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Elgin Auction Centre
Lot 1149

Sale Item: OAK TABLE (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

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Elgin Auction Centre
Lot 1163

Sale Item: OCCASIONAL TABLE (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

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Elgin Auction Centre
Lot 1171

Sale Item: ORIENTAL TABLE Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

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Elgin Auction Centre
Lot 1176

Sale Item: OAK OCCASIONAL TABLE Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

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Elgin Auction Centre
Lot 1186

Sale Item: WALNUT SOFA TABLE (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

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Elgin Auction Centre
Lot 1192

Sale Item: METAL TABLE Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

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Elgin Auction Centre
Lot 1205

Sale Item: VICTORIAN DRESSING TABLE (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

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Elgin Auction Centre
Lot 719

Sale Item: 2 SILVER DRESSING TABLE SETS- 1 MIRROR MISSING (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

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Elgin Auction Centre
Lot 856

Sale Item: VASART TULIP TABLE LAMP Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

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Elgin Auction Centre
Lot 857

Sale Item: VASART TULIP TABLE LAMP Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

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Hargesheimer Kunstauktionen Düsseldorf GmbH
Lot 3727

SOUTH GERMAN-AUSTRIAN SCHOOL OF THE 18TH CENTURY FLOWERS IN AN AMPHORA VASE ON A TABLE DECORATED WITH STRAWBERRIES AND BLOSSOMS Oil on canvas lay down on wooden panel. 20 x 14,5 cm (F. 42 x 25 cm). Part. slightly old restored, min. old retouching. Hand-carved volute frame of the probably 18th century. Provenance: South German private collection.SÜDDEUTSCH-ÖSTERREICHISCHE SCHULE DES 18. JH. BLUMEN IN AMPHORENVASE AUF MIT ERDBEEREN UND BLÜTEN DEKORIERTEM TISCH Öl auf Leinwand, auf Holztafel maroufl. 20 x 14,5 cm (R. 42 x 25 cm). Part. leicht altrest., min. Altretuschen. Handgeschnitzter Volutenrahmen des wahrscheinlich 18. Jh. Provenienz: Süddeutsche Privatsammlung.

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Hargesheimer Kunstauktionen Düsseldorf GmbH
Lot 2836

CHARLES HOGUET 1821 Berlin - 1870 ibid. Large still life with lobster (1868) Oil on canvas (RELINED). 115 x 166 cm (R. 146 x 195). Signed and dated on the left side of the table 'C. Hoguet 68.'. Partly damaged, rest. Framed.CHARLES HOGUET 1821 Berlin - 1870 ebenda Grosses Stillleben mit Hummer (1868) OEl auf Leinwand (doubl.). 115 x 166 cm (R. 146 x 195). Signiert und datiert links auf Tischplatte 'C. Hoguet 68.'. Part. besch., rest. Rahmen.

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Hargesheimer Kunstauktionen Düsseldorf GmbH
Lot 3713

NICOLAES MAES (FOLLOWER) January 1634 Dordrecht - before 24 December 1693 Amsterdam (?) OLD WOMAN PRAYING Oil on canvas. 134 x 113 cm. Part. min. old restored. The painting was probably made in the late 18th, early 19th century after Nicolaes Maes 'Old Woman at Table Prayer', preserved in the Rijksmuseum and painted in 1656. See: Krempel, León: Studies on the dated paintings of Nicolaes Maes (1634-1693), Petersberg 2000, p. 355, fig. 28. Provenance: Rhenish private collection.NICOLAES MAES (NACHFOLGER) Januar 1634 Dordrecht - vor dem 24. Dezember 1693 Amsterdam (?) ALTE FRAU BEI TISCHGEBET Öl auf Leinwand. 134 x 113 cm. Part. min. altrest. Das Gemälde entstand wahrscheinlich im späten 18., frühen 19. Jahrhundert nach dem im Rijksmuseum aufbewahrten und 1656 geschaffenen Werk Nicolaes Maes 'Alte Frau beim Tischgebet'. Vgl.: Krempel, León: Studien zu den datierten Gemälden des Nicolaes Maes (1634-1693), Petersberg 2000, S. 355, Abb. 28. Provenienz: Rheinische Privatsammlung.

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Coronari Auctions
Lot 1153

Full title: A Jaeger-LeCoultre 'Rue de la Paix' street lamp shaped table clock, Switzerland, third quarter of the 20th C.Description: H 28 cm8-day movement. With inscribed number '397' and engraved number 'A1067'.Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

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Coronari Auctions
Lot 192

Full title: Four Chinese rectangular wood gigogne side tables, 20th C.Description: H 66,5 - L 46 - D 35,7 cm (the largest table)ÊH 37,5 - L 24,2 - D 20,8 cm (the smallest table)Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

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Coronari Auctions
Lot 208

Full title: A Chinese wood side table with seven drawers, 19th/20th C.Description: H 80 - L 57,8 - D 42,8 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

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Coronari Auctions
Lot 213

Full title: A Chinese red-lacquered wood 'dragon and phoenix' table, 19th/20th C.Description: H 35,5 - L 113 - D 57,8 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

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Coronari Auctions
Lot 214

Full title: A Chinese mother-of-pearl-inlaid wood table screen, 19th C.Description: H 79 - L 57,8 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

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Coronari Auctions
Lot 575

Full title: A Chinese bronze table screen on wooden stand, 19th/20th C.Description: H 26,5 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

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Coronari Auctions
Lot 676

Full title: A Japanese champlevŽ enamel and bronze incense burner, a group with Toba on his mule and a table lamp, Meiji, 19th/20th C.Description: H 59 - 35 cm (the tallest and the smallest item)Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

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Coronari Auctions
Lot 925

Full title: A French mahogany trictrac game table with leather top, 18th/19th C.Description: H 77,5 - L 115 - 58,5 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

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Coronari Auctions
Lot 931

Full title: A vintage burlwood and brass coffee table, possibly by Milo Baughman (1923-2003), 1970sDescription: H 34 - L 110 - D 60 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

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Coronari Auctions
Lot 935

Full title: A Joaquim Tenreiro style tree trunk coffee table on a plexi base, third quarter of the 20th C.Description: H 47 cm - L 101 cmProbably made out of Brazilian jacaranda wood.Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

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Coronari Auctions
Lot 936

Full title: Charlotte Perriand (1903-1999): '529 Rio Low Table' for Cassina, [1962]Description: H 34,5 cm - Dia.: 139 cmDesigned originally in 1962 for the home of Jacques Martin in Rio, Brazil, The Rio Table by Charlotte Perriand was also adapted in 1962 and 1967 in a larger size for the Japanese Embassy in Paris. The re-edition by Cassina is the original smaller 1962 version. Made up of six staggered segments of different radii, an outer edge in solid wood, inserts in Viennese straw and a central hole which becomes the centre of its spatial gravity. The beauty of this piece lies in its unique decorative elements and its extreme functionality.Ê Ê Charlotte Perriand was a French architect and designer. Charlotte liked to take her time in a space before starting the design process and placed emphasis on functionality, durability and items that could be mass produced. At age 24 Charlotte joined the studio of Le Corbusier, where she experimented with steel, aluminum, and glass, developing a series of tubular steel chairs that remain a modern icon. In 1940, she traveled to Japan to advise the government on how to export products to the West, and spent WWII exiled in Vietnam, where she discovered local woodwork and weaving techniques and embraced natural materials.Ê Cassina was established in 1927 in the Northern region of Brianza, Italy, an area noted for its skilled artisans and woodworkers. Rooted in high quality Italian craftsmanship Cassina began acquiring licenses to reproduce some of the worlds most well renowned furniture designs. Cassina's mission is to provide extremely high quality products by paying close attention to every step of the manufacturing process. From woodworking to upholstery, their attention to detail and perfection is unmatched. The incredible quality of materials leads to the most amazing expression of form and function celebrating new design as well as highlighting notable designs of the past.Ê Ê Interior photos by Kato Peeters.Ê Ê Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

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Bonhams
Lot 12

ANDRÉ BRETON (1896-1966)Minuit juste carved wood and garter belt84.6cm (33 5/16in). highExecuted in 1959Footnotes:ProvenanceAndré Breton Collection; his sale, Calmels Cohen, Paris, 15 April 2003, lot 4135.Private collection, Paris (acquired at the above sale).ExhibitedParis, Galerie Daniel Cordier, EROS, Exposition Internationale du Surréalisme, December 1959 – January 1960. Frankfurt, Schirn Kunsthalle, Surreal Objects, Three-Dimensional Works from Dalí to Man Ray, 11 February – 29 May 2012, no. 3.Halmstad, Mjellby konstmuseum, Surrealistiska ting, Surreal objects, 16 June - 30 September 2012.What one hides is worth neither more nor less than what one finds.-André Breton, Le Surréalisme et la peinture, 1928.Seeking magic in the everyday, André Breton transformed ordinary objects into pathways between the physical world and the imagination. Today's art-consuming society is well familiar with objects lacking discernible meanings or narratives, that are found, combined and metamorphosed into mysterious, humorous and erotic enigmas. But it was Breton and his band of Surrealists that forged the conceptual and creative foundations for this timeless gesture of art. Minuit juste (also titled 'The stroke of midnight') stands as a waystone upon the shifting crossroads of art history, linking Dadaism and Surrealism with Conceptualism, Abstract Expressionism, Fluxus, and the artists of today.Objects were the quintessence of Breton's Surrealist dogma. His second Manifesto of Surrealism (1929) built upon the 'pure psychic automatism' of his first manifesto (1924), calling on Surrealists to access the inner recesses of the subconscious via the 'mystique of the object'. By stripping objects of their regular functions and placing them into surprising contexts, objets surrealists could spark an explosive reaction between reason and intuition, releasing the mind from the constraints of reality. With this, the Surrealists – among them Man Ray, Méret Oppenheim and Joan Miró – applied the Surrealist ethics of combination, alienation and metamorphosis to a dazzling array of objects. Their mantra was the poet Isidore Ducasse's (Comte de Lautréamont) oft-cited simile: 'as beautiful as an accidental encounter between a sewing machine and an umbrella on a dissecting table.' The resulting assemblages sought, in the words of René Magritte, to 'make everyday objects shriek out loud', achieving comical, erotic or gruesome subtexts. Breton preferred the term 'object' over 'sculpture', as the former evokes not just a physical entity but also an 'objective', while the latter seemed overburdened with outmoded notions of beauty and authorship. Marcel Duchamp's readymades directly influenced this Surrealist subgenre. In revolutionary acts of 'non-art', Duchamp selected mass produced objects, inscribing them with artistic signatures and elevating them to the status of art. The project began with his Bottle Rack (1915) and culminated in the iconic Fountain (1917), a commercially manufactured urinal signed 'R. Mutt.' Duchamp's subsequent 'assisted readymades' juxtaposed multiple banal objects in seemingly random yet carefully orchestrated tableaux. His goal, which transformed the course of twentieth century art, was to deconstruct core notions of art, talent and genius. Breton echoed this with his use of objets trouvés, whose forgotten lives miniaturised the drama of modern Paris and evoked fragmented narratives. These were incorporated into his poèmes-objets, two-dimensional and three-dimensional collages that united the poetic and the visual in destabilising fusions of fantasy and reality.The present work stands as such a juxtaposition. A log of dense hardwood has been directly carved with aggressive motions, exhibiting a rough-hewn, dappled surface revealing its natural properties. The resulting phallic totem emanates a raw, lustful impulse, inviting a tactile response (as signalled by the work's innuendo-laden title). Indeed, the apparently discarded ladies' garters punctuate the otherwise minimal composition with whispers of an erotic backstory. Ironically delicate and submissive, the criss-crossed garters both temper and rupture the bombastic phallus, the nails with which they are attached generating a perverse crucifix. Breton's poem-object therefore forms a variegated mise-en-scène with gruesome, comical and erotic connotations. With its grotesque religiosity, the present work evokes the Surrealist notion that objects can possess certain magical and talismanic powers. Minute juste additionally incorporates Breton's approach of organic abstraction, which fuses modern material goods (the garters) with wider forces of nature (the unfinished hardwood). Breton's direct wood carving builds upon the materials and methods of the indigenous Pacific Island, African and North American creators he revered. The present work's verticality and stature evokes the gravitas of the totem poles which formed part of Breton's Wunderkammer-atelier. Breton's diverse trove of treasures reflected not only his rebellion against the Western world's cultural imperialism, but also his reverence toward a collective ideal of creativity – one inextricably linked with magic and mythology. Across Pacific cultures, for instance, carving is treasured not just for its aesthetic and practical uses, but also for its spiritual significance and connection to one's divine ancestors. Having published L'Art magique (1957) two years before the present work, Breton was then subsumed with the notion of 'magic', positing that objects become magical when their meanings and associations transcended their formal properties. By juxtaposing a timeless mode of magic with a readymade object, Breton generated in the present work an abstract archaeology of the everyday.Indeed, Breton's art-making practice was indistinguishable from his collecting practice. The trinkets he trawled for in the Parisian flea market of Saint-Ouen were as significant to Breton as his connoisseurship of fine art and ethnographic objects. In his wanderings, he crafted his own semi-mythologised artistic persona, merging two popular archetypes of Modern Paris, the first being the Chiffoniers (ragpickers) who were frequently portrayed in artworks, cartoons and songs, sifted through the debris of modern Paris, identifying reusable materials and objects for resale in the flea market. The second was the flaneur of Charles Baudelaire's writings, a marginalised character who merged with the urban landscape and observed the frenetic and fragmentary realities of Modern society. Enhancing these identities with instincts of automatism and objective chance, Breton utilised the flea market as an urban studio, seeking shock and awe in the everyday. He would select indeterminate objects that provoked the imagination in some way, later assembling them with disparate companions in order to reveal surprising networks of association. For Breton, the random occurrences he experienced with such objects were creative activities in themselves. In Le Surréalisme et la peinture, he opined: 'Every piece of flotsam and jetsam within our grasp should be considered a precipitate of our desire' (p. 283). The discarded garters in the present work stand as a relic of such wanderings, a symbol of desire, and a conduit to the subconscious.The present work was conceived for the 1959 Exposition inteRnatiOnale du Surréalisme ('EROS') – its Dada underpinnings marked by its playful typograp... This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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The Pedestal
Lot 143

A George III figured elm tripod table The solid circular top raised on ring-turned column and splayed legs, 36cm diameter, 69cm high.

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The Pedestal
Lot 158

A George II style green japanned tripod table In the manner of Giles Grendey, heightened with gilt chinoiseries, the circular dished tilt top above a ring turned shaft, on paterae and trailing bellflower carved legs and pad feet, 80cm diameter, 70cm high. Provenance: Property of an Oxfordshire estate Christie's London, Important English Furniture, 19 November 1981, lot 50

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The Pedestal
Lot 178

A Regency kingwood and brass inlaid card table The rounded rectangular swivel crossbanded top enclosing a green baize, on quadripartite downswept legs with brass leaf, claw and ball cast capping and castors, 97cm wide, 48cm deep, 72cm high

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The Pedestal
Lot 215

A George IV mahogany dining table In the manner of Gillows, the rounded rectangular moulded top with three leaves, on turned fluted tapering legs with brass cappings and castors, one leaf of a later date 278cm wide (extended), 119cm deep, 74cm high.An almost identical leg pattern appears on 'a set of Imperial dining-tables on stout twined reeded legs and brass socket castors' supplied by Gillows of London and Lancaster in 1813 for Broughton Hall, Yorkshire. The Broughton table illustrated Country Life, 11 May, 1951, p.1459, fig.2.

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The Pedestal
Lot 219

A George IV mahogany dressing table attributed to GillowsThe rectangular moulded top with three quarter gallery, above two frieze drawers on turned fluted tapering legs with brass cappings and castors, 106cm wide, 53cm deep, 81cm high.Provenance:Possibly Belhus, Purfleet, Essex, home to the Barrett-Lennard familyThis model of dressing table was produced by the Gillows firm with varying drawer configurations notably the 1813 commission of four dressing tables with three drawers which were supplied to William Powlett, 2nd Baron Bolton (1782-1850) for Hackwood Park, Hampshire. A five drawer version supplied to Richard Gascoigne for Parlington Hall, Aberford now forms part of the collection at Lotherton Hall, Yorkshire and is illustrated in C. Gilbert, Furniture at Temple Newsam and Lotherton Hall, London, 1978, Vol.II, p.380, fig. 500. A related three drawer table was sold Christie's, London, Important English Furniture, Thursday, 29th November 2001, Lot 257.

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The Pedestal
Lot 222

A William IV pollard oak octagonal occasional table  The tilt top with radiating veneers above a shaped frieze with pendant drop finials, on octagonal shaft and stepped shaped base, on turned lobed feet, 61cm diameter, 71cm high.

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The Pedestal
Lot 259

A 19th century Chinese elm low table The rectangular cleated top above a pierced frieze, on square legs and scroll feet, 91cm wide, 45cm deep, 48cm high.

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The Pedestal
Lot 273

Hugo Charlement (Austrian, 1850-1939)A pair of still life table scapesOne depicting bagpipes and books the other with a violin and ewerOli on canvasSigned and dated 187921cm x 28cm(2)Provenance:Sotheby's, London 19 November 1997, lot 217

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Bloomfield Auctions
Lot 21

VITORIAN WALNUT DROP LEAF TABLE

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Bloomfield Auctions
Lot 337

CAST IRON SEWING MACHINE GARDEN TABLE

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Bloomfield Auctions
Lot 397

INLAID CHAIR, OVAL TABLE AND CHAIR

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Bloomfield Auctions
Lot 410

LARGE CIRCULAR DINING TABLE AND 10 CHAIRS

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Bloomfield Auctions
Lot 69

ANTIQUE SILVER AND CUT GLASS DRESSING TABLE PERFUME SET

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Dreweatts 1759
Lot 445

A SINGLE STONE DIAMOND RINGThe brilliant cut diamond weighing 1.07 carats, in a six claw settingSize/dimensions: finger size KGross weight: 3.2 gramsCondition Report: The diamond colour is estimated J, clarity VS2/SI1, a couple of mineral inclusions near the girdle, but the stone would benefit from repolishing as it has noticeable scratches to the table. There is some light wear to the setting commensurate with use.6.9mm diameterCondition Report Disclaimer

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Dreweatts 1759
Lot 446

A MID 20TH CENTURY TOPAZ AND DIAMOND CLUSTER RINGThe step cut topaz with canted corners estimated to weigh 7.23 carats, within a surround of eight cut diamonds, approximately 0.60 carats total, to a pierced swaged gallerySize/dimensions: finger size LGross weight: 8.5 gramsCondition Report: Topaz measures approximately 12.2mm x 10mm x 6.95mm, some scratches to the sides of the table, the table is bright and well polished. The diamonds are bright and lively, varying colour and clarity, the shank has been resized, partial possible platinum and gold indicator stamps, some wear commensurate with age and useCondition Report Disclaimer

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Dreweatts 1759
Lot 447

A SINGLE STONE DIAMOND RING London 2001The pear cut diamond weighing 3.17 carats, in a platinum claw settingSize/dimensions: finger size MGross weight: 5.4 gramsCondition Report: The diamond is very bright and well polished. The colour is estimated H, clarity SI1, with a small mineral inclusion to one side of the table. The inclusion is not visible to the naked eye, but can be seen in the table with a 10x jeweller's loupe. Some wear to the setting commensurate with use, the shank has been sized with a bead.The diamond is approximately 12.9mm long, and 14.1mm long including the claw tip, and approximately 8.1mm widest (excluding the claws). 4.9mm deep. The diamond was taken out of the setting to be weighed. Low fluorescence. Facetted girdle.Condition Report Disclaimer

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Dreweatts 1759
Lot 46

A GEORGE I WEST COUNTRY SILVER HANOVERIAN TABLE SPOON MAKER'S MARK PA (NOT TRACED), EXETER 1721 Sterling standard, engraved I*W over I*T over 1722, 21.5cm (8 1/2in); another Francis II or Henry II Servant of Bideford/Barnstaple, Exeter 1717, Britannia standard, engraved W.B over S.E over 1735 120g (3.85 oz) (2) Condition Report: The first- town mark obscured, date letter, leopard's head & sterling rubbed, maker's mark clear, bowl tip good, engraving good. The second- marks all partial, bowl tip worn, engraving goodCondition Report Disclaimer

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Dreweatts 1759
Lot 47

A GEORGE I WEST COUNTRY SILVER HANOVERIAN TABLE SPOON NO MAKER'S MARK, EXETER 1717 Engraved with a crest, 19.3cm (7 5/8in) long; another also no maker's mark, London 1732, engraved with a crest Approx. 96g (3.1 oz) (2)Condition Report: Both have vague outlines of where the maker's mark would have been. Both bowl tips worn, crests are possibly laterCondition Report Disclaimer

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Dreweatts 1759
Lot 49

SIX GEORGE II SCOTTISH SILVER HANOVERIAN TABLE SPOONS FOUR GEORGE FORBES (OVERSTRUCK BY PS), EDINBURGH 1756 Assay master Hugh Gordon; two maker's mark EO?, Edinburgh 1740, assay master Hugh Gordon, each engraved with a crest and a motto 'Help At Hand Sors Men' 410g (13.15 oz) gross (6)DESCRIPTION REWRITTENScottish heraldry is extensive but unfortunately the late introduction of the Court of Lord Lyon Register in 1672 has ultimately resulted in arms of the late 17th and early 18th century being poorly represented in publications and indexes. Notably images of blazons did not appear in the register until circa 1730 and publications relating to the documenting of Scottish crests have still not appeared. The well-known Scottish bookplate collection held in the National Library of Scotland may however reveal the owners identity. Interestingly a related chief of clan motto does appear later: HELP AT HAND BROTHER in use with the Scottish family of MURE or MUIRE. However the associated crest bears no relation to that we have here. The personal response Latin motto: SORS MEO, is unlisted as a motto anywhere. The crest does appear to be symbolic of the Jacobite revolution of the time, that culminated in 1745 at Culloden and resulted in the destruction of status of many Scottish families who supported that cause, with debruisement, sequestration and many executions for treason. The crest blazons as: a dexter arm in armour holding in the hand a claymore all proper. As a result of no identification of the crest in literature primarily after 1745 I would expect the family represented are likely to be a Jacobite participant. That the silver was assayed in Edinburgh suggests that lengthy research may reveal more of the family.Condition Report: DESCRIPTION REWRITTENThe four with rubbed marks especially the date letters, scratches and nicks commensurate with age and light use, engraving has a little wear, bowl tips a little worn, generally good21cm (8 1/4in) longCondition Report Disclaimer

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Dreweatts 1759
Lot 51

A SET OF FOUR SCOTTISH PROVINCIAL SILVER PLAIN OLD ENGLISH TABLE SPOONS ROBERT KEAY I OR II, PERTH FIRST HALF 19TH CENTURY Engraved I 226g (7.25 oz)Condition Report: RK, eagle, RK, eagle, marks have some wear but clear enough, bowls good as are the tipsCondition Report Disclaimer

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Dreweatts 1759
Lot 52

EIGHT PIECES OF SCOTTISH PROVINCIAL FLATWARE Comprising: a pointed old English table spoon, William Clarke, Greenock circa 1810, 25cm (9 3/4in) long; a pointed old English dessert spoon, Edward Livingstone, Dundee circa 1790-1800, engraved T; an old English dessert spoon, George Buchanan, Greenock circa 1836, engraved N; a pair of old English dessert spoons, James Erskine, Aberdeen circa 1792-1818, engraved E; a pair of fiddle pattern toddy ladles, Mark Hinchsliffe, Dumfries circa 1820-40, engraved with a crest; and a shell caddy spoon, Alexander Cameron, Perth circa 1823-36, engraved TWC 262g (8.4 oz) gross (8)Condition Report: All with scratches and nicks commensurate with age & useWilliam Clarke- marks clear, bowl tip a bit wornEdward Livingstone- marks crisp, bowl tip thickGeorge Buchanan- maker's mark crisp, other two poorly struck, bowl tip thickPair, James Erskine- marks a bit worn, tips thickPair, Mark Hinchsliffe- marks a bit worn, all readable, bowls fine, crets good of the periodCaddy spoon, Alexander Cameron- marks good, no splits in shell, engraving goodCondition Report Disclaimer

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Dreweatts 1759
Lot 53

AN EARLY GEORGE III IRISH SILVER HANOVERIAN TABLE SPOON DAVID PETER, DUBLIN 1765 With a shell back, engraved with a later crest, 22.5cm (8 3/4in) long; another by James Taylor, Dublin 1734 or 1736 165g (5.3 oz) (2)  Condition Report: The first- thick bowl, shell back has only light wear, marks crisp, engraving crispThe second- scratches, pinprick dent in back of bowl, worn bowl especially at tip and worn marksCondition Report Disclaimer

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Dreweatts 1759
Lot 63

A CHARLES II WEST COUNTRY SILVER PURITAN SPOON TOWN MARK OF SHERBORNE ONLY, CIRCA 1665 With an oval bowl, a flat tapered stem, the back of the bowl pricked H over 1665 and to the back of the top of the stem TL over 1710 17.3cm (6 3/4in) long Approx. 36g See Kent, Timothy Seventeenth Century Somerset Silver: Spoons & Goblets, 2004, entry 25, mark illustrated; see also Kent p. 170, fig. B7Condition Report: Back of bowl where rests on table flattened, some small dents scratches and a small crease, nicks and thinning to tip. Handle with scratches, nicks and wear commensurate with age and use, 1cm in metal original ripple, wear to prickingCondition Report Disclaimer

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Dreweatts 1759
Lot 8

[THAMES FROST FAIR INTEREST] A RARE GEORGE I SILVER HANOVERIAN TABLE SPOON MATTHEW MADDEN, LONDON 1715-16 Britannia standard, the bowl engraved 'Bought on ye Frozen Thames Jany ye 25 1716' and the back of the top of the stem S*R 20cm (8in) long Approx. 58gSee Grimwade 1975 for the maker's mark. 1715-16 was a cold winter with a severe frost from 24th November (OS) to 9th February (OS). A frost fair was held on the Thames which was completely frozen for about two months during this severe winter. However the 'old' London Bridge would have restricted the river flow considerably and allowed such ice to form readily. On the 25th January ice on the Thames lifted by some 14ft owing to a flood tide but did not break. Much fog from the 24th to the 28th January (temporary mild incursion?); some fog in February. [From www.pascalbonenfant.com British Weather from 1700 to 1849].Condition Report: Date letter and leopard's head erased clear, Britannia and maker's marks rubbed, slight wear to bowl tip, scratches, nicks and wear commensurate with age and useCondition Report Disclaimer

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Dreweatts 1759
Lot 9

A SET OF TWELVE GEORGE I SILVER HANOVERIAN TABLE SPOONS WILLIAM SCARLET, LONDON 1716 Britannia standard, engraved with a crest 742g (23.85 oz)Condition Report: 20.5cm (8in) longMarks obscured throughoutCrests clearLight scratches and wear commensurate with age and useCondition Report Disclaimer

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Dreweatts 1759
Lot 10

A SET OF FIVE GEORGE I HANOVERIAN TABLE SPOONS HENRY MILLER I, LONDON 1718 Britannia standard, engraved with a crest 365g (11.7 oz)Condition Report: 20cm (8in) longMarks are partially obscuredCrests are clearOne with heavy scratch to the reverseTwo with minor knocks to the tips of the bowlsLight scratches and wear commensurate with age and useCondition Report Disclaimer

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Dreweatts 1759
Lot 112

A COLLECTION OF IRISH SILVER FIDDLE WITH RAT-TAIL FLATWARE VARIOUS MAKERS AND DATES Engraved with a crest, comprising: Four table spoons, Charles Marsh, Dublin 1831 Six tea spoons, mainly Laurence Nowlan, various dates Five tea spoons, James Le Bas, 1831 A tea spoon, Philip Weekes, 1838 Two gravy spoons, James Le Bas, 1831 924g (29.7 oz) gross The elephant crest for ALEXANDER, CARSON, CONCANON, CROOKS DE BETUM, KNOLLIS, KNOLLYS, KNOWLES, LAWS, MACKINDER, M'KINDER, MASCALL, O'CONCANNON, OLIPHANT, SMITH AND STAFFORD. 

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Dreweatts 1759
Lot 113

A MATCHED EARLY VICTORIAN IRISH SILVER FIDDLE PATTERN PART TABLE SERVICE PATRICK MOORE, DUBLIN 1837 TO 1847Engraved with a crest, comprising: Nineteen table forks Twelve table spoons Six Dessert forksSix dessert spoonsTwelve tea spoons Two pickle forks A sugar shovel Two mustard spoons A sauce ladle; Together with the following by other makers: Five table forksSix egg spoons A mustard spoon A butter knife, 4006g (128.8 oz) grossThe elephant crest for ALEXANDER, CARSON, CONCANON, CROOKS DE BETUM, KNOLLIS, KNOLLYS, KNOWLES, LAWS, MACKINDER, M'KINDER, MASCALL, O'CONCANNON, OLIPHANT, SMITH AND STAFFORD.Condition Report: Usual scratches and nicks commensurate with age and use. Some wear to bowl tips and tine ends. Tea spoons are especially worn. The sugar shovel with bends on the tip edge. A dessert spoon with a 1cm dent in the bowlCondition Report Disclaimer

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Dreweatts 1759
Lot 114

A GEORGE IV SILVER GILT RECTANGULAR TABLE SNUFF BOX JOHN LINNET, LONDON 1824 The cover chased with a band of National Flowers, the centre, sides and base engine turned, presentation engraved beneath the cover 'Presented by James Cranborne Strode, Esquire to the Gentlemen of the Grand Jury of the County of Tyrone, 1825' 11cm (4 1/4in) long 324g (10.4 oz) James Cranbourne Strode Sr. (1780-1845) Condition Report: Minimal wear to gilt, high points of relief chased cover border, light scratches and nicks commensurate with age and use, hinge tight, cover sits well, engine turning crisp, marks crisp, engraving inside crispCondition Report Disclaimer

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Dreweatts 1759
Lot 119

A SILVER SHAPED CIRCULAR PEDESTAL TABLE CENTRE PIECE WALKER & HALL, SHEFFIELD 1934 With a chased shell and foliate border, a turned stem and on a square pedestal foot with concave corners 27cm (10 1/2in) diameter 1360g (43.7 oz) Condition Report: Marks are clear, decoration crisp. Stands well. No engraving. Light scratches and wear commensurate with age and useCondition Report Disclaimer

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