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A J. Robert Scott, Inc. 'Emile' side table; designed by Sally Sirkin Lewis, comprising three shelves. Finish: free form parchment, matt polish. Colour: ivory. Leg finish: solid dark elephant lacquer, high polish (width 21" (53.3cm) x depth 26" (66.1cm) x height 28" (71.1cm)
An early 20th century Edwardian mahogany, satinwood crossbanded and boxwood-strung music cabinet; the three-quarter galleried top with hand-bevelled rectangular mirror plate above a single glazed door with a central marquetry decoration allegorical of music and enclosing shelves, raised on ogee-style bracket feet; together with an Edwardian period walnut Sutherland table on turned legs terminating in castors (music cabinet 125cm high x 47.5cm wide) (2)
An 18th-century-style teak/hardwood centre table (modern); the thumbnail-moulded top above an ornately carved frieze centred with a scallop-shell-style motif and with scrolling acanthus, raised on four pronounced cabriole legs further carved with acanthus to the knees and terminating in paw-style feet (94cm wide x 56cm deep x 76cm high)
A good extending solid oak dining table in 17th century style (reproduction); the top with single leaf end extension and cleated above four turned cup-and-cover-style legs united by a moulded H-form stretcher, together with a set of six (4+2) Lancashire-style ladderback chairs, each with rush seat and turned tapering front legs united by a high turned front stretcher (184cm leaf on x 82.5cm wide)
A George IV period (circa 1825) mahogany tilt-top breakfast table; the rectangular top with rounded ends above a turned stem and four downswept tapering legs terminating in brass cap castors, the turned stem with historic restorations near to where the legs tenon in) (104cm x 108cm)
A fine modern design ceramic table lamp and shade; designed by Louis Drimmer (the French designer synonymous with 'haute couture lighting'), the lamp of concentric spherical form and signed on base (58.5cm high including electrical fitting, the shade 22cm (with some spotting)
Early 20th century walnut occasional table, the top with floral marquetry, satinwood band, rosewood cross band and moulded brass border over quarter sawn frieze, raised on splayed supports with gilt mounts in the form of rams heads, terminating in sabot feet 72cm x 48cm, H52cm
Late 19th / early 20th century French boulle and ebonised rosewood bijouterie table, the hinged top with bevelled glass plate and floral cast ormolu mounted lifting to reveal velvet lined interior, raised on shaped slender supports united by under tier, terminating in sabot feet 62cm x 42cm, H77cm
Regency rosewood work table, the hinged top lifting to reveal storage compartment with divisions, drop leaf with canted corners to each end, raised on a platform base with a hooped stretcher leading to four inverted splayed supports terminating in castors, with boxwood string inlay all over W47cm
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1181390 item(s)/page