The Imperial Gazetteer of England and Wales, John Marius Wilson, Vol I and II, A Fullarton & Co, 1880; Annals and Antiquities of the Counties and County Families of Wales by Thomas Nicholas, London, 1872; A Topographical Dictionary of Wales by Samuel Lewis, in two volumes, third edition, London, 1845; two volumes of Lewis's Map of England and Wales N-W division and S-W division; and The History and Antiquities of the County of Cardigan by Samuel Rush Meyrick, Brecon, 1907, Davies & Co, quarter bound in black calf
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A GROUP OF 10 EARLY SOVIET CHILDRENS BOOKS comprising:a) Lesnoy razvedchik [Forest Scout]. Moscow-Leningrad: OGIZ - Molodaya Gvardiya, 1931. 12mo (176 x 129 mm)b) Shutki-pribautki [Jokes]. Moscow-Leningrad: Raduga, 1929. 12mo (180 x 145 mm)c) Nashy vragi [Our Enemies]. Moscow-Leningrad: Raduga, 1928. 12mo (180 x 143 mm)d) Negramotnyi [Illiterate]. Moscow-Leningrad: Raduga, 1928. 12mo (180 x 145 mm)e) Raskraska No 3 [Coloring Book No 3]. Moscow-Leningrad: Raduga, 1920s. 12mo (190 x 148 mm)f) Nebylitsy [Fish Story]. Moscow-Leningrad: Raduga, 1920s. 12mo (192 x 145 mm)g) Fedorino Gore [Fedora`s Sorrow]. Leningrad: OGIZ, 1935. 12mo (197 x 150 mm)h) Inostranka [Foreigner]. Moscow-Leningrad: DETIZDAT, 1937. 12mo (193 x 138 mm) i) Pyat Kolets [Five Rings]. Moscow: OGIZ, 1931. 8vo (220 x 173 mm) j) Tchasy i karta Oktyabrya [Clock and Map of October]. Moscow-Leningrad: GIZ, 1930. 12mo (210 x 172 mm)
John Senex, 18th century engraving with later hand colouring, The Road from Bristol to Chester, circa 1719, 16cm x 21cm, Framed and glazed, with a Sayer & Bennett 1775 road map from Shrewsbury to Holywell and Chester to Holywell; another Sayer and Bennett road map - Banbury to Shifnal; and two road maps framed as one, Tenbury to Ludlow and Bishops Castle and Newport to Whitchurch (4)
Rapin de Thoyras & Tindal, Two 18th century engraved maps, 'Plan of the Battle of Malplaquet gained by the Allies Sept 11th 1709', & 'Plan of different movements of ye army of ye allies under Prince Eugene of Savoy', circa 1745, 39cm x 48cm, Framed and glazed, along with anther Rapin de Thoyras & Tindal 18th century engraved map, 'Draught of ye Bay of Bulls between the town of Rotta and Fort St Catherine' - Battle of Cadiz, circa 1745', 37.5cm x 37cm, Framed and glazed (3)
A good lot to include four framed under glass images of water fowl, all four measuring 38 cm x 33 cm, two framed collections of pictures of Michelangelo's David, each measuring 45 cm x 20 cm, a print depicting a lady sitting reading a book in an ornate frame, approximately 67 cm x 55 cm and a map of Chester mounted and framed under glass, approximately 61 cm x 49 cm
Two boxes of books and ephemera from the estate of Christopher Tolhurst Spencer Hawkins of Sunderland Bridge, Co. Durham, including several early 20th century albums and notebooks of Beryl S. Spencer Hawkins, containing her mss. verse and prose, sketches, doodles and other jottings, as well as the original manuscript for her children's story Told in a Garden (1923, London, Hutchinson & Co.), in loose typed and mss. sheets arranged by chapter, with an original pen & ink illustration to the book; a 1916 album of sketches and musings, each signed by the contributors, probably visitors; some small books and pamphlets of poetry and prose by contemporaries and literary friends (some privately published?), such as Denise Robins; Tonbridge School registers; Memoirs of William Hickey, 4 vols; Thackeray's Works; Webster's New International Dictionary, 2 vols; prayer books etc., also a biography of Stanley Spencer (a relation?) by Collis. Lot includes a Map of Sunderland Bridge (rolled in a tube), some records (in original sleeves and arranged in an album) and a glass ink well with engraved hunting scene with desk seal with mother-of-pearl handle (qty)
A watercolour and bodycolour titled 'Nottingham Park About 1875' to the mount; a large c.1850 lithograph after J. Rawson Walker titled Nottingham and the Adjacent Country; a c.1860 lithograph after A. Arnst Market Place Nottingham; and a hand-coloured map of Leicestershire by Robert Morden; all four framed and glazed (4)
THOMAS BOWEN 'The World Including the Late Discoveries by Captain Cook and other Circum Navigators', hand-coloured engraving for Bankes' New System of Geography published by Royal Authority, 27.5 x 46cm; and one further - 'A New and Correct Map of the World from the Latest Observations', 15 x 29cm (2)
JOHNSTON W A K (Pub.) Map of the County of Aberdeen. Large fldg, linen. map, hand col. in outline, in slip case. Mid 19th cent CONDITION REPORT: Three foxing circles along bottom fold. SLight foxing on right hand side by middle fold. Some marks bottom left edge and bottom right edge. Overall slightly brown, slightly dirty, noticeable top left quarter - some dirty marks. Box has peeling cloth on right hand edge, rather dirty, strong at edges, label dirty and couple of larger dark marks. Ink spot top left.
ARMSTRONG M J. A Scotch Atlas or Description of The Kingdom of Scotland, Robt.Sayer, London, 1787, 31 maps, hand-coloured and engraved title, small quarto, old quarter calf, marbled brds. CONDITION REPORT: Spine worn, particularly at the top, red title is present (if worn). Corners ok, at spine, paper covers faded, rubbed. Leather corner lost much of their colour. Marks in pencil to 1st end paper nb/x? 8/11/68, 328, 333. Title pg present, slightly dirty. 12/. in pencil top right hand side title edges? Papers slightly dirty. Generally though interior maps and pages are in pretty good condition, transfer of map border to opp. tex. Some pale foxing particularly towards the end of the volume.
An early 17th Century map based on the first survey of England by Christopher Saxton and published in William Camden's Britannia (London: 1607-1637). It was engraved by William Hole, one of first recorded English map engravers.This particular example comes from the 1610 edition as it doesn't have Latin text on the verso (1607 edition) nor a (plate) number added (1637 edition).
Railwayana collection, comprising the following: LMS Map of England and Wales Network; The Railway Navvy, by David Brooke; four locomotive photographs; mounted Victorian photograph showing the Tay Bridge after the disaster; Victorian print showing the New Tay Bridge; Alfred Concanen lithograph: trimmed Victorian sheet music cover of a railway station; mounted photograph of Torrington Station, Devon; View of Saltash Station looking towards Brunel's Bridge. (8)
Group of 34 pre-stamp letters attractively display in a album, many with 'Bishop Marks, 'Ship Letters', 'Scottish marks', various destination also from USA to London, incl a 1753 Hand coloured Map of Pembrokeshire, some filing folds as to be expected though strikes and condition generally good
Richard Karlovich Zommer (Russian 1866-1939) At the door to the mosque Signed Oil on canvas 58 x 86cm; 23 x 34in Provenance: Captain Henry Herbert Douglas-Withers, purchased from artist in Tbilisi in 1915/16 By family descent to the present owner Captain Douglas-Withers fought in the Gallipoli Campaign in 1915/16 with the Prince of Wales Volunteers (South Lancashire Regiment) and was awarded the Military Cross for exemplary gallantry. After the campaign he was part of a small British force that was sent stabilise Tbilisi, as many White Russians were there, fleeing the Red Army. Richard Zommer was teaching in Tbilisi and sold his paintings locally. Captain Douglas-Withers purchased a number of his pictures including lots 471, 472 and 473 and stored them in Army Map containers for transport home. Born in Munich, Zommer went to St Petersburg in 1884 and studied at the Academy of Fine Arts, winning several awards for his work. In the 1890s he travelled extensively in Asia and developed his style, renowned for being true to life and for his vibrant depiction of light. In the early 1900s he moved to Georgia and worked in the Caucasus Mountains providing an invaluable record of life in this remote territory at this time. He taught many Georgian painters but the artist Lado Gudiashvili was perhaps the one who he influenced the most. Between 1916 and 1920 he exhibited in Tbilisi and it was at this time that these three works were purchased. In 1939 the Stalin regime forced him to leave Georgia and no record of him has been found after this. It is likely that he was interned in Siberia as this was the fate that befell ethnic Germans at this time.
Richard Karlovich Zommer (Russian 1866-1939) Figures by a mosque Signed Oil on canvas 71 x 47cm; 28 x 18½in Provenance: Captain Henry Herbert Douglas-Withers, purchased from artist in Tbilisi in 1915/16 By family descent to the present owner Captain Douglas-Withers fought in the Gallipoli Campaign in 1915/16 with the Prince of Wales Volunteers (South Lancashire Regiment) and was awarded the Military Cross for exemplary gallantry. After the campaign he was part of a small British force that was sent stabilise Tbilisi, as many White Russians were there, fleeing the Red Army. Richard Zommer was teaching in Tbilisi and sold his paintings locally. Captain Douglas-Withers purchased a number of his pictures including lots 471, 472 and 473 and stored them in Army Map containers for transport home. Born in Munich, Zommer went to St Petersburg in 1884 and studied at the Academy of Fine Arts, winning several awards for his work. In the 1890s he travelled extensively in Asia and developed his style, renowned for being true to life and for his vibrant depiction of light. In the early 1900s he moved to Georgia and worked in the Caucasus Mountains providing an invaluable record of life in this remote territory at this time. He taught many Georgian painters but the artist Lado Gudiashvili was perhaps the one who he influenced the most. Between 1916 and 1920 he exhibited in Tbilisi and it was at this time that these three works were purchased. In 1939 the Stalin regime forced him to leave Georgia and no record of him has been found after this. It is likely that he was interned in Siberia as this was the fate that befell ethnic Germans at this time.
Richard Karlovich Zommer (Russian 1866-1939) The Ferry, Lake Van Signed Oil on canvas 43 x 77cm; 17 x 30½in Provenance: Captain Henry Herbert Douglas-Withers, purchased from artist in Tbilisi in 1915/16 By family descent to the present owner Captain Douglas-Withers fought in the Gallipoli Campaign in 1915/16 with the Prince of Wales Volunteers (South Lancashire Regiment) and was awarded the Military Cross for exemplary gallantry. After the campaign he was part of a small British force that was sent stabilise Tbilisi, as many White Russians were there, fleeing the Red Army. Richard Zommer was teaching in Tbilisi and sold his paintings locally. Captain Douglas-Withers purchased a number of his pictures including lots 471, 472 and 473 and stored them in Army Map containers for transport home. Born in Munich, Zommer went to St Petersburg in 1884 and studied at the Academy of Fine Arts, winning several awards for his work. In the 1890s he travelled extensively in Asia and developed his style, renowned for being true to life and for his vibrant depiction of light. In the early 1900s he moved to Georgia and worked in the Caucasus Mountains providing an invaluable record of life in this remote territory at this time. He taught many Georgian painters but the artist Lado Gudiashvili was perhaps the one who he influenced the most. Between 1916 and 1920 he exhibited in Tbilisi and it was at this time that these three works were purchased. In 1939 the Stalin regime forced him to leave Georgia and no record of him has been found after this. It is likely that he was interned in Siberia as this was the fate that befell ethnic Germans at this time.
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109198 item(s)/page