Sign in
Register
notifications_none notifications Alerts

We found 1181390 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 1181390 item(s)
    /page

Hindman Auctions
Lot 230

A Regency Penwork, Ebonized and Cream-Painted Game TableCirca 1820the top decorated with a checkerboard pattern having individual designs in each square, surrounded by a floral border, the patterns probably after designs by John Stalker and George Parker.Height 28 1/4 x width 21 x depth 21 inches.This lot is located in Chicago.Provenance:Kenneth Neame, London, 29 May 1987 (with invoice)Small repairs and infill to the stringing. The decoration largely intact and vivid. Shrinkage around checkerboard frame. Minor cracking on the frieze and plinth. Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.

More details

Hindman Auctions
Lot 121

A Japanese Lacquer Panel-Inset Low Table18th/19th Century, Base LaterHeight 15 x width 46 x depth 22 inches. This lot is located in Chicago.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.

More details

Hindman Auctions
Lot 13

A George III Mahogany and Ebony-Inlaid Serving Table in the Manner of Thomas ChippendaleCirca 1775Height 36 x width 72 x depth 26 1/8 inches.This lot is located in Chicago.Provenance:Hotspur Ltd., London, 1980Overall well-conserved condition without significant alteration. With a red wash noted on the underside. The top with wear including fading, darker discolorations and old scratches.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report. 

More details

Hindman Auctions
Lot 231

A George II Walnut Marble-Top Side TableCirca 1740the marble top later.Height 30 3/4 x width 39 1/2 x depth 20 inches.This lot is located in Chicago.Provenance:Mallett Ltd., London, 16 February 1981 (with invoice) Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.

More details

Hindman Auctions
Lot 31

A Sevres Beau Bleu Porcelain Coffee Can and a Saucer (Gobelet 'Litron', 2eme Grandeur et sa Soucoupe, 3eme Grandeur)Circa 1785the cup with gilt interlaced Ls and incised 36D F, the still life painting attributed to Micaud, the gilding to Le Guay, the saucer with blue interlaced Ls enclosing date letter HH, painter's mark for Julien le jeune, unidentified PR and incised 117; the cup painted in colors with a still life of fruit and flowers in a basket on a marble ledge reserved within a gilt cisele band and with tiny gold foil stars applied to the cobalt blue ground, the substitute saucer with a central jewelled star within a sunburst, the border with gilt foil stars between gilt bands.Height of cup 2 3/4 inches; diameter of saucer 4 5/8 inches.This lot is located in Chicago.Provenance:Mary Poter Walsh, Oklahoma City;Christie", New York, Fine French and Continental & European Ceramics and [...], 16-18 November 1999, Lot 221 Rinceaux, Palm Beach, no. 1101, 30 May 2000 (with invoice) Note:The present gobelet 'Litron' is almost certainly a cup missing from a part cabaret retained in the British Royal Collection. In 1826, an inventory of the Confectionary at Carlton House noted 'no. 239: A Dejeuni of blue with gold stars, painted in fruit and flowers. Consisting of five Cups & Saucers, Teapot, Sugar Bason and Cover, Cream Ewer and Slop Bason.' Of these, only the sugar bowl and cover (pot a sucre 'Calabre' 1ere grandeur), one cup (gobelet 'Litron', 2eme grandeur) and two saucers (soucoupes, 2eme grandeur) remain in the Royal Collection. A comparison of the present cup with the illustrations in Sir Geoffrey" comprehensive catalogue leave little doubt that the still lifes of a basket of flowers on a marble table found on each piece are by the same hand. That the factory mark on the present cup also corresponds to the other pieces in this cabaret helps solidify the attribution of the lush still life painting on the present cup to Jacques-Francois Micaud pere (active 1757-1810 as a flower painter), the stars and gilding to Le Guay (active 1751-1797 as a gilder), and the piece itself as originally part of this service.See Sir Geoffrey de Bellaigue, French Porcelain: In the Collection of Her Majesty the Queen, London, Vol. III, cat. no. 251, pp. 895-898 for a detailed discussion of these pieces and of what is almost certainly the payment records for Micaud and Le Guay when they worked on this service, executed between May 1784 and April 1785.Julien le jeune (active 1784-1786), is recorded at Sevres as a painter specializing in flowers and as a gilder. His mark appears only on the slightly small replacement saucer with gilt decoration.In generally good condition, some foil stars starting to lift or lacking a point here and there.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.

More details

Hindman Auctions
Lot 3

A George III Mahogany Tea TableThird Quarter 18th CenturyHeight 27 2/4 x width 25 3/4 x depth 26 inches.This lot is located in Chicago.Sturdy and usable overall. The brass catch from the underside is an old replacement. One bear (cleat) from the underside of the top has extra screw holes when removed (unknown why; possibly to stabilize a crack), but the bears are original. One of the legs of the tripod with a restored break and a screwed reinforcement to the underside. The top is likely in its original form and has the color, shrinkage and "blacking" to suggest that it was not re-shaped.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report. 

More details

Hindman Auctions
Lot 110

A Circular 'Chan' Coffee Table by Philip and Kelvin LaVerne (American, 1907-1987 and b. 1937)Circa 1960ssigned to top.Height 17 1/2 x diameter 47 1/4 inches.This lot is located in Chicago.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.

More details

Hindman Auctions
Lot 67

An Irish George II Mahogany Tea TableCirca 1750Height 27 3/8 x width 30 x depth 21 1/8 inches.This lot is located in Chicago.Sturdy, well-conserved condition with old color and patina, including attractive dark "black" areas. The top with a repaired crack running its entire length and wood braces added to the underside. Another tight crack running 1/3 of the length of the top. Other dark old watermarks and discolorations as is normal. Old loss to the petals of one flower on the apron. Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.

More details

Hindman Auctions
Lot 72

A Pair of George III Gilt Bronze Mounted Tulipwood, Burr Yew and Satinwood Marquetry Demilune CabinetsProbably Irish, Circa 1790with cedar-lined drawers and mahogany bottom boards, the ormolu boards probably later; minor differences in size.Larger: height 37 x width 43 1/8 x depth 19 inches; smaller: height 37 x width 41 1/4 x depth 18 7/8 inches.This lot is located in Chicago.Provenance:Lord Louth, Louth Hall, County Louth, IrelandPartridge, London, 19 April 1994 (with invoice)Note:The design of these elegant cabinets, with their distinctive burr yew panels and delicate Neoclassical swag marquetry, closely relates to the work of Dublin cabinet-makers of the era. Though William Moore is perhaps the most-well known potential candidate, other cabinet-makers, such as John Wisdom, also employed the same pattern of burr yew panels on their documented work including a table supplied to Thomas Cobb at Newbridge (Glin and J. Peill, Irish Furniture, New Haven, 2007 p. 167, fig. 228). As the authors note, much has been attributed to William Moore without documented evidence (Ibid, p. 166) and indeed only two works have been substantiated as by Moore-a demilune commode supplied to William Henry Cavendish-Bentinck, 3rd Duke of Portland (d. 1809) when Viceroy of Ireland around 1782 and a demilune Pianoforte inscribed 'W Moore', circa 1785, the only signed example of his work. The location of the signed example is currently unknown.With two keys. Both cabinets with some circular moisture rings on their tops. A few minor instances of veneer repairs along the banding. Clean backs and re-polished. Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.

More details

Hindman Auctions
Lot 200

A North European Painted and Parcel-Gilt Center Table19th Century and LaterHeight 35 1/2 x width 40 3/4 x depth 32 inches.This lot is located in Chicago.Provenance:Cedric Dupont, Palm BeachThe finial in the center of the base is a more recent addition. The faux marble top is later. Possibly German, with oak carcass. Decoration refreshed, with heavy craquelure throughout the paint surface. Adapted from several 19th century elements; unsure what the form was originally. Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.

More details

Hindman Auctions
Lot 216

A North Italian Neoclassical Painted and Parcel-Gilt Console TableEarly 19th CenturyHeight 31 1/2 x width 54 x depth 29 inches.This lot is located in Chicago.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.

More details

Unique Auctions
Lot 207

A table top Blitz projector screen (Actina of London)

More details

Unique Auctions
Lot 20

A Selection of Pottery Table Lamps

More details

Unique Auctions
Lot 592

A quantity of trays and bedside table

More details

Unique Auctions
Lot 600

A CD cabinet with contents and a side table

More details

Unique Auctions
Lot 160

A Tiffany style leaded glass cat on cushion table lamp

More details

Unique Auctions
Lot 326

An oak drop leaf tea trolley / coffee table - Collection only

More details

Unique Auctions
Lot 309

A white painted retro magazine rack side table - Collection only

More details

Unique Auctions
Lot 607

A small kitchen dining table and 2 chairs

More details

Unique Auctions
Lot 341

A small dark wood sofa table, COLLECT ONLY.

More details

Unique Auctions
Lot 217

A dark wood stained oval bevel edge dressing table mirror

More details

McTear's
Lot 17

JAMES DRUMMOND RSA (SCOTTISH 1816 - 1877) THE ABBOT OF INCHAFFRAY BLESSING THE SCOTTISH ARMY BEFORE THE BATTLE OF BANNOCKBURN THE ABBOT OF INCHAFFRAY BLESSING THE SCOTTISH ARMY BEFORE THE BATTLE OF BANNOCKBURNoil on canvas, titled partial label versoframedimage size 85cm x 125cm, overall size 108cm x 148cmPartial handwritten exhibition label verso. Label verso: Britnell's Art Galleries, London & Toronto.Exhibited: Royal Scottish Academy Annual Exhibition 1844 cat no 173.Exhibited: Royal Scottish Academy Annual Exhibition 1880 cat no 298 (Lent by Mrs Ballantine)Note: The Scots soldiery was aroused at around daybreak on Sunday 23rd June 1314. Maurice, the aged blind Abbot of Inchaffray celebrated mass for the army. On seeing this, Edward II is reputed to have said: "Yon folk are kneeling to ask mercy." Sir Ingram de Umfraville, a Balliol supporter fighting for Edward, is said to have replied: "They ask for mercy, but not from you. They ask God for mercy for their sins. I'll tell you something for a fact, that yon men will win all or die. None will flee for fear of death." "So be it", retorted Edward. Robert the Bruce addressed his soldiers, informing them that anyone who did not have the stomach for a fight should leave. A great cry re-assured him that most were ready for the battle. If there is a fact every Scot knows, it is who won the Battle of Bannockburn in 1314; although it did not bring outright victory in the war, which lay 14 years in the future and would only be won at the negotiating table. The victory was a combination of Bruce's demand of 1313: that all of the remaining Balliol supporters acknowledge his kingship or forfeit their estates, and the imminent surrender of the English garrison encircled in Stirling castle – which spurred Edward II to invade Scotland. He mobilised a massive military machine: summoning 2,000 horse and 25,000 infantry from England, Ireland and Wales. Although probably only half the infantry turned up, it was by far the largest English army ever to invade Scotland. The Scots common army numbered around 6000, with a small contingent on horseback. It was divided into three "divisions" or schiltroms (massive spear formations), led by King Robert Bruce, his brother, Edward, and his nephew, Sir Thomas Randolph, Earl of Moray. After eight years of successful guerrilla warfare and plundering the north of England for booty, the Scots had created an experienced battle-hardened army. The battle opened with one of the most celebrated individual contests in Scottish history. Sighting a group of Scots withdrawing into the wood, the English vanguard, made up of heavy cavalry, charged. As they clashed with the Scots, an English knight, Sir Henry de Bohun, spotted Robert Bruce. If de Bohun had killed or captured Bruce, he would have become a chivalric hero. So, spurring his warhorse to the charge, he lowered his lance and bared down on the king. Bruce, an experienced warrior, didn't panic, but mounted "ane palfray, litil and joly" and met the charge. Dodging the lance, he brought his battle axe down on de Bohun's helmet, striking him dead. Elated, the Scots forced the English cavalry to withdraw. The Scots had won the first day. Their morale was high and Bruce's new tactic of using the schiltroms offensively rather than statically, as Wallace had used them at Falkirk, appeared to be working. Yet Bruce must have been contemplating a strategic withdrawal before the set piece battle that would inevitably follow in the morning. For the English the setbacks of the first day were disappointing. Fearing Bruce might mount a night attack, they encamped in the Carse of Balquhiderock. The following day they still hoped to draw Bruce into a full-scale, set-piece battle where their decisive Welsh longbowmen could be brought to bear rather than let Bruce return to guerrilla warfare. At this critical moment, Sir Alexander Seton, a Scots noble in the English army, defected to Bruce bringing him vital intelligence of Edward's army: its confined position and the low morale within the English camp. Bruce decided to risk all in the morning and face Edward in open battle. At dawn the Scots ate their breakfast and advanced out of the wood to face the enemy. Medieval battles were seen as the judgement of God; it was important to have the saints on your side, and so, in the midst of the Scots schiltroms, Abbot Bernard of Arbroath carried their ancient lucky talisman, the Breccbennach (or Monymusk Relquary), which held the relics of St Columba. Bruce himself made a speech invoking the power of St Andrew, John the Baptist and Thomas Beckett. Then, according to the chronicler Walter Bower: "At these words, the hammered horns resounded, and the standards of war were spread out in the golden dawn."

More details

Bourne End Auction Rooms
Lot 446

A Victorian walnut quarter cut veneered side table having a turned central support and cabriole legs, 70h x 108w, Location:

More details

Bourne End Auction Rooms
Lot 363

A George V silver clad dressing table hand mirror and brush with engraved initials and machine turned decoration, Birmingham 1921, a similar brush, Birmingham 1910 and a silver topped cut glass pot and cover, hallmarked London 1834

More details

Bourne End Auction Rooms
Lot 428

A mid 20th century Alfred Cox for AC dressing table having three bevelled glass mirrors and five drawers, 121h x 142w and a matching stool, Location:

More details

Bourne End Auction Rooms
Lot 469

A vintage treen carved elephant occasional table, 51h x 25w, Location:

More details

Bourne End Auction Rooms
Lot 425

An early 20th century walnut bureau and an 18th century oak drop leaf table, and a beech framed armchair Location: G

More details

Bourne End Auction Rooms
Lot 202

A 1930s oak table with barley twist legs, Location:

More details

Bourne End Auction Rooms
Lot 394

A small black lacquered and gilt wooden table with a drawer and chinoiserie decoration, along with a Nelson's prayer print, Location:

More details

Bourne End Auction Rooms
Lot 422

A 20th century Eastern table on folding treen base with barleytwist supports and the top being brass with Egyptian images, Location: A4B

More details

Bourne End Auction Rooms
Lot 51

A quantity of early to mid 20th Century table linen, lace table mat and lace handkerchief to include Schiffli table cloths with insertions and embroidery. Location:BWR

More details

Bourne End Auction Rooms
Lot 396

A small reproduction mahogany finished display table with glass sides, on square tapered legs, Location:

More details

Bourne End Auction Rooms
Lot 50

Vintage table linen with machine crochet detail together with early 20th Century Irish Monaghan Bel Broid cream silk pantaloons and slip and a child's dress. Location:BWR

More details

Bourne End Auction Rooms
Lot 418

An early 20th century mahogany side table with raised back above two drawers, 70cm h x 105cm x 53cmd, Location:

More details

Bourne End Auction Rooms
Lot 362

A graduated set of six 19th century Mason's Ironstone snake handled jugs and a similar Masons jug in green, a German figural table centre piece bowl with encrusted flower decoration in relief, a pair of Victorian glass candlestick lustres, a Masons blue and white pot and cover and an Italian Spode pattern Copeland trefoil serving dish

More details

Bourne End Auction Rooms
Lot 228

An Elizabeth II silver dressing table trinket box of oval form, vacant cartouche and machine turned decoration within a cast beaded and scrolled leaf edged lid, gilded and velvet lined interior, on four cast feet, Birmingham 1956, marks for Adie Bros, total weight 232.6g, along with a small silver and pink guilloche enamelled pot, gilded interior and mirror inset to lid, importation marks, total weight 49.9g

More details

Bourne End Auction Rooms
Lot 376

A modern oak extending dining table with rise and fall leaf, circular top on square legs and four modern dining slat back chairs with upholstered seats, Location:

More details

Bourne End Auction Rooms
Lot 367

Two late Victorian/Edwardian mahogany dressing table swing mirrors, along with an Edwardian mahogany kidney shaped gallery tray with twin brass handles and central inlaid shell motif, Location:

More details

Bourne End Auction Rooms
Lot 255

An aluminium garden table, 69h x 69w and a pair of matching chairs

More details

Bourne End Auction Rooms
Lot 249

A Georgian oak 2 tier side table on ring turned supports. Location:RAB

More details

Bourne End Auction Rooms
Lot 435

A 19th century plum pudding mahogany two drawer side table, on square tapering legs, 72h x 96.5w, Location:

More details

Bourne End Auction Rooms
Lot 282

A mid 20th century retro teak coffee table with magazine rack below, 41h x 106.5w

More details

Bourne End Auction Rooms
Lot 89

Small dressing table collectables to include scent bottles, cloisonne pill boxes, silver tone jewellery and miniature pin cushions. Location:R1.3

More details

Bourne End Auction Rooms
Lot 268

A Columbia green table top gramophone and an electric record player, no wire and various 78 records, Location:

More details

Bourne End Auction Rooms
Lot 223

An aluminium green painted garden table, 73h x 80.5w and a pair of matching chairs

More details

Bourne End Auction Rooms
Lot 447

A Georgian oak snap top occasional table having a circular top and on three cabriole legs, 68.5h x 84w, Location:

More details

Bourne End Auction Rooms
Lot 349

A mid 20th century G-Plan teak extending dining table, 72h x 162w and a set of four chairs

More details

Bourne End Auction Rooms
Lot 366

A group of small furniture to include a Georgian mahogany pedestal kettle stand, later circular top with high moulded edge, turned column, on tripod splayed legs and pad feet, a Regency mahogany occasional table, square top with rounded corners, quatrefoil base and turned feet, Edwardian inlaid mahogany pedestal wine table and smaller reproduction mahogany wine table (4), Location:

More details

Bourne End Auction Rooms
Lot 378

A Victorian pitch pine kitchen table with single drawer and bun handles, rectangular top with shaped corners, on turned legs, 76 x 121.5 x 81cm, Location:

More details

Bourne End Auction Rooms
Lot 203

A 1930s oak table with bobbin turned legs and a mahogany wash stand with a later top

More details

Bourne End Auction Rooms
Lot 230

A group of various silver items to include dressing table hand mirrors and brushes, two napkin rings, a canoe shaped salt bowl 1902, marks for Cornelis Desmoreaux Saunders and Francis Hollings Shepherd, a Chinese coins bangle and a child's bracelet, along wit a Victorian bowl with panels fluted decoration having repousse pendant design to each panels, Sheffield 1896, marks for Fenton Bros Ltd, others various dates and makers, combined weight excluding mirrors and brushes, 128.2g

More details

Bourne End Auction Rooms
Lot 111

Mixed vintage table linen, late 20th Century costume jewellery, 2 vintage tins, 3 gents brown felt hats A/F and a quantity of late 20th Century badges.

More details

Bourne End Auction Rooms
Lot 385

A mid 20th century G-plan cream painted and oak dressing table and a four drawer chest together with four G-plan ebonized chairs and a bedside cabinetLocation: A3M/G

More details

Bourne End Auction Rooms
Lot 379

A Georgian mahogany demi lune table on square legs, a set of seven reproduction mahogany dining chairs, upholstered seats on turned and fluted front legs, a reproduction mahogany coffee table, mahogany three shelf wall hanging unit and a pine open shelf wall hanging unit of three shelves, Location:

More details
Loading...Loading...
  • 1181390 item(s)
    /page

Recently Viewed Lots