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Maxwells
Lot 357

A comprehensive canteen of Old English pattern cutlery with reeded borders, 12 setting, Sheffield 1995, maker: Carrs of Sheffield Ltd, 212 oz, housed in Georgian style 2 height mahogany table/cabinet, with bow front

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Maxwells
Lot 618

An early 20th century mahogany occasional table with leather insert and book rack below

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Cheffins
Lot 542

An 18th century mahogany console table, with a later marble top, on square chamfered legs 83 x 136 x 66cm (32 x 53 x 26in)

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Cheffins
Lot 512

A Regency mahogany and ebony strung gentleman’s dressing table, with divided top 96 x 53 x 54cm (37 x 21 x 21in)

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Cheffins
Lot 353

An 18th century Dutch Delft blue & white vase, now fitted as a table lamp, painted with an all over pattern of flowering foliage, with giltwood mount 30cm (12in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 600

A late 19th century French satin birch ' faux bamboo' , tilt top occasional table 76 x 72 x 72cm (30 x 28 x 28in) Provenance: Mawley Hall, Shropshire Evidence of wood worm

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Cheffins
Lot 516

A late 18th century mahogany library table, with dark claret leather lined top, fitted six drawers, on tapering square legs and spade feet 78 x 145 x 96cm (30 x 57 x 37in)

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Cheffins
Lot 354

A 19th century Chinese blue & white vase and cover, now as a table lamp, painted with scenes of Oriental figures beneath willow within an ogival cartouche, gilt metal and wood mounts 66cm (26in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 349

A pair of modern toleware table lamps and shades, the urn form bases decorated with foliate scrolls, the shades each with a cartouche depicting a shepherd with sheep in a landscape (2) 56cm (22in)

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Cheffins
Lot 522

A George III mahogany night table, with tray top gallery and cupboards, on square chamfered legs 74 x 56 x 46cm (29 x 22 x 18in)

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Cheffins
Lot 529

A George III and later mahogany 'Chinese Chippendale' design silver table, with pierced raised edge, on four chamfered moulded legs 74 x 86 x 55cm (29 x 34 x 21in)

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Cheffins
Lot 102

A Japanese miniature two doored, lacquer table cabinet (kodansu), Taisho/Showa Period, decorated in gold and coloured hiramaki-e, inlaid with golden, silver and copper figures, with three drawers and a black lacquered wood base, 10cm high; a Japanese Zushi two doored portable altar, late Meiji Period (1868-1912), enclosing Buddha and two acolytes in sandalwood, 11.5cm high (3)

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Cheffins
Lot 595

A George I carved pine wood serpentine console table, the frieze with a shell, double C-scroll foliate and rocaille motifs on double C-scroll legs, and foliate scroll feet, similarly carved at the angles and surmounted by a later grey marble 87 x 128 x 73cm (34 x 50 x 28in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 536

A Regency mahogany bow fronted serving table, with inverted centre and undertier, on leaf carved column legs 93 x 218 x 48cm (36 x 85 x 19in)

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Cheffins
Lot 556

A George III Irish mahogany side table, the frieze carved in relief with shell, foliage, egg and dart moulding, on cabriole legs and hairy paw feet, with a veined yellow scagliola marble top, with later back legs 88 x 147 x 48cm (34 x 57 x 19in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 513

A George IV mahogany night table, with crenelated tray top, cupboards and drawer base, on tapering square legs 78 x 50 x 46cm (30 x 20 x 18in)

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Cheffins
Lot 356

A pair of 19th century Chinese blue and white vases fitted as table lamps, painted with pheasants perched on rockwork within ogival cartouches (2) 39cm (15in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 519

A Regency mahogany drum top library table, with green leather lined top on turned column, with four splayed legs and brass casters 71 x 114cm (28 x 44in) Replaced handles

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Cheffins
Lot 351

A pair of modern mahogany and brass mounted table lamps, each with brass Corinthian capital to swollen fluted mahogany columns and octagonal brass bases (2) 86cm (34in)

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Cheffins
Lot 500

A Regency mahogany drum top library table, the leather lined top with four drawers and alternate dummy drawers on leaf carved hipped and swept legs with brass cap casters 75 x 106cm (29 x 41in)

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Cheffins
Lot 352

A pair of modern black lacquer table lamps, of columnar form to stepped square plinth bases (2) 59cm (23in)

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Cheffins
Lot 625

A mid 18th century mahogany card table, with folding top and baize lined interior, a drawer to the concave chaped frieze, raised on cabriole legs and pad feet 73 x 92 x 45cm (28 x 36 x 18in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 479

An early 19th century mahogany sofa table, crossbanded in rosewood with opposing frieze drawers 76 x 164cm (30 x 64in) Some water damage to the top

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Cheffins
Lot 348

A pair of 19th century French bronze and parcel gilt six-branch seven-light table candelabra, circa 1880, with scrolling branches above stems modelled as classical maidens, raised on circular shaped and fluted black slate bases, with fruit finial inserts, 50cm high (55.5cm high including finial)

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Cheffins
Lot 604

A Regency rosewood work table, with drop-leaf top, two small drawers, on turned tapering legs 74 x 61 x 39.50cm (29 x 24 x 15in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 592

An Irish George III mahogany rectangular side table, with a simulated marble top, the plain frieze with a gadrooned band, the pierced shaped apron carved in relief with foliage, rocaille and S-scrolls, and centred by a shell, on cabriole legs and paw feet, carved on the knees with lion-masks, with a later marble top 80 x 147 x 72cm (31 x 57 x 28in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 574

A 20th century Adam style mahogany D end dining table, in three sections with additional leaves, the frieze carved with swags and drapery, on square tapering legs 76 x 130 x 570cm (30 x 51 x 222in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 567

A George III mahogany and later serpentine Pembroke table, in the manner of Mayhew & Ince, with a fluted frieze, on square tapering legs and block feet 73 x 68 x 60cm (28 x 27 x 23in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 346

An Edwardian cut glass and gilt metal Cricklite table lamp, fitted with four brass branches supporting glass inserts around a further central cup insert 65.50cm (26in) Provenance: Mawley Hall, Shropshire cracks and chips to glass cups

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Cheffins
Lot 429

Markwick Markham, London, a good early George III ebonised, ormolu mounted and brass inlaid table clock for the Turkish market, the signed silvered dial with three train movement chiming on 8 bells, and striking on a further bell, tune selection 'A Minuett' or 'A March' to the arch, strike/not strike and chime/not chime subsidiary small dials to the upper spandrels, date aperture, the engraved backplate signed, the bell-top case with folding handle and four pineapple finials, arched side frets and pendant corner mounts, all on stepped bracket feet 53 x 35cm (21 x 14in) Markwick Markham (1725-1805) specialised in clocks for the Turkish market. Several clocks of similar design have appeared on the market in recent years. converted from verge to anchor escapement.Conditionconverted from verge to anchor escapement.  Later retaining brackets for movement backplate into case.  Currently ticking but not striking/chiming. 

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Cheffins
Lot 506

A mid-19th century Continental gilt gesso breakfront console table, with a white marble top 102 x 148 x 43cm (40 x 58 x 17in)

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Cheffins
Lot 466

A 17th century oak square top table, with a carved frieze, on baluster turned and stretchered legs 71 x 71 x 66cm (28 x 28 x 26in)

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Cheffins
Lot 606

A Regency mahogany centre table, in the manner of Gillow, the circular crossbanded top, on turned column and tripod base with ormolu lion paw feet 77 x 136cm (30 x 53in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 355

A pair of 20th century Japanese blue and white baluster vases fitted as table lamps, with fixed ring handles painted with quail among flowering shrubs (2) 33cm (13in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 350

A pair of modern glass columnar table lamps, the facetted columns with stepped square foot with brass mounts, with pleated black silk shades (2) 61cm (24in)

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Cheffins
Lot 489

A William IV mahogany library table, fitted six drawers, on octagonal tapering legs and large brass wheel casters 78.50 x 183 x 104cm (31 x 71 x 41in)

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Cheffins
Lot 251

English School, 18th Century Portrait of a gentleman, traditionally identified as Thomas Chatterton (1752-1770), half-length, in a brown coat and white stock, seated at a table, holding papers bears inscription "Chatterton. Poet." upper left oil on canvas 62 x 75cm (24 x 29in) Provenance: With J. Harris, Berkeley St., London. Christie's London, 18 December 1953, lot 118, as 'Thomas Gainsborough: Portrait of Thomas Chatterton, the poet' (£52.10.0 to Rudebeek). with M. Bernard, Ryder St., London. Christie's, London, 4 February 1955, lot 65, The Property of the Earl of Jersey, as 'Thomas Gainsborough: Portrait of Thomas Chatterton, the poet' (£27.6.0 to Fennil or Fenouil (£27.6s) The Long Gallery, Strawberry Hill, Twickenham; Christie's, London, 17 Feb 2008, lot 66, as 'English School, 18th Century'; where acquired by the vendor Other Notes: The tradition that Gainsborough painted Chatterton was first proposed by George Williams Fulcher in his 1856 biography of the artist. He described the portrait as a masterpiece 'with his long flowing hair and child-like face' (2nd edition, 1856, p. 89). Sir Walter Armstrong (Gainsborough and his place in British art, 1898, pp. 110, 193 and 1904, p. 261) doubted the identification and linked Fulcher's description with a picture that once belonged to E. Naylor, describing it as 'half length. Green coat; hair falling much over the forehead and reaching to the shoulders; the face almost in profile.' It measured 22 by 18 inches. It seems unlikely that Chatterton ever sat to Gainsborough. We are grateful to Hugh Belsey for his assistance with the catalogue entry. Oil on canvas which has been lined and extended at the right hand side. The canvas is in plane with good tension. The paint layer has suffered from damage and loss in the past, the texture is slightly uneven with wrinkling in the background. The painting has been heavily reworked. More recent retouchings in the background appear very matte. The varnish is clear, even and semi-glossy. There are small chips and losses to the gilding on the frame.

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Cheffins
Lot 531

A William IV rosewood centre table, on trestle end supports and two frieze drawers 72 x 151 x 68cm (28 x 59 x 27in) Shrinkage crack to top

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Cheffins
Lot 601

A George III green lacquer and faux bamboo Pembroke table, decorated with chinoiseries, with pierced lattice ends, on bamboo moulded legs 71.50 x 70 x 55cm (28 x 27 x 21in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 615

A 19th century Dutch walnut and marquetry table, incorporating earlier elements, on twist column legs 73 x 94 x 60cm (28 x 37 x 23in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 575

A Louis XV style French ormolu mounted rosewood bijouterie table, 79 x 61cm (31 x 24in) Provenance: Mawley Hall, Shropshire

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Cheffins
Lot 495

A George III mahogany pedestal supper table, on cast brass feet and casters 72 x 136 x 85cm (28 x 53 x 33in)

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Cheffins
Lot 395

A 19th century marquetry inlaid oak table cabinet, the pair of doors opening to reveal a series of drawers within, all with lattice work inlay, raised on shaped bracket feet 31.50 x 30 x 18.50cm (12 x 12 x 7in)

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Dreweatts 1759
Lot 135

A Regency mahogany dressing table, circa 1815, in the manner of Gillows, the inverted bowfront top with solid reeded three quarter gallery, above an arrangement of five frieze drawers abound a central kneehole, on turned tapering legs terminating in brass caps and castors, 84cm high, 110cm wide, 60cm deep For a dressing table of near identical design attributed to Gillows see Christie’s, London, The Collector: English Furniture, Clocks & Works of Art, 13th November 2018, Lot 40 (£4,000).

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Dreweatts 1759
Lot 164

Ï’A Regency rosewood pedestal occasional table, circa 1815, the rectangular top with rounded corners, above a shallow frieze drawer opening to a divided interior, the finely turned, fluted and lappet carved stem above a concave sided plinth base and turned feet, 71cm high, the top 50cm wide, 39.5cm deep Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information. 

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Dreweatts 1759
Lot 101

A George III satinwood occasional table, circa 1790, the octagonal top with central tessellating inlay, above a cluster support opening to three outswept legs, on spade feet, 73.5cm high, the top 43 x 43cm

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Dreweatts 1759
Lot 117

A George III mahogany hall or serving table, circa 1780, in the manner of William Kent, the rectangular top above an anthemion and Vitruvian scroll moulded frieze, on fluted square section tapering legs, 83cm high, 205cm wide, 68cm deep

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Dreweatts 1759
Lot 41

A George III mahogany and satinwood crossbanded sofa table, circa 1800, the rectangular top incorporating twin hinged leaves with rounded corners, above two frieze drawer and two opposing false drawers, on trestle supports with rectangular reeded outswept tapering legs, terminating in brass caps and castors, 72cm high, 98cm wide, 61cm deep Provenance: Gayton Hall, Wirrall

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Dreweatts 1759
Lot 94

A George III satinwood work table, circa 1790, the rectangular hinged ratchet adjustable top above a slide at each end and a single frieze drawer at one end fitted with a pen tray and ink wells, with a pleated-silk workbox beneath and an elevating screen to the back, on square section tapering legs terminating in brass caps and castors, 72.5cm high, 50cm wide, 38cm deep

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Dreweatts 1759
Lot 11

A carved pine pier table, in George II style, 19th century, in the manner of Francis Brodie, the verde antico marble top above the fluted frieze interspersed with paterae terminals, the support carved in the form of an eagle perched on a rocky outcrop, on a plinth base with an acanthus carved border, 87.5cm high, 78cm wide, 49.5cm deep Tables with eagle supports such as this example are commonly described as 'in the manner of William Kent. Kent's design was used as tail-piece in Pope's edition of Homer's Odyssey, which was published 1725/6, and shows two fighting eagles with out-spread wings standing on a large pier table with a Greek-key ornamented frame above a solid shaped stand ornamented with Bacchic masks and garlands. An interesting trade card, dated 1739, for Francis Brodie, the Edinburgh cabinetmaker, illustrates an interior with a group of furniture, including a related console table with an eagle support.

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Dreweatts 1759
Lot 122

Ï’ A Regency rosewood card table, circa 1815, the hinged and mahogany crossbanded top opening and rotating to a baize inset playing surface, above a frieze centred by a roundel motif, on four turned tapering supports and a rectangular plinth, above outswept tapering legs terminating in brass lion paw caps and castors, 76cm high, 91cm wide, 45cm deep Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.

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Dreweatts 1759
Lot 83

A Charles X amboyna, satinwood and specimen wood and parquetry work table, circa 1830, the hinged rectangular top with central radiating fan motif, opening to a mirror above a divided compartments one opening to reveal a candle stick and another opening to reveal a pin cushion, the frieze with a false drawer front and a lower drawer opening to a velvet covered slide and sockets for ink bottles, the X-shaped supports with anthemion mounts and joined by a turned stretcher, on brass hoof cast feet and castors,77cm high, 51cm wide, 35cm deep Provenance: Private collection from a country house, Derbyshire Sotheby's, London, 12th July 1963, Lot 166.

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Dreweatts 1759
Lot 171

A Gothic revival oak drum library table, circa 1860, the octagonal top with tooled leather inset surface, above four lancet moulded frieze drawers interspersed by similar lancet moulded panels, the stem with four elaborately carved buttresses, on an X-shaped plinth base and turned bun feet, 74cm high, the top 130 x 130cm For a similar design of table by Pugin see Antique Collectors Club, Pictorial Dictionary of British 19th century Furniture Design, 1977, page 500. A table of related form was sold at Christie’s, Chirk Castle, Wrexham, Wales, 21st June 2004, Lot 150 (£26,290).

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Dreweatts 1759
Lot 114

A George III satinwood marquetry and giltwood demi-lune side table, circa 1790, in the manner of John Cobb, the top with gadrooned gilt metal mounted edge and decorated with radial inlays and bellflower festoons, above a shaped frieze centred by a floral motif, on moulded tapering cabriole legs terminating in pad feet, 85cm high, 140cm wide, 62cm deep Provenance: Private collection, Cheshire Purchased by the current owner from Apter-Fredricks in 1997. A copy of the original receipt is available with this lot.The elegant serpentine form of this table relates to French patterns introduced by emigrant cabinet-maker Pierre Langlois, however the use of highly contrasting exotic timbers, delicate inlay allows one to relate this table to the work of one of the most celebrated Royal cabinet-makers, John Cobb (d. c. 1778). For a related table attributed to John Cobb, see Christie’s, New York, 14th October 2004, Lot 165 ($57,360). Literature: C. Streeter, 'Marquetry Tables from Cobb's Workshop,' Furniture History, 1974, pl. 30B.

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Dreweatts 1759
Lot 55

A polychrome painted semi elliptical side table, in George III style, 19th century, the top decorated with a floral border and centred by a scene of putti in a classical landscape, above a sectional frieze decorated with floral swags and female cameo portraits, on turned and fluted tapering legs surmounted by acanthus carved terminals, bearing a retail plaque for MAPLE & CO., 76cm high, 123cm wide, 51cm deep Provenance: A country estate, Dumfriesshire

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Dreweatts 1759
Lot 123

A George III giltwood console table, circa 1780, possibly Irish, the shaped marble top above the floral roundel moulded frieze centred by a stylised green man mask, on fluted square section tapering legs headed by bucranium terminals and terminating in ball feet, 86cm high, 100cm wide, 48cm deep The bucranium incorporated in this table show the neo-classical influence of Robert Adam, but the distinctive character of the central mask suggests the piece is Irish. For a similar carving see The Knight of Glin and James Peill, Irish Furniture, Yale University Press, 2007, page 222, plate 68.

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Dreweatts 1759
Lot 143

A Regency ebonised and parcel gilt tripod table, circa 1815, the octagonal top painted to simulate scagliola of various marbles around a central landscape of classical ruins, on a turned tapering spirally fluted stem and downswept legs on ball feet, 70cm high, 49cm wide, 35cm deep Provenance: A country estate, Dumfriesshire

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Dreweatts 1759
Lot 152

A specimen marble and limed oak centre table, in continental 18th century style, 20th century, the circular top inset with various marble specimens in a tessellating pattern, above a plain frieze, on anthemion carved tapering cabriole legs joined by a shaped and moulded X stretcher, on scroll and acanthus carved feet, 74cm high, the top 96cm diameter

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Dreweatts 1759
Lot 148

A George IV mahogany serving table, circa 1825, manner of Mack, Williams & Gibton, the rectangular top with canted front corners and a foliate carved edge, above a cavetto moulded frieze, on acanthus carved cabriole legs terminating in lion paw feet at the front, 96cm high, 268cm wide, 82cm deep For a virtually identical side table by Mack, Williams and Gibton see Sheppard’s, Durrow, Ireland, Classical Convergences: Antiques, Art & Accent, 7th March 2017, Lot 392 (Estimate €15,000-25,000).Mack, Williams and Gibton of Dublin traded from 1812 to 1829 and completed commissions for some of the most important buildings in Ireland (including; Dublin Castle, Four Courts, War Office, Treasury and numerous country houses).

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Dreweatts 1759
Lot 40

A George III satinwood and marquetry folding card table, circa 1790, in the manner of George Hepplewhite, the hinged demi-lune top opening to baize inset playing surface, on square section tapering legs terminating in brass caps and castors, 75.5cm high, 91cm wide, 44cm deep Provenance: Gayton Hall, Wirrall

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