A good quality painted Louis 15th French shabby chic style dressing table and stool. Raised on slender supports having a series of drawers with central kneehole recess. All finished with embellished gilded edges. Complete with the stool. Largest item measures 140cm high x 130cm wide x 50cm deep.
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A 1920's Art Deco walnut bedroom suite comprising mirrored dressing table and wardrobe, the wardrobe having a scalloped top with twin doors and recessed handles, the dressing table of serpentine form with two end cupboards and bank of two central drawers. Measures 163cm high x 88cm wide x 46cm deep.
A vintage 20th Century carved standard lamp occasional table, circular base with turned baluster upright adorned with acanthus leaf decoration in relief, brass work table with carved upright decorated with grape and vine decoration terminating with twin light fixture. Measures 185cm high.
An early to mid 20th Century oak bureau bookcase, glazed doors to the top with shelved interior over fully appointed fall front with three graduating drawers below. Together with an early 20th Century oak barleytwist drop leaf dining table, oval drop leafs flaps raised on barley twist supports united by stretcher.
A 19th century Victorian mahogany inlaid occasional table having line inlaid decoration and gadrooned borders together with another mahogany wine table with terraced base, turned column and shaped circular top. Measures 73cms x77cmx & 65cms x 46cms diam high respectively
A good quality 20th century oak refectory draw leaf dining table being raised on bulbous turned supports with splayed feet and united by stretchers. Above, a rectangular table top with pull out leaf extensions. Together with 2 chairs. Largest item measures 76cm high x 122cm wide x 75cm deep.
A matching pair of contemporary Rococo style brass table easels having acanthus and scroll decoration. Together with a pair of brass candle sticks moulded in the form of Roman style Legionary soldiers and a Art Nouveau style picture frame having a moulded lady atop with cherub and leaf decoration. Stamped 'BEATRICE' to verso. Tallest item measures 33cm tall.
A vintage 20th Century Art Nouveau style white brass table easel having a moulded winged / fairy atop beside a small cherub raised on floral supports. Together with a Rococo style brass table easels having acanthus and scroll decoration (missing back support). Biggest measures 75cm tall X 60cm long.
A collection of early 20th Century silks / BDV Cigarette silks to include an RFC Royal Flying Corp silk hand painted side table cover bearing the RFC logo to centre with lace border under logo written the words Souvenir From France, BDV silk cigarette cards with flags of the world embroidered to silk covers, handkerchiefs etc.
A collection of silver hallmarked Collett & Anderson dressing table items set with tortoise shell panels with inlaid floral garlands to include two lidded pots, two dishes, a faceted lidded pot, and a cut glass perfume bottle (hallmarked between 1919-1923). Also includes a silver hallmarked perfume bottle and a sugar shaker. Total weight 259g.
HIGHLAND PARK REBUS 20 YEAR OLD - SIGNED BY IAN RANKIN bottled to celebrate the 20th anniversary of Inspector John Rebus, with presentation case signed and doodled by Ian Rankin, the bottle and certificate of authenticity also signed by the author, 700ml/ 44.7%; together with HIGHLAND PARK REBUS 20 YEAR OLD CASK END, converted into a glazed table with polished oak legs, the top signed by Ian Rankin, 63cm diameter, 78cm high (Qty: 2)Footnote: Note: This rare bottle of Highland Park 20 year old is one of only 150 produced by the Orcadian distillery in 2007 to celebrate the 20th anniversary of Ian Rankin's famous detective Inspector Rebus. The cask was chosen personally by Ian Rankin on a visit to Highland Park distillery. Unusually, this bottle is not only signed and 'doodled' on the presentation box, but additionally features the author's signature on the certificate and bottle itself.
Robert Ballagh (b.1943) Portrait of J.P. Donleavy Oil on canvas, 89 x 68.5cm (35 x 27'')Signed lower right Born to Irish immigrants in New York, James Patrick Donleavy (1926-2017) served in the US Navy during WWII and moved to Ireland in 1946 to attend Trinity College, which he did for several years, leaving without a degree. Invigorated by the work of Jack B Yeats, he took up painting, which was gradually supplanted by writing. His first novel, The Ginger Man, published in 1955 (its caddish title character generally thought to be based on one of his college contemporaries), established his literary reputation and was an enormous commercial success. It financed his purchase of a country estate on Lough Owel near Mullingar. Donleavy never gave up painting or drawing and began to exhibit more in the early 21st century. To mark his 60th birthday, the dealer Damien Matthews commissioned a portrait by Robert Ballagh.Ballagh visited Donleavy at his home and took a number of reference photographs. His outstanding portrait positions the writer seated with relaxed formality before a window flanked by white-painted shutters. The composition subtly references Edward McGuire’s iconic 1974 portrait of Seamus Heaney, seated at a table and holding a book. In the Ballagh painting, a small stack of books on the floor is topped by a first edition of The Ginger Man. Outside, budding montbretia add a dash of warm colour, though while a wry smile plays at the edge of Donleavy’s lips, his reflective gaze is cool and slightly sardonic - rather like his literary style. Soon after completion, the portrait was included in a retrospective of Ballagh’s work at the RHA Gallagher Gallery.One of the best-known and popular contemporary Irish artists, Ballagh is renowned for his portraiture, in which the detailed realism of his style is often leavened by wit. A Dubliner, he initially studied architecture at Bolton St but then diverted into playing bass guitar for a group called The Chessmen. A friend, artist Micheal Farrell, took him on as an assistant when he won a large commission. Ballagh’s natural facility, drafting skill and enthusiasm for Pop Art won him over to the visual arts and launched him on a remarkable and versatile career. Apart from many ambitious, large-scale subject paintings, his output has included more personal, autobiographical works, portraits, photographic work and design projects, from stamp design to book jackets and theatre sets - the latter including, most famously, Riverdance.Aidan Dunne, November 2019.
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