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Retro Danish simulated rosewood dining room suite after Niels Otto Møller (Danish, 1920 - 1982) comprising a sideboard, extending dining table and ten Model 64 chairs. (12)This suite is in compliance with Annexe B from CITES Article 10 and does not require an exemption.CONDITION REPORT: Additional leaves with the dining table. The frames on the chairs are good. Minor surface scratches to the chairs, mainly to the legs. Some colour variations to the chairs, but generally have a good patina. Upholstered seats are fine, only minor marks and stains. There are veneer losses to the table leaves and veneer issues. All tightening clasps on the table are functioning. Minor age-related surface marks and staining to the table. Apart from the leaves, the table has a good patina. The sideboard has excellent patina. The tambour effect roll doors open and close freely. All shelves and drawers are present. The colour to the top and doors have differences, probably deliberate. Minor surface marks and stains to the sideboard.
Georgian oak side table with single drawer, on barley and bobbin column supports united by X-form understretchers, 69cm high, 69cm wide and 50cm deep.CONDITION REPORT: Splits to the panelling to the drawer interior. Splits to the joins on both sides. Age-related surface marks/gouges to the wood and staining.
Late 19th century American silver twelve-piece canteen by Gorham Manufacturing Company (New York), of rocaille form, each engraved with entwined monogram, stamped sterling, with maker's marks and PAT. 1897, comprising: forks in two sizes, table spoons, dessert spoons and teaspoons, fitted in a brass bound mahogany canteen, engraved with the initials, gross weight approximately 2861g/92.71 ozt
Silver repousse hand mirror from a dressing table set, cast with a rocaille cartouche and flowers, hallmarked Birmingham, 1922, and a continental mid 20th century wooden Intarsia inlaid landscape panel depicting a village in mountainous landscape, signed C.Baehz within oval frame, 41cm wide (2)
AN IMPORTANT GROUP OF LIMOGES CHAMPLEVE ENAMEL GEMELLIONS FROM A PRIVATE COLLECTION. Limoges patinated gilt-copper and polychrome champlevé enamel gemellion, circa 1200-1250, of shallow circular form, decorated with an equestrian figure and attendant to the centre, reserved on a scroll pattern ground within a circular cartouche, within a border of four panels with pairs of figures and animals, including an archer, a musician and a stag hunt, flanked by scrollwork and alternating with foliate motifs, the border pierced with six small apertures for a spout (now lacking), the reverse engraved with a central flowerhead roundel with ribbons terminating in fleur-de-lys, 22.8cm diam. ProvenanceBy repute Hever Castle, Kent and thence by descent to the present owner. The central equestrian figure is very likely to depict a knight, holding what could be a shield. Similar central scenes appear on many other documented gemellion; see the example from the Wolf Collection, sold at Bonhams, London, 25 April, 2018, lot 21 and another with similar figures to the border sold at Sotheby’s, London, 9 July 2009. Similar figural depictions including that of an archer, musician and closely related hunting scenes can be seen on the gemellion in the collection of the National Archaeological Museum, Madrid, which depicts the crowning of Erec, Knight of the Round Table. Both the hunting scenes and the poses of the figures on the border of this lot are also closely related to the medallions on the Coffret de Saint Louis see M. Gauthier, B Barriere et. al., Enamels of Limoges 1100-1350, The Metropolitan Museum, New York, 1996, Cat. no. 123, pp. 360-363. Condition Report With turquoise, blue, yellow, green and red enamel still visible. Minute traces of gilding visible to the reverse. Lacking beast head spout, pierced to the rim with two holes, one of which was probably to fix the spout in place and the other small hole to border with short associated split. With some typical wear and losses to enamel commensurate with age.
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