve lives and works in Brooklyn, NY. Education BA College of William and Mary, MFA Bard College Select Exhibitions/Awards 2021 ASYA GEISBERG GALLERY, A Thousand Other Things, New York, NY VALLEY HOUSE GALLERY, Swiftly Flow the Days, Dallas, TX 2019 THE GEORGE GALLERY, Tilt-A-Whirl, Charleston, SC AUXILIARY PROJECTS, Paper Trail, Brooklyn, NY 2018 CYNTHIA-REEVES GALLERY, In the Retelling, North Adams, MA VALLEY HOUSE GALLERY, High Frequency, Dallas, TX 2017 GALLERI ANDERSSON SANDSTRÖM: OLLE NYMANS ATELJEER, Stockholm, Sweden LA GRUA CENTER, Beyond the Range of Sight: Allison Gildersleeve & Sue McNally, Stonington, CT ASYA GEISBERG GALLERY, Unruly, New York, NY 2015 VALLEY HOUSE GALLERY, Closer Than They Appear, Dallas, TX 2014 CYNTHIA-REEVES GALLERY, Walpole, NH ASYA GEISBERG GALLERY, Elsewhere, New York, NY ROBISCHON GALLERY, Within Earshot, Denver, CO 2012 GALLERI ANDERSSON SANDSTRÖM, Static Electric, Umeå, Sweden CYNTHIA-REEVES GALLERY, Written Under, Hanover, NH ASYA GEISBERG GALLERY, Let Me Show It To You Unfixed, New York, NY 2011 JOHANSSON PROJECTS, Bramblur: Katy Stone & Allison Gildersleeve, Oakland, CA 2010 CYNTHIA-REEVES GALLERY, Homeward Bound, Hanover, NH ALLEGRA LAVIOLA GALLERY, Eric Jeor & Allison Gildersleeve, New York, NY 2009 GALLERI ANDERSSON SANDSTRÖM, The Here and Then, two part exhibition: Umeå & Stockholm, Sweden 2007 MICHAEL STEINBERG FINE ART, Loss of Place, New York, NY 2005 650 MADISON AVE EXHIBITION PROGRAM, New York, NY 2004 SUPREME TRADING, Brooklyn, NY 2003 PS122 GALLERY, Allison Gildersleeve & Cynthia Innis, New York, NY 1999 SARAH NIGHTINGALE GALLERY, Allison Gildersleeve & Carol Hinrichsen, Water Mill, NY 1998 RED MILL GALLERY, Good Girl, Vermont Studio Center, Johnson, VT Selected Group Exhibitions 2021 ROBISCHON GALLERY, Root + Branch, Denver, CO 2020 CYNTHIA-REEVES GALLERY, Forefront 2020, North Adams, MA 2019 1GAP GALLERY, Sense of Place, curated by Michael Holden, Brooklyn, NY 2018 PARK PLACE GALLERY, Sense of Place, Brooklyn, NY 2017 ROBISCHON GALLERY, Out of View, Denver, CO VALLEY HOUSE GALLERY, Trees, Dallas, TX 2016 THE DRAWING ROOMS, The Nature of Things, curated by Anne Trauben, Jersey City, NJ GALLERI ANDERSSON SANDSTRÖM, 140 Artists-15 Years, Umeå, Sweden SHARON ARTS CENTER, NHIA, Collaboration: The Artist and the Land, curated by Kate Lenahan, Peterborough, NH 2014 VALLEY HOUSE GALLERY, 60TH Anniversary Show, Dallas, TX VALLEY HOUSE GALLERY, Summer Cut, Dallas, TX TOMARPS KUNGSGÅRD, Atelje Larsen, Kvidinge, Sweden 2013 ASYA GEISBERG GALLERY, A.G.G.W.O.P., New York, NY GALLERI PERSSON, Mästargrafik från Atelje Larsen, Malmö, Sweden 2012 HEINER CONTEMPORARY, Housebound, Washington, DC 2011 DUNKERS KULTURHUS, Under Great Pressure, Helsingborg, Sweden STOREFRONT GALLERY, Color Schemes, Brooklyn, NY ASYA GEISBERG GALLERY, The Woods are Lovely, Dark and Deep, New York, NY 2010 SILAS MARDER GALLERY, The Big Show, Bridgehampton, NY HESKIN CONTEMPORARY, Natural Reaction, Brooklyn, NY 2009 DUMBO ART UNDER THE BRIDGE FESTIVAL, The Map is Not the Territory, Brooklyn, NY LAVIOLA BANK GALLERY, Summer Salon, New York, NY 2008 MICHAEL STEINBERG FINE ART, Back to the Drawing Board, New York, NY 2007 HESKIN CONTEMPORARY, Red Desert, curated by Sarah Trigg, New York, NY 2006 COLLABORATIVE CONCEPTS, Flow: Navigating the Super Paradigm, curated by Karlos Carcamo, Beacon, NY CRG GALLERY, Greater Brooklyn, curated by Alex Dodge and Glen Baldridge, New York, NY HUDSON VALLEY CENTER FOR CONTEMPORARY ART, First Look, Peekskill, NY 2004 SUPREME TRADING, Six, Brooklyn, NY MILTON AVERY GRADUATE SCHOOL, The Warm Weather is Holding, Red Hook, NY 2001 BAY AREA CENTER FOR THE CONSOLIDATED ARTS, Berkeley, CA 2000 BOWERY GALLERY, curated by Joan Snyder, New York, NY GANA ART SPACE, Cross Point, Seoul, Korea 381G GALLERY, Delicate, San Francisco, CA Awards & Residencies 2018 SHARPE-WALENTAS STUDIO PROGRAM AWARD 2018-2019, Brooklyn, NY NORMAN BIRD SANCTUARY ARTIST IN RESIDENCE, Middletown, RI LIQUITEX INTERNATIONAL RESIDENCY, Griffin Gallery Studios, London, UK 2008 NEW YORK FOUNDATION OF THE ARTS FELLOW, New York 2004 ELAINE DE KOONING MEMORIAL FELLOWSHIP, Bard College 2002 YADDO, Saratoga Springs, NY 2001 MILLAY COLONY, Austerlitz, NY 1999 VERMONT STUDIO CENTER FELLOWSHIP, Johnson, VT 1995 WOODSTOCK SCHOOL OF ART, Woodstock, NY Gallery Representation Asya Geisberg, New York, NY. Robischon, Denver, CO, Valley House Gallery, Dallas, TX. The George Gallery, Charleston, SC
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Allison Gildersleeve Untitled (3) Ink and Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Behind Allison Gildersleeve's canvases, collages and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. Gildersleeve deliberately returns again and again to familiar settings - wooded areas, home interiors, open highways, back country roads - to show that repeated visits to the same place invariably result in wildly divergent depictions. Gildersleeve received her MFA from Bard College in 2004, and her BA from College of William and Mary in 1992. Gildersleeve has exhibited widely across the United States and abroad. Notable solo exhibitions include Olle Nymans Ateljeer (Stockholm, SE), Asya Geisberg Gallery (New York, NY), Auxiliary Projects (Brooklyn, NY), Robischon Gallery (Denver, CO), Cynthia Reeves (Walpole NH), Valley House Gallery (Dallas, TX), The George Gallery (Charleston, SC) and Galleri Andersson/Sandstrom (Stockholm, SE). Selected group exhibitions include Hudson Valley Center for Contemporary Art (NY), CRG Gallery (New York, NY), PS122 (New York, NY), Sharon Arts Center (Peterborough, NH), Dunkers Kulturhus (Helsingberg, SE) and Gana Art Space (Seoul, Korea). Gildersleeve was a 2018-2019 recipient of The Sharpe-Walentas Studio Program in Brooklyn, NY. She has been awarded a NYFA Fellowship as well as residencies at Yaddo, the Millay Colony, the Vermont Studio Center, the Liquitex International Research Residency in London and the Norman Bird Sanctuary in Newport RI. Gildersleeve lives and works in Brooklyn, NY. Education BA College of William and Mary, MFA Bard College Select Exhibitions/Awards 2021 ASYA GEISBERG GALLERY, A Thousand Other Things, New York, NY VALLEY HOUSE GALLERY, Swiftly Flow the Days, Dallas, TX 2019 THE GEORGE GALLERY, Tilt-A-Whirl, Charleston, SC AUXILIARY PROJECTS, Paper Trail, Brooklyn, NY 2018 CYNTHIA-REEVES GALLERY, In the Retelling, North Adams, MA VALLEY HOUSE GALLERY, High Frequency, Dallas, TX 2017 GALLERI ANDERSSON SANDSTRÖM: OLLE NYMANS ATELJEER, Stockholm, Sweden LA GRUA CENTER, Beyond the Range of Sight: Allison Gildersleeve & Sue McNally, Stonington, CT ASYA GEISBERG GALLERY, Unruly, New York, NY 2015 VALLEY HOUSE GALLERY, Closer Than They Appear, Dallas, TX 2014 CYNTHIA-REEVES GALLERY, Walpole, NH ASYA GEISBERG GALLERY, Elsewhere, New York, NY ROBISCHON GALLERY, Within Earshot, Denver, CO 2012 GALLERI ANDERSSON SANDSTRÖM, Static Electric, Umeå, Sweden CYNTHIA-REEVES GALLERY, Written Under, Hanover, NH ASYA GEISBERG GALLERY, Let Me Show It To You Unfixed, New York, NY 2011 JOHANSSON PROJECTS, Bramblur: Katy Stone & Allison Gildersleeve, Oakland, CA 2010 CYNTHIA-REEVES GALLERY, Homeward Bound, Hanover, NH ALLEGRA LAVIOLA GALLERY, Eric Jeor & Allison Gildersleeve, New York, NY 2009 GALLERI ANDERSSON SANDSTRÖM, The Here and Then, two part exhibition: Umeå & Stockholm, Sweden 2007 MICHAEL STEINBERG FINE ART, Loss of Place, New York, NY 2005 650 MADISON AVE EXHIBITION PROGRAM, New York, NY 2004 SUPREME TRADING, Brooklyn, NY 2003 PS122 GALLERY, Allison Gildersleeve & Cynthia Innis, New York, NY 1999 SARAH NIGHTINGALE GALLERY, Allison Gildersleeve & Carol Hinrichsen, Water Mill, NY 1998 RED MILL GALLERY, Good Girl, Vermont Studio Center, Johnson, VT Selected Group Exhibitions 2021 ROBISCHON GALLERY, Root + Branch, Denver, CO 2020 CYNTHIA-REEVES GALLERY, Forefront 2020, North Adams, MA 2019 1GAP GALLERY, Sense of Place, curated by Michael Holden, Brooklyn, NY 2018 PARK PLACE GALLERY, Sense of Place, Brooklyn, NY 2017 ROBISCHON GALLERY, Out of View, Denver, CO VALLEY HOUSE GALLERY, Trees, Dallas, TX 2016 THE DRAWING ROOMS, The Nature of Things, curated by Anne Trauben, Jersey City, NJ GALLERI ANDERSSON SANDSTRÖM, 140 Artists-15 Years, Umeå, Sweden SHARON ARTS CENTER, NHIA, Collaboration: The Artist and the Land, curated by Kate Lenahan, Peterborough, NH 2014 VALLEY HOUSE GALLERY, 60TH Anniversary Show, Dallas, TX VALLEY HOUSE GALLERY, Summer Cut, Dallas, TX TOMARPS KUNGSGÅRD, Atelje Larsen, Kvidinge, Sweden 2013 ASYA GEISBERG GALLERY, A.G.G.W.O.P., New York, NY GALLERI PERSSON, Mästargrafik från Atelje Larsen, Malmö, Sweden 2012 HEINER CONTEMPORARY, Housebound, Washington, DC 2011 DUNKERS KULTURHUS, Under Great Pressure, Helsingborg, Sweden STOREFRONT GALLERY, Color Schemes, Brooklyn, NY ASYA GEISBERG GALLERY, The Woods are Lovely, Dark and Deep, New York, NY 2010 SILAS MARDER GALLERY, The Big Show, Bridgehampton, NY HESKIN CONTEMPORARY, Natural Reaction, Brooklyn, NY 2009 DUMBO ART UNDER THE BRIDGE FESTIVAL, The Map is Not the Territory, Brooklyn, NY LAVIOLA BANK GALLERY, Summer Salon, New York, NY 2008 MICHAEL STEINBERG FINE ART, Back to the Drawing Board, New York, NY 2007 HESKIN CONTEMPORARY, Red Desert, curated by Sarah Trigg, New York, NY 2006 COLLABORATIVE CONCEPTS, Flow: Navigating the Super Paradigm, curated by Karlos Carcamo, Beacon, NY CRG GALLERY, Greater Brooklyn, curated by Alex Dodge and Glen Baldridge, New York, NY HUDSON VALLEY CENTER FOR CONTEMPORARY ART, First Look, Peekskill, NY 2004 SUPREME TRADING, Six, Brooklyn, NY MILTON AVERY GRADUATE SCHOOL, The Warm Weather is Holding, Red Hook, NY 2001 BAY AREA CENTER FOR THE CONSOLIDATED ARTS, Berkeley, CA 2000 BOWERY GALLERY, curated by Joan Snyder, New York, NY GANA ART SPACE, Cross Point, Seoul, Korea 381G GALLERY, Delicate, San Francisco, CA Awards & Residencies 2018 SHARPE-WALENTAS STUDIO PROGRAM AWARD 2018-2019, Brooklyn, NY NORMAN BIRD SANCTUARY ARTIST IN RESIDENCE, Middletown, RI LIQUITEX INTERNATIONAL RESIDENCY, Griffin Gallery Studios, London, UK 2008 NEW YORK FOUNDATION OF THE ARTS FELLOW, New York 2004 ELAINE DE KOONING MEMORIAL FELLOWSHIP, Bard College 2002 YADDO, Saratoga Springs, NY 2001 MILLAY COLONY, Austerlitz, NY 1999 VERMONT STUDIO CENTER FELLOWSHIP, Johnson, VT 1995 WOODSTOCK SCHOOL OF ART, Woodstock, NY Gallery Representation Asya Geisberg, New York, NY. Robischon, Denver, CO, Valley House Gallery, Dallas, TX. The George Gallery, Charleston, SC
The Throckenholt Cross - An early Medieval gold cross pendant, 11th-12th century, the Latin cross composed of arms of triple tiered ropetwist wires with trefoil terminals and beaded detail, with four further bead highlights at the point of intersection, to a broad reeded suspensory loop; applied to the centre is a slightly later Medieval (13th century) vacant lozenge-shaped setting, pendant length 31mm. £6,000-£8,000 --- This cross was found by a detectorist in Sutton St. Edmund, Lincolnshire in 2019. The parish of Sutton St. Edmund includes the hamlet of Throckenholt, where a hermitage and chapel were granted to Thorney Abbey, by Nigel, Bishop of Ely (1133-69). It is probable that there had been a hermitage here for some time, as the Red Book of Thorney states that Throckenholt had been used as a hermitage since 1107. The hermitage is mentioned again in 1189-97 and 1348. In 1293-1305, Abbot Odo of Thorney ordered that two or three monks should reside there as had previously been the case. The chapel stood where Throckenholt farmhouse now stands, fragments of stone, bones and other relics having been found on the site at various times. It survived until at least 1540 when it is shown on a map of Wisbech Hundred (the original is in Wisbech Museum). This cross is of a form associated with Medieval Greek Othodoxy in the Eastern Baltic region. A very similar pendant is illustrated in Austin and Alcocks (ed.), From the Baltic to the Black Sea: Studies in Medieval Archaeology, p 175, figure 10.6, row 5, no. 1. In the accompanying text on Medieval Britain it notes: “Accompanying the spread of Christianity, the archaeological material reveals small Orthodox (11th-14th centuries) and Catholic (12th-14th centuries) crosses, which were at first introduced from abroad.” The illustrated example was discovered in Denmark. In the medieval period Denmark formed part of the Hanseatic League, a commercial and defensive confederation of merchant guilds and market towns in central and northern Europe, growing from a few north German towns in the late 12th century, to encompass nearly 200 settlements across seven modern-day countries at its height between the 13th and 15th centuries. Originally a loose association of traders and towns advancing their mutual commercial interests, these arrangements gradually coalesced into the Hanseatic League, a cohesive political organization by the end of the 13th century, whose traders enjoyed duty-free treatment, protection, and diplomatic privileges in affiliated communities and their trade routes. During the peak of its power, the Hanseatic League had a virtual monopoly over maritime trade in the North and Baltic seas. King’s Lynn, on the North Sea coast, just 20 miles from Sutton St. Edmund, provided a significant enclave and trading partner for the Hanseatic League, housing a representative merchant and a League warehouse, and this may provide a possible explanation for the link between these two very similar crosses. This cross is recorded on the Portable Antiquities Scheme database, Ref: NMS-06E591, and has subsequently been disclaimed as Treasure (2019-T379).
A collection of Art Deco compacts,comprising a Mondaine example, formed as book, 7.8cm long, a Tokalon example, decorated with dragonflies, 5.3cm diameter, an Austrian example, with enamelled geometric decoration, 10cm diameter, another similar example, marked ‘Rowenta’, 10cm diameter, four rectangular examples, each with black enamel, a ‘bullseye’ type, a gilt metal example, decorated with a ship, together with three cigarette cases, the first with a map of the United Kingdom, 11cm long, a similar chrome and enamelled example and an Art Deco celluloid cigarette, with a hand form clasp, 9cm wide (13)Condition report: Celluloid case lid detached but present. Wear, knocks and losses to finishes throughout.
DOWNTEMPO - LP RARITIES. More time to chill out with this ace pack of 3 x quickly deleted LPs. Titles are Blockhead - Music By Cavelight (Ninja Tune, UK 2004 og ZEN 88 stock double LP - Ex condition records/with insert/Ex+ very clean sleeve still with shrink), Amorphous Androgynous - The Isness (Future Sound Of London Reocordings - double LP UK 2002 original FSOLLP101 - VG records with some surface marks/glossy inners in clean condition/VG+ sleeve, one of the bottom edges just needs re-glueing) and Telefon Tel Aviv - Map Of What Is Effortless (2004 only pressing, HEFTY 042 - clean Ex/Ex condition).
Hand-coloured (contemporary) engraving depicting Southern-America, including title cartouche lower left, native Americans in traditional dress holding the cartouche.Engraving on a double page (folio format), vertical fold as published, the paper somewhat discoloured due to age, but else in very good condition. Verso: text in French. Originating from: The 'Nieuwen Atlas' (Atlas Nova/ New Atlas) published by Jan Jansz. (Janssonius) in 1638.I.: 47.2 x 54.3 / sheet: 50.1 x 59.9 cm. Noot: Various rivers (including the Amazone and Paraguay) all seem to have their source in 'Lago de los Xarayes'. The mythical 'Parime Lacus' dominates Guyana where the famous City of Gold / Eldorado, or "Manoa or el Dorado" is situated on her West Coast.The map is richly decorateed with ships at sea and monsters populating the oceans, vignettes of animals on the continent, some with fishermen smoking their catch, a European meeting the Giants of Patagonia, tribal war in Brazil, wild wart hogs, jungle cats and tortugas.Onder supervision of Janssonius (Arnhem 1588 – 1664 Amsterdam) the Mercator-Hondius Atlas was extended and published under the name of Atlas Novus. This publication started off as a single volume, on many requests extended with sea- and celestial maps. The volumes were published in Dutch, French, Spanish and Latin.
Contemporary handcoloured world-map (in 2 hemispheres), with two small polar hemispheres (upper and lower center) depicting the solar system (“Polvs Arcticvs” & “Polvs Antarcticvs”). The corners of the map with 4 allegorical figures depicting the continents. Signed in the plate: 'D. Stoopendaal Fec.'Engraving on a double page, three vertical folds as published, the paper with a few minor stains, but else in good condition. Verso: text in Dutch.Originating from the State Bible by Hendrick, Jacob and Pieter Keur ("Keur Bible"), Dordrecht in 1704. After Nicolaas Visscher, a world map published in 1663. I.: 35.1 x 45.5; sheet: 36.9 x 48.8 cm. Litt.: Shirley 498. Poortman/ Augusteijn, pp. 204-205. Note: California is depicted as an isle, Australia not in its entirety.
Hand-coloured map of the world (in 2 hemispheres), with two small polar hemispheres (upper and lower center) depicting the solar system (“Polus Arcticus” & “Polus Antarcticus”). The corners of the map with 4 allegorical figures depicting the continents. Signed in the plate: 'D. Stoopendaal Fec.', and numbered 6 (second state).Engraving on a double page, fold as published, the centre and marges with restoration tape at the back, the paper with a few stains, but else in good condition. Verso: text in Dutch. Originating from the State Bible by Hendrick, Jacob and Pieter Keur ("Keur Bible"), Dordrecht in 1704. After Nicolaas Visscher, a world map published in 1663. I.: 35.1 x 45.6; sheet: 42.9 x 49.2 cm. Litt.: Shirley 498. Poortman/ Augusteijn, pp. 204-205. Note: California is depicted as an isle, Australia not in its entirety.
Hand-coloured (contemporary) map, surrounded by allegorical figures depicting the 12 wind directions and according to pre-Colombian ideas about the known world. The continents rudimentary depicted and joined at the lower part by one single Southern continent (Terra Incognita Secundum Ptolemaeum). Also depicted on a large scale is the mythological island Taprobana (Sumatra or Ceylon) and India, devided into 'India infra Gangem' (India proper) and 'India Extra' (Thailand, Cambodia, Vietnam). Only the Northern part of Africa depicted up to the sources of the Nile. With inscription: 'Ptolomeisch General Tafel / Die halbe Kugel der Welt begreiffende', numbered 872 and 750 in pencil. Engraving on a double page, fold as published, minor crack below, the paper jellowed, some minor holes. Originating from: 'Cosmographia' (1544).I.: 30,9 x 35,2; sheet: 34,8 x 45,1 cm.Note: The 'Cosmographia' by Sebastian Münster is the oldest German published description of the world.
Hand-coloured (contemporary) copper engraving depicting settlements, mountain ranges, fjords, glaciers, vulcanos; the sea populated by sixteen sea monsters described in detail on the verso. With cartouche lower left, dedicated by Andreas Sorensen Vedel (1542-1616) to Frederick II of Denmark (1534-1588). With inscription: ILLVSTRIS. AC POTENTISS. REGI FREDERICO II DANAE, NORVEGIAE, SLAVORUM, GOTHORVMQVE REGI, ETC. (...).Engraving on a double page (folio format), vertical fold as published, few minimal stains in the paper, but else in good condition. Verso: Latin text.Originating from: Abraham Ortelius 'Theatrum Orbis Terrarum', ca. 1584; This map is presumably based on the work of a local inhabitant, possibly Gudbrandur Thorlaksson, Bishop of Holar (1541-1627).Van den Broecke no.: 161I.: 33,4 x 49, 1 / Sheet: 53,9 x 38,4 cm.
Hand-coloured (contemporary) map depicting the African continent, surrounded by sea monsters and ships, adorned with title cartouche with inscription: Africae tabula nova. Copperengraving on a double page, vertical fold as published, slight discolouration due to age of the paper, but else in good condition. Verso: Latin text.Originating from: Ortelius, 'Theatrum Orbis Terrarum', Antwerp, 1570.Sheet.: 36,7 x 48,9 cm. Lit.:- Betz 12- Norwich 10- Tooley p. 88 Note:Of this map six states are known, all printed from the same copper plate. This map replaced the then widely circulated depiction of Africa by Sebastian Munster from 1540. This map closely resembles the wall version by Gastaldi from 1564, a widely accepted depiction of Africa well into the seventeenth century. Two important cartografical innovations were introduced: Cape of Good Hope pointier, the continent smaller depicted eastwards.Broecke 8.
Hand-coloured (contemporary) map with depiction of the Ancient World and with three various cartouches. With inscription: Geographia Sacra; and: Orphiram / regionem quia haec / tabula comprehen / dere non poterat (...); together with: REVERENDO ET ILLVSTRI / DNO GIVLIELMO GRIM/ BERGIO (...).Engraving on a double page, vertical fold as published, in very food condition. Verso: text in Latin.Afkomstig uit: Abraham Ortelius, de 'Parergon', ca. 1595. I.: 35,1 x 47,8 / sheet.: 43,7 x 56,5 cm. Lit.:- Van den Broeke, 179.- Koeman Ort 45 & Ort 44.- Adams O-340 (bound with Theatrum).Noot:The 'Parergon' landkaarten ontstonden als een toevoeging aan het levenswerk van Ortelius, de 'Theatrum Orbis Terrarum', in 1579 met 3 landkaarten. In de daaropvolgende jaren werden daar een nog groter aantal kaarten aan toegevoegd en werd de 'Parergon' een op zichzelf staand werk. Deze kaart stamt uit een editie uit 1598, meestal ingebonden samen met een Latijnse editie van de 'Theatrum Orbis Terrarum' uit ca. 1595.
Handcoloured map depicting the Dutch province Gelderland. With inscription in cartouche: 'Gelriae, Cliviae, Finitimorumque Iocurum verissima descriptio / Christiano Schrot Auctore.'Engraving on a double page, fold as published, some minor stains in the paper, but else in excellent condition. Verso: text in Latin. large margins.Van Den Broecke 61.I.: 36,2 x 49,3 / sheet: 42,7 x 55,9 cm.
Contemporary hand-coloured map depicting the Azores. With inscription in cartouche: 'Has insulas perlustrauit summaque diligentia accuratissime descr. et delineauit Ludouicus Teisera Lusitanus, Regiae Maiestatis cosmogrphus. / Anno a Christo Nato / CIC.IC.LXXXIII.Engraving on double page, fold as published, some minor stains in the paper, but else in good condition. Verso: text in Latin. Originating from: "Theatrum Orbis Terrarum". Van Den Broecke 24.I.: 32.7 x 46.7 / sheet: 43 x 54.7 cm.
Handcoloured (contemporary) map depicting Asia, with cartouche insert. With inscription: Asiae Nova Descriptio, and numbered lower right: 12894.Engraving on a double page, fold as published, some stains in the paper, but else in good contition. Verso: text in Latin. I.: 37,3 x 48,9 / sheet: 48,6 x 58,8 cm.VdB 7.
Hand-coloured map depicting part of Southern America, title cartouche with inscription: América do Sul, Guyana, Suriname, French Guiana / Johannes Jansonius - Guiana sive Amazonum Regio.Engraving on a double page, fold as published, slightly damaged fold, but else in good condition. Not removed from the frame.I.: 37,3 x 48,5 / frame: 62 x 73 cm.
WW2 Third Reich large size wall map of Truppenubungsplatz Bergen. Shows Bergen - Belsen Concentration Camp. The map illustrates the troop training area around Bergen. Along with an edition of the newspaper "Westdeutscher Beobacher" dating from Monday 27th May 1940 announcing the fall of Calais into German hands. (2)
WW2 Third Reich Heer / Waffen SS NCO's Kartentasche map case. Faint RB number stamp to flap. War Souvenir of an American GI who's name and rank are written in blue ink under the flap ""T/4 Merrill Keith 37110571". Flap has 6 holes pierced though it where badges may have been affixed. Complete with an original pencil and two celluloid inserts for maps.
BANKSY DISMALAND BANKSY ORIGINAL DISMALAND Bombe aérosol et pochoir sur carton, signé et numéroté à 50 exemplaires.Art gratuit de la peinture en aérosol au pochoir semé au parc à thème de Banksy "Dismaland" qui s'est tenu pendant deux mois, d'août à septembre 2015. Pendant la période d'exposition, Dismaland a organisé un Art Libre où ils cachent l'œuvre à divers endroits et vous pouvez l'emporter chez vous. (Certains dommages sur le carton en sont la cause.) Livré avec ticket original d’entrée et Map Dismaland. Dimensions 30 x 22 cm environ
BANKSY DISMALAND BANKSY ORIGINAL DISMALAND Bombe aérosol et pochoir sur carton, signé et numéroté à 50 exemplaires.Art gratuit de la peinture en aérosol au pochoir semé au parc à thème de Banksy "Dismaland" qui s'est tenu pendant deux mois, d'août à septembre 2015. Pendant la période d'exposition, Dismaland a organisé un Art Libre où ils cachent l'œuvre à divers endroits et vous pouvez l'emporter chez vous. (Certains dommages sur le carton en sont la cause.) Livré avec ticket original d’entrée et Map Dismaland. Dimensions 30 x 22 cm environ
BANKSY DISMALAND BANKSY ORIGINAL DISMALAND Bombe aérosol et pochoir sur carton, signé et numéroté à 50 exemplaires.Art gratuit de la peinture en aérosol au pochoir semé au parc à thème de Banksy "Dismaland" qui s'est tenu pendant deux mois, d'août à septembre 2015. Pendant la période d'exposition, Dismaland a organisé un Art Libre où ils cachent l'œuvre à divers endroits et vous pouvez l'emporter chez vous. (Certains dommages sur le carton en sont la cause.) Livré avec ticket original d’entrée et Map Dismaland. Dimensions 30 x 22 cm environ
BANKSY DISMALAND BANKSY ORIGINAL DISMALAND Bombe aérosol et pochoir sur carton, signé et numéroté à 50 exemplaires.Art gratuit de la peinture en aérosol au pochoir semé au parc à thème de Banksy "Dismaland" qui s'est tenu pendant deux mois, d'août à septembre 2015. Pendant la période d'exposition, Dismaland a organisé un Art Libre où ils cachent l'œuvre à divers endroits et vous pouvez l'emporter chez vous. (Certains dommages sur le carton en sont la cause.) Livré avec ticket original d’entrée et Map Dismaland. Dimensions 30 x 22 cm environ
BANKSY DISMALAND BANKSY ORIGINAL DISMALAND Bombe aérosol et pochoir sur carton, signé et numéroté à 50 exemplaires.Art gratuit de la peinture en aérosol au pochoir semé au parc à thème de Banksy "Dismaland" qui s'est tenu pendant deux mois, d'août à septembre 2015. Pendant la période d'exposition, Dismaland a organisé un Art Libre où ils cachent l'œuvre à divers endroits et vous pouvez l'emporter chez vous. (Certains dommages sur le carton en sont la cause.) Livré avec ticket original d’entrée et Map Dismaland. Dimensions 30 x 22 cm environ
BANKSY DISMALAND BANKSY ORIGINAL DISMALAND Bombe aérosol et pochoir sur carton, signé et numéroté à 50 exemplaires.Art gratuit de la peinture en aérosol au pochoir semé au parc à thème de Banksy "Dismaland" qui s'est tenu pendant deux mois, d'août à septembre 2015. Pendant la période d'exposition, Dismaland a organisé un Art Libre où ils cachent l'œuvre à divers endroits et vous pouvez l'emporter chez vous. (Certains dommages sur le carton en sont la cause.) Livré avec ticket original d’entrée et Map Dismaland. Dimensions 30 x 22 cm environ
BANKSY DISMALAND BANKSY ORIGINAL DISMALAND Bombe aérosol et pochoir sur carton, signé et numéroté à 50 exemplaires.Art gratuit de la peinture en aérosol au pochoir semé au parc à thème de Banksy "Dismaland" qui s'est tenu pendant deux mois, d'août à septembre 2015. Pendant la période d'exposition, Dismaland a organisé un Art Libre où ils cachent l'œuvre à divers endroits et vous pouvez l'emporter chez vous. (Certains dommages sur le carton en sont la cause.) Livré avec ticket original d’entrée et Map Dismaland. Dimensions 30 x 22 cm environ
BANKSY DISMALAND BANKSY ORIGINAL DISMALAND Bombe aérosol et pochoir sur carton, signé et numéroté à 50 exemplaires.Art gratuit de la peinture en aérosol au pochoir semé au parc à thème de Banksy "Dismaland" qui s'est tenu pendant deux mois, d'août à septembre 2015. Pendant la période d'exposition, Dismaland a organisé un Art Libre où ils cachent l'œuvre à divers endroits et vous pouvez l'emporter chez vous. (Certains dommages sur le carton en sont la cause.) Livré avec ticket original d’entrée et Map Dismaland. Dimensions 30 x 22 cm environ
BANKSY DISMALAND BANKSY ORIGINAL DISMALAND Bombe aérosol et pochoir sur carton, signé et numéroté à 50 exemplaires.Art gratuit de la peinture en aérosol au pochoir semé au parc à thème de Banksy "Dismaland" qui s'est tenu pendant deux mois, d'août à septembre 2015. Pendant la période d'exposition, Dismaland a organisé un Art Libre où ils cachent l'œuvre à divers endroits et vous pouvez l'emporter chez vous. (Certains dommages sur le carton en sont la cause.) Livré avec ticket original d’entrée et Map Dismaland. Dimensions 30 x 22 cm environ
BANKSY DISMALAND BANKSY ORIGINAL DISMALAND Bombe aérosol et pochoir sur carton, signé et numéroté à 50 exemplaires.Art gratuit de la peinture en aérosol au pochoir semé au parc à thème de Banksy "Dismaland" qui s'est tenu pendant deux mois, d'août à septembre 2015. Pendant la période d'exposition, Dismaland a organisé un Art Libre où ils cachent l'œuvre à divers endroits et vous pouvez l'emporter chez vous. (Certains dommages sur le carton en sont la cause.) Livré avec ticket original d’entrée et Map Dismaland. Dimensions 30 x 22 cm environ
BANKSY DISMALAND BANKSY ORIGINAL DISMALAND Bombe aérosol et pochoir sur carton, signé et numéroté à 25 exemplaires.Art gratuit de la peinture en aérosol au pochoir semé au parc à thème de Banksy "Dismaland" qui s'est tenu pendant deux mois, d'août à septembre 2015. Pendant la période d'exposition, Dismaland a organisé un Art Libre où ils cachent l'œuvre à divers endroits et vous pouvez l'emporter chez vous. (Certains dommages sur le carton en sont la cause.) Livré avec ticket original d’entrée et Map Dismaland. Dimensions 30 x 22 cm environ
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