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Sterling silver fiddle & thread cutlery set comprising of 12 each large forks (London 1828), dessert/entree forks (London 1837), table spoons (London 1832), dessert spoons (London 1837-1839), teaspoons (London 1875), large knives, (Sheffield 1984 John Biggin Ltd) and dessert/entree knives (Sheffield 1983 John Biggin Ltd), weight of forks and spoons 3826 grams approxPurchased from J.Franks, London Silver Vaults £3000 on 19th June 1984
George III Irish mahogany hunt table with D shaped leaves opening to an oval supported by 2 square gate legs, table legs have later castors, 181cm long, 129cm wide (open), 40cm (closed), 74cm highProvenance: purchased circa 1970 Stuart & Phyllis Binns Antiques, 39 Alexandra St, Hunters Hill
SIR WILLIAM BLAKE RICHMOND, RA (1842-1921) FEMALE NUDE LEANING ON A TABLE (STUDY FOR `THE WISE AND FOOLISH VIRGINS`) Inscribed For the Wize and Foolish/ Virgins, black and white chalk on buff paper 28.5 x 32cm. Provenance: London, The Leicester Galleries Ltd; Christies, May 9th 1989, lot 183, whereat purchased by the owner ++ Slight old crease at right
WILLEM CORNELISZ. DUYSTER (1599-1635) MEN GAMING AT A TABLE Oil on panel, oval 32.5 x 24cm. Provenance: By descent in the Moffatt family of Goodrich Court, Herefordshire This composition, which can be dated to c.1625-1630, relates to a work currently ascribed to Pieter Codde in Oslo (Nasjonalmuseet) and to another, described as a copy after Duyster, in the Hallwyl Collection, Stockholm (`Four Officers playing Tric-trac`, 40 x 32.5cm.). The Oslo variant is now listed on the RKD database as `after Willem Duyster`. It would seem that this picture is an autograph version from which the Oslo and Hallwyl versions were copied. Walther Bernt (The Netherlandish Painters of the Seventeenth Century, Munich/London, 1948/1969) suggests that Duyster was a pupil of Codde. He notes that Duyster's works generally comprise a few, brightly lit figures with an elegance derived from clearly coloured silk garments in sharp focus. Like Dirck Hals, he pays little attention to detailed backgrounds in his interiors but his later works, with a predominance of brown tones, can include more figures. A low viewpoint can enhance the apparent height of his figures. We are very grateful to Dr. Fred Meijer and to Cynthia Osiecki (Oslo) for their assistance with the cataloguing of this picture. ++ Old repair along vertical split near right edge; some old scattered retouching principally (but not solely) in the background; some thinly painted areas
PAIR OF GEORGE II OR III MAHOGANY TABLE LEGS, with foliate craving to the knees and hairy, cloven feet, total height 60 and 57cm (2) Provenance: by repute, bought from the workshops of the Yorkshire based Wright and Elwick who are known to have subscribed to Chippendale's Director.
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