R HINDRY MASON: THE HISTORY OF NORFOLK FROM ORIGINAL RECORDS AND OTHER AUTHORITIES PRESERVED IN PUBLIC AND PRIVATE COLLECTIONS, L, Wertheimer Lea & Co, 1884, large paper edn (100), fdg dble pg col'd map, 8 col'd illustrations on 4 fl pg plts + fdg plt of arms + fl pg engrvd plts of Norwich Castle + 4 plts facsimile autographs + 1 black and white plt complete as list with HISTORY OF NORFOLK PARISHES AND TOWNSHIPS [ACLE TO BARFORD], bnd in rear 148pp, fo, armorial bkplt of A Hammond to front pastedown, old hf cf gt split at spine
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THE REV EDMOND WARRE (ED): ETON IN 1829-1830 A DIARY OF BOATING AND OTHER EVENTS WRITTEN IN GREEK BY THOMAS KYNASTON SELWYN ,,,, L, 1903 1st edn, frontis + 15 plts + fdg map compl as per list, orig cl gt + C R L FLETCHER: EDMOND WARRE ,,, SOMETIME HEADMASTER AND PROVOST OF ETON COLLEGE, L, 1922, 1st edn, frontis + 8 plts compl as per list + THE ETON BOATING BOOK - 3RD EDITION REVISED ENLARGED AND BROUGHT DOWN TO THE YEAR 1932 BY THE ETON VIKINGS CLUB, Eton 1933, 3rd edn, 4 plts + 3 fdg maps compl as per list + THE AMPHIBIAN, Eton College Press, R Ingalton Drake, June 4th to July 27th 1898, Nos 1 to 5 in 1 vol, sigd by the editors W Cockerell, W E Guinness and G A Lloyd and dtd July 1898, mod cl gt + JOHN LANGFIELD: THE ETON RIVER BOOK, circa 1987, orig wraps + THE ETON BOATING BOOK 1816 TO 1932 - CORRECTIONS AND ADDITIONS 1938, Eton 1938, orig ptd wraps (6)
A collection of Australian, mainly Tasmanian A collection of Australian, mainly Tasmanian, Arts and Crafts hammered silver coloured flatware, comprising: a pastry slice by Sargison's, Hobart, with a heart shaped blade, a part twisted handle and open knot terminal, 26.5cm (10 1/2in) long; a butter knife and preserve spoon by Sargison's, with a flower and leaf terminal; another butter knife and spoon by Sargison's, with open scroll terminals; another butter knife by Sargison's, with a figure of eight terminal; two souvenir spoons, each stamped STG. SILVER and HOBART, with map of Tasmania terminals; and a small spoon by James Alexander Linton, Perth (incuse JAL, a gumnut and SILVER), the terminal pierced with a wild flower, 180g (5.8 oz) gross (9)
FALKLAND ISLAND DEPS - Fine collection in two albums substantially complete unused (mostly u/m) and fine used to 1979, then u/m to 1985, with a number of additional multiples, watermark errors, varieties incl 1946-49 2d "Map" with missing "I" in "Shetland Islands" unused, and a few covers, a lovely lot for continuation (Hundreds)
CHRISTMAS ISLAND - (F) 1995-96 Postmasters provisional booklet containing pane of ten 45c Orchids (SG 392-396) glued (on margin) into a folded booklet cover which has a map of the area and details of the Island printed inside, a scarce item of which less than one hundred are believed to have been produced
Maps - Blome (Richard), London, engraved map, inset with arms of the Honourable Mercantile Guilds and Companies of the City, restrike, 17.5cm x 28cm; Bowen (Thomas), Tower Street Ward {London}: Divided into its Parishes According to a late Survey, R. Baldwin, London 1772, for Noorthouck's History of London, copper line engraving on paper, 21.5cm x 27.5cm, mounted (2)
Survey Map of the Surrey Estate of Sir John Evelyn 1st Baronet of Wotton, by John Grove Circa 1712, the map is hand painted on vellum. Map is mounted on wooden poles. Some creasing to the map and wear to the finish. Map has key with “A Survey of Some Lands being part of y Estate of John Evelyn Esq in y County of Surrey, Surveyed by John Grove October 1712”. Sir John Evelyn was the grandson of famous diarist John Evelyn (1620-1706), he inherited the family home of Wotton House outside of Dorking, Surrey.
Map Circa 1810 by Edward Mogg London in Miniature with the Surrounding Villages an entire new plan. The folded linen back map has some soiling and wear. Complete with the original slip case which has the paper label attached, case shows some wear also. Condition is consistent with the age of the item.
The British Empire Exhibition 1924 Grouping consisting of the official guide book with pull out map section, EPNS dish with enamel badge to the centre, Fords China dish with transfer decoration to the centre and a small tin for Sharp’s Toffee with a label stating “A Present from Wembley Exhibition”. Items show some wear. (4 items)
A coloured lithograph map of Venice, inscribed 'PIANTA DI VENEZIA EDIZIONE DELLA LITOGRAFIA VENEZIANA', 51.7 x 70.3cm, together with a map of New York with landscape vignetttes, drawn and engraved by 'J. RAPKIN' and published by 'JOHN TALLIS & CO', both framed and glazed. (2)Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.
Four George III reverse glass pictures of 18th century Navy Admirals, 'Sr. GEORGE BRIDGES RODNEY.', damaged, 35.7 x 25.3cm, 'Sr. Edward Hawke', 'Sold by JOHN EYNON, Map & Print-feller, at y Corner of Castle Alley, Royal Exchange in Threadneedle STREET, LONDON.'; 'Sr. George Pocock.', 'Publish'd March 25th 1762, Printed for John Banks & Son at the Black Horse, Cornhill.'; and an untitled portrait. (4)Provenance: The Property of Dr & Mrs Emanuel.
Johannes Blaeu. Hampshire, a hand coloured engraved map inscribed 'HANTONIA, SIVE, SOVTHANTONENSIS, COMITATUS, Vulgo, HANTSHIRE', mid 17th century 39 x 48cm, in a later mounted and glazed frame. Lot 49 – Hampshire, it is difficult to say whether this has been stuck to a card or paper backing, I haven’t taken it out of its frame. Overall it is rather yellowed and discoloured with overall cockling. With some small tears near the Dorset border. A small puncture to the centre of Wiltshire with some surface white finish around Britannicus and the lower right shield. Some colour run around to the north of Titchfield. Some minor damp spotting.
Artist: Valerie Osment Design: Travels with Edward About the artist Valerie Osment is a professional visual artist based in Essex whose work has painting and illustration at its core. With a BA Hons in Graphic Design and Illustration, she exploits multiple media and visual art forms to create work in 2D or 3D form. About the design ‘Travel’s with Edward’ is inspired by Edward Stanfords ‘Library Map of London’ published in 1862 and recognised as the first accurate map of London ever produced. The design concept is based upon an artistic Victorian traveller who, arriving in London, has a copy in hand of Stanford’s newly published 1862 London map to help guide them across the city. Armed with their trusty sketchbook, they seek out various locations and famous destinations, recording their visit by creating paintings & sketches of the 1862 London landmarks, its sights, sounds and skyline discovered. As they go they ‘tear’ off’ the relevant map section to ‘stick’ on the page next to the image, adding an interesting historical fact scribed in fountain pen. The bus’ design shows a multiple of differently sized opened page antique-looking sketchbooks. Each portrays a section from Stanfords original 1862 map and an image relating to that location. On the front of the bus a fictional newspaper announces the ‘Stop Press’ news about this wonderful new map just published. The back of the bus displays the traveller’s sketchbook cover entitled ‘London Sketches A to Z, 1862’. Featured on the roof are further open sketchbook pages including one for the ‘Adelphi Theatre (providing the ‘A’) and another for London Zoo (for the ‘Z’) as well as a decorative poster-like piece that has a quote from the Royal Geographical Society who at that time hailed the map as ‘the most perfect map of London ever issued’. Location: Long Acre Trail: Around Westminster Dimensions: Length- 2.4m Width 0.5m Height- 0.95m
Artist: Rod Hunt Design: London Takes the Bus About the artist Rod Hunt is an award-winning London based illustrator who has built a reputation for retro tinged illustrations, detailed character filled landscapes and is also the artist behind the bestselling Where’s Stig? books for the BBC’s hit TV show Top Gear. About the design London Takes the Bus is inspired by the key bus routes on the central london map - it almost looks like the map is spelling the word ‘bus’ in route lines. Location: Victoria Street Trail: Around Westminster Dimensions: Length- 2.4m Width 0.5m Height- 0.95m
Artist: One Red Shoe Design: Tunnel Vision About the artist Fiona and Neil Osborne (One Red Shoe) have been designing and painting murals in Cheshire and nationwide for the last 12 years. Working in public spaces, businesses and private homes - producing a portfolio ranging from large, gable-end murals to painted and furnished theme rooms. "We always try to problem-solve creatively and paint our designs wonderfully". About the design In homage to the iconic Harry Beck map, we took the eleven letters of the Underground logo and stretched them into abstract versions of the eleven colour coded train lines. Each coloured line flows around the bus using the rules but not the route of the original map, eventually joining its own name. Rather than a plain, white background we painted the underground tiles to add another level to the theme. There is also a small, hidden item on the bus... Location: Cardinal Place Trail: Around Westminster Dimensions: Length- 2.4m Width 0.5m Height- 0.95m
Artist: Oliver Dean Design: Journey to Anywhere About the design The role of London as a major tourist destination along with the idea that a journey continues beyond the map (so to speak) is the inspiration for this design along with the comparative similarity between the angular designs of Thomas Heatherwick’s Routemaster and Harry Beck’s underground map. This resulted in a kind of colourful mash up of line, angle and direction. About the artist Oliver Dean is an illustrator, author and artist from Essex. He works across a wide spectrum of art projects including community groups, commercial and private commissions. Location: Victory Park Trail: Around Queen Elizabeth Olympic Park Dimensions: Length- 2.4m Width 0.5m Height- 0.95m
John Senex (1678-1740) "FRANCE COLLECTED FROM YE OBSERVATIONS MADE BY THE ROYAL ACADEMY OF SCIENCES AT PARIS" engraving with hand-colouring, published 1708 64.5 x 92.5cms; 25 1/2 x 36 1/4in. (plate size); together with an antique map "CARTE DE L'ENTREE DE LA TAMISE AVEC LES BUNES, PASSES OF ISLES ET COSTES COMPRISES ENTREE SANDWICH ET CLAY" engraving with hand-colouring, published by Jaques Nicholas Bellin 46 x 89cms; 18 x 35in. (plate size), unframed. (2)
John Cary (c.1754-1835) "A NEW MAP OF SOMERSETSHIRE DIVIDED INTO HUNDREDS..." engraving with hand-colouring, published 1805 52 x 57cms; 20 1/2 x 22 1/2in. (plate size); "A NEW MAP OF CAMBRIDGESHIRE DIVIDED INTO HUNDREDS..." engraving with hand-colouring, published 1806 59 x 51cms; 23 1/4 x 20in (plate size); together with other counties, publishing dates differ, all of similar sizes; and an engraved Carey title page, unframed. (23)
John Cary (c.1754-1835) "A NEW MAP OF HAMPSHIRE, DIVIDED INTO HUNDREDS...", "A NEW MAP OF SURREY..." AND "A NEW MAP OF DERBYSHIRE..." engravings with hand-colouring, published 1801 59.5 x 52cms; 23 1/2 x 20 1/2in. (plate size); together with twenty-one other Counties by John Cary, all of similar sizes, unframed. (24)
Giovanni Battista Sesti (Italian late 16th/17th Century) "PLANS OF CASTLE AND FORTIFICATIONS IN THE STATE OF MILAN" engravings c.1710 comprising 14 plans on 10 leaves, plus a map of the State of Milan, and a fold-out map of the Dutchy of Mantua (12 leaves in total enclosed by plain paper covers), unframed. See illustration
MCCARTNEY PAUL: (1942- ) British Musician, a member of The Beatles. Blue ink signature ('Paul McCartney') to the verso of a promotional postcard issued for a performance of Bread by Carla Lane at the BBC TV Studios in London. The verso bears the number 032 and is illustrated with a printed map and travel details to the television studio. Signed by McCartney with his name alone in blue ink to a clear area of one corner. Some light overall age wear and minor creasing (largely visible to the recto). About VG
DU MAURIER DAPHNE: (1907-1989) British Author. T.L.S., Daphne, six pages, 8vo, Menabilly, Par, Cornwall, 30th December 1967, to 'My dear' (Foy Quiller-Couch). Du Maurier writes a largely social letter to her friend following Christmas, thanking her for a large casserole tureen, 'which is being used this minute by Tessa and Flavia in the kitchen…to cook a Hot-Pot of turkey legs and veg mixed - the smells from the kitchen, and casserole, very good indeed' and further writing 'Our Christmas has been a good one, whether the last here or not I cannot foretell, it must surely depend on how long it takes to finish Kilmarth…I don't want to move from here until everything is ready. On the other hand neither do I want to have two ready-to-occupy houses on my hands, both needing to be heated. We shall see'. Du Maurier continues, referring to her work, 'I must now see how the turkey stew is brewing. Talking of brewing, I am turning my thoughts to a story about Tywardreath, the Priory, the Lord of the Manor, etc, in the fourteen hundreds (1330 approx) and am doing quite a bit of research on subject. Another Mr. Clampish type, a Mr. Thomas of Old Cornwall Society in Tywardreath, is being very helpful, and has lent me a glorious full scale tithe map of Tywardreath which is proving a boon. It gives the names of the old Priory lands, and all the fields, etc, and shows where the sea came to, and many other things, and I find it absorbing. What is very interesting is that the Carminow family of Carminow and Trelowarren before the days of the Vyvyans, were very connected with the manor of Tywardreath, and I am hoping to sort it all out. I am very intrigued by a young woman called Isolda who married Sir Oliver Carminow, as his second wife, and he seems to have had a clandestine marriage to a 3rd down in your Mawgan. Their estates were all down there, but a great finger in the Tywardreath pie. As to the Priory, it was full of dissolute monks from Angers, who kept on being reprimanded by the Bishop of Exeter. I wonder if your father ever felt himself drawn to that moment of time in local history, but I can't think, off-hand, of any book of his that dealt with it. Correct me if I am wrong. I have never studied it hitherto but am deep in it now. Period, Edward II, and then early Edward III and The Black Death'. She concludes with an amusing anecdote, 'You know the “mincy“ builder Mr Pascoe at Kilmarth. We discovered a well in the basement the other day, and I told him it had probably been shut up since the Black Death, and that he must get a ladder and go down it and see if skeletons reposed at the bottom. He was very disconcerted, and to distract my attention put a lot of flowers in pots in the front porch and bowls of bulbs'. A few small, minor tape stains at the head of some pages, only very slightly affecting one word of text, and not the signature, otherwise VG Foy Quiller-Couch - daughter of British writer Arthur Quiller-Couch (1863-1944), and a life-long friend of Du Maurier. Indeed, Du Maurier was accompanied by Foy Quiller-Couch when she became inspired with the storyline for her novel Jamaica Inn. Some years previously the two ladies were staying at Jamaica Inn and went riding on Bodmin Moor. They became lost in bad weather conditions and apparently sheltered for some time in a derelict cottage on the moor but were eventually led back to Jamaica Inn by their horses. The work to which Du Maurier refers to in the present letter is her novel The House on the Strand which was published in 1969. It is set in and around Kilmarth near the Cornish village of Tywardreath (which translates from the Cornish language as 'House on the Strand').
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108737 item(s)/page