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A mostly Victorian silver harlequin part cutlery suite, in the Old English pattern, comprising six each of table forks, tablespoons, table knives, dessert forks, dessert spoons, dessert knives and teaspoons, all London assays, dates and makers to include John Hunt & Robert Roskell, 1868; Josiah Williams & Co (George Maudsley Jackson & David Landsborough Fullerton), 1903; Josiah Williams & Co (George Maudsley Jackson), 1892/93; Goldsmiths & Silversmiths Co (William Gibson & John Lawrence Langman), 1898; Charlie Jacques, 1905; the knives being Sheffield late 20th century, gross weight (excluding the knives which have steel blades) 50ozt, table knife length 24.5cm, table fork length 20cm, teaspoon length 13cm
An extensive 20th century Italian silver cutlery suite, in the Fiddle, Thread & Scroll pattern, comprising 24 table forks, twelve tablespoons, twelve table knives, twelve dessert forks, twelve dessert knives, twelve cake forks, twelve teaspoons, twelve coffee spoons, eleven demitasse spoons (and a further associated spoon bu a different maker), a fish slice, pair of salad servers with horn terminals, and two pairs serving fork and spoon, maker Argenteria Clementi (Michelangelo Clementi / Giovanni Mantel), 800 purity mark, Bologna, the knives with stainless steel blades marked YANIP-FRANCE INOX, serving spoon length 26cm, table fork length 20.5cm, demitasse spoons length 10cm, weighable silver gross weight (excluding knives and salad servers) approx 163.7ozt, stored in antioxidant silver cloth wrap bags (some with zips)
An extensive late 20th century Italian silver cutlery suite, having shaped and reeded stems, comprising 24 tables forks, twelve stainless steel bladed table knives, twelve dessert forks, twelve cake forks, twelve stainless steel bladed dessert knives, twelve tablespoons, twelve teaspoons, twelve coffee spoons, a fish slice, soup ladle, pair of salad servers with horn terminals, and a serving fork and spoon, maker Argenteria Clementi (Michelangelo Clementi / Giovanni Mantel), 800 purity mark, Bologna, slice length 27cm, table fork length 21cm, coffee spoon length 12cm, gross weighable silver (excluding knives and horn-tipped servers) approx 158ozt, stored in antioxidant silver cloth wrap bags
A suite of late 19th century German 800 silver cutlery by Gebruder Friedlander, comprising twelve table knives, nine table forks, seven fish forks, eleven fish knives, sixteen cake forks, and twelve teaspoons, all with monogrammed cartouche to the terminals, table knife length 21cm, teaspoon length 14.5cm, gross weight approx 78oz; together with various associated steel handled small knives by J.A. Henckels
A pair of Caughley table baskets, circa 1785, of open trellis form, transfer decorated in in the pinecone pattern, each w.25cmOne with a repair to the rim below the handle on one end, various chips to the flower heads on the handles, a large crack running around approx. 50% of the base.The other has three flower heads missing their centres, some chips to the petals but fewer than the other basket.
A six-place setting harlequin suite of 19th century silver cutlery in the Fiddle Thread & Shell pattern, each piece engraved to the terminal with emblem for the 10th (North Lincoln) Regiment of Foot ( X within a wreath), the dessert forks mainly Elkington & Co Ltd, London, 1893, table forks mainly Joseph & Albert Savory, London 1836, dessert spoons mainly William Theobalds, London 1841, gross weight 40ozt, table fork length 20.5cm; together with a set of six stainless steel table knives in the Kings pattern, maker Firth Brearley, Sheffield, length 21.5cm (24 pieces in total)
A set of six Victorian silver table forks in the Queens pattern, and three matching serving spoons, each engraved to the terminal with emblem for the 10th (North Lincoln) Regiment of Foot (10 within a crowned band 'North Lincoln'), maker Chawner & Co (George William Adams), London 1857-1860 (some marks worn), fork length 21cm, spoon length 22cm, gross weight 27.7ozt; together with a set of six stainless steel table knives in the Kings pattern, maker Firth Brearley, Sheffield, length 24.5cm (15 pieces in total)
A set of four Victorian silver table salts, of cauldron form with reeded everted rims, the bodies repousse decorated with floral scrolls and armorial cartouches, standing upon three hoof feet, maker Henry Holland (of Holland, Aldwinckle & Slater), London 1852, gross weight 6.6ozt, with four blue glass liners
A Regency mahogany pedestal tripod table, having a circular dished tilt-top to a ring turned gun barrel urn column, the whole raised on umbrella legs, dia.51cm, h.66cmRecently fully restored.Top had been split in two, but well fixed and polished now.Old splits to base of column.Stands well.Repolished.
A mainly late Victorian silver associated part cutlery suite, in the Old English pattern, comprising ten table forks, ten tablespoons, twelve dessert forks, and ten dessert spoons, the majority being by Francis Higgins III, London 1890-1902, some examples by William Hutton & Sons Ltd, Goldsmiths & Silversmiths Co and Walker & Hall, table fork length 20cm, dessert fork length 17.5cm, gross weight 83ozt; together with a George III butter knife by William Eley & William Fearn bearing Dutch duty mark V for vreemd (foreign)
A harlequin suite of Victorian silver flatware, in the Fiddle pattern with engraved armorial terminals, comprising eight table forks, eight dessert forks, six serving spoons and nine tablespoons, various dates and makers but mostly London assays, circa 1860s/70s, makers to include Chawner & Co (George William Adams) and John & Henry Lias, serving spoons length 23cm, gross weight approx 62oz
An extensive Elizabeth II silver part cutlery suite, in the Kings pattern, comprising twelve table forks, twelve fish forks, twelve dessert forks, twelve soup spoons, twelve dessert spoons, eleven teaspoons, twelve coffee spoons, four serving spoons, twelve fish knives, twelve steel-bladed dessert knives, and twelve steel-bladed table knives, maker H M Ltd, Sheffield 1980, gross weighable silver approx 176ozt, table knife length 25cm, serving spoon length 22cm, coffee spoon length 10.5cm; together with a set of twelve associated steel-bladed dessert knives, maker William Yates Ltd, Sheffield 1983; a set of twelve EPNS gilt-washed dessert spoons; a steel-bladed serrated cake slice, Harrison Brothers, Sheffield 1983; and a pewter-handled steel-bladed cake slice by Royal Selangor moulded with sunflowers
A Geneva 'Breeches' Bible, The Bible, that is, the Holy Scriptures conteined in the Olde and Newe Testament, Translated according to the Ebrew and Greeke, and conferred with the best Translations in divers Languages..., Imprinted at London: by the Deputies of Christopher Barker, printer to the Queens most excellent Majestie, 1599, probably printed in Amsterdam circa 1630s and illegally imported into England, both Old and New Testaments with woodcut title pages displaying the tents of the twelve tribes and the twelve Apostles within square compartments, titled to the centre within a heart-shaped frame flanked by the four Evangelists and further symbols, the New Testament 'Englishised' by Laurence Tomson and with annotations of the Revelation of St John by Franciscus Junius, with colophon at the end of Table further stating 'Imprinted at London: by the Deputies of Christopher Barker, printer to the Queens most excellent Majestie, 1599', lacking Apocrypha as is common, with woodcut illustrations, rebound in gilt tooled red leather with five raised bands to spine, marbled inside covers and gilt edged pages, previous owner's inscriptions and family register to the front beginning 1759.Note: The Geneva Bible was so called due to where it was first printed and translated by Protestants fleeing persecution circa 1560. It became extremely popular in England thanks to its accessibility and helpful study guides, but was disliked by the ruling Anglicans, especially King James I, for its supposed republican and seditious annotations. The King James Bible was published in 1611 with the intention of replacing the Geneva version, but did not stand up well to the competition; therefore the printing of the Geneva Bible was banned in England in 1616. The Bible continued to be printed abroad, mostly in Amsterdam, and imported into England with the apocryphal date of 1599 to imply that they had been printed in Queen Elizabeth I's reign and long before the ban. The Bible earned the sobriquet 'Breeches' due to the use of the word in Genesis 3:7 "Then the eyes of them both were opened, and they knew that they were naked, and they sewed figge tree leaves together, and made themselves breeches.". Previous and later versions use the word aprons.
A Sheraton Revival mahogany and inlaid Pembroke table by Edwards & Roberts, having oval fall leaves, single end frieze drawer being stamped, opposing dummy drawer, raised on square tapering supports with boxwood stringing and brass casters, f.83cm, w.57cm (leaves down), h.74cm
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1181627 item(s)/page