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A WMF Art Nouveau pewter dressing table mirror, early 20th century, the bevelled plate within a shaped, stylised frame with pierced, sinuous decoration with flowers and a robed maiden beneath a tree, a hand cupped to one ear, on fraled feet and with hinged easel back with replacement wooden plate, impressed factory mark to one foot, 14½in. (36.8cm.) high, top right corner bent.* Condition: Plate has a chip to one corner (not visible when in frame). Top right corner of pewter frame is bent. There is no splitting to the pewter. There is a small (1in.) soldered repaired split to the lower right corner of the frame, just above the foot. The dark grey, slightly mottled surface to the pewter to the top half of the figure is flaking in places and is worn to the raised arm. There is also wear to this darker grey patination throughout to the raised areas and edges. The wooden back plate is a replacement but the easel back is original.
A Chinese carved hardwood circular table with inset marble top, 19th century, the bead edged top over a pierced, lappet and prunus carved frieze, raised on four shaped square supports carved with scrolls, foliage and Buddhistic lion masks, united by an undertier, on ball and claw feet, 20½in. (52cm.) diameter, 22¼in. (56.5cm.) high.
An 18th century oak gateleg dropflap 'ship's' dining table, the oval top over a drawer to each end, opening on barleytwist gateleg supports with edge moulded peripheral stretchers, the corners of the supports with iron 'eyes' to lash down the table on ship, on bun feet, 52½ x 26¾in. (133.5 x 78cm.), 64½in. (164cm.) long open, 30¼in. (77cm.) high, alterations.
A Channel Island silver Old English pattern table spoon, maker's mark JQ, struck once plus J struck three times (Jacques Quesnel 1 and II, Jersey, c.1780-1843), inscribed to terminal 'I.F.V', 8½in. (21.4cm.) long, weight 1.6 tr.oz.* Condition: In good condition, with clear marks.
A 19th century Chinese carved hardwood low opium table, the cleated top over a convex frieze and pierced fruit and foliate scroll apron, raised on cabriole style legs with ball and claw feet, 31¼ x 17¾in. (79.5 x 45cm.), 11in. (28cm.) high.* Condition: VG colour and patina. A few small pale water and ring marks to one end and one edge of top. No damage, losses or repairs to pierced apron or legs.
A George III Old English pattern basting spoon, Richard Ferris, Exeter, 1809, deep pointed bowl, inscribed 'Y' to terminal, 11¾in. (29.8cm.) long, together with a collection of silver flatware to include two early Georgian silver Hanoverian pattern table spoons, London, marks indistinct, inscribed to terminals, MA over BA, 1752 & TD over AA, 1756; set of twelve Scottish Old English Pattern teaspoons, John Zeigler, Edinburgh, 1809, deep pointed bowls, inscribed to terminals 'M' and all numbered 1 through to 12; two further spoons, gross weight 15 tr.oz.
A Channel Islands silver Old English pattern table spoon, maker's mark JQ, struck once plus J mark (Jacques Quesnel I and II, Jersey, c.1780-1843), inscribed terminal 'AO', flat edge bowl, with bifurcated shoe piece, 8¼in. (21cm.) long, weight 1.3 tr.oz.* Condition: In very good condition, with clear marks.
A set of six silver fiddle pattern table spoons, William Hutton & Sons Ltd, Sheffield, 1908, the terminals with bright cut floral decoration, inscribed, each measuring 7in. (17.8cm.) long, weight 7.2 tr.oz.* Condition: In very good condition, with nice bright-cut decoration.
Dutch School (17th / 18th century), Portrait of a young man, probably a musician, three quarter length, his striped doublet with elaborate lace cuffs and collar, a horn and books of music on a table to his left, an armorial upper right, oil on canvas with older relining, in a 19th century gilt and composition frame , 39 x 35in. (99 x 89cm.) .* With accompanying handwritten letter from J. Bedborough, wife of the Rev. W. A. Bedborough of Tunbridge Wells, dated June 25th 1909, regarding the recent sale and earlier provenance of the painting known as 'The Dutch Boy', which had been acquired by Rev. Bedborough's grandfather, Baron Kettleby as a bond for the loan of £500, which was never repaid.** Also with earlier handwritten label, reading '"The Dutch Boy" has been in the possession of the "Alder Family" for many years - The Grandfather Lord Kettleby of South Carolina, a Scotch Baron, took it as an original by 'Holbein' for a Bond of £500 - It was not redeemed, and has remained in the family ever since -".*** Condition: Older relining (probably 19th century). 2 x 0.5cm. deep flake to paint to open music book at lower right, showing the original coarse weave canvas beneath. Another smaller paint flake below hand, two other small flakes at lower left corner. Paint is very dirty and has craquelure throughout, with some white bloom to the varnish in places, notably to a horizontal line across the centre right. Paint appears to be stable overall. Frame has been overpainted dull gold and has some gesso losses.Examined under UV - please see photos. There is some retouching evident around the hairline and to the collar and top of sleeve. Also possible retouches at lower right corner.
An Edwardian marquetry and mahogany table vitrine, the glazed, serpentine lid with floral marquetry borders, over shaped glazed panels to all four sides, raised on slender cabriole style legs with gilt metal mounts and serpentine undertier, 25 x 19in. (63.5 x 48.25cm.), 30in. (76.25cm.) high.
A miscellaneous group of silver smalls, to include an Old English table spoon by Richard Crossley, London, 1796; Fiddle pattern table spoon by John James, London, 1833; Irish silver Fiddle pattern coffee spoon, James Le Bas, Dublin, 1840, together with various other silver cutlery, napkin rings, salts etc., gross weight without liners 30 tr.oz.
A collection of silver cutlery, comprising of two fiddle pattern table spoons by A B Savory & Sons (William Smily), London, 1856, engraved stags head to terminals; two fiddle pattern table spoons by Charles Boyton (I), London, 1838, inscribed terminals; Fiddle pattern table spoon, London, 1825, makers mark rubbed 'W.?', engraved stag head to terminal; bright cut fiddle pattern desert spoon, William Bateman II, London, 1839, inscribed terminal; Old English table spoon, Soloman Hougham, London, 1804, inscribed terminal & later inscribed stem for 25.Oct.1839, together with a pair of sugar tongs, teaspoons etc. (14), gross weight 19.0 tr.oz.
Brian Davies (British, 1942-2014), Still life with a wine bottle and glass, oysters, lobster and peeled lemon on an oak table , oil on canvas, signed 'Brian Davies' lower left, in pierced swept gilt and composition frame , 13¾ x 11¾in. (34.8 x 29.8cm.)* Condition: Some craquelure to centre upper section of canvas around bottle neck and area to either side, plus another star of craquelure to the bottle just above oyster shell. Otherwise clean and original. Frame has two pieces of gesso missing from top.
A large collection of silver cutlery, comprising of three Old English pattern table spoons, Thomas Wallis II, London, 1801; Stephen Adams I, London 1806; Peter & William Bateman, London, 1808, three fiddle pattern table spoons, William Bateman I, London, 1823; Charles Boyton I, London, 1850; Josiah Williams & Co, Exeter, 1854, five pairs of sugar tongs, various dates & makers, teaspoons etc., gross weight 31.2 tr.oz. (32)
A WMF Art Nouveau silver plated pewter easel back dressing table mirror, early 20th century, the bevelled, shaped plate within a pierced sinuous frame with classical maiden reaching up towards the iris flower surmount, brass easel back, stamped 20 to back of one foot, 19½in. (49.5cm.) high.* Condition: Original plate with an area of deterioration to silvering to lower left edge and long scratch to centre of plate. Back original - lacks one of rods securing the top of the back to the frame. Plating good overall, with some blistering to the plating to the maiden's arms.
A William IV walnut and cube parquetry Tunbridge style tilt-top table, the rounded rectangular cube parquetry top with walnut cross banding, raised on three scroll supports to a tripod base with downcurved legs with scroll toes, 29¼ x 19¾in. (74.25 x 50.2cm.), 28¼in. (71.75cm.) high.
A Japanese carved ivory okimono of a farmer and boy, Meiji period (1868-1912), the farmer seated on a wooden bench with the boy beside him, a bowl of flowers on a low table, signed to base, 5 1/8in. (13cm.) high; together with a okimono of a peasant and a duck, on a naturalistic base, 8¼in. (21cm.) high, losses. (2)* Condition: - Farmer & boy: One flower missing from bowl. A small piece missing from both farmer's and boy's hands. Otherwise good. - Peasant & duck: Duck's head missing and probably originally had a second duck to base. Glue residue around neck and left arm and to top of right hand - top of staff missing.
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1181627 item(s)/page