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Click here to subscribeAN ANTIQUARIAN SECOND EDITION 1897 ORDNANCE SURVEY MAP OF MACCLESFIELD, CHESHIRE, A SECOND EDITION 1897 MAP OF KNUTSFORD DIVISON CHESHIRE. A PLAN OF PROPERTY SITUATE IN THE BORUGH OF MACCLESFIELD BELONGING TO THE TRUSTEES OF THE LATE THOMAS BULLOCK AND SAM BARTON AND A PART ORDNANCE SURVEY MAP 1910 OF STOCKPORT
A map of the 'The Hundred of Bromley & Beckenham and the Hundred of Ruxley an engraved folding map with hand colouring, from Edward Hasted's The History and Topographical Survey of the County of Kent: Volume 1, 1797, mounted, modern Hogarth frame within mount 39 x 37cm., overall 54 x 51 cmCondition: Overall good condition. Some uniform yellowing
Illustrated Books and other works comprising Rubaiyat of Omar Khayyam translated by Edward Fiztgerald and illustrated by Gilbert James 1909, de cloth, The Rubaiyat of Omar Khayyam illustrated by Mabel Eardley-Wilmot with 38 tipped in black and white pictures from photographs, 1912, dec cloth, Shakespeare's Comedy of the Tempest illustrated by Edmund Dulac with tipped colour plates, Hans Andersen's Fairy Tales illustrated by W Heath Robinson, together with Markham, Shooting in the Himalayas, 1854, first edition, lithograph frontis and six plates, folding map, wood cut engraved illustrations, red half morocco with marbled boards and Goldsmith, A History of the Earth and, 1858, 2 Volshalf morocco and embossed cloth etc., (qty)variousCondition: First with some soiling to cloth, fraying to front hinge, spine worn top and bottom, some marks to contents. Second some soiling rubbing to cloth contents cleanDulac illustrated Tempest with spotting and foxing Shooting in the Himalayas, defective lacking one plate, foxing to frontis and other plates. binding cracking
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hang woodblock print titled "Fuji San From Yamanaka" depicting a peaceful Mt. Fuji under a white snow blanket, 1937. Jizuri seal along the left margin. Pencil signed along the lower right; marked with Yoshida's seal in a plate along the lower right; titled along the lower left margin; further inscribed in Japanese along the left margin. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida.One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.Height: 10 3/4 in x width: 15 3/4 in.Condition: No visible tears, losses, or restoration under UV light. The paper is toned as shown in the listing image. Along the right margin, there is light wear, original to the artistic practice. A few scattered areas with light creases along the margins; there is a 4 in long crease to the upper left corner; please see the listing image. No visible foxing or soiling to the sheet. To the upper right margin, there are white spots that are fluorescent under UV light. Along the lower margin, there are two networks of minute black dots; see the listing image. Along the verso, the paper is toned and has a few scattered areas of minute spots as shown in the listing image; they do not affect the recto. To the upper right quadrant, there is 3/4 in long spot.
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hanga woodblock print titled "Yasaka jinja (Yasaka Shrine)" depicting the exterior of a shrine with several visitors outside. Pencil signed along the lower right; titled along the lower left. With the artist's seal in plate along the lower right; further stamped along the left margin.One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.Sight; height: 15 1/2 in x width: 10 1/4 in. Framed; height: 21 in x width: 15 1/2 in.Condition: No visible tears, losses or creases. There is toning throughout. There is undulation throughout the sheet. Along the top right margin there is a minute crease. There is foxing throughout, particularly along the left quadrant. There is discoloration along the right margin, due to the nature of the work it is difficult to tell whether or not this is original to the artwork. There is wear to the frame. Framed under glass.
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hanga woodblock print titled "Nikko kiri no hi (Misty day in Nikko)," depicting travelers visiting a shrine nestled amongst a misty forest. Pencil signed along the lower right; titled along the lower left. With the artist's seal in plate along the lower right and further stamped along the left margin.One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.Sight; height: 15 1/2 in x width: 10 1/2 in. Framed; height: 21 1/2 in x width: 15 1/2 in.Condition: No major tears, creases or losses. There is foxing along the right margin, particularly the top right and bottom left corners. Light creasing along the top margin. There is light wear and undulation throughout the sheet. There is toning and discoloration throughout the sheet, especially along the top left corner of the margin. Framed under glass. Light wear to the frame.
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hang woodblock print titled "Kinoe Harbor" depicting a peaceful harbor scene with boats with Mount Kinoe in Maine in the United States, rising in the background, 1930. With the jizuri seal along the left margin. Pencil signed along the lower right; titled along the lower left; ink titled along the lower left margin; marked with Yoshida's seal along the lower right in plate; further inscribed in Japanese along the left margin. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida.One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.Height: 16 1/4 in x width: 11 in.Condition: No visible tears, losses, or restoration under UV light. No visible foxing or soiling. The color is bold and bright. The sheet is tone and has light wear along the upper and left margins, original to the artistic practice. Along the upper, lower, and left margin, there are light brown line marks that do not affect the center image; please see the listing image. Along the upper margin, there are minute creases that do not affect the center image. Along the left margin, there are two pinholes, possibly from the artistic practice. Along the right margin, there is an area with light area marks. Along the verso, the paper is toned.
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hang woodblock print titled "Fujiyama from Okitsu" depicting a beautiful village spring scene with flowering cherry blossoms and Mt. Fuji in the background, 1928. Jizuri seal along the left margin. Pencil signed along the lower margin; titled along the left margin; further inscribed in Japanese along the left margin. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida.One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.Height: 16 1/4 in x width: 11 in.Condition: No visible tears, losses, or restoration under UV light. Light wear along the upper and left margin, original to the artistic practice. The sheet is toned as shown in the listing image. No visible foxing and soiling. The color is bold and bright. Along the sky, there are several minute areas that appears to be a crease; however, they are original texture of the sheet. Along the verso, the paper is toned and has no visible foxing and soiling. To the lower left quadrant, there is an area with light brown spots.
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hang woodblock print titled "Three Little Islands" depicting a calm ocean scene with two boats floating peacefully floating on the water with three islands in the background, 1930. Jizuri seal along the left margin. Pencil signed along the lower right; pen titled along the lower left; ink titled along the lower left margin; marked with Yoshida's seal in plate along the lower right; further inscribed in Japanese along the left margin. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida.One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.Height: 11 in x width: 16 1/4 in.Condition: No visible tears, losses, or signs of restoration under UV light. The sheet is toned as shown in the listing image; no visible foxing or soiling. Along the margins, there are minor creases that do not affect the center image. Along the upper margin, there is a very light acidic burn possibly from the previous mat; please see the listing image. Along the upper margin, there are two pinholes, original to the artistic practice. Along the upper and right margins, there is wear, original to the artistic practice. To the lower left corner, there is the original ink residue. Along the verso, the sheet is toned.
Hiroshi Yoshida (Japanese, 1876-1950). Double-oban Japanese shin-hanga woodblock print titled "Sailing Boats - Mist" depicting a sailing ship floating on the water, 1926. The detailed depiction of the reflection adds a peaceful atmosphere to the print, along with a man working alone in the boat. Jizuri seal along the left margin. Pencil signed along the lower right and titled along the lower left; titled along the lower left; marked with Yoshida's seal in plate along the lower left; further inscribed in Japanese along the left margin. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida.One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. Later in his life he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.Height: 22 in x width: 16 in.Condition: No visible losses, or restoration under UV light. The sheet is toned and has light browning as shown in the listing image. There is light wear along the upper and left margins. Along the upper margin, there are two pinholes, original from the artistic practice. Along the left margin, there is a line folded crease. There is a minor crease to the lower right corner. No major losses- there is a minute tear to the upper right corner. There is a 2 in folded crease to the upper left corner. To the upper left margin, there is a foxing started to form. To the upper right margin, there is a straight line crease. Along the verso, the sheet is toned and has a light browning; There are throws square marks from the previous framer's tape along the upper margin. To the lower right corner, there is a skimming. To the upper left margin, there is a minor foxing. Along the lower margin of the verso, there is a pencil inscription "1074"; to the upper right corner, there is a pencil and pen inscription.
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hang woodblock print titled "Kailasa Temple - Ellora" depicting a Kailasha, also known as Kailashanatha, temple, the largest of the rock-cut Hindu temples at the Ellora Caves near Sambhaji Nagar in Aurangabad district of Maharashtra, India, 1931. Jizuri seal along the left margin. Pencil signed and titled along the lower right; titled along the lower left margin; marked with Yoshida's seal in plate along the lower right; inscribed in Japanese along the left margin and further inscribed in English along the lower margin. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida.One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.Height: 15 3/4 in x width: 11 in.Condition: No visible tears, losses, or signs of restoration under UV light. No major creases; there are a few minor creases along the margins, which do not affect the center image. The sheet is toned as shown in the listing image. There is light wear along the upper and left margins, original to the artistic practice. To the right margin, there is an original ink residue. Very light undulation to the upper part of the print. Along the verso, the paper is toned; to the upper left margin, there is a light brown spot that does not affect the recto.
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hang woodblock print titled "Chikugo River" depicting a quiet night scenery of a riverside town in Japan, 1927. Jizuri seal along the left margin. Pencil signed along the lower right; ink titled along the left margin; seal marked along the lower right in plate; further inscribed in Japanese along the left margin. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida.One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.Height: 10 1/2 in x width: 16 in.Condition: No visible tears, losses, or restoration under UV light. Along the right margin, there is light wear as shown in the listing image; however, it is original to the artistic practice. The sheet is toned and has no foxing or soiling. The color is bold and bright. Along the verso, the paper is toned has scattered spots that are fluorescent under UV light; however, they do not appear to be foxing. To the lower right margin of the verso, there are two minute black dots.
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hanga woodblock print titled "Shalimar Garden, Lahore" depicting the peaceful scene of the Shalamar Gardens, 1932. Jizuri seal along the left margin. Pencil signed along the lower right; titled along the lower left; marked with Yoshida's seal in plate along the lower left; further inscribed in Japanese along the left margin. Shalamar Gardens, also known as "Shalamar Bagh" is a Mughal garden complex located in Lahore, Pakistan, which dates from the period when the Mughal Empire was at its artistic and aesthetic zenith. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida.One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.Height: 15 3/4 in x width: 11 in.Condition: No visible tears, losses, or any signs of restoration under UV light. The color is bold and bright. The sheet is toned and has two pinholes along the left margin, original to the artistic practice. Along the upper margin, there is a straight line mark, possibly from the artistic practice. To the center, the right margin, and the left margin of the paint, there is a foxing began to form. Along the verso, the sheet is toned. Along the left margin from the verso, there is light browning. The foxing is also visible from the verso.
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hang woodblock print titled "Approach to Agra No. 3" depicting a crowd moving towards Agra, a city on the banks of the Yamuna river in the Indian state of Uttar Pradesh, southeast of the capital New Delhi, 1932. The Taj Mahal in the background shines brightly. Jizuri seal along the upper left margin. Pencil signed along the lower right; titled along the lower left; marked with Yoshida's seal in plate along the lower left; further inscribed in Japanese along the left margin. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida.One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.Height: 11 in x width: 15 3/4 in.Condition: No visible tears, losses, or signs of restoration under UV light. The sheet is toned and has very light wear along the upper and right margins, original to the artistic practice. The color is bold and bright. Very light creases along the margins, which do not affect the center image. Along the verso, the paper is toned and has a light foxing began to form to the center of the sheet.
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hanga woodblock print titled "Jami Masjid, Delhi" depicting a crowded Jami Masjid, a mosque in Old Delhi, India, 1931. The building was constructed in 1650-56 by the Mughal emperor Shah Jahan, a noted patron of Islamic architecture. Early red jizuri seal along the left margin. Pencil signed along the lower right; titled along the lower left; marked with Yoshida's seal in plate along the lower left; further inscribed in Japanese along the left margin. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida.One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.Height: 15 3/4 in x width: 11 in.Condition: No visible tears, losses, or signs of restoration under UV light. The color is bold and bright. The sheet is toned as shown in the listing image. There are light creases along the margins, which do not affect the center image. There is light undulation along the upper margin. To the left sky, there is a minute spot that is fluorescent under UV light. Along the right margin, there is an area where the foxing began to form; please see the listing image. To the upper left corner, there is light grey spot. Along the verso, the sheet is toned; along the upper margin, there is light skimming to the upper right corner. To the upper left corner, there is a light grey mark, possibly from the previous mat, that is lightly seen through from the recto under the racking light.
A scratch built model of 10 Ton Brig of War Sailing vessel HMS Begal' built in wood and finished to a fair standard with black and gold hull and varnished deck and white painted detail, presented in a glass and wood display case with a map showing it's round the world voyage with Charles Darwin, L63cm, H59, W15, F-G, case F-G
Books : The New Statistical Account of Scotland by the Ministers of the RespectiveParishes. Published between 1834 - 1845. Five volumes comprising: The Statistical Account of the Stewartry of Kirkudbright 1845 with map; The Statistical Account of Wigtonshire 1841 but lacking map; The Statistical Account of Dumfries-shire 1841 with folding plate and map; The Statistical Account of Ayrshire 1842 with map; The new Statistical Account of Scotland Lanark 1845 with map.
Travel & Exploration. Roberts, John S. Africa, and African Travel and Adventure, Including the Life and Travels of Dr. Livingstone; Also, The Discoveries of Stanley, Cameron, and the Ancient and Modern Explorers, illustrated with numerous lithographs & wood-engravings and a folding map, London: W. P. Bennett & Co., [c. 1874]. Quarto, half crushed morocco lettered in gilt, marbled endpapers & page edges. Together with Scenes in the East, by The Rev. H. B. Tristram, illustrated with 12 chromolithographic plates, London: Society for Promoting Christian Knowledge, 1887, quarto, publisher's gilt pictorial cloth, all edges gilt (2)
LL Product London - Vintage Paint Tins / Pallets. A selection of Two vintage 1950/60/70's era, lithographed water colour tin paint sets appearing in Excellent condition with light scuffs and signs of rust appearing. Manufactured by LL Product, a British maker of quality paint boxes with fine lithograph colours. No lithographer is identified though I suspect it to be EVA. Much like Page London, MAP paint sets typically depict children painting a scene of whatever they are observing at the time and display "Childhood memories" or hot topics. Lot consists of: Wonderland Super Pain Box, TOTP Paint Box Jury. Both Measure: 234mm x 500mm x 18mm. (This does not constitute a guarantee).
MAP - Metra - Vintage Paint Tins / Pallets. A selection of Two vintage 1950/60/70's era, lithographed water colour tin paint sets appearing in Excellent condition with light scuffs and signs of rust appearing. Manufactured by MAP/Metra, British makers of quality paint boxes with fine lithograph colours. The MAP/Metra logo is depicted on the lid. No lithographer is identified. "Made in England" is printed on the paint tray insert inside. Much like Page London, MAP paint sets typically depict children painting a scene of whatever they are observing at the time and display "Childhood memories" or hot topics. Lot consists of: The Big Ben Supreme Colour Box and Wagon Trail Paint Box. Both Measure: 236mm x 518mm x 18mm. (This does not constitute a guarantee).
° ° Martyn, John - P. Virgilio Maronis Georgicorum Libri Quatuor. The Georicks of Virgil, with an English Translation and Notes, 4th edition, 8vo, rebound quarter pigskin and decorative cloth, renewed endpapers, with 10 engraved plates and maps, map opposite p. 61 almost disbound, G and W.B. Whittaker, London, 1819; Fenning, Daniel - The Young Man’s Book of Knowledge, 2nd edition, 12mo, rebound, with engraved frontis, and 3 folding plates, S. Crowder, London, 1769; Barrow, Isaac (editor) - Euclide’s Elements; The Whole Fifteen Books…, 12mo, calf, worn and rubbed, spine defective, front board detached, with woodcut illustrations, title repaired, E. Redmayne, London, 1705? (lacking last digit), (3)
° ° Bible [English]. - The Holy Bible, thick 8vo, contemporary calf, spine cracked, lacking title to Old Testament, commences at ‘’An Act for the Uniformitie of Common Prayer’’, followed by The Psalms, The Genealogies, by J[ohn]S[peed], dated 1638, (title torn), double-page woodcut map of Canaan, Apocrypha, The New Testament, The Whole Book of Psalmes, lacking leaves after Psalm 114, mid 18th century ink genealogical entries and other annotations throughout, Robert Barker & Assignes of John Bull London, 1638
° ° WALES: Roscoe, Thomas. Wanderings and Excursions in North Wales, folding engraved map of North Wales with outline hand-colouring, 50 engraved plates, 3pp. index and 1p. publisher’s advertisement to rear, near contemporary green morocco, gilt ruled with foliate gilt cornerpieces, g.e., London, Tilt and Bogue, [1836], 8vo. Sold with Samuel Rush Meyrick’s ‘The History and Antiquities of the County of Cardigan’, 1810, and Charles Heath’s ‘Historical and Descriptive Accounts of the Ancient and Present State of the Town of Monmouth’, 1804’ and twenty-two more volumes related to Wales (25).
° ° SCOTLAND: Newte, Thomas. Prospects and Observations on a Tour in England and Scotland, folding engraved map frontispiece, 22 engraved plates, advertisement leaf with errata, 2pp. ‘Appendix’ to rear, near contemporary half red calf, London, for G.g. and J. Robinson, 1791, 4to. Sold with ‘Annals of Aberdeen’, 2 vols., 1818, and, William Hamilton’s ‘Descriptions of the Sheriffdoms of Lanark and Renfrew’, 1831, and David Stewart’s ‘Sketches of the Character, Manners, and Present State of the Highlanders of Scotland’, 2 vols., 1822, and fourteen more volumes related to Scotland (20).
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